'Therefore, they thought it good you hear a play,
And frame your mind to mirth and merriment,
The winter set in cold and frosty, and as Christmas drew near the snow came down in real earnest, covering the fields with its white carpet, and turning Sky Cottage into a very good imitation of a Swiss châlet. It was chilly3 work getting up in the dark mornings by candle-light, and driving off to school when the sun had scarcely risen; the four miles of road seemed much longer than they had done in the summertime, and in spite of woollen gloves, the hand which held the reins4 was apt to be stiff and numb5 with the cold long before Warford was reached.
'I wish I were a cat!' said Peggy one morning, quite roused to envy by the contemplation of Tabbyskin's toilet, 'to have no trouble with washing or dressing6; only just to jump out of bed, hump up your back and stretch yourself, drink your saucer of milk, and then lick yourself comfortably on the hearthrug in front of the dining-room fire.'
'I think the dormouse has the best of it,' said Lilian, 'for he sleeps straight on, and never seems to feel the frost at all. It would be a glorious plan to retire to[208] bed for the winter. I'm sure Nature intended me for a hibernating7 animal, for I hate the cold. It makes my fingers so stiff I can't practise nicely one little bit.'
'You'd say so if you were at school now,' grumbled8 Peggy. 'There is a new housekeeper9, and she manages so badly that sometimes they are only just lighting10 the fires when we are going into the class-rooms. The studio felt like an ice-house yesterday, and nobody was able to draw properly. Some of the girls have the most dreadful chilblains on their fingers. I'm sure one goes through a great deal to get one's education!'
'Never mind, the holidays begin on Wednesday, and then you shall have a lovely time. If only this frost keeps up, we ought to get some skating, and that's warm work, at any rate!'
But as regards skating, the children were doomed11 to disappointment, for, with the usual perversity12 of the English climate, the weather changed, and Christmas Eve brought a mild wind and drizzling13 rain. They trudged14 through the half-melted snow to the church to help with the decorations, for it was fun twisting holly15 and evergreens16, and making garlands of ivy17 to fasten round the pillars. Archie, who naturally was to the fore1 on such an occasion, managed to climb up and hang wreaths round the heads of the cherubs18 at the top of the Jacobean monument, which gave their weeping faces quite a festive19 appearance for once. Each of the Crusaders was accorded a cross of yew20, and the Elizabethan lady and gentleman had a special decoration all to themselves. Lilian transformed the pulpit into a perfect bower21, weaving in holly and laurels22 till the Rector hoped she would leave room for him inside it; and Peggy and Bobby helped—or[209] hindered—the schoolmistress as she adorned23 the font with a wonderful arrangement of cotton-wool and frosted leaves.
Luckily Christmas Day was fine (for a wet Christmas is enough to damp the stoutest25 spirits), but after that the weather indulged in such a variety of changes, alternately freezing and thawing26 from day to day, that there was no time for a safe crust of ice to form even on the smallest and shallowest of ponds. At the first fall of deep snow Archie had mounted both himself and the children on Canadian snow-shoes, for as soon as his illness had allowed, he had persuaded his aunt to bring his tool-chest into his bedroom, and had beguiled27 his convalescence28 with a little carpentry.
At first they had all floundered hopelessly about, and it had taken some practice even to slide a few steps; but long before they had reached the stage of skimming over the frozen surface at the rate of eight or ten miles an hour, which had been their fond ambition, the snow had melted into moist and dirty slush, which was particularly trying, as they had just decided29 to make a sledge30 out of an old packing-case, and drag Lilian round the pasture.
As outdoor exercise was rather out of the question, amusement must perforce be found indoors, and amateur theatricals31 became the order of the day. Archie was full of enthusiasm over what Nancy called 'play-acting32,' and had soon initiated33 his friends into all the mysteries of drop-scenes, side-shifts, make-ups, cues, and footlights. Both tragedy and comedy raged in the Rose Parlour, the company feeling themselves equal to anything, from a representation of Hamlet to the famous scene between Sir Peter and Lady Teasle. Like all their hobbies, they rode it hard, or, as Archie elegantly expressed it, 'rolled up their sleeves and[210] went into it bald-headed.' I am afraid the house-keeping languished35 while Lilian painted scenery on large sheets of blue grocery paper. Nancy had to dry her washing as best she could, for all the clothes-horses in the establishment were needed for side-wings, and the dining-room tablecloth36, being green, was generally missing, having to do duty for such occasions as 'a grove,' 'a glade37 in the forest,' or the garden scene in 'Much Ado about Nothing.'
From such constant rehearsals38 the actors found themselves adopting a very stilted39 kind of conversation. They addressed each other as 'Ho, knave40!' or 'Prithee, kind wench!' and would answer the simplest question by 'Yea, certes!' or 'An't please thee, my lord.' Bobby took to carrying about an old horse-pistol which he had found in the lumber-room, and saying 'Oddsbodkins' on all occasions, and Peggy put on such a general air of melodrama41 that it seemed scarcely possible for her to speak in plain prose; Archie was impresario42, stage-manager, scene-shifter, dresser, maker-up, and principal actor all combined, while Lilian waxed so enthusiastic that she even sacrificed the feathers out of her last summer's best hat to adorn24 the slouched head-gear considered necessary for a due representation of Romeo.
One thing only the players felt to be missing in their entertainments, and that was the very important feature of an audience; for what is the use of learning up parts, and constructing scenery, if there is nobody to come and watch you act? Peggy sounded Father on the subject of a children's party, but he did not rise at all to the occasion.
'We can't afford it, Peggy,' he said briefly43; then, noticing her look of disappointment: 'That's where the shoe pinches, my dear child. The plain neces[211]sities of life we are bound to have, but the state of my purse tells me not to indulge in any luxuries, and I am afraid we must consider party-giving under that head.'
Kind Miss Forster would probably have turned her house upside down for Archie's gratification, but she herself was on the sick-list this Christmas-time, so any gaieties at the Willows44 were equally out of the question. Getting a hint of the dilemma45, the Rector came to the rescue, and invited the performers to give an exhibition of their skill and talent on the occasion of the Sunday-school tea-party, which was to take place early in the New Year. This gave quite a fresh aspect to affairs, and great were the discussions as to what piece should be chosen, everybody unfortunately wanting something different, and generally utterly46 inappropriate, or impossible to act.
Lilian, always fond of tragedy, had set her heart on the last scene in 'Romeo and Juliet.'
'I should be Juliet, you know, stretched out on the bier, and Archie would have to be Romeo, and come in, and think I was dead, and stab himself, and then of course I should wake up and stab myself, too; and Peggy and Bobby could be the Montagues and Capulets, getting reconciled over our dead bodies.'
Archie, however, having leanings towards comedy, was not at all willing to play the rôle of the despairing lover.
'We could never manage to fix up an Italian vault,' he objected, 'and I don't see how Peggy and Bobby could represent a whole crowd of Montagues and Capulets, however much noise they made. Why not do a scene from "The Rivals"? You'd be grand as Lydia Languish34, and Peggy would just enjoy Mrs. Malaprop's mistakes. I, of course, should be Captain Absolute.'
[212]'Then who would be Sir Anthony?'
'Why, Bobby would have to be Sir Anthony.'
'He couldn't! Bobby your father! It would look perfectly47 ridiculous, and people would only laugh! No, that won't do anyhow, and we shall have to think of something else.'
Bobby was vague as to any particular play, only bargaining he might be allowed to bring in his pistol, and do as much fighting as possible, and that his part should not require too much learning.
Peggy had ambitions towards the trial scene in the 'Merchant of Venice,' with herself as Portia, having a scarlet48 dressing-gown which she thought would answer beautifully for the doctor's robes, and designing Archie for the part of Shylock, while Lilian was to don male attire49, and represent the unfortunate merchant.
'Then who is to take Bassanio and Gratiano and Salanio, and Salarino and the Duke, to say nothing of Nerissa? Bobby can't very well act six parts at once.'
'Can't we leave them out?'
'Leave them out! Might as well act "Hamlet" with the part of Hamlet omitted!' said Archie with much scorn, and the problem seemed no nearer being solved than ever.
But here the Rector again stepped in, and limited the performance to half an hour's duration, begging them to choose something appropriate for a Sunday-school audience, and if possible with a moral, and further reminding them that a platform consisting of tables hastily pushed together after the tea was concluded would scarcely give facilities for either footlights, drop-scenes, or side-shifts, a curtain being the utmost he could undertake to manage in that direction.
With wings very much clipped, the soaring actors had to throw aside Shakespeare and Sheridan, and[213] apply themselves to books of recitations and dialogues for village schools. It was difficult to find anything of the right length with exactly the right number of parts, but at last Archie declared he had hit upon one which would do beautifully.
'Just four characters. You and I could be John and Mary, Lilian; and Peggy and Bobby would of course be the children.'
'Why of course? I'm too old for a child!' said Peggy indignantly.
'No, you're not. You're small for your age, and you won't look so very much taller than Bobby, if you wear your shortest frock. It's a jolly piece, and should go first-rate, so we'd better decide on this right away, and let the Rector know.'
Peggy flushed up to her eyes, and turned her back to hide her rising tears. After all her aspirations50 it was a bitter humiliation51 to be put down for the very minor52 part of 'a child,' especially by Archie. She had been learning elocution at school this term, and knew she could both recite and act well. Moreover, she loved to shine, and to be first and foremost, and had looked forward to this occasion as likely to prove one of much triumph. Very few of us are heroes when it really comes to the point, and I grieve to say that she looked so glum53, and was generally so grumpy and discontented over the arrangement, that unselfish Lilian, divining the cause, instantly proposed to give up her own part to Peggy, and train a little village girl for the second 'child' instead. But this Peggy would not allow, and rushed away to the barn to weep off her ill-humour amongst the hay, returning in a much better frame of mind, with several valuable suggestions for Lilian's make-up; for she was a generous child at heart, though she could not give up her own way without a struggle.
[214]The small piece chosen did not require much either in the way of rehearsing, scenery, or costumes, which was just as well, for the time was short, and the day of the tea-party seemed to arrive almost directly. By four o'clock the school was full of impatient children, dressed in their best, the girls with their heads such marvels54 of frizzing and curling that you could well imagine their hair had been screwed up in plaits and papers for several days previously55, while the boys were shiny with soap and hair-oil. Lilian and Peggy were soon hard at work pouring out tea as if for dear life, while Archie and Bobby distributed buns and ham-sandwiches with lightning speed, which seemed to vanish with equal quickness, for many of the boys had dispensed56 with dinner in order to enjoy their tea the more.
'The big boy in the corner drank twelve cups!' declared Peggy, 'and little Willie Jones had eight, or even nine, for I lost count; and the boy from Monkend Farm ate at least fourteen buns. I believe he pocketed a few, though I never could catch him!'
Peggy was in her element; she was able to manage, or, as Archie called it, 'boss around,' to her heart's content. She kept a severe eye on the small children, patted them firmly on the back when they choked, and refused to allow them to grab at the cake, regulating their tea according to her own notions of what was good for them, and turning stolen lumps of sugar out of their pockets with the cleverness of a detective.
Tea was over at last, and the crumby remains57 having been cleared away, the tables were pushed to one side of the great schoolroom to form the platform, while the benches were arranged in rows to accommodate the audience, which at present was indulging in an[215] amount of noise only to be equalled by the Tower of Babel. Peggy, hard at work behind the scenes, put her eye to a hole in the curtain, and surveyed the prospect58 below, where children big and little were engaged in jumping over the forms, chasing each other round the stove, and generally acting more like monkeys at the Zoo than civilized59 human beings, while the Rector strove in vain to collect them at the empty end of the room to play games, and the curate, a shy young man fresh from Oxford60, looked as if he would have preferred to wrestle61 with a consignment62 of heathens from the Cannibal Islands.
'Come along, Bobby,' said Peggy; 'we ought to go and help. Archie and Lilian can arrange the scenery quite well. The Rector is getting pulled to pieces, and poor Mr. Wentworth has lost his glasses.'
Mrs. Davenport would have approved of Peggy for once, for even the pattern Bertha could not have displayed more energy in a parish emergency. She promptly63 organized a game of 'Oranges and Lemons,' herself leading the long tail of infants who passed under the Rector's and Mr. Wentworth's upraised hands; she set the boys to swing honey-pots, and the girls to play 'drop the Handkerchief'; she boldly interposed her small person between the fists of two fighting hobbledehoys, and seized a little boy by the boot who had ventured to climb up the stove-pipe; she welcomed some of the parents who had begun to arrive for the entertainment, and found them comfortable places on the benches, even nursing one of the babies while its mother went to the rescue of an older child, who was being forcibly held down and sat upon by several of its companions; and by the time the bell was rung, and the audience requested to take their places, she was almost as hot and pulled about as[216] the Rector himself, but with a feeling of conscious virtue64 that made up for everything.
The first part of the entertainment was to be chiefly musical, so the proceedings65 began with a waltz by Lilian, who was always the Rector's mainstay in making up a programme, and had helped at most of his Sunday-school concerts since she was ten years old. A violin solo followed from the village tailor, who was much applauded, most of the hearers being persuaded that not even the band in the Warford Public Gardens could surpass 'Bill Evans and his fiddle66.' Little Jimmy Carson recited 'The Charge of the Light Brigade' in a high, thin, piping voice, standing67 on tiptoe in his eagerness to give due effect to the famous lines, flinging out his arms wildly to indicate where
Cannon to left of them
Volleyed and thundered,'
and getting so mixed up with his aspirates that he concluded with:
'Honour the charge they made,
Honour the Light Brigade,
Noble six 'undred.'
A selection of small boys and girls sang school glees and Christmas carols, a trifle flat occasionally, but perhaps that was the fault of the piano, which needed tuning69. The two Miss Prices from the Post-Office warbled a mild little duet, which gave unbounded satisfaction to their fond mamma, if to nobody else; the blacksmith's assistant roared out a sea song in a voice like a tempest; and a young man on a visit to the miller70 gave a comic song, which quite took the company by storm.
[217]A five minutes' interval71 followed before the act, which was regarded as the chief event of the evening. There was a good deal of giggling72 and whispered conversation behind the scenes as the actors hastily concluded their preparations, but at length, in response to the enthusiastic clapping and stamping of the audience, the curtain was drawn73 aside by two Sunday-school teachers, and the play began. Peggy, standing behind one of the clothes-horses which served for a side-wing, could see the two hundred eager faces turned towards the platform, and experienced that peculiar74 sensation known as 'stage fright.' Instead of longing75 now for a prominent part, she heaved a sigh of relief to think that Lilian must begin instead, and trembled for the moment when she would be obliged to face those watching eyes.
The piece chosen turned upon a discussion between a man and his wife as to the relative difficulties of their work, resulting in the husband undertaking76 to do the morning's duties during the absence of the housewife. Lilian, in a print dress, apron77, and sun-bonnet, made a charming little village mother, and trotted78 off with her basket, leaving many injunctions for 'John' to follow. Archie, as the husband, in corduroy trousers, his shirt-sleeves rolled up, and a short clay pipe in his mouth, was a capital British workman, and his struggles in the performance of his domestic duties were the subject of much mirth. When he broke the china, and stirred up the washing with the poker79, the audience cheered, and it shouted with delight when he upset the kettle and burnt the bread black in the oven. Peggy and Bobby as 'the children,' with crumpled80 pinafores and smudged faces, were an equal success, for in watching Archie Peggy had forgotten her sudden shyness, and she now threw herself[218] thoroughly81 into her part, howling most realistically when her nose was scrubbed in the wash-tub, or her hair combed with a fork; while Bobby stole jam and resisted medicine with lifelike zeal82. Lilian's face, when as 'Mary' she returned to find her cottage a scene of confusion, was considered excellent, and the moral of the story was enough to satisfy even the Rector. The audience 'hoorayed' and thumped83 with their thick boots on the floor, and shouted 'encore'; but as it was not possible to break the china, spill the medicine, and upset the kettle twice over without a considerable amount of preparation, they had to be content with the graceful84 bows which the artistes bestowed85 upon them.
'Say them "Little Orphaned86 Annie" instead of an encore,' whispered Lilian to Peggy, as the stamping still went on, and nobody seemed inclined to go.
'Shall I?' said Peggy, flushing; for it was her best piece at the elocution class, and she had been complimented on it by her teacher.
Peggy was in good form that night, and I really think her recitation was considered the star of the evening. Her gruesome voice as she recounted what the goblins did to naughty boys made several small sinners in the back benches shake in their shoes—many innocent infants felt they should never dare to go to bed in the dark again; and the wild shriek88 with which she ended her announcement that 'the goblins are about' quite brought down the house, and the children shouted and yelled and cheered as the Rector strove to get order once more, and wind up the proceedings with the National Anthem89. So Peggy had her triumph after all, even if it were only a small one.
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1
fore
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| adv.在前面；adj.先前的；在前部的；n.前部 | |
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lengthens
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| （时间或空间）延长，伸长( lengthen的第三人称单数 ) | |
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chilly
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| adj.凉快的，寒冷的 | |
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reins
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| 感情，激情； 缰( rein的名词复数 )； 控制手段； 掌管； （成人带着幼儿走路以防其走失时用的）保护带 | |
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numb
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| adj.麻木的，失去感觉的；v.使麻木 | |
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dressing
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| n.(食物)调料；包扎伤口的用品，敷料 | |
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hibernating
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| （某些动物）冬眠，蛰伏( hibernate的现在分词 ) | |
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grumbled
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| 抱怨( grumble的过去式和过去分词 )； 发牢骚； 咕哝； 发哼声 | |
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housekeeper
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| n.管理家务的主妇，女管家 | |
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lighting
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| n.照明，光线的明暗，舞台灯光 | |
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doomed
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| 命定的 | |
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perversity
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| n.任性；刚愎自用 | |
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drizzling
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| 下蒙蒙细雨，下毛毛雨( drizzle的现在分词 ) | |
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trudged
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| vt.& vi.跋涉，吃力地走（trudge的过去式与过去分词形式） | |
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holly
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| n.[植]冬青属灌木 | |
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evergreens
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| n.常青树，常绿植物，万年青( evergreen的名词复数 ) | |
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ivy
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| n.常青藤，常春藤 | |
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cherubs
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| 小天使，胖娃娃( cherub的名词复数 ) | |
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festive
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| adj.欢宴的，节日的 | |
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yew
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| n.紫杉属树木 | |
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bower
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| n.凉亭，树荫下凉快之处；闺房；v.荫蔽 | |
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laurels
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| n.桂冠，荣誉 | |
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adorned
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| [计]被修饰的 | |
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adorn
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| vt.使美化，装饰 | |
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stoutest
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| 粗壮的( stout的最高级 )； 结实的； 坚固的； 坚定的 | |
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thawing
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| n.熔化，融化v.（气候）解冻( thaw的现在分词 )；（态度、感情等）缓和；（冰、雪及冷冻食物）溶化；软化 | |
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beguiled
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| v.欺骗( beguile的过去式和过去分词 )；使陶醉；使高兴；消磨（时间等） | |
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convalescence
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| n.病后康复期 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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sledge
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| n.雪橇，大锤；v.用雪橇搬运，坐雪橇往 | |
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theatricals
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| n.（业余性的）戏剧演出，舞台表演艺术；职业演员；戏剧的( theatrical的名词复数 )；剧场的；炫耀的；戏剧性的 | |
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acting
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| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
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initiated
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| n. 创始人 adj. 新加入的 vt. 开始，创始，启蒙，介绍加入 | |
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languish
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| vi.变得衰弱无力，失去活力，（植物等）凋萎 | |
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languished
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| 长期受苦( languish的过去式和过去分词 )； 受折磨； 变得（越来越）衰弱； 因渴望而变得憔悴或闷闷不乐 | |
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tablecloth
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| n.桌布，台布 | |
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glade
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| n.林间空地，一片表面有草的沼泽低地 | |
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rehearsals
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| n.练习( rehearsal的名词复数 )；排练；复述；重复 | |
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stilted
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| adj.虚饰的；夸张的 | |
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knave
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| n.流氓；（纸牌中的）杰克 | |
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melodrama
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| n.音乐剧；情节剧 | |
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impresario
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| n.歌剧团的经理人；乐团指挥 | |
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briefly
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| adv.简单地，简短地 | |
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willows
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| n.柳树( willow的名词复数 )；柳木 | |
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dilemma
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| n.困境，进退两难的局面 | |
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utterly
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| adv.完全地，绝对地 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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scarlet
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| n.深红色，绯红色，红衣；adj.绯红色的 | |
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attire
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| v.穿衣，装扮[同]array；n.衣着；盛装 | |
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aspirations
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| 强烈的愿望( aspiration的名词复数 )； 志向； 发送气音； 发 h 音 | |
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humiliation
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| n.羞辱 | |
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minor
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| adj.较小(少)的，较次要的；n.辅修学科；vi.辅修 | |
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glum
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| adj.闷闷不乐的，阴郁的 | |
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marvels
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| n.奇迹( marvel的名词复数 )；令人惊奇的事物（或事例）；不平凡的成果；成就v.惊奇，对…感到惊奇( marvel的第三人称单数 ) | |
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previously
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| adv.以前，先前（地） | |
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dispensed
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| v.分配( dispense的过去式和过去分词 )；施与；配（药） | |
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remains
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| n.剩余物，残留物；遗体，遗迹 | |
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prospect
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| n.前景，前途；景色，视野 | |
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civilized
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| a.有教养的，文雅的 | |
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Oxford
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| n.牛津（英国城市） | |
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wrestle
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| vi.摔跤，角力；搏斗；全力对付 | |
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consignment
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| n.寄售；发货；委托；交运货物 | |
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promptly
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| adv.及时地，敏捷地 | |
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virtue
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| n.德行，美德；贞操；优点；功效，效力 | |
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proceedings
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| n.进程，过程，议程；诉讼(程序)；公报 | |
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fiddle
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| n.小提琴；vi.拉提琴；不停拨弄，乱动 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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cannon
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| n.大炮，火炮；飞机上的机关炮 | |
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tuning
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| n.调谐，调整，调音v.调音( tune的现在分词 )；调整；（给收音机、电视等）调谐；使协调 | |
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miller
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| n.磨坊主 | |
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interval
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| n.间隔，间距；幕间休息，中场休息 | |
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giggling
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| v.咯咯地笑( giggle的现在分词 ) | |
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drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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longing
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| n.（for）渴望 | |
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undertaking
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| n.保证，许诺，事业 | |
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apron
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| n.围裙；工作裙 | |
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trotted
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| 小跑，急走( trot的过去分词 )； 匆匆忙忙地走 | |
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poker
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| n.扑克；vt.烙制 | |
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crumpled
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| adj. 弯扭的, 变皱的 动词crumple的过去式和过去分词形式 | |
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thoroughly
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| adv.完全地，彻底地，十足地 | |
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zeal
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| n.热心，热情，热忱 | |
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thumped
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| v.重击， （指心脏）急速跳动( thump的过去式和过去分词 ) | |
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graceful
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| adj.优美的，优雅的；得体的 | |
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bestowed
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| 赠给，授予( bestow的过去式和过去分词 ) | |
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orphaned
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| [计][修]孤立 | |
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catching
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| adj.易传染的，有魅力的，迷人的，接住 | |
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shriek
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| v./n.尖叫，叫喊 | |
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anthem
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| n.圣歌，赞美诗，颂歌 | |
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