Il lupo
Ferito, credo, mi conobbe e ‘ncontro
Mi venne con1 la bocca sanguinosa.
“Aminta,” At. iv. Sc. i.
(The wounded wolf, I think, knew me, and came to meet me with its bloody2 mouth.)
At Naples, the tomb of Virgil, beetling3 over the cave of Posilipo, is reverenced4, not with the feelings that should hallow the memory of the poet, but the awe5 that wraps the memory of the magician. To his charms they ascribe the hollowing of that mountain passage; and tradition yet guards his tomb by the spirits he had raised to construct the cavern6. This spot, in the immediate7 vicinity of Viola’s home, had often attracted her solitary8 footsteps. She had loved the dim and solemn fancies that beset9 her as she looked into the lengthened10 gloom of the grotto11, or, ascending12 to the tomb, gazed from the rock on the dwarfed13 figures of the busy crowd that seemed to creep like insects along the windings14 of the soil below; and now, at noon, she bent15 thither16 her thoughtful way. She threaded the narrow path, she passed the gloomy vineyard that clambers up the rock, and gained the lofty spot, green with moss17 and luxuriant foliage18, where the dust of him who yet soothes19 and elevates the minds of men is believed to rest. From afar rose the huge fortress21 of St. Elmo, frowning darkly amidst spires22 and domes23 that glittered in the sun. Lulled24 in its azure25 splendour lay the Siren’s sea; and the grey smoke of Vesuvius, in the clear distance, soared like a moving pillar into the lucid26 sky. Motionless on the brink27 of the precipice28, Viola looked upon the lovely and living world that stretched below; and the sullen29 vapour of Vesuvius fascinated her eye yet more than the scattered30 gardens, or the gleaming Caprea, smiling amidst the smiles of the sea. She heard not a step that had followed her on her path and started to hear a voice at hand. So sudden was the apparition31 of the form that stood by her side, emerging from the bushes that clad the crags, and so singularly did it harmonise in its uncouth32 ugliness with the wild nature of the scene immediately around her, and the wizard traditions of the place, that the colour left her cheek, and a faint cry broke from her lips.
“Tush, pretty trembler!— do not be frightened at my face,” said the man, with a bitter smile. “After three months’ marriage, there is no different between ugliness and beauty. Custom is a great leveller. I was coming to your house when I saw you leave it; so, as I have matters of importance to communicate, I ventured to follow your footsteps. My name is Jean Nicot, a name already favourably33 known as a French artist. The art of painting and the art of music are nearly connected, and the stage is an altar that unites the two.”
There was something frank and unembarrassed in the man’s address that served to dispel34 the fear his appearance had occasioned. He seated himself, as he spoke35, on a crag beside her, and, looking up steadily36 into her face, continued:—
“You are very beautiful, Viola Pisani, and I am not surprised at the number of your admirers. If I presume to place myself in the list, it is because I am the only one who loves thee honestly, and woos thee fairly. Nay37, look not so indignant! Listen to me. Has the Prince di — ever spoken to thee of marriage; or the beautiful imposter Zanoni, or the young blue-eyed Englishman, Clarence Glyndon? It is marriage,— it is a home, it is safety, it is reputation, that I offer to thee; and these last when the straight form grows crooked38, and the bright eyes dim. What say you?” and he attempted to seize her hand.
Viola shrunk from him, and silently turned to depart. He rose abruptly39 and placed himself on her path.
“Actress, you must hear me! Do you know what this calling of the stage is in the eyes of prejudice,— that is, of the common opinion of mankind? It is to be a princess before the lamps, and a Pariah40 before the day. No man believes in your virtue41, no man credits your vows42; you are the puppet that they consent to trick out with tinsel for their amusement, not an idol43 for their worship. Are you so enamoured of this career that you scorn even to think of security and honour? Perhaps you are different from what you seem. Perhaps you laugh at the prejudice that would degrade you, and would wisely turn it to advantage. Speak frankly44 to me; I have no prejudice either. Sweet one, I am sure we should agree. Now, this Prince di —, I have a message from him. Shall I deliver it?”
Never had Viola felt as she felt then, never had she so thoroughly45 seen all the perils46 of her forelorn condition and her fearful renown47. Nicot continued:—
“Zanoni would but amuse himself with thy vanity; Glyndon would despise himself, if he offered thee his name, and thee, if thou wouldst accept it; but the Prince di — is in earnest, and he is wealthy. Listen!”
And Nicot approached his lips to her, and hissed48 a sentence which she did not suffer him to complete. She darted49 from him with one glance of unutterable disdain50. As he strove to regain51 his hold of her arm, he lost his footing, and fell down the sides of the rock till, bruised52 and lacerated, a pine-branch saved him from the yawning abyss below. She heard his exclamation53 of rage and pain as she bounded down the path, and, without once turning to look behind, regained54 her home. By the porch stood Glyndon, conversing55 with Gionetta. She passed him abruptly, entered the house, and, sinking on the floor, wept loud and passionately56.
Glyndon, who had followed her in surprise, vainly sought to soothe20 and calm her. She would not reply to his questions; she did not seem to listen to his protestations of love, till suddenly, as Nicot’s terrible picture of the world’s judgment57 of that profession which to her younger thoughts had seemed the service of Song and the Beautiful, forced itself upon her, she raised her face from her hands, and, looking steadily upon the Englishman, said, “False one, dost thou talk of me of love?”
“By my honour, words fail to tell thee how I love!”
“Wilt thou give me thy home, thy name? Dost thou woo me as thy wife?” And at that moment, had Glyndon answered as his better angel would have counselled, perhaps, in that revolution of her whole mind which the words of Nicot had effected, which made her despise her very self, sicken of her lofty dreams, despair of the future, and distrust her whole ideal,— perhaps, I say, in restoring her self-esteem,— he would have won her confidence, and ultimately secured her love. But against the prompting of his nobler nature rose up at that sudden question all those doubts which, as Zanoni had so well implied, made the true enemies of his soul. Was he thus suddenly to be entangled58 into a snare59 laid for his credulity by deceivers? Was she not instructed to seize the moment to force him into an avowal60 which prudence61 must repent62? Was not the great actress rehearsing a premeditated part? He turned round, as these thoughts, the children of the world, passed across him, for he literally63 fancied that he heard the sarcastic64 laugh of Mervale without. Nor was he deceived. Mervale was passing by the threshold, and Gionetta had told him his friend was within. Who does not know the effect of the world’s laugh? Mervale was the personation of the world. The whole world seemed to shout derision in those ringing tones. He drew back,— he recoiled65. Viola followed him with her earnest, impatient eyes. At last, he faltered66 forth67, “Do all of thy profession, beautiful Viola, exact marriage as the sole condition of love?” Oh, bitter question! Oh, poisoned taunt68! He repented69 it the moment after. He was seized with remorse70 of reason, of feeling, and of conscience. He saw her form shrink, as it were, at his cruel words. He saw the colour come and go, to leave the writhing71 lips like marble; and then, with a sad, gentle look of self-pity, rather than reproach, she pressed her hands tightly to her bosom72, and said,—
“He was right! Pardon me, Englishman; I see now, indeed, that I am the Pariah and the outcast.”
“Hear me. I retract73. Viola, Viola! it is for you to forgive!”
But Viola waved him from her, and, smiling mournfully as she passed him by, glided74 from the chamber75; and he did not dare to detain her.
1 con | |
n.反对的观点,反对者,反对票,肺病;vt.精读,学习,默记;adv.反对地,从反面;adj.欺诈的 | |
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2 bloody | |
adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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3 beetling | |
adj.突出的,悬垂的v.快速移动( beetle的现在分词 ) | |
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4 reverenced | |
v.尊敬,崇敬( reverence的过去式和过去分词 );敬礼 | |
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5 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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6 cavern | |
n.洞穴,大山洞 | |
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7 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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8 solitary | |
adj.孤独的,独立的,荒凉的;n.隐士 | |
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9 beset | |
v.镶嵌;困扰,包围 | |
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10 lengthened | |
(时间或空间)延长,伸长( lengthen的过去式和过去分词 ) | |
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11 grotto | |
n.洞穴 | |
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12 ascending | |
adj.上升的,向上的 | |
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13 dwarfed | |
vt.(使)显得矮小(dwarf的过去式与过去分词形式) | |
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14 windings | |
(道路、河流等)蜿蜒的,弯曲的( winding的名词复数 ); 缠绕( wind的现在分词 ); 卷绕; 转动(把手) | |
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15 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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16 thither | |
adv.向那里;adj.在那边的,对岸的 | |
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17 moss | |
n.苔,藓,地衣 | |
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18 foliage | |
n.叶子,树叶,簇叶 | |
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19 soothes | |
v.安慰( soothe的第三人称单数 );抚慰;使舒服;减轻痛苦 | |
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20 soothe | |
v.安慰;使平静;使减轻;缓和;奉承 | |
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21 fortress | |
n.堡垒,防御工事 | |
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22 spires | |
n.(教堂的) 塔尖,尖顶( spire的名词复数 ) | |
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23 domes | |
n.圆屋顶( dome的名词复数 );像圆屋顶一样的东西;圆顶体育场 | |
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24 lulled | |
vt.使镇静,使安静(lull的过去式与过去分词形式) | |
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25 azure | |
adj.天蓝色的,蔚蓝色的 | |
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26 lucid | |
adj.明白易懂的,清晰的,头脑清楚的 | |
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27 brink | |
n.(悬崖、河流等的)边缘,边沿 | |
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28 precipice | |
n.悬崖,危急的处境 | |
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29 sullen | |
adj.愠怒的,闷闷不乐的,(天气等)阴沉的 | |
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30 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
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31 apparition | |
n.幽灵,神奇的现象 | |
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32 uncouth | |
adj.无教养的,粗鲁的 | |
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33 favourably | |
adv. 善意地,赞成地 =favorably | |
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34 dispel | |
vt.驱走,驱散,消除 | |
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35 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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36 steadily | |
adv.稳定地;不变地;持续地 | |
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37 nay | |
adv.不;n.反对票,投反对票者 | |
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38 crooked | |
adj.弯曲的;不诚实的,狡猾的,不正当的 | |
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39 abruptly | |
adv.突然地,出其不意地 | |
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40 pariah | |
n.被社会抛弃者 | |
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41 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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42 vows | |
誓言( vow的名词复数 ); 郑重宣布,许愿 | |
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43 idol | |
n.偶像,红人,宠儿 | |
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44 frankly | |
adv.坦白地,直率地;坦率地说 | |
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45 thoroughly | |
adv.完全地,彻底地,十足地 | |
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46 perils | |
极大危险( peril的名词复数 ); 危险的事(或环境) | |
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47 renown | |
n.声誉,名望 | |
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48 hissed | |
发嘶嘶声( hiss的过去式和过去分词 ); 发嘘声表示反对 | |
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49 darted | |
v.投掷,投射( dart的过去式和过去分词 );向前冲,飞奔 | |
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50 disdain | |
n.鄙视,轻视;v.轻视,鄙视,不屑 | |
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51 regain | |
vt.重新获得,收复,恢复 | |
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52 bruised | |
[医]青肿的,瘀紫的 | |
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53 exclamation | |
n.感叹号,惊呼,惊叹词 | |
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54 regained | |
复得( regain的过去式和过去分词 ); 赢回; 重回; 复至某地 | |
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55 conversing | |
v.交谈,谈话( converse的现在分词 ) | |
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56 passionately | |
ad.热烈地,激烈地 | |
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57 judgment | |
n.审判;判断力,识别力,看法,意见 | |
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58 entangled | |
adj.卷入的;陷入的;被缠住的;缠在一起的v.使某人(某物/自己)缠绕,纠缠于(某物中),使某人(自己)陷入(困难或复杂的环境中)( entangle的过去式和过去分词 ) | |
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59 snare | |
n.陷阱,诱惑,圈套;(去除息肉或者肿瘤的)勒除器;响弦,小军鼓;vt.以陷阱捕获,诱惑 | |
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60 avowal | |
n.公开宣称,坦白承认 | |
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61 prudence | |
n.谨慎,精明,节俭 | |
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62 repent | |
v.悔悟,悔改,忏悔,后悔 | |
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63 literally | |
adv.照字面意义,逐字地;确实 | |
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64 sarcastic | |
adj.讥讽的,讽刺的,嘲弄的 | |
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65 recoiled | |
v.畏缩( recoil的过去式和过去分词 );退缩;报应;返回 | |
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66 faltered | |
(嗓音)颤抖( falter的过去式和过去分词 ); 支吾其词; 蹒跚; 摇晃 | |
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67 forth | |
adv.向前;向外,往外 | |
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68 taunt | |
n.辱骂,嘲弄;v.嘲弄 | |
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69 repented | |
对(自己的所为)感到懊悔或忏悔( repent的过去式和过去分词 ) | |
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70 remorse | |
n.痛恨,悔恨,自责 | |
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71 writhing | |
(因极度痛苦而)扭动或翻滚( writhe的现在分词 ) | |
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72 bosom | |
n.胸,胸部;胸怀;内心;adj.亲密的 | |
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73 retract | |
vt.缩回,撤回收回,取消 | |
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74 glided | |
v.滑动( glide的过去式和过去分词 );掠过;(鸟或飞机 ) 滑翔 | |
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75 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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