There was also a great deal in that story about a certain other celebrity6, for her relations to whom the writer was blackballed in a club of which I afterward7 became a member, and I think it was the things Pauline said about one of the rewards of genius being the privilege of association with such transcendent personalities8 on a footing which permitted one to call them by their first names in one's reminiscences, that gave me the notion of writing this book. It has struck me as humorous to a degree, that, in this sort of writing, the really important things are usually left out.
I thought then of writing the life of an accomplished9 woman, not so much of the accomplishment10 as of the woman; and I have never been able to make a start at it without thinking of Pauline Mills and that curious social warp11 which obligates us most to impeach12 the validity of a woman's opinion at the points where it is most supported by experience. From the earliest I have been rendered highly suspicious of the social estimate of women, by the general social conspiracy13 against her telling the truth about herself. But, in fact, I do not think Mrs. Mills will read my book. Henry will read it first at his office and tell her that he'd rather she shouldn't, for Henry has been so successfully Paulined that it is quite sufficient for any statement of life to lie outside his wife's accepted bias14, to stamp it with insidious15 impropriety. There is at times something almost heroic in the resolution with which women like Pauline Mills defend themselves from whatever might shift the centres of their complacency.
But even without Pauline, it interests me greatly to undertake this book, of which I have said in the title as much as a phrase may of the scope of the undertaking16, for if I know anything of genius it is wholly extraneous17, derived18, impersonal19, flowing through and by. I cannot tell you what it is, but I hope to show you a little of how I was seized of it, shaped; what resistances opposed to it; what surrenders. I mean to put as plainly as possible how I felt it fumbling20 at my earlier life like the sea at the foot of a tidal wall, and by what rifts21 in the structure of living, its inundation22 rose upon me; by what practices and passions I was enlarged to it, and by what well meaning of my friends I was cramped23 and hardened. But of its ultimate operation once it had worked up through my stiff clay, of triumphs, profits, all the intricacies of technique, gossip of rehearsals24, you shall hear next to nothing. This is the story of the struggle between a Genius for Tragic25 Acting26 and the daughter of a County Clerk, with the social ideal of Taylorville, Ohianna, for the villain27. It is a drama in which none of the characters played the parts they were cast for, and invariably spoke28 from the wrong cues, which nevertheless proceeded to a successful dénouement. But if you are looking for anything ordinarily called plot, you will be disappointed. Plot is distinctly the province of fiction, though I've a notion there is a sort of order in my story, if one could look at it from the vantage of the gods, but I have never rightly made it out. What I mean to go about is the exploitation of the personal phases of genius, of which when it refers to myself you must not understand me to speak as of a peculiar29 merit, like the faculty30 for presiding at a woman's club or baking sixteen pies of a morning, which distinguished one Taylorvillian from another; rather as a seizure31, a possession which overtook me unaware32, like one of those insidious Oriental disorders33 which you may never die of, but can never be cured. You shall hear how I did successfully stave it off in my youth for the sake of a Working Taylor and Men's Outfitter, and was nearly intimidated34 out of it by the wife of a Chicago attorney who had something to do with stocks; how I was often very tired of it, and many times, especially in the earlier periods when I was trying to effect a compromise between it and the afore-mentioned Taylorvillian predilections35, I should have been happiest to have been quit of it altogether.
I shall try to have you understand that I have not undertaken to restate those phases of autobiography36 which are commonly suppressed, because of an exception to what the public has finally and at large concurred37 in, that it does not particularly matter what happens to the vessel38 of personality, so long as the essential fluid gets through; but from having gone so much farther to discover that it matters not a little to Genius to be so scamped and retarded39. I have arrived at seeing the uncritical acceptance of poverty and heartbreak as essential accompaniments of Gift, very much of a piece with the proneness40 of Christians42 to regard the early martyrdoms as concomitants of faith, when every thinking person knows they arose in the cruelty and stupidity of the bystanders. Hardly any one seems to have recalled in this connection, that the initial Christian41 experience is a baptism of Joy, and it was only in the business of communicating it that it became bloody43 and tormenting44. If you will go a little farther with me, you shall be made to see the miseries45 of genius, perhaps also the bulk of wretchedness everywhere, not so much the rod of inexplicable46 chastisement47, as the reaction of a purblind48 social complacency.
I shall take you at the sincerest in admitting the function of Art to be its re-kneading of the bread of life until it nourishes us toward greater achievement, as a basis for proving that much that you may be thinking about its processes is wrong, and most that you may have done for its support is beside the mark. If I have had any compunction about writing this book, it has been the fear that in the relation of incidents difficult and sordid49, you might still miss the point of your being largely to blame for them. And even if you escape the banality50 of believing that my having lived for a week in Chicago on 85 cents was in any way important to my artistic51 development, and go so far as to apprehend52 it as it actually was, a foolish and unnecessary interference with my business of serving you anew with entertainment, you must go a little farther honestly to accept it, even when it came—this revitalizing fluid of which I was for the moment the vase, the cup—in circumstances which in the rule you live by, appear, when not actually reprehensible53, at least ridiculous.
Looking back over a series of struggles that have left me in a frame when no man under forty interests me very much, still within the possibility of personal romance, and at an age when most women have the affectional value of a keepsake only, the arbiter54 and leader of my world, I seem to see my life not much else but a breach55 in the social fabric56, sedulously57 bricked up from within and battered58 from without, through which at last pours light and the fluid soul of Life. Something of all this I shall try to make plain to you, and incidentally how in the process I have perceived dimly this huge coil of social adjustment as a struggle against the invasive forces of blessedness, the smother59 of sheep in the lanes stupidly to escape the fair pastures toward which a large Friendliness60 herds61 them. If you go as far as this with me, you shall avoid, who knows, what indirection, and that not altogether without entertainment.
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1 autobiographies | |
n.自传( autobiography的名词复数 );自传文学 | |
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2 distinguished | |
adj.卓越的,杰出的,著名的 | |
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3 persuasions | |
n.劝说,说服(力)( persuasion的名词复数 );信仰 | |
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4 abound | |
vi.大量存在;(in,with)充满,富于 | |
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5 skidding | |
n.曳出,集材v.(通常指车辆) 侧滑( skid的现在分词 );打滑;滑行;(住在)贫民区 | |
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6 celebrity | |
n.名人,名流;著名,名声,名望 | |
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7 afterward | |
adv.后来;以后 | |
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8 personalities | |
n. 诽谤,(对某人容貌、性格等所进行的)人身攻击; 人身攻击;人格, 个性, 名人( personality的名词复数 ) | |
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9 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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10 accomplishment | |
n.完成,成就,(pl.)造诣,技能 | |
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11 warp | |
vt.弄歪,使翘曲,使不正常,歪曲,使有偏见 | |
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12 impeach | |
v.弹劾;检举 | |
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13 conspiracy | |
n.阴谋,密谋,共谋 | |
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14 bias | |
n.偏见,偏心,偏袒;vt.使有偏见 | |
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15 insidious | |
adj.阴险的,隐匿的,暗中为害的,(疾病)不知不觉之间加剧 | |
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16 undertaking | |
n.保证,许诺,事业 | |
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17 extraneous | |
adj.体外的;外来的;外部的 | |
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18 derived | |
vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取 | |
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19 impersonal | |
adj.无个人感情的,与个人无关的,非人称的 | |
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20 fumbling | |
n. 摸索,漏接 v. 摸索,摸弄,笨拙的处理 | |
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21 rifts | |
n.裂缝( rift的名词复数 );裂隙;分裂;不和 | |
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22 inundation | |
n.the act or fact of overflowing | |
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23 cramped | |
a.狭窄的 | |
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24 rehearsals | |
n.练习( rehearsal的名词复数 );排练;复述;重复 | |
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25 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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26 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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27 villain | |
n.反派演员,反面人物;恶棍;问题的起因 | |
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28 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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29 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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30 faculty | |
n.才能;学院,系;(学院或系的)全体教学人员 | |
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31 seizure | |
n.没收;占有;抵押 | |
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32 unaware | |
a.不知道的,未意识到的 | |
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33 disorders | |
n.混乱( disorder的名词复数 );凌乱;骚乱;(身心、机能)失调 | |
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34 intimidated | |
v.恐吓;威胁adj.害怕的;受到威胁的 | |
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35 predilections | |
n.偏爱,偏好,嗜好( predilection的名词复数 ) | |
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36 autobiography | |
n.自传 | |
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37 concurred | |
同意(concur的过去式与过去分词形式) | |
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38 vessel | |
n.船舶;容器,器皿;管,导管,血管 | |
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39 retarded | |
a.智力迟钝的,智力发育迟缓的 | |
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40 proneness | |
n.俯伏,倾向 | |
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41 Christian | |
adj.基督教徒的;n.基督教徒 | |
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42 Christians | |
n.基督教徒( Christian的名词复数 ) | |
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43 bloody | |
adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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44 tormenting | |
使痛苦的,使苦恼的 | |
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45 miseries | |
n.痛苦( misery的名词复数 );痛苦的事;穷困;常发牢骚的人 | |
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46 inexplicable | |
adj.无法解释的,难理解的 | |
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47 chastisement | |
n.惩罚 | |
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48 purblind | |
adj.半盲的;愚笨的 | |
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49 sordid | |
adj.肮脏的,不干净的,卑鄙的,暗淡的 | |
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50 banality | |
n.陈腐;平庸;陈词滥调 | |
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51 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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52 apprehend | |
vt.理解,领悟,逮捕,拘捕,忧虑 | |
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53 reprehensible | |
adj.该受责备的 | |
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54 arbiter | |
n.仲裁人,公断人 | |
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55 breach | |
n.违反,不履行;破裂;vt.冲破,攻破 | |
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56 fabric | |
n.织物,织品,布;构造,结构,组织 | |
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57 sedulously | |
ad.孜孜不倦地 | |
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58 battered | |
adj.磨损的;v.连续猛击;磨损 | |
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59 smother | |
vt./vi.使窒息;抑制;闷死;n.浓烟;窒息 | |
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60 friendliness | |
n.友谊,亲切,亲密 | |
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61 herds | |
兽群( herd的名词复数 ); 牧群; 人群; 群众 | |
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