Mr. Hoopdriver was (in the days of this story) a poet, though he had never written a line of verse. Or perhaps romancer will describe him better. Like I know not how many of those who do the fetching and carrying of life,--a great number of them certainly,--his real life was absolutely uninteresting, and if he had faced it as realistically as such people do in Mr. Gissing's novels, he would probably have come by way of drink to suicide in the course of a year. But that was just what he had the natural wisdom not to do. On the contrary, he was always decorating his existence with imaginative tags, hopes, and poses, deliberate and yet quite effectual self-deceptions; his experiences were mere1 material for a romantic superstructure. If some power had given Hoopdriver the 'giftie' Burns invoked2, 'to see oursels as ithers see us,' he would probably have given it away to some one else at the very earliest opportunity. His entire life, you must understand, was not a continuous romance, but a series of short stories linked only by the general resemblance of their hero, a brown-haired young fellow commonly, with blue eyes and a fair moustache, graceful3 rather than strong, sharp and resolute4 rather than clever (cp., as the scientific books say, p. 2). Invariably this person possessed5 an iron will. The stories fluctuated indefinitely. The smoking of a cigarette converted Hoopdriver's hero into something entirely6 worldly, subtly rakish, with a humorous twinkle in the eye and some gallant7 sinning in the background. You should have seen Mr. Hoopdriver promenading8 the brilliant gardens at Earl's Court on an early-closing night. His meaning glances! (I dare not give the meaning.) Such an influence as the eloquence9 of a revivalist preacher would suffice to divert the story into absolutely different channels, make him a white-soured hero, a man still pure, walking untainted and brave and helpful through miry ways. The appearance of some daintily gloved frockcoated gentleman with buttonhole and eyeglass complete, gallantly10 attendant in the rear of customers, served again to start visions of a simplicity11 essentially12 Cromwell-like, of sturdy plainness, of a strong, silent man going righteously through the world. This day there had predominated a fine leisurely13 person immaculately clothed, and riding on an unexceptional machine, a mysterious person--quite unostentatious, but with accidental self-revelation of something over the common, even a "bloomin' Dook," it might be incognito14, on the tour of the South Coast.
You must not think that there was any TELLING of these stories of this life-long series by Mr. Hoopdriver. He never dreamt that they were known to a soul. If it were not for the trouble, I would, I think, go back and rewrite this section from the beginning, expunging15 the statements that Hoopdriver was a poet and a romancer, and saying instead that he was a playwright16 and acted his own plays. He was not only the sole performer, but the entire audience, and the entertainment kept him almost continuously happy. Yet even that playwright comparison scarcely expresses all the facts of the case. After all, very many of his dreams never got acted at all, possibly indeed, most of them, the dreams of a solitary17 walk for instance, or of a tramcar ride, the dreams dreamt behind the counter while trade was slack and mechanical foldings and rollings occupied his muscles. Most of them were little dramatic situations, crucial dialogues, the return of Mr. Hoopdriver to his native village, for instance, in a well-cut holiday suit and natty18 gloves, the unheard asides of the rival neighbours, the delight of the old 'mater,' the intelligence--"A ten-pound rise all at once from Antrobus, mater. Whad d'yer think of that?" or again, the first whispering of love, dainty and witty19 and tender, to the girl he served a few days ago with sateen, or a gallant rescue of generalised beauty in distress20 from truculent21 insult or ravening22 dog.
So many people do this--and you never suspect it. You see a tattered23 lad selling matches in the street, and you think there is nothing between him and the bleakness24 of immensity, between him and utter abasement25, but a few tattered rags and a feeble musculature. And all unseen by you a host of heaven- sent fatuities26 swathes him about, even, maybe, as they swathe you about. Many men have never seen their own profiles or the backs of their heads, and for the back of your own mind no mirror has been invented. They swathe him about so thickly that the pricks27 of fate scarce penetrate28 to him, or become but a pleasant titillation29. And so, indeed, it is with all of us who go on living. Self-deception is the anaesthetic of life, while God is carving30 out our beings.
But to return from this general vivisection to Mr. Hoopdriver's imaginings. You see now how external our view has been; we have had but the slightest transitory glimpses of the drama within, of how the things looked in the magic mirror of Mr. Hoopdriver's mind. On the road to Guildford and during his encounters with his haunting fellow-cyclists the drama had presented chiefly the quiet gentleman to whom we have alluded31, but at Guildford, under more varied32 stimuli33, he burgeoned34 out more variously. There was the house agent's window, for instance, set him upon a charming little comedy. He would go in, make inquires about that thirty-pound house, get the key possibly and go over it--the thing would stimulate35 the clerk's curiosity immensely. He searched his mind for a reason for this proceeding36 and discovered that he was a dynamiter37 needing privacy. Upon that theory he procured38 the key, explored the house carefully, said darkly that it might suit his special needs, but that there were OTHERS to consult. The clerk, however, did not understand the allusion39, and merely pitied him as one who had married young and paired himself to a stronger mind than his own.
This proceeding in some occult way led to the purchase of a note-book and pencil, and that started the conception of an artist taking notes. That was a little game Mr. Hoopdriver had, in congenial company, played in his still younger days--to the infinite annoyance40 of quite a number of respectable excursionists at Hastings. In early days Mr. Hoopdriver had been, as his mother proudly boasted, a 'bit of a drawer,' but a conscientious41 and normally stupid schoolmaster perceived the incipient42 talent and had nipped it in the bud by a series of lessons in art. However, our principal character figured about quite happily in old corners of Guildford, and once the other man in brown, looking out of the bay window of the Earl of Kent, saw him standing43 in a corner by a gateway44, note-book in hand, busily sketching45 the Earl's imposing46 features. At which sight the other man in brown started back from the centre of the window, so as to be hidden from him, and crouching47 slightly, watched him intently through the interstices of the lace curtains.
1 mere | |
adj.纯粹的;仅仅,只不过 | |
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2 invoked | |
v.援引( invoke的过去式和过去分词 );行使(权利等);祈求救助;恳求 | |
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3 graceful | |
adj.优美的,优雅的;得体的 | |
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4 resolute | |
adj.坚决的,果敢的 | |
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5 possessed | |
adj.疯狂的;拥有的,占有的 | |
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6 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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7 gallant | |
adj.英勇的,豪侠的;(向女人)献殷勤的 | |
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8 promenading | |
v.兜风( promenade的现在分词 ) | |
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9 eloquence | |
n.雄辩;口才,修辞 | |
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10 gallantly | |
adv. 漂亮地,勇敢地,献殷勤地 | |
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11 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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12 essentially | |
adv.本质上,实质上,基本上 | |
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13 leisurely | |
adj.悠闲的;从容的,慢慢的 | |
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14 incognito | |
adv.匿名地;n.隐姓埋名;adj.化装的,用假名的,隐匿姓名身份的 | |
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15 expunging | |
v.擦掉( expunge的现在分词 );除去;删去;消除 | |
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16 playwright | |
n.剧作家,编写剧本的人 | |
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17 solitary | |
adj.孤独的,独立的,荒凉的;n.隐士 | |
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18 natty | |
adj.整洁的,漂亮的 | |
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19 witty | |
adj.机智的,风趣的 | |
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20 distress | |
n.苦恼,痛苦,不舒适;不幸;vt.使悲痛 | |
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21 truculent | |
adj.野蛮的,粗野的 | |
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22 ravening | |
a.贪婪而饥饿的 | |
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23 tattered | |
adj.破旧的,衣衫破的 | |
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24 bleakness | |
adj. 萧瑟的, 严寒的, 阴郁的 | |
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25 abasement | |
n.滥用 | |
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26 fatuities | |
n.愚昧,昏庸( fatuity的名词复数 );愚蠢的言行 | |
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27 pricks | |
刺痛( prick的名词复数 ); 刺孔; 刺痕; 植物的刺 | |
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28 penetrate | |
v.透(渗)入;刺入,刺穿;洞察,了解 | |
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29 titillation | |
n.搔痒,愉快;搔痒感 | |
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30 carving | |
n.雕刻品,雕花 | |
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31 alluded | |
提及,暗指( allude的过去式和过去分词 ) | |
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32 varied | |
adj.多样的,多变化的 | |
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33 stimuli | |
n.刺激(物) | |
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34 burgeoned | |
v.发芽,抽枝( burgeon的过去式和过去分词 );迅速发展;发(芽),抽(枝) | |
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35 stimulate | |
vt.刺激,使兴奋;激励,使…振奋 | |
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36 proceeding | |
n.行动,进行,(pl.)会议录,学报 | |
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37 dynamiter | |
n.炸药使用者(尤指革命者) | |
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38 procured | |
v.(努力)取得, (设法)获得( procure的过去式和过去分词 );拉皮条 | |
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39 allusion | |
n.暗示,间接提示 | |
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40 annoyance | |
n.恼怒,生气,烦恼 | |
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41 conscientious | |
adj.审慎正直的,认真的,本着良心的 | |
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42 incipient | |
adj.起初的,发端的,初期的 | |
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43 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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44 gateway | |
n.大门口,出入口,途径,方法 | |
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45 sketching | |
n.草图 | |
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46 imposing | |
adj.使人难忘的,壮丽的,堂皇的,雄伟的 | |
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47 crouching | |
v.屈膝,蹲伏( crouch的现在分词 ) | |
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