Preface

To THEODORE ROOSEVELT

Some of these pages you have seen, some you have praised, one stands new-written because you blamed it; and all, my dear critic, beg leave to remind you of their author's changeless admiration¹.

TO THE READER

Certain of the newspapers, when this book was first announced, made a mistake most natural upon seeing the sub-title as it then stood, A TALE OF SUNDRY² ADVENTURES. "This sounds like a historical novel," said one of them, meaning (I take it) a colonial romance. As it now stands, the title will scarce lead to such interpretation³; yet none the less is this book historical--quite as much so as any colonial romance. Indeed, when you look at the root of the matter, it is a colonial romance. For Wyoming between 1874 and 1890 was a colony as wild as was Virginia one hundred years earlier. As wild, with a scantier⁴ population, and the same primitive⁵ joys and dangers. There were, to be sure, not so many Chippendale settees.

We know quite well the common understanding of the term "historical novel." HUGH WYNNE exactly fits it. But SILAS LAPHAM is a novel as perfectly⁶ historical as is Hugh Wynne, for it pictures an era and personifies a type. It matters not that in the one we find George Washington and in the other none save imaginary figures; else THE SCARLET⁷ LETTER were not historical. Nor does it matter that Dr. Mitchell did not live in the time of which he wrote, while Mr. Howells saw many Silas Laphams with his own eyes; else UNCLE TOM'S CABIN were not historical. Any narrative⁸ which presents faithfully a day and a generation is of necessity historical; and this one presents Wyoming between 1874 and 1890. Had you left New York or San Francisco at ten o'clock this morning, by noon the day after to-morrow you could step out at Cheyenne. There you would stand at the heart of the world that is the subject of my picture, yet you would look around you in vain for the reality. It is a vanished world. No journeys, save those which memory can take, will bring you to it now. The mountains are there, far and shining, and the sunlight, and the infinite earth, and the air that seems forever the true fountain of youth, but where is the buffalo⁹, and the wild antelope¹⁰, and where the horseman with his pasturing thousands? So like its old self does the sage-brush seem when revisited, that you wait for the horseman to appear.

But he will never come again. He rides in his historic yesterday. You will no more see him gallop¹¹ out of the unchanging silence than you will see Columbus on the unchanging sea come sailing from Palos with his caravels.

And yet the horseman is still so near our day that in some chapters of this book, which were published separate at the close of the nineteenth century, the present tense was used. It is true no longer. In those chapters it has been changed, and verbs like "is" and "have" now read "was" and "had." Time has flowed faster than my ink.

What is become of the horseman, the cowpuncher, the last romantic figure upon our soil? For he was romantic. Whatever he did, he did with his might. The bread that he earned was earned hard, the wages that he squandered¹² were squandered hard,--half a year's pay sometimes gone in a night,--"blown in," as he expressed it, or "blowed in," to be perfectly accurate. Well, he will be here among us always, invisible, waiting his chance to live and play as he would like. His wild kind has been among us always, since the beginning: a young man with his temptations, a hero without wings.

The cow-puncher's ungoverned hours did not unman him. If he gave his word, he kept it; Wall Street would have found him behind the times. Nor did he talk lewdly¹³ to women; Newport would have thought him old-fashioned. He and his brief epoch¹⁴ make a complete picture, for in themselves they were as complete as the pioneers of the land or the explorers of the sea. A transition has followed the horseman of the plains; a shapeless state, a condition of men and manners as unlovely as is that moment in the year when winter is gone and spring not come, and the face of Nature is ugly. I shall not dwell upon it here. Those who have seen it know well what I mean. Such transition was inevitable¹⁵. Let us give thanks that it is but a transition, and not a finality.

Sometimes readers inquire, Did I know the Virginian? As well, I hope, as a father should know his son. And sometimes it is asked, Was such and such a thing true? Now to this I have the best answer in the world. Once a cowpuncher listened patiently while I read him a manuscript. It concerned an event upon an Indian reservation. "Was that the Crow reservation?" he inquired at the finish. I told him that it was no real reservation and no real event; and his face expressed displeasure. "Why," he demanded, "do you waste your time writing what never happened, when you know so many things that did happen?"

And I could no more help telling him that this was the highest compliment ever paid me than I have been able to help telling you about it here!

CHARLESTON, S.C., March 31st, 1902

1 admiration   

n.钦佩，赞美，羡慕

参考例句：

• He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
• We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。

2 sundry   

adj.各式各样的，种种的

参考例句：

• This cream can be used to treat sundry minor injuries.这种药膏可用来治各种轻伤。
• We can see the rich man on sundry occasions.我们能在各种场合见到那个富豪。

3 interpretation   

n.解释，说明，描述；艺术处理

参考例句：

• His statement admits of one interpretation only.他的话只有一种解释。
• Analysis and interpretation is a very personal thing.分析与说明是个很主观的事情。

4 scantier   

adj.（大小或数量）不足的，勉强够的( scanty的比较级 )

参考例句：

• The want ads seemed scantier by the day. 招聘广告似乎逐日减少。 来自辞典例句

5 primitive   

adj.原始的；简单的；n.原(始)人，原始事物

参考例句：

• It is a primitive instinct to flee a place of danger.逃离危险的地方是一种原始本能。
• His book describes the march of the civilization of a primitive society.他的著作描述了一个原始社会的开化过程。

6 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

7 scarlet   

n.深红色，绯红色，红衣；adj.绯红色的

参考例句：

• The scarlet leaves of the maples contrast well with the dark green of the pines.深红的枫叶和暗绿的松树形成了明显的对比。
• The glowing clouds are growing slowly pale,scarlet,bright red,and then light red.天空的霞光渐渐地淡下去了，深红的颜色变成了绯红，绯红又变为浅红。

8 narrative   

n.叙述，故事；adj.叙事的，故事体的

参考例句：

• He was a writer of great narrative power.他是一位颇有记述能力的作家。
• Neither author was very strong on narrative.两个作者都不是很善于讲故事。

9 buffalo   

n.(北美)野牛；(亚洲)水牛

参考例句：

• Asian buffalo isn't as wild as that of America's. 亚洲水牛比美洲水牛温顺些。
• The boots are made of buffalo hide. 这双靴子是由水牛皮制成的。

10 antelope   

n.羚羊；羚羊皮

参考例句：

• Choosing the antelope shows that China wants a Green Olympics.选择藏羚羊表示中国需要绿色奥运。
• The tiger was dragging the antelope across the field.老虎拖着羚羊穿过原野。

11 gallop   

v./n.(马或骑马等)飞奔；飞速发展

参考例句：

• They are coming at a gallop towards us.他们正朝着我们飞跑过来。
• The horse slowed to a walk after its long gallop.那匹马跑了一大阵后慢下来缓步而行。

12 squandered   

v.（指钱，财产等）浪费，乱花( squander的过去式和过去分词 )

参考例句：

• He squandered all his money on gambling. 他把自己所有的钱都糟蹋在赌博上了。
• She felt as indignant as if her own money had been squandered. 她心里十分生气，好像是她自己的钱给浪费掉了似的。 来自飘（部分）

13 lewdly   

参考例句：

• He rubbed his forehead harshly with his knuckles, like stupor, and snickered lewdly. 他用指关节使劲擦了擦自己的额头，象个醉鬼一样，一面色迷迷地嘻嘻笑着。 来自互联网

14 epoch   

n.(新)时代；历元

参考例句：

• The epoch of revolution creates great figures.革命时代造就伟大的人物。
• We're at the end of the historical epoch,and at the dawn of another.我们正处在一个历史时代的末期，另一个历史时代的开端。

15 inevitable   

adj.不可避免的，必然发生的

参考例句：

• Mary was wearing her inevitable large hat.玛丽戴着她总是戴的那顶大帽子。
• The defeat had inevitable consequences for British policy.战败对英国政策不可避免地产生了影响。