'O wind, O mighty1, melancholy2 wind,
Blow through me, blow!
Thou blowest forgotten things into my mind
From long ago.'
John Todhunter.
No one ever had a better opportunity than we, of breathing in, so far as a stranger and a foreigner may, the old Celtic atmosphere, and of reliving the misty3 years of legend before the dawn of history; when
'Long, long ago, beyond the space
Of twice two hundred years,
In Erin old there lived a race
Taller than Roman spears.'
Mr. Colquhoun is one of the best Gaelic scholars in Ireland, and Dr. Gerald, though not his equal in knowledge of the language, has 'the full of a sack of stories' in his head. According to the Book of Leinster, a professional story-teller was required to know seven times fifty tales, and I believe the doctor could easily pass this test. It is not easy to make a good translation from Irish to English, for they tell us there are no two Aryan languages more opposed to each other in spirit and idiom. We have heard little of the marvellous old tongue until now, but we are reading it a bit under the tutelage of these two inspiring masters, and I fancy it has helped me as much in my understanding of Ireland as my tedious and perplexing worriments over political problems.
After all, how can we know anything of a nation's present or future without some attempt to revivify its past? Just as, without some slender knowledge of its former culture, we must be for ever ignorant of its inherited powers and aptitudes4. The harp5 that once through Tara's halls the soul of music shed, now indeed hangs mute on Tara's walls, but for all that its echoes still reverberate6 in the listening ear.
When we sit together by the river brink7 on sunny days, or on the greensward under the yews8 in our old garden, we are always telling ancient Celtic romances, and planning, even acting9, new ones. Francesca's mind and mine are poorly furnished with facts of any sort; but when the kind scholars in our immediate10 neighbourhood furnish necessary information and inspiration, we promptly11 turn it into dramatic form, and serve it up before their wondering and admiring gaze. It is ever our habit to 'make believe' with the children; and just as we played ballads12 in Scotland and plotted revels13 in the Glen at Rowardennan, so we instinctively14 fall into the habit of thought and speech that surrounds us here.
This delights our grave and reverend signiors, and they give themselves up to our whimsicalities with the most whole-hearted zeal15. It is days since we have spoken of one another by those names which were given to us in baptism. Francesca is Finola the Festive16. Eveleen Colquhoun is Ethnea. I am the harper, Pearla the Melodious17. Miss Peabody is Sheela the Skilful18 Scribe, who keeps for posterity19 a record of all our antics, in the Speckled Book of Salemina. Dr. Gerald is Borba the Proud, the Ard-ri or overking. Mr. Colquhoun is really called Dermod, but he would have been far too modest to choose Dermot O'Dyna for his Celtic name, had we not insisted; for this historic personage was not only noble-minded, generous, of untarnished honour, and the bravest of the brave, but he was as handsome as he was gallant20, and so much the idol21 of the ladies that he was sometimes called Dermat-na-man, or Dermot of the women.
Of course we have a corps22 of shanachies, or story-tellers, gleemen, gossipreds, leeches23, druids, gallowglasses, bards24, ollaves, urraghts, and brehons; but the children can always be shifted from one role to another, and Benella and the Button Boy, although they are quite unaware25 of the honours conferred upon them, are often alluded27 to in our romances and theatrical28 productions.
Aunt David's garden is not a half bad substitute for the old Moy-Mell, the plain of pleasure of the ancient Irish, when once you have the key to its treasures. We have made a new and authoritative29 survey of its geographical30 features and compiled a list of its legendary31 landmarks32, which, strangely enough, seem to have been absolutely unknown to Miss Llewellyn-Joyce.
In the very centre is the Forradh, or Place of Meeting, and on it is our own Lia Fail, Stone of Destiny. The one in Westminster Abbey, carried away from Scotland by Edward I., is thought by many scholars to be unauthentic, and we hope that ours may prove to have some historical value. The only test of a Stone of Destiny, as I understand it, is that it shall 'roar' when an Irish monarch33 is inaugurated; and that our Lia Fail was silent when we celebrated34 this impressive ceremony reflects less upon its own powers, perhaps, than upon the pedigree of our chosen Ard-ri.
The arbour under the mountain ash is the Fairy Palace of the Quicken Tree, and on its walls is suspended the Horn of Foreknowledge, which if any one looks on it in the morning, fasting, he will know in a moment all things that are to happen during that day.
The clump35 of willows36 is the Wood of the Many Sallows (a willow-tree is familiarly known as a 'sally' in Ireland). Do you know Yeats's song, put to a quaint37 old Irish air?
'Down by the sally gardens my love and I did meet,
She passed the sally gardens with little snow-white feet.
She bid me take love easy, as the leaves grow on the tree,
But I, being young and foolish, with her did not agree.'
The summer-house is the Greenan; that is, grianan, a bright, sunny place. On the arm of a tree in the Greenan hangs something you might (if you are dull) mistake for a plaited garland of rushes hung with pierced pennies; but it really is our Chain of Silence, a useful article of bygone ages, which the lord of a mansion38 shook when he wished an attentive39 hearing, and which deserved a better fate and a longer survival than it has met. Jackeen's Irish terrier is Bran,--though he does not closely resemble the great Finn's sweet-voiced, gracefully-shaped, long-snouted hound; the coracle lying on the shore of the little lough--the coracle made of skin, like the old Irish boats--is the Wave-Sweeper; and the faithful mare40 that we hire by the day is, by your leave, Enbarr of the Flowing Mane. No warrior41 was ever killed on the back of this famous steed, for she was as swift as the clear, cold wind of spring, travelling with equal ease and speed on land and sea, an' may the divil fly away wid me if that same's not true.
We no longer find any difficulty in remembering all this nomenclature, for we are 'under gesa' to use no other. When you are put under gesa to reveal or to conceal42, to defend or to avenge43, it is a sort of charm or spell; also an obligation of honour. Finola is under gesa not to write to Alba more than six times a week and twice on Sundays; Sheela is bound by the same charm to give us muffins for afternoon tea; I am vowed44 to forget my husband when I am relating romances, and allude26 to myself, for dramatic purposes, as a maiden45 princess, or a maiden of enchanting46 and all-conquering beauty. And if we fail to abide47 by all these laws of the modern Dedannans of Devorgilla, which are written in the Speckled Book of Salemina, we are to pay eric-fine. These fines are collected with all possible solemnity, and the children delight in them to such an extent that occasionally they break the law for the joy of the penalty. If you have ever read the Fate of the Children of Turenn, you remember that they were to pay to Luga the following eric-fine for the slaying48 of their father, Kian: two steeds and a chariot, seven pigs, a hound whelp, a cooking-spit, and three shouts on a hill. This does not at first seem excessive, if Kian were a good father, and sincerely mourned; but when Luga began to explain the hidden snares49 that lay in the pathway, it is small wonder that the sons of Turenn felt doubt of ever being able to pay it, and that when, after surmounting50 all the previous obstacles, they at last raised three feeble shouts on Midkena's Hill, they immediately gave up the ghost.
The story told yesterday by Sheela the Scribe was the Magic Thread-Clue, or the Pursuit of the Gilla Dacker, Benella and the Button Boy being the chief characters; Finola's was the Voyage of the Children of Corr the Swift-Footed (the Ard-ri's pseudonym51 for American travellers); while mine, to be told to-morrow, is called the Quest of the Fair Strangers, or the Fairy Quicken Tree of Devorgilla.
1 mighty | |
adj.强有力的;巨大的 | |
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2 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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3 misty | |
adj.雾蒙蒙的,有雾的 | |
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4 aptitudes | |
(学习方面的)才能,资质,天资( aptitude的名词复数 ) | |
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5 harp | |
n.竖琴;天琴座 | |
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6 reverberate | |
v.使回响,使反响 | |
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7 brink | |
n.(悬崖、河流等的)边缘,边沿 | |
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8 yews | |
n.紫杉( yew的名词复数 ) | |
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9 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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10 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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11 promptly | |
adv.及时地,敏捷地 | |
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12 ballads | |
民歌,民谣,特别指叙述故事的歌( ballad的名词复数 ); 讴 | |
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13 revels | |
n.作乐( revel的名词复数 );狂欢;着迷;陶醉v.作乐( revel的第三人称单数 );狂欢;着迷;陶醉 | |
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14 instinctively | |
adv.本能地 | |
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15 zeal | |
n.热心,热情,热忱 | |
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16 festive | |
adj.欢宴的,节日的 | |
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17 melodious | |
adj.旋律美妙的,调子优美的,音乐性的 | |
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18 skilful | |
(=skillful)adj.灵巧的,熟练的 | |
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19 posterity | |
n.后裔,子孙,后代 | |
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20 gallant | |
adj.英勇的,豪侠的;(向女人)献殷勤的 | |
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21 idol | |
n.偶像,红人,宠儿 | |
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22 corps | |
n.(通信等兵种的)部队;(同类作的)一组 | |
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23 leeches | |
n.水蛭( leech的名词复数 );蚂蟥;榨取他人脂膏者;医生 | |
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24 bards | |
n.诗人( bard的名词复数 ) | |
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25 unaware | |
a.不知道的,未意识到的 | |
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26 allude | |
v.提及,暗指 | |
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27 alluded | |
提及,暗指( allude的过去式和过去分词 ) | |
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28 theatrical | |
adj.剧场的,演戏的;做戏似的,做作的 | |
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29 authoritative | |
adj.有权威的,可相信的;命令式的;官方的 | |
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30 geographical | |
adj.地理的;地区(性)的 | |
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31 legendary | |
adj.传奇(中)的,闻名遐迩的;n.传奇(文学) | |
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32 landmarks | |
n.陆标( landmark的名词复数 );目标;(标志重要阶段的)里程碑 ~ (in sth);有历史意义的建筑物(或遗址) | |
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33 monarch | |
n.帝王,君主,最高统治者 | |
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34 celebrated | |
adj.有名的,声誉卓著的 | |
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35 clump | |
n.树丛,草丛;vi.用沉重的脚步行走 | |
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36 willows | |
n.柳树( willow的名词复数 );柳木 | |
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37 quaint | |
adj.古雅的,离奇有趣的,奇怪的 | |
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38 mansion | |
n.大厦,大楼;宅第 | |
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39 attentive | |
adj.注意的,专心的;关心(别人)的,殷勤的 | |
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40 mare | |
n.母马,母驴 | |
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41 warrior | |
n.勇士,武士,斗士 | |
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42 conceal | |
v.隐藏,隐瞒,隐蔽 | |
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43 avenge | |
v.为...复仇,为...报仇 | |
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44 vowed | |
起誓,发誓(vow的过去式与过去分词形式) | |
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45 maiden | |
n.少女,处女;adj.未婚的,纯洁的,无经验的 | |
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46 enchanting | |
a.讨人喜欢的 | |
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47 abide | |
vi.遵守;坚持;vt.忍受 | |
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48 slaying | |
杀戮。 | |
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49 snares | |
n.陷阱( snare的名词复数 );圈套;诱人遭受失败(丢脸、损失等)的东西;诱惑物v.用罗网捕捉,诱陷,陷害( snare的第三人称单数 ) | |
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50 surmounting | |
战胜( surmount的现在分词 ); 克服(困难); 居于…之上; 在…顶上 | |
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51 pseudonym | |
n.假名,笔名 | |
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