Percy Darrow sat quite calmly, though a little hungrily, through the first of the two hours of the Great Silence. As it fell, he looked at his watch; then went on reading. Strangely terrified faces flitted by the open door of his little room. About seven o'clock Darrow, struck by a sudden idea, arose, walked down the corridor outside, and quite deliberately1 set to work to force the light door. As has been intimated, either by direct order of McCarthy or because of some vagueness of the orders, the young man had been confined, not in the jail proper, but in one of the living apartments of the wing.
Few realize how important a role sound plays in what might be called the defensives of our every-day life. Sight is important, to be sure, but it is more often corroborative2 than not; it is more often used to identify the source of the alarm that has been communicated through other channels. When we are told of the hero--or the villain--that he stood "with every sense alert", our mental picture, in spite of the phrasing, is that of a man listening intently for the first intimations of what may threaten.
So it is in prison. The warders can, of necessity, remain within actual view of but a few of the prisoners a small proportion of the time. But through those massive and silent corridors sound stands watch-dog for them. The minute scratch of a file, the vibrations4 attendant on the most cautious attempts against the stone structure, the most muffled5 footfall reports to the jailer that mischief6 is afoot. Instantly he is on the spot to corroborate7 by his other faculties8 the warnings of the watch-dog of the senses.
Now the watch-dog was asleep. Percy Darrow reflected that, were it not for the terror of these unexplainable hours, the prisoners within or their friends without could assail9 their confines boldly and formidably, even with dynamite10, and none would be the wiser if only none happened to be within actual visual range of the operations. He himself quite coolly used the iron side piece to his bed as a battering-ram to break the locks of the door. Then he walked down the long corridor and out through the police station, bowing politely to the bewildered officers. The latter did not attempt to stop him.
The people in the streets were, for the most part, either standing11 stock-still, or moving slowly forward in a groping sort of fashion. Darrow, for the second time, noticed how analogous12 to the deprivation13 of sight was the total deprivation of hearing and feeling vibration3.
Traffic was at a standstill. People's faces were bewildered, for the most part; though here and there one showed contorted with the hysteria of fright, or exalted14 with some other, probably religious, emotion. The same impression of ghostliness came to Darrow here as in the Atlas15 Building. Visual causes were not producing their wonted aural16 effect.
On the street corner a peanut vender's little whistle sent aloft bravely its jet of steam; the bells on a ragpicker's cart swung merrily back and forth17 on their strap18; a big truck, whose driver was either undaunted or drunk, banged and clattered19 and rattled20 over the rough cobbles of a side street--but no sound came from any one of them.
This complete severance21 of one cause and effect was sufficient to discredit22 all natural laws. No other cause and effect was certain. Everywhere people were touching23 things to see if they were solid, or wet, or soft, or hard, as the case might be. Even Darrow felt, absurdly enough, that it would not be greatly serious to jump off the top of any building into the street.
Darrow swung confidently enough down the street. He was the only person, with the exception of the drunken truck driver, who moved forward at a natural and easy gait. The effect was startling. Darrow seemed to be the only real human being of the lot. All the rest were phantasmagoric.
But as he proceeded down-town the spell was beginning to break. People were communicating with one another by means of pencil and paper. Darrow was amused, on crossing the park, to see against the lighted windows on Newspaper Row the silhouetted24 forms of activity. Evidently, the newspaper men were already at work on this fresh story.
Near the corner of the park Darrow saw standing a policeman of his varied25 acquaintance. The scientist walked up to this man, who was standing in the typical vacant uncertainty26, smiled agreeably, clapped him on the back, and shook his hand. The patrolman grasped Darrow's hand, but the look of groping uncertainty deepened on his face.
Darrow slipped his note-book from his pocket, and scribbled27 a few lines, which he showed to the officer. The latter read, inwardly digested for a moment, and smiled.
"Keep your hair on," ran Darrow's screed28. "This will pass in a few minutes, and it won't hurt you, anyway. Don't look like all these other dubs29."
He stood there companionably by the patrolman. They looked about them. All at once, with this touch of normal, unafraid, human companionship, the weird30 horror of the situation fell away. Darrow and his companion were seeing humanity disjointed from its accustomed habit, as one looks on a stage full of men hypnotized into belief of an absurdity31.
Where the blotting32 out of electricity had been tragic33, this, as soon as its utter harmlessness was realized, became comic. All about through the park men were meeting the situation according to the limited ideas developed by a crustacean34 life of absolute dependence35 on the shell of artificial environment. A considerable number of all sorts had fallen on their knees and were praying. One fat man in evening dress, with a silk hat and a large diamond stud showing between the lapels of a fur-lined coat, was particularly fervent36. By force of habit Darrow remarked on this individual.
"I'll bet he hasn't been to church since he was a kid," he observed, of course inaudibly.
The policeman caught the direction of his look, however, and grinned with understanding.
Some stood frozen to one spot, their faces agonized37, as a man would stand still were the earth likely to yawn anywhere. Darrow would have liked to reassure38 these, for their eyes expressed a frantic39 terror. One red-faced individual with white side-whiskers, looking exactly like the comic-paper caricatures of the trusts, had evidently refused to accept any arbitrary dictates40 of natural forces. Probably he had never accepted any dictates of any kind. He was going from one taxicab to another, trying to command a driver to take him somewhere, talking vehemently41 and authoritatively42, his face getting more and more purple with anger. The taxicab drivers merely stared at him stupidly.
"That old boy's kept his nerve," Darrow remarked, of course inaudibly, to his companion. "But he'll die of apoplexy if he doesn't watch out."
Again the policeman caught the direction of Darrow's glance, and grinned in understanding. He reached his huge gloved hand for the young man's pencil and paper, on which he wrote the name of a man high in railroad circles, and grinned again with evident relish43.
At this moment an entirely44 self-possessed young man swung across the street. He surveyed the two men sharply a moment, then approached, producing a sheaf of yellow paper as he did so.
"Professor Darrow?" he wrote.
Darrow nodded.
The young man pointed45 to himself, then to the Despatch46 Building.
"Cause?" he wrote, and waved his hand.
Darrow shook his head.
"Dangerous?"
Darrow shook his head again.
The reporter was about to add another question, when Darrow reached for the paper. It was thrust eagerly into his hand. Darrow consulted his watch.
"If," he wrote, "you will wait here four minutes, I'll give you an interview."
The reporter read this, and nodded.
"You're on!" he added to the written dialogue. Then he produced a cigarette, lighted it, and joined the other two men in their amused survey of the public's performances.
During the four minutes that ensued Darrow examined the reporter speculatively47. Finally his eye lighted up with recollection.
1 deliberately | |
adv.审慎地;蓄意地;故意地 | |
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2 corroborative | |
adj.确证(性)的,确凿的 | |
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3 vibration | |
n.颤动,振动;摆动 | |
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4 vibrations | |
n.摆动( vibration的名词复数 );震动;感受;(偏离平衡位置的)一次性往复振动 | |
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5 muffled | |
adj.(声音)被隔的;听不太清的;(衣服)裹严的;蒙住的v.压抑,捂住( muffle的过去式和过去分词 );用厚厚的衣帽包着(自己) | |
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6 mischief | |
n.损害,伤害,危害;恶作剧,捣蛋,胡闹 | |
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7 corroborate | |
v.支持,证实,确定 | |
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8 faculties | |
n.能力( faculty的名词复数 );全体教职员;技巧;院 | |
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9 assail | |
v.猛烈攻击,抨击,痛斥 | |
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10 dynamite | |
n./vt.(用)炸药(爆破) | |
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11 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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12 analogous | |
adj.相似的;类似的 | |
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13 deprivation | |
n.匮乏;丧失;夺去,贫困 | |
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14 exalted | |
adj.(地位等)高的,崇高的;尊贵的,高尚的 | |
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15 atlas | |
n.地图册,图表集 | |
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16 aural | |
adj.听觉的,听力的 | |
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17 forth | |
adv.向前;向外,往外 | |
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18 strap | |
n.皮带,带子;v.用带扣住,束牢;用绷带包扎 | |
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19 clattered | |
发出咔哒声(clatter的过去式与过去分词形式) | |
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20 rattled | |
慌乱的,恼火的 | |
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21 severance | |
n.离职金;切断 | |
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22 discredit | |
vt.使不可置信;n.丧失信义;不信,怀疑 | |
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23 touching | |
adj.动人的,使人感伤的 | |
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24 silhouetted | |
显出轮廓的,显示影像的 | |
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25 varied | |
adj.多样的,多变化的 | |
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26 uncertainty | |
n.易变,靠不住,不确知,不确定的事物 | |
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27 scribbled | |
v.潦草的书写( scribble的过去式和过去分词 );乱画;草草地写;匆匆记下 | |
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28 screed | |
n.长篇大论 | |
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29 dubs | |
v.给…起绰号( dub的第三人称单数 );把…称为;配音;复制 | |
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30 weird | |
adj.古怪的,离奇的;怪诞的,神秘而可怕的 | |
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31 absurdity | |
n.荒谬,愚蠢;谬论 | |
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32 blotting | |
吸墨水纸 | |
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33 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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34 crustacean | |
n.甲壳动物;adj.甲壳纲的 | |
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35 dependence | |
n.依靠,依赖;信任,信赖;隶属 | |
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36 fervent | |
adj.热的,热烈的,热情的 | |
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37 agonized | |
v.使(极度)痛苦,折磨( agonize的过去式和过去分词 );苦斗;苦苦思索;感到极度痛苦 | |
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38 reassure | |
v.使放心,使消除疑虑 | |
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39 frantic | |
adj.狂乱的,错乱的,激昂的 | |
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40 dictates | |
n.命令,规定,要求( dictate的名词复数 )v.大声讲或读( dictate的第三人称单数 );口授;支配;摆布 | |
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41 vehemently | |
adv. 热烈地 | |
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42 authoritatively | |
命令式地,有权威地,可信地 | |
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43 relish | |
n.滋味,享受,爱好,调味品;vt.加调味料,享受,品味;vi.有滋味 | |
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44 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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45 pointed | |
adj.尖的,直截了当的 | |
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46 despatch | |
n./v.(dispatch)派遣;发送;n.急件;新闻报道 | |
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47 speculatively | |
adv.思考地,思索地;投机地 | |
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