"Ask me no more; thy fate and mine are sealed.
I strove against the stream, and all in vain.
Let the great river take me to the main.
No more, dear love, for at a touch I yield;
Ask me no more."
—The Princess.
Almost as Cecil steps into her carriage, Sir Penthony Stafford is standing1 on her steps, holding sweet converse2 with her footman at her own hall-door.
"Lady Stafford at home?" asks he of the brilliant but supercilious3 personage who condescends4 to answer to his knock.
"No, sir." Being a new acquisition of Cecil's, he is blissfully ignorant of Sir Penthony's name and status. "My lady is hout."
"When will she be home?" Feeling a good deal of surprise at her early wanderings, and, in fact, not believing a word of it.
"My lady won't be at home all this morning, sir."
"Then I shall wait till the afternoon," says Sir Penthony, faintly amused, although exasperated5 at what he has decided7 is a heinous8 lie.
"Lady Stafford gave strict horders that no one was to be admitted before two," says flunkey, indignant at the stranger's persistence9, who has come into the hall and calmly divested10 himself of his overcoat.
"She will admit me, I don't doubt," says Sir Penthony, calmly. "I am Sir Penthony Stafford."
"Oh, indeed! Sir Penthony, I beg your pardon. Of course, Sir Penthony, if you wish to wait——"
Here Sir Penthony, who has slowly been mounting the stairs all this time, with Chawles, much exercised in his mind, at his heels—(for Cecil's commands are not to be disputed, and the situation is a good one, and she has distinctly declared no one is to be received)—Sir Penthony pauses on the landing and lays his hand on the boudoir door.
"Not there, Sir Penthony," says the man, interposing hurriedly, and throwing open the drawing-room door, which is next to it. "If you will wait here I don't think my lady will be long, as she said she should be 'ome at one to keep an appointment."
"That will do." Sternly. "Go!—I dare say," thinks Stafford, angrily, as the drawing-room door is closed on him, "if I make a point of it, she will dismiss that fellow. Insolent11 and noisy as a parrot. A well-bred footman never gets beyond 'Yes' or 'No' unless required, and even then only under heavy pressure. But what appointment can she have? And who is secreted12 in her room? Pshaw! Her dressmaker, no doubt."
But, for all that, he can't quite reconcile himself to the dressmaker theory, and, but that honor forbids, would have marched straight, without any warning, into "my lady's chamber13."
Getting inside the heavy hanging curtains, he employs his time watching through the window the people passing to and fro, all intent upon the great business of life,—the making and spending of money.
After a little while a carriage stops beneath him, and he sees Cecil alight from it and go with eager haste up the steps. He hears her enter, run up the stairs, pause upon the landing, and then, going into the boudoir, close the door carefully behind her.
He stifles14 an angry exclamation15, and resolves, with all the airs of a Spartan16, to be calm. Nevertheless, he is not calm, and quite doubles the amount of minutes that really elapse before the drawing-room door is thrown open and Cecil, followed by Luttrell, comes in.
"Luttrell, of all men!" thinks Sir Penthony, as though he would have said, "Et tu, Brute17?" forgetting to come forward,—forgetting everything,—so entirely18 has a wild, unreasoning jealousy19 mastered him. The curtains effectually conceal20 him, so his close proximity21 remains22 a secret.
Luttrell is evidently in high spirits. His blue eyes are bright, his whole air triumphant23. Altogether, he is as unlike the moony young man who left the Victoria Station last evening as one can well imagine.
"Oh, Cecil! what should I do without you?" he says, in a most heartfelt manner, gazing at her as though (thinks Sir Penthony) he would much like to embrace her there and then. "How happy you have made me! And just as I was on the point of despairing! I owe you all,—everything,—the best of my life."
"I am glad you rate what I have done for you so highly. But you know, Tedcastle, you were always rather a favorite of mine. Have you forgiven me my stony24 refusal of last night? I would have spoken willingly, but you know I was forbidden."
"What is it I would not forgive you?" exclaims Luttrell, gratefully.
("Last night; and again this morning: probably he will dine this evening," thinks Sir Penthony, who by this time is black with rage and cold with an unnamed fear.)
Cecil is evidently as interested in her topic as her companion. Their heads are very near together,—as near as they can well be without kissing. She has placed her hand upon his arm, and is speaking in a low, earnest tone,—so low that Stafford cannot hear distinctly, the room being lengthy25 and the noise from the street confusing. How handsome Luttrell is looking! With what undisguised eagerness he is drinking in her every word!
Suddenly, with a little movement as though of sudden remembrance, Cecil puts her hand in her pocket and draws from it a tiny note, which she squeezes with much empressement into Tedcastle's hand. Then follow a few more words, and then she pushes him gently in the direction of the door.
"Now go," she says, "and remember all I have said to you. Are the conditions so hard?" With her old charming, bewitching smile.
"How shall I thank you?" says the young man, fervently26, his whole face transformed. He seizes her hands and presses his lips to them in what seems to the looker-on at the other end of the room an impassioned manner. "You have managed that we shall meet,—and alone?"
"Yes, alone. I have made sure of that. I really think, considering all I have done for you, Tedcastle, you owe me something."
"Name anything," says Luttrell, with considerable fervor27. "I owe you, as I have said, everything. You are my good angel!"
"Well, that is as it may be. All women are angels,—at one time or other. But you must not speak to me in that strain, or I shall mention some one who would perhaps be angry." ("That's me, I presume," thinks Sir Penthony, grimly.) "I suppose"—archly—"I need not tell you to be in time? To be late under such circumstances, with me, would mean dismissal. Good-bye, dear boy: go, and my good wishes will follow you."
As the door closes upon Luttrell, Sir Penthony, cold, and with an alarming amount of dignity about him, comes slowly forward.
"Sir Penthony! you!" cries Cecil, coloring certainly, but whether from guilt28, or pleasure, or surprise, he finds it hard to say. He inclines, however, toward the guilt. "Why, I thought you safe in Algiers." (This is not strictly29 true.)
"No doubt. I thought you safe in London—or anywhere else. I find myself mistaken!"
"I am, dear, perfectly30 safe." Sweetly. "Don't alarm yourself unnecessarily. But may I ask what all this means, and why you were hiding behind my curtains as though you were a burglar or a Bashi-Bazouk? But that the pantomime season is over, I should say you were practicing for the Harlequin's window trick."
"You can be as frivolous31 as you please." Sternly. "Frivolity32 suits you best, no doubt. I came in here a half an hour ago, having first almost come to blows with your servant before being admitted,—showing me plainly the man had received orders to allow no one in but the one expected."
"That is an invaluable33 man, that Charles," murmurs34 her ladyship, sotto voce. "I shall raise his wages. There is nothing like obedience35 in a servant."
"I was standing there at that window, awaiting your arrival, when you came, hurried to your boudoir, spent an intolerable time there with Luttrell, and finally wound up your interview here by giving him a billet, and permitting him to kiss your hands until you ought to have been ashamed of yourself and him."
"You ought to be ashamed of yourself, lying perdu in the curtains and listening to what wasn't meant for you." Maliciously36. "You ought also to have been a detective. You have wasted your talents frightfully. Did Teddy kiss my hands?" Examining the little white members with careful admiration37. "Poor Ted6! he might be tired of doing so by this. Well,—yes; and—you were saying——"
"I insist," says Sir Penthony, wrathfully, "on knowing what Luttrell was saying to you."
"I thought you heard."
"And why he is admitted when others are denied."
"My dear Sir Penthony, he is my cousin. Why should he not visit me if he likes?"
"No, no," says Cecil, smoothing a little wrinkle off the front of her gown, "not always; and I'm sure I hope Tedcastle won't be. To my way of thinking, he is quite the nicest young man I know. It would make me positively39 wretched if I thought Marwood would ever have him in his clutches. You,"—reflectively—"are my cousin too."
"I am,—and something more. You seem to forget that. Do you mean to answer my question?"
"Certainly,—if I can. But do sit down, Sir Penthony. I am sure you must be tired, you are so dreadfully out of breath. Have you come just now, this moment, straight from Algiers? See, that little chair over there is so comfortable. All my gentlemen visitors adore that little chair. No? You won't sit down? Well——"
"Are you in the habit of receiving men so early?"
"I assure you," says Cecil, raising her brows with a gentle air of martyrdom, and making a very melancholy40 gesture with one hand, "I hardly know the hour I don't receive them. I am absolutely persecuted41 by my friends. They will come. No matter how disagreeable it may be to me, they arrive just at any hour that best suits them. And I am so good-natured I cannot bring myself to say 'Not at home.'"
"You brought yourself to say it this morning."
"Ah, yes. But that was because I was engaged on very particular business."
"What business?"
"I am sorry I cannot tell you."
"You shall, Cecil. I will not leave this house until I get an answer. I am your husband. I have the right to demand it."
"You forget our little arrangement. I acknowledge no husband," says Cecil, with just one flash from her violet eyes.
"Do you refuse to answer me?"
"I do," replies she, emphatically.
"Then I shall stay here until you alter your mind," says Sir Penthony, with an air of determination, settling himself with what in a low class of men would have been a bang, in the largest arm-chair the room contains.
With an unmoved countenance42 Lady Stafford rises and rings the bell.
Dead silence.
Then the door opens, and a rather elderly servant appears upon the threshold.
"Martin, Sir Penthony will lunch here," says Cecil, calmly. "And—stay, Martin. Do you think it likely you will dine, Sir Penthony?"
"I do think it likely," replies he, with as much grimness as etiquette43 will permit before the servant.
"Sir Penthony thinks it likely he will dine, Martin. Let cook know. And—can I order you anything you would specially44 prefer?"
"Thank you, nothing. Pray give yourself no trouble on my account."
"It would be a pleasure,—the more so that it is so rare. Stay yet a moment, Martin. May I order you a bed, Sir Penthony?"
"I am not sure. I will let you know later on," replies Stafford, who, to his rage and disgust, finds himself inwardly convulsed with laughter.
"That will do, Martin," says her ladyship, with the utmost bonhommie. And Martin retires.
As the door closes, the combatants regard each other steadily45 for a full minute, and then they both roar.
"You are the greatest little wretch," says Sir Penthony, going over to her and taking both her hands, "it has ever been my misfortune to meet with. I am laughing now against my will,—remember that. I am in a frantic46 rage. Will you tell me what all that scene between you and Luttrell was about? If you don't I shall go straight and ask him."
"What! And leave me here to work my wicked will? Reflect—reflect. I thought you were going to mount guard here all day. Think on all the sins I shall be committing in your absence."
She has left her hands in his all this time, and is regarding him with a gay smile, under which she hardly hides a good deal of offended pride.
"The man who said pretty women were at heart the kindest lied," says Sir Penthony, standing over her, tall, and young, and very nearly handsome. "You know I am in misery48 all this time, and that a word from you would relieve me,—yet you will not speak it."
"Would you"—very gravely—"credit the word of such a sinner as you would make me out to be?"
"A sinner! Surely I have never called you that."
"I am more than sorry. I confess myself a brute if I ever even hinted at such a word,—which I doubt. The most I feared was your imprudence."
"From all I can gather, that means quite the same thing when said of a woman."
"Well, I don't mean it as the same. And, to prove my words, if you will only grant me forgiveness, I will not even mention Tedcastle's name again."
"But I insist on telling you every word he said to me, and all about it."
"If you had insisted on that half an hour ago you would have saved thirty minutes," says Stafford, laughing.
"Then I would not gratify you; now—Tedcastle came here, poor fellow, in a wretched state about Molly Massereene, whose secret he has at length discovered. About eleven o'clock last night he rushed in here almost distracted to get her address; so I went to Molly early this morning, obtained leave to give it,—and a love-letter as well, which you saw me deliver,—and all his raptures50 and tender epithets51 were meant for her, and not for me. Is it not a humiliating confession52? Even when he kissed my hands it was only in gratitude53, and his heart was full of Molly all the time."
"Then it was not you he was to meet alone?"—eagerly.
"What! Still suspicious? No, sir, it was not your wife he was to meet 'alone,' Now, are you properly abashed54? Are you satisfied?"
"I am, and deeply contrite55. Yet, Cecil, you must know what it is causes me such intolerable jealousy, and, knowing, you should pardon. My love for you only increases day by day. Tell me again I am forgiven."
"Yes, quite forgiven."
"And"—stealing his arm gently round her—"are you in the smallest degree glad to see me again?"
"In a degree,—yes." Raising to his, two eyes, full of something more than common gladness.
"Really?"
"Really."
He looks at her, but she refuses to understand his appealing expression, and regards him calmly in return.
"Cecil, how cold you are!" he says, reproachfully. "Think how long I have been away from you, and what a journey I have come."
"True; you must be hungry." With willful ignorance of his meaning.
"I am not." Indignantly. "But I think you might—after three weary months, that to me, at least, were twelve—you might——"
"Cecil," whispers he, growing a little pale, "do you mean it?"
"Mean what?" Coloring crimson58 now, but laughing also. "I mean this: if we don't go down-stairs soon luncheon59 will be cold. And, remember, I hold you to your engagement. You dine with me to-day. Is not that so?"
"You know how glad I shall be."
"Well, I hope now," says Cecil, "you intend to reform, and give up traveling aimlessly all over the unknown world at stated intervals60. I hope for the future you mean staying at home like a respectable Christian61."
"If I had a home. You can't call one's club a home, can you? I would stay anywhere,—with you."
"I could not possibly undertake such a responsibility. Still, I should like you to remain in London, where I could look after you a little bit now and then, and keep you in order. I adore keeping people in order. I am thrown away," says Cecil, shaking her flaxen head sadly. "I know I was born to rule."
"You do a great deal of it even in your own limited sphere, don't you?" says her husband, laughing. "I know at least one unfortunate individual who is completely under your control."
"No. I am dreadfully cramped62. But come; in spite of all the joy I naturally feel at your safe return, I find my appetite unimpaired. Luncheon is ready. Follow me, my friend. I pine for a cutlet."
They eat their cutlets tête-à-tête, and with evident appreciation63 of their merits; the servants regarding the performance with intense though silent admiration. In their opinion (and who shall dispute the accuracy of a servant's opinion?), this is the beginning of the end.
When luncheon is over, Lady Stafford rises.
"I am going for my drive," she says. "But what is to become of you until dinner-hour?"
"I shall accompany you." Audaciously.
"You! What! To have all London laughing at me?"
"Let them. A laugh will do them good, and you no harm. How can it matter to you?"
"True. It cannot. And after all to be laughed at one must be talked about. And to be talked about means to create a sensation. And I should like to create a sensation before I die. Yes, Sir Penthony,"—with a determined64 air,—"you shall have a seat in my carriage to-day."
"And how about to-morrow?"
"To-morrow probably some other fair lady will take pity on you. It would be much too slow,"—mischievously—"to expect you to go driving with your wife every day."
"I don't think I can see it in that light. Cecil,"—coming to her side, and with a sudden though gentle boldness, taking her in his arms,—"when are you going to forgive me and take me to your heart?"
"Your love," replies he, kissing the weak-minded little pucker67 off her forehead and the pretended pout68 from her lips, without this time saying, "by your leave," or "with your leave."
"And when you have it, what then?"
"I shall be the happiest man alive."
"Then be the happiest man alive," murmurs she, with tears in her eyes, although the smile still lingers round her lips.
It is thus she gives in.
"And when," asks Stafford, half an hour later, all the retrospective confessions69 and disclosures having taken some time to get through,—"when shall I install a mistress in the capacious but exceedingly gloomy abode70 my ancestors so unkindly left to me?"
"Do not even think of such a thing for ever so long. Perhaps next summer I may——"
"Oh, nonsense! Why not say this time ten years?"
"But at present my thoughts are full of my dear Molly. Ah! when shall I see her as happy as—as—I am?"
Here Sir Penthony, moved by a sense of duty and a knowledge of the fitness of things, instantly kisses her again.
He has barely performed this necessary act when the redoubtable71 Charles puts his head in at the door and says:
"The carriage is waiting, my lady."
"Very good," returns Lady Stafford, who, according to Charles's version of the affair, a few hours later, is as "red as a peony." "You will stay here, Penthony,"—murmuring his name with a grace and a sweet hesitation72 quite irresistible,—"while I go and make ready for our drive."
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1
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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converse
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| vi.谈话，谈天，闲聊；adv.相反的，相反 | |
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supercilious
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| adj.目中无人的，高傲的；adv.高傲地；n.高傲 | |
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condescends
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| 屈尊，俯就( condescend的第三人称单数 )； 故意表示和蔼可亲 | |
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exasperated
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| adj.恼怒的 | |
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ted
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| vt.翻晒，撒，撒开 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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heinous
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| adj.可憎的，十恶不赦的 | |
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persistence
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| n.坚持，持续，存留 | |
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divested
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| v.剥夺( divest的过去式和过去分词 )；脱去（衣服）；2。从…取去…；1。（给某人）脱衣服 | |
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insolent
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| adj.傲慢的，无理的 | |
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secreted
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| v.（尤指动物或植物器官）分泌( secrete的过去式和过去分词 )；隐匿，隐藏 | |
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chamber
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| n.房间，寝室；会议厅；议院；会所 | |
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stifles
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| （使）窒息， （使）窒闷( stifle的第三人称单数 )； 镇压，遏制 | |
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exclamation
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| n.感叹号，惊呼，惊叹词 | |
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spartan
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| adj.简朴的，刻苦的；n.斯巴达；斯巴达式的人 | |
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brute
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| n.野兽，兽性 | |
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entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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jealousy
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| n.妒忌，嫉妒，猜忌 | |
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conceal
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| v.隐藏，隐瞒，隐蔽 | |
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proximity
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| n.接近，邻近 | |
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remains
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| n.剩余物，残留物；遗体，遗迹 | |
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triumphant
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| adj.胜利的，成功的；狂欢的，喜悦的 | |
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stony
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| adj.石头的，多石头的，冷酷的，无情的 | |
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lengthy
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| adj.漫长的，冗长的 | |
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fervently
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| adv.热烈地，热情地，强烈地 | |
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fervor
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| n.热诚；热心；炽热 | |
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guilt
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| n.犯罪；内疚；过失，罪责 | |
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strictly
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| adv.严厉地，严格地；严密地 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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frivolous
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| adj.轻薄的；轻率的 | |
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frivolity
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| n.轻松的乐事，兴高采烈；轻浮的举止 | |
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invaluable
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| adj.无价的，非常宝贵的，极为贵重的 | |
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murmurs
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| n.低沉、连续而不清的声音( murmur的名词复数 )；低语声；怨言；嘀咕 | |
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obedience
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| n.服从，顺从 | |
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maliciously
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| adv.有敌意地 | |
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admiration
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| n.钦佩，赞美，羡慕 | |
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elegance
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| n.优雅；优美，雅致；精致，巧妙 | |
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positively
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| adv.明确地，断然，坚决地；实在，确实 | |
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melancholy
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| n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的 | |
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41
persecuted
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| （尤指宗教或政治信仰的）迫害(~sb. for sth.)( persecute的过去式和过去分词 )； 烦扰，困扰或骚扰某人 | |
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countenance
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| n.脸色，面容；面部表情；vt.支持，赞同 | |
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etiquette
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| n.礼仪，礼节；规矩 | |
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specially
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| adv.特定地；特殊地；明确地 | |
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45
steadily
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| adv.稳定地；不变地；持续地 | |
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frantic
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| adj.狂乱的，错乱的，激昂的 | |
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malice
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| n.恶意，怨恨，蓄意；[律]预谋 | |
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misery
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| n.痛苦，苦恼，苦难；悲惨的境遇，贫苦 | |
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horrid
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| adj.可怕的；令人惊恐的；恐怖的；极讨厌的 | |
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50
raptures
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| 极度欢喜( rapture的名词复数 ) | |
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51
epithets
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| n.（表示性质、特征等的）词语( epithet的名词复数 ) | |
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52
confession
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| n.自白，供认，承认 | |
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gratitude
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| adj.感激，感谢 | |
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abashed
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| adj.窘迫的，尴尬的v.使羞愧，使局促，使窘迫( abash的过去式和过去分词 ) | |
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contrite
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| adj.悔悟了的，后悔的，痛悔的 | |
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promptly
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| adv.及时地，敏捷地 | |
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utterly
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| adv.完全地，绝对地 | |
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crimson
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| n./adj.深(绯)红色(的)；vi.脸变绯红色 | |
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luncheon
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| n.午宴，午餐，便宴 | |
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intervals
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| n.[军事]间隔( interval的名词复数 )；间隔时间；[数学]区间；（戏剧、电影或音乐会的）幕间休息 | |
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Christian
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| adj.基督教徒的；n.基督教徒 | |
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cramped
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| a.狭窄的 | |
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appreciation
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| n.评价；欣赏；感谢；领会，理解；价格上涨 | |
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determined
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| adj.坚定的；有决心的 | |
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tiresome
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| adj.令人疲劳的，令人厌倦的 | |
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miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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pucker
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| v.撅起，使起皱；n.（衣服上的）皱纹，褶子 | |
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pout
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| v.撅嘴；绷脸；n.撅嘴；生气，不高兴 | |
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confessions
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| n.承认( confession的名词复数 )；自首；声明；（向神父的）忏悔 | |
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abode
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| n.住处，住所 | |
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redoubtable
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| adj.可敬的；可怕的 | |
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hesitation
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| n.犹豫，踌躇 | |
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