The reader is now informed of the history of Irene, which is to he remembered as of an important personage in the succeeding pages. Knowing also how she became possessed1 of the palace we have been at some pains to describe, he is prepared to see her at home.
The night has retreated from the European shore of the Bosphorus, although the morning is yet very young. The sun in the cloudless sky beyond Becos, where it appears standing2 as if to rest from the fatigue3 of climbing the hills, is lifting Therapia bodily out of its sparkling waters. In the bay moreover there are many calls of mariner4 to mariner, and much creaking of windlasses, and clashing of oars5 cast loose in their leather slings6. To make the scene perfectly7 realistic there is a smell of breakfast cooking, not unpleasant to those within its waftage who are yet to have their appetites appeased8. These sights, these sounds, these smells, none of them reach the palace in the garden under the promontory9 opposite the town. There the birds are singing their matin songs, the flowers loading the air with perfume, and vine and tree drinking the moisture borne down to them from the unresting sea so near in the north. [Footnote: The Black Sea.]
Under the marble portico10 the mistress is sitting exactly in the place we can imagine the old Greek loved most what time he read from his masterful copy of Homer. Between columns she saw the Bosphorean expanse clear to the wooded Asiatic shore. Below was a portion of the garden through which the walk ran, with a graceful11 curve, to the red kiosk by the front gate. Just beyond it the landing lay. Around her were palm and rose trees in painted tubs, and in their midst, springing from a tall vase carven over with mythologic12 figures, a jasmine vine affected13 all the graces of its most delicate nature. Within reach of her right hand there were platters of burnished14 brass15 on a table of ebony, its thin, spider legs inlaid with silver in lines. One of the platters bore a heap of white biscuits such as at this day are called crackers16; the others supported pitchers17, and some drinking cups, all of silver.
The mistress sat in an arm-chair very smooth in finish despite the lineations sunk into its surfaces, and so roomy as to permit her to drop easily into a half-reclining posture18. A footstool dressed in dark stamped leather was ready to lend its aid to gracefulness19 and comfort.
We will presume now to introduce the reader to the Princess Irene, though, as the introduction must be in the way of description, our inability to render the subject adequately is admitted in advance.
At the moment of first sight, she is sitting erect20, her head turned slightly to the left shoulder, and both hands resting on the dog's head garnishing21 the right arm of the chair. She is gazing abstractedly out at the landing, as if waiting for some one overdue22. The face is uncovered; and it is to be said here that, abhorring23 the custom which bound her Byzantine sisterhood to veils, except when in the retiracy of their chambers24, she was at all times brave enough to emphasize the abhorrence25 by discarding the encumbrance26. She was never afraid of the effects of the sun on her complexion27, and had the art of moving modestly and with composure among men, who, on their side, were used in meeting her to conceal28 their admiration29 and wonder under cover of grave respect.
Her figure, tall, slender, perfectly rounded, is clad in drapery of the purest classic mode. Outwardly it consists of but two garments--a robe of fine white woollen stuff, and over it a mantle30 of the same texture31 and hue32, hanging from a yoke33 of close-fitting flesh-colored silk richly embroidered34 with Tyrian floss. A red rope loosely twisted girdles her body close under the breasts, from which, when she is standing, the gown in front falls to the feet, leaving a decided35 train. The mantle begins at a point just in front of the arm, under which, and along the sides, it hangs, like a long open sleeve, being cut away behind about half down the figure. The contrivance of the yoke enabled the artist, by gathering36 the drapery, to determine the lines in which it should drop, and they were few but positive. In movement, the train was to draw the gown to the form so its outlines could be easily followed from the girdle.
The hair, of the tint37 of old gold, is dressed in the Grecian style; and its abundance making the knot unusually ample, there was necessity for the two fillets of pink silk to keep it securely in place.
The real difficulty in the description is now reached. To a reader of sharp imagination it might be sufficient to say the face of the Princess Irene, seen the morning in question, was perfectly regular, the brows like pencilling, the nose delicate, the eyes of violet shading into blackness, the mouth small with deep corners and lips threads of scarlet39, the cheeks and brow precisely40 as the received law of beauty would have them. This would authorize41 a conception of surpassing loveliness; and perhaps it were better did we stop with the suggestions given, since the fancy would then be left to do its own painting. But patience is besought42, for vastly more than a face of unrivalled perfection, the conjuration is a woman who yet lives in history as such a combination of intellect, spirit, character, and personal charm that men, themselves rulers and conquerors43, fell before her at sight. Under necessity therefore of going on with the description, what words are at command to convey an idea of the complexion--a property so wholly unartificial with her that the veins44 at the temples were as transparent45 shadows on snow, and the coloring of the cheeks like a wash of roses? What more is there than to point to the eyes of the healthful freshness peculiar46 to children of tender nurture47; the teeth exquisitely48 regular and of the whiteness of milk and the lustre49 of pearls; the ears small, critically set, and tinted50 pink and white, like certain shells washed ashore51 last night? What more? Ah, yes! There are the arms bare from the shoulder, long and round as a woman's should be, and terminating in flexile wrists, and hands so gracefully52 modelled we shrink from thought of their doing more than making wreaths of flowers and playing with harp38 strings53. There too is the pose of the head expressive54 of breeding and delicacy55 of thought and feeling, of pride and courage--the pose unattainable by effort or affectation, and impossible except where the head, itself faultless, is complemented56 by a neck long, slender, yet round, pliant57, always graceful, and set upon shoulders the despair of every one but the master who found perfection of form and finish in the lilies of the Madonna. Finally there is the correspondence, in action as well as repose58, of body, limbs, head, and face, to which, under inspiration of the soul, the air and manner of lovely women are always referable.
The Princess was yet intensely observing the stretch of water before her, and the rapid changes of the light upon its face, when a boat, driven by a single oarsman, drew up to the landing, and disembarked a passenger. That he was not the person she was expecting became instantly apparent. She glanced at him once, and then, satisfied he was a stranger in whom she had no interest, resumed study of the bay. He, however, after dropping something in the boatman's hand, turned, and walked to the gateway59, and through it towards the palace.
Ere long a servant, whose very venerable appearance belied60 the steel-pointed javelin61 he carried, hobbled slowly along the floor of the portico marshalling a visitor. She touched the golden knot at the back of her head to be assured of its arrangement, arose, shook out the folds of her gown and mantle, and was prepared for the interruption.
The costume of the stranger was new to the Princess. A cassock of mixed white and brown wool that had gone through a primitive62 loom63 with little of any curative process except washing, hung from his neck to his heels. Aside from the coarseness of warp64 and woof, it fitted so closely that but for a slit65 on each side of the skirt walking would have been seriously impeded66. The sleeves were long and loose, and covered the hands. From the girdle of untanned skin a double string of black horn beads67, each large as a walnut68, dropped to his knees. The buckle69 of the girdle, which might have been silver deeply oxidized, was conspicuously70 large, and of the rudest workmanship. But withal much the most curious part of the garb71 was the cowl, if such it may be called. Projecting over the face so far as to cast the features in shadow, it carried on the sides of the head broad flaps, not unlike the ears of an elephant. This envelope was hideous72, yet it served to exalt73 the man within to giantesque proportions.
The Princess surveyed the visitor with astonishment74 hardly concealed75. What part of the world could produce a creature so utterly76 barbarous? What business could he have with her? Was he young or old? Twice she scanned him from head to foot. He was a monk77; so much the costume certified78; and while he stopped before her with one foot advanced from the edge of the skirt, and resting lightly in the clasp of the thongs79 of a very old-fashioned sandal, she saw it was white, and blue veined, and at the edges pink, like a child's, and she said to herself, "He is young--a young monastic."
The stranger drew from his girdle a linen80 package carefully folded, kissed it reverently81, and said:
"Would the Princess Irene be pleased if I open the favor for her?"
The voice was manly82, the manner deferential83.
"Is it a letter?" she asked.
"A letter from the Holy Father, the Archimandrite of the greatest of the northern Lavras." [Footnote: Monasteries84.]
"Its name?"
"Bielo-Osero."
"The Bielo-Osero? Where is it?"
"In the country of the Great Prince." [Footnote: Russia.]
"I knew not that I had an acquaintance in so distant a region as the north of Russia. You may open the letter."
Unmindful of the indifferent air of the Princess, the monk removed the cloth, leaving its folds hanging loosely from his hand. A sheet of vellum was exposed lying on the covered palm.
"The Holy Father bade me when I delivered the writing, O Princess, to deliver his blessing85 also; which--the saying is mine, not his--is of more worth to the soul than a coffer of gold for the wants of the body."
The pious86 comment was not lost; but without a word, she took the vellum, and resuming her seat, addressed herself to the reading. First, her eyes dropped to the signature. There was a look of surprise--another of uncertainty--then an exclamation87:
"Hilarion! Not my Father Hilarion! He is but a sacred memory! He went away and died--and yet this is his hand. I know it as I know my own."
The monk essayed to remove the doubt.
"Permit me," he said, then asked, "Is there not an island hereabouts called Prinkipo?"
She gave him instant attention.
"And on the side of the island over against the Asiatic coast, under a hill named Kamares, is there not a convent built centuries ago by an Empress?"
"Irene," she interposed.
"Yes, Irene--and was not Father Hilarion for many years Abbot of the convent? Then, on account of his fame for learning and piety88, did not the Patriarch exalt him to attendance on his own person as Doctor of the Gospels? Still later, was he not summoned to serve the Emperor in the capacity of Warden89 of the Purple Ink?"
"From whom have you all these things?" she asked.
"Excellent Princess, from whom could I have them save the good Father himself?"
"Thou art then his messenger?"
"It becomes me better to refer you to what he has there written."
So saying, the monk stepped backward, and stood a little way off in a respectful attitude. She raised the missive, and kissed the signature several times, exclaiming:
"Now hath God taken care of his own!"
Then she said to the monk, "Thou art indeed a messenger with good tidings."
And he, accepting the welcome, uncovered his head, by raising the hideous klobouk, [Footnote: Cowl.] and letting it fall back pendant from his shoulders. The violet eyes of the Princess opened wider, brightening as with a sudden influx90 of light. She could not remember a finer head or a face more perfect in manly beauty, and at the same time so refined and gentle.
And he was so young--young even as herself--certainly not more than twenty. Such was her first general impression of him. For the pleasure there was in the surprise, she would not allow it to be observed, but said:
"The Father in his letter, no doubt, tells me thy name, but since I wish to reserve the reading, I hope thou wilt91 not be offended if I ask it directly."
"The name my mother gave me is Andre; but when I came to be a deacon in our Bielo-Osero, Father Hilarion, who presided at the raising, asked me how I wished to be known in the priesthood, and I answered him, Sergius. Andre was a good christening, and serves well to remind me of my dear mother; but Sergius is better, because at hearing it I am always reminded that by vows92 and solemn rites93 of ordination94 I am a servant of God."
"I will endeavor to remember thy preference," the Princess said; "but just now, good Sergius, it is of next importance to know if thou hast yet had breakfast?"
A smile helped his face to even more of pleasantness.
"No," he answered, "but I am used to fasting, and the great city is not more than two hours away."
She looked concerned.
"Thy patron Saint hath not deserted95 thee. Here is a table already set. He for whom I held it is long on the road; thou shalt take his place, and be not less welcome." To the old servant she added: "We have a guest, not an enemy, Lysander. Put up thy javelin, and bring a seat for him; then stand behind him, lest it happen one service of the cups be not enough."
Directly the two were at the table opposite each other.
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1
possessed
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| adj.疯狂的；拥有的，占有的 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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fatigue
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| n.疲劳，劳累 | |
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mariner
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| n.水手号不载人航天探测器，海员，航海者 | |
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oars
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| n.桨，橹( oar的名词复数 )；划手v.划（行）( oar的第三人称单数 ) | |
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slings
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| 抛( sling的第三人称单数 )； 吊挂； 遣送； 押往 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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appeased
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| 安抚，抚慰( appease的过去式和过去分词 )； 绥靖（满足另一国的要求以避免战争） | |
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promontory
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| n.海角；岬 | |
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portico
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| n.柱廊，门廊 | |
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graceful
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| adj.优美的，优雅的；得体的 | |
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mythologic
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| 神话学的，神话的，虚构的 | |
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affected
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| adj.不自然的，假装的 | |
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burnished
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| adj.抛光的，光亮的v.擦亮（金属等），磨光( burnish的过去式和过去分词 )；被擦亮，磨光 | |
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brass
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| n.黄铜；黄铜器，铜管乐器 | |
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crackers
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| adj.精神错乱的，癫狂的n.爆竹( cracker的名词复数 )；薄脆饼干；（认为）十分愉快的事；迷人的姑娘 | |
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pitchers
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| 大水罐( pitcher的名词复数 ) | |
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posture
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| n.姿势，姿态，心态，态度；v.作出某种姿势 | |
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gracefulness
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erect
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| n./v.树立，建立，使竖立；adj.直立的，垂直的 | |
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garnishing
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| v.给（上餐桌的食物）加装饰( garnish的现在分词 ) | |
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overdue
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| adj.过期的，到期未付的；早该有的，迟到的 | |
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abhorring
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| v.憎恶( abhor的现在分词 )；（厌恶地）回避；拒绝；淘汰 | |
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chambers
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| n.房间( chamber的名词复数 )；（议会的）议院；卧室；会议厅 | |
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abhorrence
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| n.憎恶；可憎恶的事 | |
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encumbrance
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| n.妨碍物，累赘 | |
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complexion
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| n.肤色；情况，局面；气质，性格 | |
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conceal
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| v.隐藏，隐瞒，隐蔽 | |
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admiration
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| n.钦佩，赞美，羡慕 | |
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mantle
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| n.斗篷，覆罩之物，罩子；v.罩住，覆盖，脸红 | |
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texture
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| n.(织物)质地；(材料)构造；结构；肌理 | |
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hue
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| n.色度；色调；样子 | |
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yoke
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| n.轭；支配；v.给...上轭，连接，使成配偶 | |
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embroidered
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| adj．绣花的 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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gathering
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| n.集会，聚会，聚集 | |
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tint
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| n.淡色，浅色；染发剂；vt.着以淡淡的颜色 | |
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harp
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| n.竖琴；天琴座 | |
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scarlet
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| n.深红色，绯红色，红衣；adj.绯红色的 | |
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precisely
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| adv.恰好，正好，精确地，细致地 | |
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authorize
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| v.授权，委任；批准，认可 | |
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besought
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| v.恳求，乞求（某事物）( beseech的过去式和过去分词 )；(beseech的过去式与过去分词) | |
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conquerors
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| 征服者，占领者( conqueror的名词复数 ) | |
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veins
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| n.纹理；矿脉( vein的名词复数 )；静脉；叶脉；纹理 | |
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transparent
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| adj.明显的，无疑的；透明的 | |
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peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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nurture
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| n.养育，照顾，教育；滋养，营养品；vt.养育，给与营养物，教养，扶持 | |
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48
exquisitely
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| adv.精致地；强烈地；剧烈地；异常地 | |
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lustre
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| n.光亮，光泽；荣誉 | |
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50
tinted
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| adj. 带色彩的 动词tint的过去式和过去分词 | |
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51
ashore
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| adv.在(向)岸上，上岸 | |
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52
gracefully
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| ad.大大方方地；优美地 | |
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53
strings
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| n.弦 | |
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expressive
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| adj.表现的，表达…的，富于表情的 | |
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delicacy
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| n.精致，细微，微妙，精良；美味，佳肴 | |
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56
complemented
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| 有补助物的，有余格的 | |
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57
pliant
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| adj.顺从的；可弯曲的 | |
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58
repose
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| v.(使)休息；n.安息 | |
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59
gateway
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| n.大门口，出入口，途径，方法 | |
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60
belied
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| v.掩饰( belie的过去式和过去分词 )；证明（或显示）…为虚假；辜负；就…扯谎 | |
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javelin
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| n.标枪，投枪 | |
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primitive
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| adj.原始的；简单的；n.原(始)人，原始事物 | |
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loom
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| n.织布机，织机；v.隐现，(危险、忧虑等)迫近 | |
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warp
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| vt.弄歪，使翘曲，使不正常，歪曲，使有偏见 | |
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slit
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| n.狭长的切口；裂缝；vt.切开，撕裂 | |
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impeded
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| 阻碍，妨碍，阻止( impede的过去式和过去分词 ) | |
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beads
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| n.（空心）小珠子( bead的名词复数 )；水珠；珠子项链 | |
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walnut
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| n.胡桃，胡桃木，胡桃色，茶色 | |
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buckle
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| n.扣子，带扣；v.把...扣住，由于压力而弯曲 | |
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conspicuously
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| ad.明显地，惹人注目地 | |
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garb
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| n.服装，装束 | |
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hideous
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| adj.丑陋的，可憎的，可怕的，恐怖的 | |
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exalt
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| v.赞扬，歌颂，晋升，提升 | |
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astonishment
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| n.惊奇，惊异 | |
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concealed
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| a.隐藏的，隐蔽的 | |
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76
utterly
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| adv.完全地，绝对地 | |
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77
monk
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| n.和尚，僧侣，修道士 | |
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78
certified
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| a.经证明合格的；具有证明文件的 | |
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79
thongs
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| 的东西 | |
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80
linen
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| n.亚麻布，亚麻线，亚麻制品；adj.亚麻布制的，亚麻的 | |
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81
reverently
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| adv.虔诚地 | |
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82
manly
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| adj.有男子气概的；adv.男子般地，果断地 | |
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83
deferential
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| adj. 敬意的，恭敬的 | |
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84
monasteries
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| 修道院( monastery的名词复数 ) | |
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85
blessing
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| n.祈神赐福；祷告；祝福，祝愿 | |
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86
pious
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| adj.虔诚的；道貌岸然的 | |
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87
exclamation
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| n.感叹号，惊呼，惊叹词 | |
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88
piety
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| n.虔诚，虔敬 | |
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89
warden
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| n.监察员，监狱长，看守人，监护人 | |
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90
influx
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| n.流入，注入 | |
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91
wilt
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| v.(使)植物凋谢或枯萎；(指人)疲倦，衰弱 | |
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92
vows
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| 誓言( vow的名词复数 )； 郑重宣布，许愿 | |
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93
rites
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| 仪式，典礼( rite的名词复数 ) | |
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ordination
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| n.授任圣职 | |
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95
deserted
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| adj.荒芜的，荒废的，无人的，被遗弃的 | |
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