It was midday in the month of August, the sun ablaze1 upon wood and field. Only under the trees and hedges the shadows lay blue and still,—intensely, deeply blue, the warm restful blue of summer shadows. Overhead stretched another blue, a vault2 of brilliant azure3, a vast cup-shaped dome4, spreading downwards5 from the illimitable space above, to the hazy6 distant hills, to the far-off peacock-blue sea, sun-kissed and radiant. The warm earth breathed forth7 the languorous8 yet wide-eyed repose9 of perfect summer. Here was Nature at the maturest moment of her beauty,—the fields golden with full-eared corn, waiting in the richness of their dower for the first stroke of the sickle10; the moors11 purple with heather, and rich with a hidden wealth of whortleberries; the hedges hung with clusters of scarlet12 brambleberries, even now tinged13 with the deeper hue14 of ripeness.
On a gate, set, after the general manner of gates in the west of England, between two hedges, one to the right and another to the left, sat our friend John. From the gate, a view stretched before him, which many an artist might have been excused for attempting to seize and transfer to canvas.
In the foreground stood a birch tree, a slender, dainty, silver-barked thing, rising straight out of a purple mass of heather. Its fairy lightness was backgrounded by a wood of firs, while past it, to the right, you got a stretch of undulating moorland across a valley, a strip of blue sea, and a hazy coast line of white cliffs.
“It really might be called a fine view,” said John aloud. And then he broke off, for a voice had sounded behind him,—a very young voice, a clear treble.
“There’s a man sitting on the gate.” The statement was made with the frank obviousness of childhood.
John swung himself off the said gate, and turned. This latter proceeding15 was distinctly simpler to accomplish from the safety of solid earth than from the topmost of five bars. Doubtless[Pg 22] his guardian16 angel prompted the action, for, on the moment of turning, his heart jumped, leaped, and pounded in a manner peculiarly perilous17. Picture his danger with a heart in this condition had he retained his former attitude.
On the other side of the gate, coming across the grass, and not more than twenty paces from him, was a lady accompanied by two small boys.
She was a young lady, tall and slender, in a white linen18 frock, and a big shady straw hat. Her hair beneath it was red gold, like burnished19 copper20, a vivid note of colour. The two boys, one on either side of her, were clad in emerald green knickerbockers, and soft white shirts. Floppy21 straw hats were on their heads. Beneath the hats you caught a glimpse of copper-coloured hair. A vivid, vital enough picture they presented. The smaller boy, four years old or thereabouts, gazed solemn-eyed towards the gate; the other, some two years or so his senior, pointed22 towards our John, his face eager, alive. A stranger was a bit of a rarity in those parts, it would appear.
John saw the woman turn towards the child, caught a hint of murmured words. The boy dropped the pointing hand. Doubtless she had [Pg 23]made the suggestion—delicately put of course—that it is not altogether the best of manners to point at strangers, however unexpected their appearance, as if they were some curious beast newly escaped from the Zoo.
The lapse23 of time, from the first acclamation of John’s position on the gate, to the dropping of that accusing finger, had been of the briefest, nevertheless it had allowed for a few further steps to be taken across the grass, and the distance between John and the three had, at the outset, been none so great. It was clearly obvious that the intention of the three was to pass through the gate. Seeing this, John bent24 to the fastening. By good luck it was not padlocked. Had it been, it would have spoiled the dainty march of the procession, actually as well as figuratively. He swung the gate open, raising his hat at the same moment. She bent her head, a slight though entirely25 courteous26 gesture, gave “thank-you” in a low round voice.
“Now Heaven be praised,” murmured John, “that she did not say ‘thanks.’” By which token it will be seen that John was a trifle fastidious as to modes of expression.
[Pg 24]
The two boys, having defeated the difficulties of elastic28 beneath the chin, had likewise removed their hats. They accomplished29 the restoration of them to their heads with extraordinary dignity. John, beholding30 the feat27, marvelled31. Then the little cavalcade32 of three passed on across the heather.
John gazed after them.
点击收听单词发音
1 ablaze | |
adj.着火的,燃烧的;闪耀的,灯火辉煌的 | |
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2 vault | |
n.拱形圆顶,地窖,地下室 | |
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3 azure | |
adj.天蓝色的,蔚蓝色的 | |
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4 dome | |
n.圆屋顶,拱顶 | |
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5 downwards | |
adj./adv.向下的(地),下行的(地) | |
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6 hazy | |
adj.有薄雾的,朦胧的;不肯定的,模糊的 | |
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7 forth | |
adv.向前;向外,往外 | |
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8 languorous | |
adj.怠惰的,没精打采的 | |
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9 repose | |
v.(使)休息;n.安息 | |
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10 sickle | |
n.镰刀 | |
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11 moors | |
v.停泊,系泊(船只)( moor的第三人称单数 ) | |
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12 scarlet | |
n.深红色,绯红色,红衣;adj.绯红色的 | |
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13 tinged | |
v.(使)发丁丁声( ting的过去式和过去分词 ) | |
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14 hue | |
n.色度;色调;样子 | |
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15 proceeding | |
n.行动,进行,(pl.)会议录,学报 | |
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16 guardian | |
n.监护人;守卫者,保护者 | |
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17 perilous | |
adj.危险的,冒险的 | |
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18 linen | |
n.亚麻布,亚麻线,亚麻制品;adj.亚麻布制的,亚麻的 | |
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19 burnished | |
adj.抛光的,光亮的v.擦亮(金属等),磨光( burnish的过去式和过去分词 );被擦亮,磨光 | |
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20 copper | |
n.铜;铜币;铜器;adj.铜(制)的;(紫)铜色的 | |
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21 floppy | |
adj.松软的,衰弱的 | |
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22 pointed | |
adj.尖的,直截了当的 | |
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23 lapse | |
n.过失,流逝,失效,抛弃信仰,间隔;vi.堕落,停止,失效,流逝;vt.使失效 | |
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24 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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25 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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26 courteous | |
adj.彬彬有礼的,客气的 | |
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27 feat | |
n.功绩;武艺,技艺;adj.灵巧的,漂亮的,合适的 | |
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28 elastic | |
n.橡皮圈,松紧带;adj.有弹性的;灵活的 | |
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29 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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30 beholding | |
v.看,注视( behold的现在分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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31 marvelled | |
v.惊奇,对…感到惊奇( marvel的过去式和过去分词 ) | |
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32 cavalcade | |
n.车队等的行列 | |
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