He wormed his way after her through the surging throng1 to the parlor2, where a fat man in dark trousers and a white-linen coat stood vigorously cooling himself with a palm-leaf fan and talking to some middle-aged3 men and women.
"Glad to make your acquaintance, Mr. Trotter—I mean Trott," he said, extending a clammy hand. "I've seen you about the court-house several times but you were always busy and I didn't want to climb up those rickety planks4 to you. How is it moving along?"
"All right," John said, bluntly. He was not awed5 by the man, for he was used to men of all types. Besides, John could not descend6 to empty platitudes7 for the sake of making conversation, and he half resented the unnecessary question about a matter that was obvious to every passer-by.
"Come in here with me." The old man took a large grasp on his arm and began to fan lazy waves of warm air into his face as he drew him into an adjoining room, which was evidently a sleeping-apartment from which the bed had been removed. There was a table against the wall, and on its snow-white cloth stood a great bowl of mint, some goblets8, a pitcher9 of water, a dish of sugar, and a brown jug10 containing whisky.
"I want you to try one of my juleps," Teasdale chuckled11. "That is some of the best old rye that ever slid down a thirsty throat."[Pg 88]
"I don't drink," John said. "I won't take anything."
"What, what? You don't? Well, I won't insist—I never do—but stay with me a minute till I take one straight. My old lady says I take too much at every party Sally has, and unless some feller is in here with me she thinks I am tanking up all by myself."
"Go ahead," John answered, and the farmer proceeded to help himself to an ample supply of the amber12 fluid. While he drank, the sound of tuning13 fiddles14 and the twanging of guitars came from the parlor.
"The niggers have come," Teasdale gurgled, as he smacked15 his lips and screwed the corn-cob stopper back into the neck of the jug. "Sally will start out with dancing, I reckon. I used to be a great hand at it, but I'm too heavy now."
He led the way back to the parlor. Four black men sat in a corner vigorously sawing and picking their instruments. One of them, the leader, called out in stentorian16 tones, "All hands fer de fust set!" and there was a laughing rush from the hall and the veranda17 of several couples to secure places. Seeing a chance to get away from his host, John drew back into the hall, where he found himself jostled and ignored by the tempestuous18 human mass. He edged his way along a wall to the veranda, and there saw something startlingly disagreeable. It was Joel Eperson and Tilly standing19 side by side, their faces averted20 toward the gate. Joel was regarding her with the eyes of dumb adoration21 and listening closely to something she was saying. John saw that the opposite end of the veranda was deserted22 and he went to it. He tried to keep his eyes from the pair, but it was impossible. His misery23 increased, seeming to ooze24 into him from some external reservoir of pain. All around him surged a life[Pg 89] bewilderingly new and fatuous25. He saw Joel bend down to pick up a flower Tilly dropped and saw him smile as he gave it back to her. What could she be saying, with that sweet, drawn26 look about her lips? What was Joel asking? He saw her nod, and Joel took her arm and the two went down the steps to the gravel27 walk that led from the house to the gate. Here back and forth28 they walked, arm in arm, now in the full light from the door and windows, again in the half-darkness near the fence. Once for fully29 five minutes they lingered at the gate while the silent spectator of their movements leaned tense and rigid30 against the balustrade. The promenade31 was quite in accordance with rural propriety32 and custom, but John could not understand why that pair in particular should be the only ones in the entire company to engage in it. It did not seem right. How could it be right?
The music, the sonorous33 calls to the dancers, the tripping of feet, pounded his tortured brain. The whole world in its new aspect seemed to meet him with fangs34 and claws exposed. He wanted to fight something physically35, to express by oaths and blows the resentment36 packed within his primitive37 breast. He felt his gnarled and hardened fingers at Joel Eperson's thin neck. He saw the long hair sway back and forth as he shook the love-smitten man. His clutch tightened38 till Joel's eyes bulged39 from their sockets40, and then, in gloating fancy, John dashed him to the ground, where he lay exposed to Tilly's view. But reality has little to do with the tricks of the imagination, and there stood Eperson at the fence with Tilly by his side.
Two girls were approaching. One was Sally Teasdale, the other Martha Jane Eperson.
"They've told the truth about you," the former greeted John, with a teasing laugh, as she introduced the slight,[Pg 90] plain, dark girl whose hand she held. "You are really a woman-hater, or you would not be off here by yourself when all the girls want to know you."
Again he was scarcely conscious of what he was saying or leaving unsaid, and suddenly waked to the fact that his hostess had hurried away, and that the plain girl was in his care. After all, she was Eperson's sister, and he eyed her curiously41, wondering if she, too, were his enemy.
"You've met my brother," she began. "He spoke42 about it the day the corner-stone was laid. There he is out there with Tilly now. I didn't want to come to-night, but he was crazy to be here so that he could see her."
"I thought that was it," John permitted his slow lips to say. "They have been going together a long time. That is, I've heard so."
"Yes, and I thought—we all thought that Tilly would end up by taking him, but it is all off now," Miss Eperson sighed, her eyes on the pair at the fence.
"All off?" John in his sober senses would have wondered at his ability to talk so freely with a girl he had just met. "Why, what do you mean?"
"As if you didn't know—as if everybody doesn't know!" Martha Jane laughed half sardonically43.
"But I don't know what you mean." Something new and bountiful in its promise of joy filled John and drove the words from his palpitating tongue.
"The idea!" scoffed44 Martha Jane. "Well, if you don't know it you are blind as a bat in daytime. Brother knows it, I know it—everybody knows it."
"Knows what?" John demanded, his breath checked, his eyes gleaming, his whole being athrob under the dawn of an ecstasy45 the plain girl seemed to offer.
"Well, I'm not going to tell you, if you don't know,"[Pg 91] the girl answered, with a little shrug46. "But if you want to understand, watch my poor brother. He never had a look like that before. She has been his very life. People that doubt real love ought to know Joel. He would go through fire and water for Tilly. He'd steal, he'd kill, he'd do anything. He is desperate to-night. When we got to her house and found that you and she were going to walk out here, it was the last straw. But he is a gentleman, my brother is, and he will never make a row over it."
Under the sheer blaze of this information, John stood speechless. He, boldly now, gave his arm to his little companion and they started to walk back and forth on the lawn as others were doing. His face was now turned from Tilly, but subconsciously47 he could fairly feel her proximity48. John almost loved the little woman on his arm. How could he help it? She was so kind to him.
They were turning toward the steps when Tilly and Eperson approached. There was a wilted49 look of resignation on Eperson's face, a sentient50 animation51 in Tilly's eyes and about her lips, when she said to John:
"I hope you are having a good time and meeting all the girls. Sally said she would look after you."
He smiled and nodded. Something seemed to bear down on his brain and befog his sight. The lights, the lawn, the people, swirled52 around him.
"Yes, I'm all right," he said.
They were all on the veranda now and Joel stood facing his rival, a look of wondering respect in his shrinking gaze.
"Oh, Joel!" a voice was heard, and Sally Teasdale approached. "We need you. Mother is going to serve the refreshments53 and all the men who know the ins and outs of our kitchen are helping54 wait on the crowd. Will you come? Father is already unable to walk steady."
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1
throng
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| n.人群，群众；v.拥挤，群集 | |
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parlor
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| n.店铺，营业室；会客室，客厅 | |
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middle-aged
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| adj.中年的 | |
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planks
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| （厚）木板( plank的名词复数 )； 政纲条目，政策要点 | |
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awed
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| adj.充满敬畏的，表示敬畏的v.使敬畏，使惊惧( awe的过去式和过去分词 ) | |
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6
descend
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| vt./vi.传下来，下来，下降 | |
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7
platitudes
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| n.平常的话，老生常谈，陈词滥调( platitude的名词复数 )；滥套子 | |
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8
goblets
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| n.高脚酒杯( goblet的名词复数 ) | |
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pitcher
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| n.(有嘴和柄的)大水罐；(棒球)投手 | |
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jug
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| n.(有柄，小口，可盛水等的)大壶，罐，盂 | |
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chuckled
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| 轻声地笑( chuckle的过去式和过去分词 ) | |
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amber
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| n.琥珀；琥珀色；adj.琥珀制的 | |
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tuning
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| n.调谐，调整，调音v.调音( tune的现在分词 )；调整；（给收音机、电视等）调谐；使协调 | |
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14
fiddles
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| n.小提琴( fiddle的名词复数 )；欺诈；（需要运用手指功夫的）细巧活动；当第二把手v.伪造( fiddle的第三人称单数 )；篡改；骗取；修理或稍作改动 | |
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15
smacked
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| 拍，打，掴( smack的过去式和过去分词 ) | |
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stentorian
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| adj.大声的，响亮的 | |
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veranda
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| n.走廊；阳台 | |
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tempestuous
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| adj.狂暴的 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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averted
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| 防止，避免( avert的过去式和过去分词 )； 转移 | |
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adoration
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| n.爱慕，崇拜 | |
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deserted
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| adj.荒芜的，荒废的，无人的，被遗弃的 | |
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misery
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| n.痛苦，苦恼，苦难；悲惨的境遇，贫苦 | |
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24
ooze
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| n.软泥，渗出物；vi.渗出，泄漏；vt.慢慢渗出，流露 | |
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fatuous
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| adj.愚昧的；昏庸的 | |
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drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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gravel
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| n.砂跞；砂砾层；结石 | |
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forth
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| adv.向前；向外，往外 | |
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fully
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| adv.完全地，全部地，彻底地；充分地 | |
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30
rigid
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| adj.严格的，死板的；刚硬的，僵硬的 | |
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promenade
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| n./v.散步 | |
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32
propriety
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| n.正当行为；正当；适当 | |
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sonorous
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| adj.响亮的，回响的；adv.圆润低沉地；感人地；n.感人，堂皇 | |
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34
fangs
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| n.（尤指狗和狼的）长而尖的牙( fang的名词复数 )；（蛇的）毒牙；罐座 | |
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physically
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| adj.物质上，体格上，身体上，按自然规律 | |
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resentment
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| n.怨愤，忿恨 | |
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primitive
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| adj.原始的；简单的；n.原(始)人，原始事物 | |
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38
tightened
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| 收紧( tighten的过去式和过去分词 )； （使）变紧； （使）绷紧； 加紧 | |
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39
bulged
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| 凸出( bulge的过去式和过去分词 )； 充满； 塞满（某物） | |
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40
sockets
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| n.套接字，使应用程序能够读写与收发通讯协定(protocol)与资料的程序( Socket的名词复数 )；孔( socket的名词复数 )；（电器上的）插口；托座；凹穴 | |
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41
curiously
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| adv.有求知欲地；好问地；奇特地 | |
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42
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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43
sardonically
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| adv.讽刺地，冷嘲地 | |
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44
scoffed
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| 嘲笑，嘲弄( scoff的过去式和过去分词 ) | |
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45
ecstasy
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| n.狂喜，心醉神怡，入迷 | |
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46
shrug
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| v.耸肩(表示怀疑、冷漠、不知等) | |
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47
subconsciously
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| ad.下意识地，潜意识地 | |
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48
proximity
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| n.接近，邻近 | |
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49
wilted
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| （使）凋谢，枯萎( wilt的过去式和过去分词 ) | |
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50
sentient
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| adj.有知觉的，知悉的；adv.有感觉能力地 | |
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51
animation
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| n.活泼，兴奋，卡通片／动画片的制作 | |
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52
swirled
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| v.旋转，打旋( swirl的过去式和过去分词 ) | |
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53
refreshments
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| n.点心,便餐;(会议后的)简单茶点招 待 | |
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54
helping
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| n.食物的一份&adj.帮助人的，辅助的 | |
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