After breakfast the Vicar went into the little room next his study to find a book on Political Economy for the Angel to read. For the Angel's social ignorances were clearly beyond any verbal explanations. The door stood ajar.
"What is that?" said the Angel, following him. "A violin!" He took it down.
"You play?" said the Vicar.
The Angel had the bow in his hand, and by way of answer drove it across the strings1. The quality of the note made the Vicar turn suddenly.
The Angel's hand tightened2 on the instrument. The bow flew back and flickered3, and an air the Vicar had never heard before danced in his ears. The Angel shifted the fiddle4 under his dainty chin and went on playing, and as he played his eyes grew bright and his lips smiled.[Pg 102] At first he looked at the Vicar, then his expression became abstracted. He seemed no longer to look at the Vicar, but through him, at something beyond, something in his memory or his imagination, something infinitely5 remote, undreamt of hitherto....
The Vicar tried to follow the music. The air reminded him of a flame, it rushed up, shone, flickered and danced, passed and reappeared. No!—it did not reappear! Another air—like it and unlike it, shot up after it, wavered, vanished. Then another, the same and not the same. It reminded him of the flaring6 tongues that palpitate and change above a newly lit fire. There are two airs—or motifs7, which is it?—thought the Vicar. He knew remarkably9 little of musical technique. They go dancing up, one pursuing the other, out of the fire of the incantation, pursuing, fluctuating, turning, up into the sky. There below was the fire burning, a flame without fuel upon a level space, and there two flirting10 butterflies of sound, dancing away from it, up, one over another, swift, abrupt11, uncertain.
"Flirting butterflies were they!" What was[Pg 103] the Vicar thinking of? Where was he? In the little room next to his study, of course! And the Angel standing12 in front of him smiling into his face, playing the violin, and looking through him as though he was only a window——. That motif8 again, a yellow flare13, spread fanlike by a gust14, and now one, then with a swift eddying15 upward flight the other, the two things of fire and light pursuing one another again up into that clear immensity.
The study and the realities of life suddenly faded out of the Vicar's eyes, grew thinner and thinner like a mist that dissolves into air, and he and the Angel stood together on a pinnacle16 of wrought17 music, about which glittering melodies circled, and vanished, and reappeared. He was in the land of Beauty, and once more the glory of heaven was upon the Angel's face, and the glowing delights of colour pulsated18 in his wings. Himself the Vicar could not see. But I cannot tell you of the vision of that great and spacious19 land, of its incredible openness, and height, and nobility. For there is no space there like ours, no time as we know[Pg 104] it; one must needs speak by bungling20 metaphors21 and own in bitterness after all that one has failed. And it was only a vision. The wonderful creatures flying through the æther saw them not as they stood there, flew through them as one might pass through a whisp of mist. The Vicar lost all sense of duration, all sense of necessity——
"Ah!" said the Angel, suddenly putting down the fiddle.
The Vicar had forgotten the book on Political Economy, had forgotten everything until the Angel had done. For a minute he sat quite still. Then he woke up with a start. He was sitting on the old iron-bound chest.
"Really," he said slowly, "you are very clever."
He looked about him in a puzzled way. "I had a kind of vision while you were playing. I seemed to see——. What did I see? It has gone."
He stood up with a dazzled expression upon his face. "I shall never play the violin again," he said. "I wish you would take it to your[Pg 105] room—and keep it——. And play to me again. I did not know anything of music until I heard you play. I do not feel as though I had ever heard any music before."
He stared at the Angel, then about him at the room. "I have never felt anything of this kind with music before," he said. He shook his head. "I shall never play again."
点击收听单词发音
1 strings | |
n.弦 | |
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2 tightened | |
收紧( tighten的过去式和过去分词 ); (使)变紧; (使)绷紧; 加紧 | |
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3 flickered | |
(通常指灯光)闪烁,摇曳( flicker的过去式和过去分词 ) | |
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4 fiddle | |
n.小提琴;vi.拉提琴;不停拨弄,乱动 | |
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5 infinitely | |
adv.无限地,无穷地 | |
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6 flaring | |
a.火焰摇曳的,过份艳丽的 | |
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7 motifs | |
n. (文艺作品等的)主题( motif的名词复数 );中心思想;基本模式;基本图案 | |
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8 motif | |
n.(图案的)基本花纹,(衣服的)花边;主题 | |
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9 remarkably | |
ad.不同寻常地,相当地 | |
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10 flirting | |
v.调情,打情骂俏( flirt的现在分词 ) | |
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11 abrupt | |
adj.突然的,意外的;唐突的,鲁莽的 | |
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12 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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13 flare | |
v.闪耀,闪烁;n.潮红;突发 | |
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14 gust | |
n.阵风,突然一阵(雨、烟等),(感情的)迸发 | |
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15 eddying | |
涡流,涡流的形成 | |
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16 pinnacle | |
n.尖塔,尖顶,山峰;(喻)顶峰 | |
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17 wrought | |
v.引起;以…原料制作;运转;adj.制造的 | |
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18 pulsated | |
v.有节奏地舒张及收缩( pulsate的过去式和过去分词 );跳动;脉动;受(激情)震动 | |
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19 spacious | |
adj.广阔的,宽敞的 | |
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20 bungling | |
adj.笨拙的,粗劣的v.搞糟,完不成( bungle的现在分词 );笨手笨脚地做;失败;完不成 | |
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21 metaphors | |
隐喻( metaphor的名词复数 ) | |
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