IT was about ten o'clock when the Emperor and Princess Irene appeared on the portico1, and, moving toward the northern side, wended slowly through the labyrinth2 of flowers, palms, and shrubs3. The courtiers and dignitaries, upon their approach, received them in respectful silence, standing4 in groups about the tables.
A chair, with arms, high back, and a canopy5, looking not unlike a sedilium, had been set in an open space. The reservation was further marked by a table in front of the chair, and two broad-branched palm trees, one on each side. Thither6 the Princess conducted the sovereign; and when he was seated, at a signal from her, some chosen attendants came bearing refreshments7, cold meats, bread, fruits, and wines in crystal flagons, which they placed on the table, and retiring a little way, remained in waiting, while their mistress, on a stool at the left of the board, did the honors.
The introduction of a queen into a palace is usually the signal for a change of the existing domestic regime. Old placeholders go out; new favorites come in; and not seldom the revolution reaches the highest official circles of the government. The veterans of the suite8, to some of whom this bit of knowledge had come severely9 home, were very watchful10 of the two superior personages. Had His Majesty11 really exposed his intent to the Princess? Had he declared himself to her? Had she accepted? The effect was to trebly sharpen the eyes past which the two were required to go on their way to the reserved table.
Mention has been made of Phranza, the Grand Chamberlain, at the moment absent on a diplomatic search for an imperial consort12. Of all attaches of the court, he was first in his master's regard; and the distinction, it is but just to say, was due to his higher qualities and superior character. The term favorite, as a definition of relationship between a despot and a dependent, is historically cloudy; wherefore it is in this instance of unfair application. Intimate or confidante is much more exactly descriptive. But be that as it may, the good understanding between the Emperor and his Grand Chamberlain was amply sufficient to provoke the jealousy13 of many of the latter's colleagues, of whom Duke Notaras, Grand Admiral, and the most powerful noble of the Empire, was head and front. The scheme for the elevation14 of the Princess to the throne originated with him, and was aimed malevolently15 at Phranza, of whom he was envious16, and Constantine, whom he hated on religious grounds. Interest in the plot brought him to Therapia; yet he held himself aloof17, preferring the attitude of a spectator coldly polite to that of an active partisan18 in the affair. He declined sitting at a table, but took position between two of the columns whence the view of the bay was best. There were numbers of the suite, however, who discredited19 the motive20 with which he chose the place.
"See Notaras," said one of a group, whispering to friends drinking wine a little way off. "The scene before him is charming, but is he charmed with it as he appears?"
"There was an old demi-god with an eye in his forehead. Notaras' best orb21 just now is in the back of his head. He may be looking at the bay; he is really watching the portico"--such was the reply.
"Out! He cares nothing for us."
"Very true--we are not the Emperor."
"My Lord Duke is not happy to-day," was remarked in another coterie22.
"Wait, my dear friend. The day is young."
"If this match should not be made after all"--
"He will know it first."
"Yes, nothing from the lovers, neither smile nor sigh, can escape him."
The Professor of Philosophy and his brother the Professor of Rhetoric23 ate and drank together, illustrating24 the affinity25 of learning.
"Our Phranza is in danger," said the latter, nervously26. "As thou art a subscriber27 to the doctrine28 of the Phaedon, I wish we could disembody our souls, if only for an hour."
"Oh, a singular wish! What wouldst thou?"
"Tell it not; but"--the voice dropped into a whisper--"I would despatch29 mine in search of the wise Chamberlain to warn him of what is here in practice."
"Ah, my brother, thou didst me the honor to read and approve my treatise30 on the Philosophy of Conspiracy31. Dost thou remember the confounding elements given in the thesis?"
"Yes--Goodness is one."
"Under condition; that is, when the result is dependent upon a party of virtuous32 disposition33."
"I remember now."
"Well, we have the condition here."
"The Princess!"
"And therefore the Duke, not our Phranza, is in danger. She will discomfit34 him."
"May Heaven dispose so!" And the Rhetorician almost immediately added, "Observe thou. Notaras has established himself within easy hearing of the two. He has actually invaded the space reserved for them."
"As if to confirm my forecast!"
Then the Philosopher raised a cup.
"To Phranza!"
"To Phranza!" the Rhetorician responded.
This episode hardly concluded when the Emperor's brother sauntered to the Duke's side; and on the appearance of the Emperor and the Princess, he exclaimed, enthusiastically:
"Come of it what may, my Lord, the damsel is comely35, and I fear not to compare her with the best of Trebizond or Georgia."
The Duke did not answer. Indeed, the lords were all intent upon exactly the same subject. Whether there had been an overture36 and an acceptance, or an overture and a declination, they believed the principals could not conceal37 the result; a look, a gesture, or something in the manner of one or both of them, would tell the tale to eyes of such practical discernment. By the greater number the information would be treated as news for discussion merely; a few had hopes or fears at stake; none of them was so perilously38 involved as Notaras; in his view, failure meant the promotion39 of Phranza, of all consequences, not excepting his own loss of favor and prestige, the most intolerable.
On the other part, Constantine was not less concerned in misleading his court. At the proper time he would give out that he had changed his mind at the last moment; before engaging himself to the Princess, he had concluded it best to wait and hear from Phranza. Accordingly, in passing along the portico, he endeavored to look and behave like a guest; he conversed40 in an ordinary tone; he suffered his hostess to precede him; and, well seconded by her, he was installed in the state chair, without an argument yes or no for the sharp reviewers. At the table he appeared chiefly solicitous41 to appease42 an unusual hunger, which he charged to the early morning air on the Bosphorus.
Notaras, whom nothing of incident, demeanor43 or remark escaped, began very early to be apprehensive44. Upon beholding45 his master's unlover-like concession46 to appetite, he remarked sullenly47, "Verily, either his courage failed, and he did not submit a proposal, or she has rejected him."
"My Lord Duke," the Emperor's brother replied, somewhat stung, "dost thou believe it in woman to refuse such an honor?"
"Sir," the Duke retorted, "women who go about unveiled are above or below judgment48."
The Princess, in her place at the table, began there to recount her adventure at the White Castle, but when far enough in the recital49 to indicate its course the Emperor interrupted her.
"Stay, daughter," he said, gently. "The incident may prove of international interest. If not objectionable to you, I should be pleased to have some of my friends hear it." Then raising his voice, he called out: "Notaras, and thou, my brother, come, stand here. Our fair hostess had yesterday an astonishing experience with the Turks on the other shore, and I have prevailed on her to narrate50 it." The two responded to the invitation by drawing nearer the Emperor at his right hand.
"Proceed now, daughter," the latter said.
"Daughter, daughter, indeed!" the Duke repeated to himself, and so bitterly it may be doubted if his master's diplomacy51 availed to put him at rest. The paternalism of the address was decisive--Phranza had won.
Then, presently overcoming her confusion, the Princess succeeded in giving a simple but clear account of how she was driven to the Castle, and of what befell her while there. When she finished, the entire suite were standing about the table listening.
Twice she had been interrupted by the Emperor.
"A moment!" he said to her, while she was speaking of the Turkish soldiery whose arrival at the ancient stronghold had been so nearly simultaneous with her own. Then he addressed himself to the Grand Domestic and the Admiral. "My Lords, in passing the Castle, on our way up, you remember I bade the pilot take our ship near the shore there. It seemed to me the garrison52 was showing unusually large, while the flags on the donjon were strange, and the tents and horses around the walls implied an army present. You remember?"
"And we have now, Sire, the justification53 of your superior wisdom," the Grand Domestic replied, rising from a low salutation.
"I recall the circumstance, my Lords, to enjoin54 you not to suffer the affair to slip attention when next we meet in council--I pray pardon, daughter, for breaking the thread of your most interesting and important narrative55. I am prepared to listen further."
Then, after description of the Governor, and his reception of the fugitives56 on the landing, His Majesty, with apologies, asked permission to offer another inquiry57.
"Of a truth, daughter, the picture thou hast given us under the title of Governor beareth no likeness58 to him who hath heretofore responded to that dignity. At various times I have had occasion to despatch messengers to the commandant, and returning, they have reported him a coarse, unrefined, brutish-looking person, of middle age and low rank; and much I marvel59 to hear the freedom with which this person doth pledge my august friend and ally, Sultan Amurath. My Lords, this will furnish us an additional point of investigation60. Obviously the Castle is of military importance, requiring an old head full of experience to keep it regardful of peace and clear understanding between the powers plying61 the Bosphorus. We are always to be apprehensive of the fire there is in young blood."
"With humility62, Your Majesty," said the Grand Domestic, "I should like to hear from the Princess, whose loveliness is now not more remarkable63 than her courage and discretion64, the evidence she has for the opinion that the young man is really the Governor."
She was about to reply when Lysander, the old servant, elbowed himself through the brilliant circle, and dropped his javelin65 noisily by her chair.
"A stranger calling himself an Arab is at the gate," he said to her, with the semblance66 of a salutation.
The simplicity67 of the ancient, his zeal68 in the performance of his office, his obliviousness69 to the imperial presence, caused a ripple70 of amusement.
"An Arab!" the Princess exclaimed, in momentary71 forgetfulness. "How does the man appear?"
Lysander was in turn distraught; after a short delay, however, he managed to answer: "His face is dark, almost black; his head is covered with a great cloth of silk and gold; a gown hides him from neck to heels; in his girdle there is a dagger72. He has a lordly air, and does not seem in the least afraid. In brief, my mistress, he looks as if he might be king of all the camel drivers in the world."
The description was unexpectedly graphic73; even the Emperor smiled, while many of the train, presuming license74 from his amusement, laughed aloud. In the midst of the merriment, the Princess, calmly, and with scarce a change from her ordinary tone, proceeded to an explanation.
"Your Majesty," she said, "I am reminded of an invitation left with the person whose identity was in discussion the instant of this announcement. In the afternoon, while I was sojourning in the White Castle, an Arab story-teller was presented to me under recommendation of my courteous75 host. He was said to be of great professional renown76 in the East, a Sheik travelling to Adrianople for the divertisement of the Hanoum of the Sultan. In the desert they call him endearingly the Singing Sheik. I was glad to have the hours assisted in their going, and he did not disappoint me. So charmed was I by his tales and manner of telling them, by his genius, that in taking my departure from what proved a most agreeable retreat, and in acknowledging the hospitable77 entertainment given me, I referred to the singer, and requested the Governor to prevail on him to extend his journey here, in order to favor me with another opportunity to hear him. Had I then known it was in my Lord's purposes to visit me with such a company of most noble gentlemen, or could I have even anticipated the honor, I should not have appointed to-day for the audience with him. But he is in attendance; and now, with full understanding of the circumstances, it is for Your Majesty to pronounce upon his admission. Perhaps"--she paused with a look of deprecation fairly divisible share and share alike between the Emperor and the Lords around her--"perhaps time may hang heavy with my guests this morning; if so, I shall hold myself obliged to the Singing Sheik if he can help me entertain them."
Now, was there one present to attach a criticism to the favor extended the Arab, he dismissed it summarily, wondering at her easy grace. The Emperor no doubt shared the admiration78 with his suite; but concealing79 it, he said, with an air of uncertainty80, "Thy recommendation, daughter, is high; and if I remain, verily, it will be with expectation wrought81 up to a dangerous degree; yet having often heard of the power of the strolling poets of whom this one is in probability an excellent example, I confess I should be pleased to have thee admit him."
Of the Admiral, he then asked, "We were to set out in return about noon, were we not?"
"About noon, Your Majesty."
"Well, the hour is hardly upon us. Let the man appear, daughter; only, as thou lovest us, contrive82 that he keep to short recitals83, which, without holding us unwillingly84, will yet suffice to give an idea of his mind and methods. And keep thyself prepared for an announcement of our departure, and when received, mistake it not for discontent with thyself. Admit the Arab."
1 portico | |
n.柱廊,门廊 | |
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2 labyrinth | |
n.迷宫;难解的事物;迷路 | |
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3 shrubs | |
灌木( shrub的名词复数 ) | |
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4 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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5 canopy | |
n.天篷,遮篷 | |
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6 thither | |
adv.向那里;adj.在那边的,对岸的 | |
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7 refreshments | |
n.点心,便餐;(会议后的)简单茶点招 待 | |
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8 suite | |
n.一套(家具);套房;随从人员 | |
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9 severely | |
adv.严格地;严厉地;非常恶劣地 | |
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10 watchful | |
adj.注意的,警惕的 | |
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11 majesty | |
n.雄伟,壮丽,庄严,威严;最高权威,王权 | |
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12 consort | |
v.相伴;结交 | |
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13 jealousy | |
n.妒忌,嫉妒,猜忌 | |
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14 elevation | |
n.高度;海拔;高地;上升;提高 | |
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15 malevolently | |
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16 envious | |
adj.嫉妒的,羡慕的 | |
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17 aloof | |
adj.远离的;冷淡的,漠不关心的 | |
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18 partisan | |
adj.党派性的;游击队的;n.游击队员;党徒 | |
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19 discredited | |
不足信的,不名誉的 | |
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20 motive | |
n.动机,目的;adv.发动的,运动的 | |
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21 orb | |
n.太阳;星球;v.弄圆;成球形 | |
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22 coterie | |
n.(有共同兴趣的)小团体,小圈子 | |
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23 rhetoric | |
n.修辞学,浮夸之言语 | |
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24 illustrating | |
给…加插图( illustrate的现在分词 ); 说明; 表明; (用示例、图画等)说明 | |
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25 affinity | |
n.亲和力,密切关系 | |
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26 nervously | |
adv.神情激动地,不安地 | |
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27 subscriber | |
n.用户,订户;(慈善机关等的)定期捐款者;预约者;签署者 | |
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28 doctrine | |
n.教义;主义;学说 | |
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29 despatch | |
n./v.(dispatch)派遣;发送;n.急件;新闻报道 | |
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30 treatise | |
n.专著;(专题)论文 | |
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31 conspiracy | |
n.阴谋,密谋,共谋 | |
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32 virtuous | |
adj.有品德的,善良的,贞洁的,有效力的 | |
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33 disposition | |
n.性情,性格;意向,倾向;排列,部署 | |
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34 discomfit | |
v.使困惑,使尴尬 | |
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35 comely | |
adj.漂亮的,合宜的 | |
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36 overture | |
n.前奏曲、序曲,提议,提案,初步交涉 | |
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37 conceal | |
v.隐藏,隐瞒,隐蔽 | |
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38 perilously | |
adv.充满危险地,危机四伏地 | |
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39 promotion | |
n.提升,晋级;促销,宣传 | |
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40 conversed | |
v.交谈,谈话( converse的过去式 ) | |
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41 solicitous | |
adj.热切的,挂念的 | |
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42 appease | |
v.安抚,缓和,平息,满足 | |
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43 demeanor | |
n.行为;风度 | |
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44 apprehensive | |
adj.担心的,恐惧的,善于领会的 | |
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45 beholding | |
v.看,注视( behold的现在分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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46 concession | |
n.让步,妥协;特许(权) | |
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47 sullenly | |
不高兴地,绷着脸,忧郁地 | |
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48 judgment | |
n.审判;判断力,识别力,看法,意见 | |
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49 recital | |
n.朗诵,独奏会,独唱会 | |
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50 narrate | |
v.讲,叙述 | |
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51 diplomacy | |
n.外交;外交手腕,交际手腕 | |
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52 garrison | |
n.卫戍部队;驻地,卫戍区;vt.派(兵)驻防 | |
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53 justification | |
n.正当的理由;辩解的理由 | |
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54 enjoin | |
v.命令;吩咐;禁止 | |
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55 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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56 fugitives | |
n.亡命者,逃命者( fugitive的名词复数 ) | |
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57 inquiry | |
n.打听,询问,调查,查问 | |
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58 likeness | |
n.相像,相似(之处) | |
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59 marvel | |
vi.(at)惊叹vt.感到惊异;n.令人惊异的事 | |
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60 investigation | |
n.调查,调查研究 | |
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61 plying | |
v.使用(工具)( ply的现在分词 );经常供应(食物、饮料);固定往来;经营生意 | |
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62 humility | |
n.谦逊,谦恭 | |
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63 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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64 discretion | |
n.谨慎;随意处理 | |
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65 javelin | |
n.标枪,投枪 | |
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66 semblance | |
n.外貌,外表 | |
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67 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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68 zeal | |
n.热心,热情,热忱 | |
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69 obliviousness | |
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70 ripple | |
n.涟波,涟漪,波纹,粗钢梳;vt.使...起涟漪,使起波纹; vi.呈波浪状,起伏前进 | |
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71 momentary | |
adj.片刻的,瞬息的;短暂的 | |
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72 dagger | |
n.匕首,短剑,剑号 | |
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73 graphic | |
adj.生动的,形象的,绘画的,文字的,图表的 | |
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74 license | |
n.执照,许可证,特许;v.许可,特许 | |
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75 courteous | |
adj.彬彬有礼的,客气的 | |
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76 renown | |
n.声誉,名望 | |
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77 hospitable | |
adj.好客的;宽容的;有利的,适宜的 | |
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78 admiration | |
n.钦佩,赞美,羡慕 | |
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79 concealing | |
v.隐藏,隐瞒,遮住( conceal的现在分词 ) | |
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80 uncertainty | |
n.易变,靠不住,不确知,不确定的事物 | |
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81 wrought | |
v.引起;以…原料制作;运转;adj.制造的 | |
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82 contrive | |
vt.谋划,策划;设法做到;设计,想出 | |
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83 recitals | |
n.独唱会( recital的名词复数 );独奏会;小型音乐会、舞蹈表演会等;一系列事件等的详述 | |
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84 unwillingly | |
adv.不情愿地 | |
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