Still holding Dana Phelps between us, we hurried toward the tomb and entered. While our attention had been diverted in the direction of the swamp, the body of Montague Phelps had been stolen.
Dana Phelps was still deliberately1 brushing off his clothes. Had he been in league with them, executing a flank movement to divert our attention? Or had it all been pure chance?
"Well?" demanded Andrews.
"Well?" replied Dana.
Kennedy said nothing, and I felt that, with our capture, the mystery seemed to have deepened rather than cleared.
As Andrews and Phelps faced each other, I noticed that the latter was now and then endeavouring to cover his wrist, where the dog had torn his coat sleeve.
"Are you hurt badly?" inquired Kennedy.
Dana said nothing, but backed away. Kennedy advanced, insisting on looking at the wounds. As he looked he disclosed a semicircle of marks.
"Not a dog bite," he whispered, turning to me and fumbling2 in his pocket. "Besides, those marks are a couple of days old. They have scabs on them."
He had pulled out a pencil and a piece of paper, and, unknown to Phelps, was writing in the darkness. I leaned over. Near the point, in the tube through which the point for writing was, protruded3 a small accumulator and tiny electric lamp which threw a little disc of light, so small that it could be hidden by the hand, yet quite sufficient to guide Craig in moving the point of his pencil for the proper formation of whatever he was recording4 on the surface of the paper.
"An electric-light pencil," he remarked laconically5, in an undertone.
"Who were the others?" demanded Andrews of Dana.
There was a pause as though he were debating whether or not to answer at all. "I don't know," he said at length. "I wish I did."
"No, I say I wish I did know. You and your dog interrupted me just as I was about to find out, too."
We looked at each other in amazement7. Andrews was frankly8 skeptical9 of the coolness of the young man. Kennedy said nothing for some moments.
"I see you don't want to talk," he put in shortly.
"Then why are you here?"
"Nothing but conjecture11. No facts, only suspicions," said Dana, half to himself.
"You expect us to believe that?" insinuated12 Andrews.
"I can't help what you believe. That is the fact."
"And you were not with them?"
"No."
"You'll be within call, if we let you go now, any time that we want you?" interrupted Kennedy, much to the surprise of Andrews.
"I shall stay in Woodbine as long as there is any hope of clearing up this case. If you want me, I suppose I shall have to stay anyhow, even if there is a clue somewhere else."
"I'll take your word for it," offered Kennedy.
"I'll give it."
I must say that I rather liked the young chap, although I could make nothing out of him.
As Dana Phelps disappeared down the road, Andrews turned to Kennedy.
"What did you do that for?" he asked, half critically.
"Because we can watch him, anyway," answered Craig, with a significant glance at the now empty casket. "Have him shadowed, Andrews. It may lead to something and it may not. But in any case don't let him get out of reach."
"Here we are in a worse mystery than ever," grumbled13 Andrews. "We have caught a prisoner, but the body is gone, and we can't even show that he was an accomplice14."
"Just copying the peculiar16 shape of those marks on Phelps' arm. Perhaps we can improve on the finger-print method of identification. Those were the marks of human teeth."
He was glancing casually17 at his sketch18 as he displayed it to us. I wondered whether he really expected to obtain proof of the identity of at least one of the ghouls by the tooth-marks.
"It shows eight teeth, one of them decayed," he remarked. "By the way, there's no use watching here any longer. I have some more work to do in the laboratory which will keep me another day. To-morrow night I shall be ready. Andrews, in the mean time I leave the shadowing of Dana to you, and with the help of Jameson I want you to arrange to have all those connected with the case at my laboratory to-morrow night without fail."
Andrews and I had to do some clever scheming to bring pressure to bear on the various persons interested to insure their attendance, now that Craig was ready to act. Of course there was no difficulty in getting Dana Phelps. Andrews's shadows reported nothing in his actions of the following day that indicated anything. Mrs. Phelps came down to town by train and Doctor Forden motored in. Andrews even took the precaution to secure Shaughnessy and the trained nurse, Miss Tracy, who had been with Montague Phelps during his illness but had not contributed anything toward untangling the case. Andrews and myself completed the little audience.
We found Kennedy heating a large mass of some composition such as dentists use in taking impressions of the teeth.
"I shall be ready in a moment," he excused himself, still bending over his Bunsen flame. "By the way, Mr. Phelps, if you will permit me."
He had detached a wad of the softened19 material. Phelps, taken by surprise, allowed him to make an impression of his teeth, almost before he realised what Kennedy was doing. The precedent20 set, so to speak, Kennedy approached Doctor Forden. He demurred21, but finally consented. Mrs. Phelps followed, then the nurse, and even Shaughnessy.
With a quick glance at each impression, Kennedy laid them aside to harden.
"I am ready to begin," he remarked at length, turning to a peculiar looking instrument, something like three telescopes pointing at a centre in which was a series of glass prisms.
"These five senses of ours are pretty dull detectives sometimes," Kennedy began. "But I find that when we are able to call in outside aid we usually find that there are no more mysteries."
He placed something in a test-tube in line before one of the barrels of the telescopes, near a brilliant electric light.
"What do you see, Walter?" he asked, indicating an eyepiece.
I looked. "A series of lines," I replied. "What is it?"
"That," he explained, "is a spectroscope, and those are the lines of the absorption spectrum22. Each of those lines, by its presence, denotes a different substance. Now, on the pavement of the Phelps mausoleum I found, you will recall, some roundish spots. I have made a very diluted24 solution of them which is placed in this tube.
"The applicability of the spectroscope to the differentiation25 of various substances is too well known to need explanation. Its value lies in the exact nature of the evidence furnished. Even the very dilute23 solution which I have been able to make of the material scraped from these spots gives characteristic absorption bands between the D and E lines, as they are called. Their wave-lengths are between 5774 and 5390. It is such a distinct absorption spectrum that it is possible to determine with certainty that the fluid actually contains a certain substance, even though the microscope might fail to give sure proof. Blood—human blood—that was what those stains were."
He paused. "The spectra26 of the blood pigments27," he added, "of the extremely minute quantities of blood and the decomposition28 products of hemoglobin in the blood are here infallibly shown, varying very distinctly with the chemical changes which the pigments may undergo."
Whose blood was it? I asked myself. Was it of some one who had visited the tomb, who was surprised there or surprised some one else there? I was hardly ready for Kennedy's quick remark.
"There were two kinds of blood there. One was contained in the spots on the floor all about the mausoleum. There are marks on the arm of Dana Phelps which he probably might say were made by the teeth of my police-dog, Schaef. They are human tooth-marks, however. He was bitten by some one in a struggle. It was his blood on the floor of the mausoleum. Whose were the teeth?"
Kennedy fingered the now set impressions, then resumed: "Before I answer that question, what else does the spectroscope show? I found some spots near the coffin29, which has been broken open by a heavy object. It had slipped and had injured the body of Montague Phelps. From the injury some drops had oozed30. My spectroscope tells me that that, too, is blood. The blood and other muscular and nervous fluids of the body had remained in an aqueous condition instead of becoming pectous. That is a remarkable31 circumstance."
It flashed over me what Kennedy had been driving at in his inquiry32 regarding embalming33. If the poisons of the embalming fluid had not been injected, he had now clear proof regarding anything his spectroscope discovered.
"I had expected to find a poison, perhaps an alkaloid," he continued slowly, as he outlined his discoveries by the use of one of the most fascinating branches of modern science, spectroscopy. "In cases of poisoning by these substances, the spectroscope often has obvious advantages over chemical methods, for minute amounts will produce a well-defined spectrum. The spectroscope 'spots' the substance, to use a police idiom, the moment the case is turned over to it. There was no poison there." He had raised his voice to emphasise34 the startling revelation. "Instead, I found an extraordinary amount of the substance and products of glycogen. The liver, where this substance is stored, is literally35 surcharged in the body of Phelps."
He had started his moving-picture machine.
"Here I have one of the latest developments in the moving-picture art," he resumed, "an X-ray moving picture, a feat36 which was until recently visionary, a science now in its infancy37, bearing the formidable names of biorontgenography, or kinematoradiography."
Kennedy was holding his little audience breathless as he proceeded. I fancied I could see Anginette Phelps give a little shudder38 at the prospect39 of looking into the very interior of a human body. But she was pale with the fascination40 of it. Neither Forden nor the nurse looked to the right or to the left. Dana Phelps was open-eyed with wonder.
"In one X-ray photograph, or even in several," continued Kennedy, "it is difficult to discover slight motions. Not so in a moving picture. For instance, here I have a picture which will show you a living body in all its moving details."
On the screen before us was projected a huge shadowgraph of a chest and abdomen41. We could see the vertebrae of the spinal42 column, the ribs43, and the various organs.
"It is difficult to get a series of photographs directly from a fluorescent44 screen," Kennedy went on. "I overcome the difficulty by having lenses of sufficient rapidity to photograph even faint images on that screen. It is better than the so-called serial45 method, by which a number of separate X-ray pictures are taken and then pieced together and rephotographed to make the film. I can focus the X-rays first on the screen by means of a special quartz46 objective which I have devised. Then I take the pictures.
"Here, you see, are the lungs in slow or rapid respiration47. There is the rhythmically48 beating heart, distinctly pulsating49 in perfect outline. There is the liver, moving up and down with the diaphragm, the intestines50, and the stomach. You can see the bones moving with the limbs, as well as the inner visceral life. All that is hidden to the eye by the flesh is now made visible in striking manner."
Never have I seen an audience at the "movies" so thrilled as we were now, as Kennedy swayed our interest at his will. I had been dividing my attention between Kennedy and the extraordinary beauty of the famous Russian dancer. I forgot Anginette Phelps entirely52.
"You are now looking into the body of Montague Phelps," he announced suddenly.
What was the secret hidden in it?
There was the stomach, a curved sack something like a bagpipe55 or a badly made boot, with a tiny canal at the toe connecting it with the small intestine51. There were the heart and lungs.
"I have rendered the stomach visible," resumed Kennedy, "made it 'metallic,' so to speak, by injecting a solution of bismuth in buttermilk, the usual method, by which it becomes more impervious56 to the X-rays and hence darker in the skiagraph. I took these pictures not at the rate of fourteen or so a second, like the others, but at intervals57 of a few seconds. I did that so that, when I run them off, I get a sort of compressed moving picture. What you see in a short space of time actually took much longer to occur. I could have either kind of picture, but I prefer the latter.
"For, you will take notice that there is movement here—of the heart, of the lungs, of the stomach—faint, imperceptible under ordinary circumstances, but nevertheless, movement."
He was pointing at the lungs. "A single peristaltic contraction58 takes place normally in a very few seconds. Here it takes minutes. And the stomach. Notice what the bismuth mixture shows. There is a very slow series of regular wave-contractions from the fundus to the pylorus. Ordinarily one wave takes ten seconds to traverse it; here it is so slow as almost to be unnoticed."
What was the implication of his startling, almost gruesome, discovery? I saw it clearly, yet hung on his words, afraid to admit even to myself the logical interpretation59 of what I saw.
"Reconstruct the case," continued Craig excitedly. "Mr. Phelps, always a bon vivant and now so situated60 by marriage that he must be so, comes back to America to find his personal fortune—gone.
"What was left? He did as many have done. He took out a new large policy on his life. How was he to profit by it? Others have committed suicide, have died to win. Cases are common now where men have ended their lives under such circumstances by swallowing bichloride-of-mercury tablets, a favourite method, it seems, lately.
"But Phelps did not want to die to win. Life was too sweet to him. He had another scheme." Kennedy dropped his voice.
"One of the most fascinating problems in speculation61 as to the future of the race under the influence of science is that of suspended animation62. The usual attitude is one of reserve or scepticism. There is no necessity for it. Records exist of cases where vital functions have been practically suspended, with no food and little air. Every day science is getting closer to the control of metabolism63. In the trance the body functions are so slowed as to simulate death. You have heard of the Indian fakirs who bury themselves alive and are dug up days later? You have doubted it. But there is nothing improbable in it.
"Experiments have been made with toads64 which have been imprisoned65 in porous66 rock where they could get the necessary air. They have lived for months in a stupor67. In impervious rock they have died. Frozen fish can revive; bears and other animals hibernate68. There are all gradations from ordinary sleep to the torpor69 of death. Science can slow down almost to a standstill the vital processes so that excretions disappear and respiration and heart-beat are almost nil70.
"What the Indian fakir does in a cataleptic condition may be duplicated. It is not incredible that they may possess some vegetable extract by which they perform their as yet unexplained feats71 of prolonged living burial. For, if an animal free from disease is subjected to the action of some chemical and physical agencies which have the property of reducing to the extreme limit the motor forces and nervous stimulus72, the body of even a warm-blooded animal may be brought down to a condition so closely resembling death that the most careful examination may fail to detect any signs of life. The heart will continue working regularly at low tension, supplying muscles and other parts with sufficient blood to sustain molecular73 life, and the stomach would naturally react to artificial stimulus. At any time before decomposition of tissue has set in, the heart might be made to resume its work and life come back.
"Phelps had travelled extensively. In Siberia he must undoubtedly74 have heard of the Buriats, a tribe of natives who hibernate, almost like the animals, during the winters, succumbing75 to a long sleep known as the 'leshka.' He must have heard of the experiments of Professor Bakhmetieff, who studied the Buriats and found that they subsisted76 on foods rich in glycogen, a substance in the liver which science has discovered makes possible life during suspended animation. He must have heard of 'anabiose,' as the famous Russian calls it, by which consciousness can be totally removed and respiration and digestion77 cease almost completely."
"But—the body—is gone!" some one interrupted. I turned. It was Dana
Phelps, now leaning forward in wide-eyed excitement.
"Yes," exclaimed Craig. "Time was passing rapidly. The insurance had not been paid. He had expected to be revived and to disappear with Anginette Phelps long before this. Should the confederates of Phelps wait? They did not dare. To wait longer might be to sacrifice him, if indeed they had not taken a long chance already. Besides, you yourself had your suspicions and had written the insurance company hinting at murder."
Dana nodded, involuntarily confessing.
"You were watching them, as well as the insurance investigator78, Mr. Andrews. It was an awful dilemma79. What was to be done? He must be resuscitated80 at any risk.
"Ah—an idea! Rifle the grave—that was the way to solve it. That would still leave it possible to collect the insurance, too. The blackmail81 letter about the five thousand dollars was only a blind, to lay on the mythical82 Black Hand the blame for the desecration83. Brought into light, humidity, and warmth, the body would recover consciousness and the life-functions resume their normal state after the anabiotic coma84 into which Phelps had drugged himself.
"But the very first night the supposed ghouls were discovered. Dana Phelps, already suspicious regarding the death of his brother, wondering at the lack of sentiment which Mrs. Phelps showed, since she felt that her husband was not really dead—Dana was there. His suspicions were confirmed, he thought. Montague had been, in reality, murdered, and his murderers were now making away with the evidence. He fought with the ghouls, yet apparently85, in the darkness, he did not discover their identity. The struggle was bitter, but they were two to one. Dana was bitten by one of them. Here are the marks of teeth—teeth—of a woman."
Doctor Forden with outstretched hands.
"Tell them!" she cried wildly.
Forden seemed to have maintained his composure only by a superhuman effort.
"The—body is—at my office," he said, as we faced him with deathlike stillness. "Phelps had told us to get him within ten days. We did get him, finally. Gentlemen, you, who were seeking murderers, are, in effect, murderers. You kept us away two days too long. It was too late. We could not revive him. Phelps is really dead!"
"The deuce!" exclaimed Andrews, "the policy is incontestible!"
As he turned to us in disgust, his eyes fell on Anginette Phelps, sobered down by the terrible tragedy and nearly a physical wreck87 from real grief.
"Still," he added hastily, "we'll pay without a protest."
She did not even hear him. It seemed that the butterfly in her was crushed, as Dr. Forden and Miss Tracy gently led her away.
They had all left, and the laboratory was again in its normal state of silence, except for the occasional step of Kennedy as he stowed away the apparatus88 he had used.
"I must say that I was one of the most surprised in the room at the outcome of that case," I confessed at length. "I fully89 expected an arrest."
He said nothing, but went on methodically restoring his apparatus to its proper place.
"What a peculiar life you lead, Craig," I pursued reflectively. "One day it is a case that ends with such a bright spot in our lives as the recollection of the Shirleys; the next goes to the other extreme of gruesomeness and one can hardly think about it without a shudder. And then, through it all, you go with the high speed power of a racing90 motor."
"That last case appealed to me, like many others," he ruminated91, "just because it was so unusual, so gruesome, as you call it."
He reached into the pocket of his coat, hung over the back of a chair.
"Now, here's another most unusual case, apparently. It begins, really, at the other end, so to speak, with the conviction, begins at the very place where we detectives send a man as the last act of our little dramas."
"What?" I gasped92, "another case before even this one is fairly cleaned up? Craig—you are impossible. You get worse instead of better."
"Read it," he said, simply. Kennedy handed me a letter in the angular hand affected93 by many women. It was dated at Sing Sing, or rather Ossining. Craig seemed to appreciate the surprise which my face must have betrayed at the curious combination of circumstances.
"Nearly always there is the wife or mother of a condemned94 man who lives in the shadow of the prison," he remarked quietly, adding, "where she can look down at the grim walls, hoping and fearing."
I have read of your success as a scientific detective and hope that you will pardon me for writing to you, but it is a matter of life or death for one who is dearer to me than all the world.
Perhaps you recall reading of the trial and conviction of my husband, Sanford Godwin, at East Point. The case did not attract much attention in New York papers, although he was defended by an able lawyer from the city.
Since the trial, I have taken up my residence here in Ossining in order to be near him. As I write I can see the cold, grey walls of the state prison that holds all that is dear to me. Day after day, I have watched and waited, hoped against hope. The courts are so slow, and lawyers are so technical. There have been executions since I came here, too—and I shudder at them. Will this appeal be denied, also?
My husband was accused of murdering by poison—hemlock, they alleged—his adoptive parent, the retired96 merchant, Parker Godwin, whose family name he took when he was a boy. After the death of the old man, a later will was discovered in which my husband's inheritance was reduced to a small annuity97. The other heirs, the Elmores, asserted, and the state made out its case on the assumption, that the new will furnished a motive98 for killing99 old Mr. Godwin, and that only by accident had it been discovered.
Sanford is innocent. He could not have done it. It is not in him to do such a thing. I am only a woman, but about some things I know more than all the lawyers and scientists, and I KNOW that he is innocent.
I cannot write all. My heart is too full. Cannot you come and advise me? Even if you cannot take up the case to which I have devoted100 my life, tell me what to do. I am enclosing a check for expenses, all I can spare at present.
Sincerely yours,
NELLA GODWIN.
"Are you going?" I asked, watching Kennedy as he tapped the check thoughtfully on the desk.
"I can hardly resist an appeal like that," he replied, absently replacing the check in the envelope with the letter.
点击收听单词发音
1 deliberately | |
adv.审慎地;蓄意地;故意地 | |
参考例句: |
|
|
2 fumbling | |
n. 摸索,漏接 v. 摸索,摸弄,笨拙的处理 | |
参考例句: |
|
|
3 protruded | |
v.(使某物)伸出,(使某物)突出( protrude的过去式和过去分词 ) | |
参考例句: |
|
|
4 recording | |
n.录音,记录 | |
参考例句: |
|
|
5 laconically | |
adv.简短地,简洁地 | |
参考例句: |
|
|
6 queried | |
v.质疑,对…表示疑问( query的过去式和过去分词 );询问 | |
参考例句: |
|
|
7 amazement | |
n.惊奇,惊讶 | |
参考例句: |
|
|
8 frankly | |
adv.坦白地,直率地;坦率地说 | |
参考例句: |
|
|
9 skeptical | |
adj.怀疑的,多疑的 | |
参考例句: |
|
|
10 grunted | |
(猪等)作呼噜声( grunt的过去式和过去分词 ); (指人)发出类似的哼声; 咕哝着说 | |
参考例句: |
|
|
11 conjecture | |
n./v.推测,猜测 | |
参考例句: |
|
|
12 insinuated | |
v.暗示( insinuate的过去式和过去分词 );巧妙或迂回地潜入;(使)缓慢进入;慢慢伸入 | |
参考例句: |
|
|
13 grumbled | |
抱怨( grumble的过去式和过去分词 ); 发牢骚; 咕哝; 发哼声 | |
参考例句: |
|
|
14 accomplice | |
n.从犯,帮凶,同谋 | |
参考例句: |
|
|
15 promising | |
adj.有希望的,有前途的 | |
参考例句: |
|
|
16 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
参考例句: |
|
|
17 casually | |
adv.漠不关心地,无动于衷地,不负责任地 | |
参考例句: |
|
|
18 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
参考例句: |
|
|
19 softened | |
(使)变软( soften的过去式和过去分词 ); 缓解打击; 缓和; 安慰 | |
参考例句: |
|
|
20 precedent | |
n.先例,前例;惯例;adj.在前的,在先的 | |
参考例句: |
|
|
21 demurred | |
v.表示异议,反对( demur的过去式和过去分词 ) | |
参考例句: |
|
|
22 spectrum | |
n.谱,光谱,频谱;范围,幅度,系列 | |
参考例句: |
|
|
23 dilute | |
vt.稀释,冲淡;adj.稀释的,冲淡的 | |
参考例句: |
|
|
24 diluted | |
无力的,冲淡的 | |
参考例句: |
|
|
25 differentiation | |
n.区别,区分 | |
参考例句: |
|
|
26 spectra | |
n.光谱 | |
参考例句: |
|
|
27 pigments | |
n.(粉状)颜料( pigment的名词复数 );天然色素 | |
参考例句: |
|
|
28 decomposition | |
n. 分解, 腐烂, 崩溃 | |
参考例句: |
|
|
29 coffin | |
n.棺材,灵柩 | |
参考例句: |
|
|
30 oozed | |
v.(浓液等)慢慢地冒出,渗出( ooze的过去式和过去分词 );使(液体)缓缓流出;(浓液)渗出,慢慢流出 | |
参考例句: |
|
|
31 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
参考例句: |
|
|
32 inquiry | |
n.打听,询问,调查,查问 | |
参考例句: |
|
|
33 embalming | |
v.保存(尸体)不腐( embalm的现在分词 );使不被遗忘;使充满香气 | |
参考例句: |
|
|
34 emphasise | |
vt.加强...的语气,强调,着重 | |
参考例句: |
|
|
35 literally | |
adv.照字面意义,逐字地;确实 | |
参考例句: |
|
|
36 feat | |
n.功绩;武艺,技艺;adj.灵巧的,漂亮的,合适的 | |
参考例句: |
|
|
37 infancy | |
n.婴儿期;幼年期;初期 | |
参考例句: |
|
|
38 shudder | |
v.战粟,震动,剧烈地摇晃;n.战粟,抖动 | |
参考例句: |
|
|
39 prospect | |
n.前景,前途;景色,视野 | |
参考例句: |
|
|
40 fascination | |
n.令人着迷的事物,魅力,迷恋 | |
参考例句: |
|
|
41 abdomen | |
n.腹,下腹(胸部到腿部的部分) | |
参考例句: |
|
|
42 spinal | |
adj.针的,尖刺的,尖刺状突起的;adj.脊骨的,脊髓的 | |
参考例句: |
|
|
43 ribs | |
n.肋骨( rib的名词复数 );(船或屋顶等的)肋拱;肋骨状的东西;(织物的)凸条花纹 | |
参考例句: |
|
|
44 fluorescent | |
adj.荧光的,发出荧光的 | |
参考例句: |
|
|
45 serial | |
n.连本影片,连本电视节目;adj.连续的 | |
参考例句: |
|
|
46 quartz | |
n.石英 | |
参考例句: |
|
|
47 respiration | |
n.呼吸作用;一次呼吸;植物光合作用 | |
参考例句: |
|
|
48 rhythmically | |
adv.有节奏地 | |
参考例句: |
|
|
49 pulsating | |
adj.搏动的,脉冲的v.有节奏地舒张及收缩( pulsate的现在分词 );跳动;脉动;受(激情)震动 | |
参考例句: |
|
|
50 intestines | |
n.肠( intestine的名词复数 ) | |
参考例句: |
|
|
51 intestine | |
adj.内部的;国内的;n.肠 | |
参考例句: |
|
|
52 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
参考例句: |
|
|
53 holder | |
n.持有者,占有者;(台,架等)支持物 | |
参考例句: |
|
|
54 gasp | |
n.喘息,气喘;v.喘息;气吁吁他说 | |
参考例句: |
|
|
55 bagpipe | |
n.风笛 | |
参考例句: |
|
|
56 impervious | |
adj.不能渗透的,不能穿过的,不易伤害的 | |
参考例句: |
|
|
57 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
参考例句: |
|
|
58 contraction | |
n.缩略词,缩写式,害病 | |
参考例句: |
|
|
59 interpretation | |
n.解释,说明,描述;艺术处理 | |
参考例句: |
|
|
60 situated | |
adj.坐落在...的,处于某种境地的 | |
参考例句: |
|
|
61 speculation | |
n.思索,沉思;猜测;投机 | |
参考例句: |
|
|
62 animation | |
n.活泼,兴奋,卡通片/动画片的制作 | |
参考例句: |
|
|
63 metabolism | |
n.新陈代谢 | |
参考例句: |
|
|
64 toads | |
n.蟾蜍,癞蛤蟆( toad的名词复数 ) | |
参考例句: |
|
|
65 imprisoned | |
下狱,监禁( imprison的过去式和过去分词 ) | |
参考例句: |
|
|
66 porous | |
adj.可渗透的,多孔的 | |
参考例句: |
|
|
67 stupor | |
v.昏迷;不省人事 | |
参考例句: |
|
|
68 hibernate | |
v.冬眠,蛰伏 | |
参考例句: |
|
|
69 torpor | |
n.迟钝;麻木;(动物的)冬眠 | |
参考例句: |
|
|
70 nil | |
n.无,全无,零 | |
参考例句: |
|
|
71 feats | |
功绩,伟业,技艺( feat的名词复数 ) | |
参考例句: |
|
|
72 stimulus | |
n.刺激,刺激物,促进因素,引起兴奋的事物 | |
参考例句: |
|
|
73 molecular | |
adj.分子的;克分子的 | |
参考例句: |
|
|
74 undoubtedly | |
adv.确实地,无疑地 | |
参考例句: |
|
|
75 succumbing | |
不再抵抗(诱惑、疾病、攻击等)( succumb的现在分词 ); 屈从; 被压垮; 死 | |
参考例句: |
|
|
76 subsisted | |
v.(靠很少的钱或食物)维持生活,生存下去( subsist的过去式和过去分词 ) | |
参考例句: |
|
|
77 digestion | |
n.消化,吸收 | |
参考例句: |
|
|
78 investigator | |
n.研究者,调查者,审查者 | |
参考例句: |
|
|
79 dilemma | |
n.困境,进退两难的局面 | |
参考例句: |
|
|
80 resuscitated | |
v.使(某人或某物)恢复知觉,苏醒( resuscitate的过去式和过去分词 ) | |
参考例句: |
|
|
81 blackmail | |
n.讹诈,敲诈,勒索,胁迫,恫吓 | |
参考例句: |
|
|
82 mythical | |
adj.神话的;虚构的;想像的 | |
参考例句: |
|
|
83 desecration | |
n. 亵渎神圣, 污辱 | |
参考例句: |
|
|
84 coma | |
n.昏迷,昏迷状态 | |
参考例句: |
|
|
85 apparently | |
adv.显然地;表面上,似乎 | |
参考例句: |
|
|
86 sobbing | |
<主方>Ⅰ adj.湿透的 | |
参考例句: |
|
|
87 wreck | |
n.失事,遇难;沉船;vt.(船等)失事,遇难 | |
参考例句: |
|
|
88 apparatus | |
n.装置,器械;器具,设备 | |
参考例句: |
|
|
89 fully | |
adv.完全地,全部地,彻底地;充分地 | |
参考例句: |
|
|
90 racing | |
n.竞赛,赛马;adj.竞赛用的,赛马用的 | |
参考例句: |
|
|
91 ruminated | |
v.沉思( ruminate的过去式和过去分词 );反复考虑;反刍;倒嚼 | |
参考例句: |
|
|
92 gasped | |
v.喘气( gasp的过去式和过去分词 );喘息;倒抽气;很想要 | |
参考例句: |
|
|
93 affected | |
adj.不自然的,假装的 | |
参考例句: |
|
|
94 condemned | |
adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词 | |
参考例句: |
|
|
95 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
参考例句: |
|
|
96 retired | |
adj.隐退的,退休的,退役的 | |
参考例句: |
|
|
97 annuity | |
n.年金;养老金 | |
参考例句: |
|
|
98 motive | |
n.动机,目的;adv.发动的,运动的 | |
参考例句: |
|
|
99 killing | |
n.巨额利润;突然赚大钱,发大财 | |
参考例句: |
|
|
100 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
参考例句: |
|
|
欢迎访问英文小说网 |