Letter of Dedication

TO CHARLES JAMES WARD¹, ESQ.

IT has long been one of my pleasantest anticipations² to look forward to the time when I might offer to you, my old and dear friend, some such acknowledgment of the value I place on your affection for me, and of my grateful sense of the many acts of kindness by which that affection has been proved, as I now gladly offer in this place. In dedicating the present work to you, I fulfil therefore a purpose which, for some time past, I have sincerely desired to achieve; and, more than that, I gain for myself the satisfaction of knowing that there is one page, at least, of my book, on which I shall always look with unalloyed pleasure — the page that bears your name.

I have founded the main event out of which this story springs, on a fact within my own knowledge. In afterwards shaping the course of the narrative³ thus suggested, I have guided it, as often as I could, where I knew by my own experience, or by experience related to me by others, that it would touch on something real and true in its progress. My idea was, that the more of the Actual I could garner⁴ up as a text to speak from, the more certain I might feel of the genuineness and value of the Ideal which was sure to spring out of it. Fancy and Imagination, Grace and Beauty, all those qualities which are to the work of Art what scent⁵ and colour are to the flower, can only grow towards heaven by taking root in earth. Is not the noblest poetry of prose fiction the poetry of every-day truth?

Directing my characters and my story, then, towards the light of Reality wherever I could find it, I have not hesitated to violate some of the conventionalities of sentimental⁶ fiction. For instance, the first love-meeting of two of the personages in this book, occurs (where the real love-meeting from which it is drawn⁷, occurred) in the very last place and under the very last circumstances which the artifices⁸ of sentimental writing would sanction. Will my lovers excite ridicule⁹ instead of interest, because I have truly represented them as seeing each other where hundreds of other lovers have first seen each other, as hundreds of people will readily admit when they read the passage to which I refer? I am sanguine¹⁰ enough to think not.

So again, in certain parts of this book where I have attempted to excite the suspense¹¹ or pity of the reader, I have admitted as perfectly¹² fit accessories to the scene the most ordinary street-sounds that could be heard, and the most ordinary street-events that could occur, at the time and in the place represented — believing that by adding to truth, they were adding to tragedy — adding by all the force of fair contrast — adding as no artifices of mere¹³ writing possibly could add, let them be ever so cunningly introduced by ever so crafty¹⁴ a hand.

Allow me to dwell a moment longer on the story which these pages contain.

Believing that the Novel and the Play are twin-sisters in the family of Fiction; that the one is a drama narrated¹⁵, as the other is a drama acted; and that all the strong and deep emotions which the Play-writer is privileged to excite, the Novel-writer is privileged to excite also, I have not thought it either politic¹⁷ or necessary, while adhering to realities, to adhere to every-day realities only. In other words, I have not stooped so low as to assure myself of the reader’s belief in the probability of my story, by never once calling on him for the exercise of his faith. Those extraordinary accidents and events which happen to few men, seemed to me to be as legitimate¹⁸ materials for fiction to work with — when there was a good object in using them — as the ordinary accidents and events which may, and do, happen to us all. By appealing to genuine sources of interest within the reader’s own experience, I could certainly gain his attention to begin with; but it would be only by appealing to other sources (as genuine in their way) beyond his own experience, that I could hope to fix his interest and excite his suspense, to occupy his deeper feelings, or to stir his nobler thoughts.

In writing thus — briefly¹⁹ and very generally —(for I must not delay you too long from the story), I can but repeat, though I hope almost unnecessarily, that I am now only speaking of what I have tried to do. Between the purpose hinted at here, and the execution of that purpose contained in the succeeding pages, lies the broad line of separation which distinguishes between the will and the deed. How far I may fall short of another man’s standard, remains²⁰ to be discovered. How far I have fallen short of my own, I know painfully well.

One word more on the manner in which the purpose of the following pages is worked out — and I have done.

Nobody who admits that the business of fiction is to exhibit human life, can deny that scenes of misery²¹ and crime must of necessity, while human nature remains what it is, form part of that exhibition. Nobody can assert that such scenes are unproductive of useful results, when they are turned to a plainly and purely²² moral purpose. If I am asked why I have written certain scenes in this book, my answer is to be found in the universally-accepted truth which the preceding words express. I have a right to appeal to that truth; for I guided myself by it throughout. In deriving²³ the lesson which the following pages contain, from those examples of error and crime which would most strikingly and naturally teach it, I determined²⁴ to do justice to the honesty of my object by speaking out. In drawing the two characters, whose actions bring about the darker scenes of my story, I did not forget that it was my duty, while striving to portray²⁵ them naturally, to put them to a good moral use; and at some sacrifice, in certain places, of dramatic effect (though I trust with no sacrifice of truth to Nature), I have shown the conduct of the vile¹⁶, as always, in a greater or less degree, associated with something that is selfish, contemptible²⁶, or cruel in motive²⁷. Whether any of my better characters may succeed in endearing themselves to the reader, I know not: but this I do certainly know:— that I shall in no instance cheat him out of his sympathies in favour of the bad.

To those persons who dissent²⁸ from the broad principles here adverted²⁹ to; who deny that it is the novelist’s vocation³⁰ to do more than merely amuse them; who shrink from all honest and serious reference, in books, to subjects which they think of in private and talk of in public everywhere; who see covert³¹ implications where nothing is implied, and improper³² allusions³³ where nothing improper is alluded³⁴ to; whose innocence³⁵ is in the word, and not in the thought; whose morality stops at the tongue, and never gets on to the heart — to those persons, I should consider it loss of time, and worse, to offer any further explanation of my motives³⁶, than the sufficient explanation which I have given already. I do not address myself to them in this book, and shall never think of addressing myself to them in any other.

Those words formed part of the original introduction to this novel. I wrote them nearly ten years since; and what I said then, I say now.

“Basil” was the second work of fiction which I produced. On its appearance, it was condemned³⁷ off-hand, by a certain class of readers, as an outrage³⁸ on their sense of propriety³⁹. Conscious of having designed and written, my story with the strictest regard to true delicacy⁴⁰, as distinguished⁴¹ from false — I allowed the prurient⁴² misinterpretation of certain perfectly innocent passages in this book to assert itself as offensively as it pleased, without troubling myself to protest against an expression of opinion which aroused in me no other feeling than a feeling of contempt. I knew that “Basil” had nothing to fear from pure-minded readers; and I left these pages to stand or fall on such merits as they possessed⁴³. Slowly and surely, my story forced its way through all adverse⁴⁴ criticism, to a place in the public favour which it has never lost since. Some of the most valued friends I now possess, were made for me by “Basil.” Some of the most gratifying recognitions of my labours which I have received, from readers personally strangers to me, have been recognitions of the purity of this story, from the first page to the last. All the indulgence I need now ask for “Basil,” is indulgence for literary defects, which are the result of inexperience; which no correction can wholly remove; and which no one sees more plainly, after a lapse⁴⁵ of ten years, than the writer himself.

I have only to add, that the present edition of this book is the first which has had the benefit of my careful revision. While the incidents of the story remain exactly what they were, the language in which they are told has been, I hope, in many cases greatly altered for the better.

WILKIE COLLINS.

Harley Street, London, July, 1862.

1 ward   

n.守卫，监护，病房，行政区，由监护人或法院保护的人（尤指儿童）；vt.守护，躲开

参考例句：

• The hospital has a medical ward and a surgical ward.这家医院有内科病房和外科病房。
• During the evening picnic,I'll carry a torch to ward off the bugs.傍晚野餐时，我要点根火把，抵挡蚊虫。

2 anticipations   

预期( anticipation的名词复数 )； 预测； （信托财产收益的）预支； 预期的事物

参考例句：

• The thought took a deal of the spirit out of his anticipations. 想到这，他的劲头消了不少。
• All such bright anticipations were cruelly dashed that night. 所有这些美好的期望全在那天夜晚被无情地粉碎了。

3 narrative   

n.叙述，故事；adj.叙事的，故事体的

参考例句：

• He was a writer of great narrative power.他是一位颇有记述能力的作家。
• Neither author was very strong on narrative.两个作者都不是很善于讲故事。

4 garner   

v.收藏；取得

参考例句：

• He has garnered extensive support for his proposals.他的提议得到了广泛的支持。
• Squirrels garner nuts for the winter.松鼠为过冬储存松果。

5 scent   

n.气味，香味，香水，线索，嗅觉；v.嗅，发觉

参考例句：

• The air was filled with the scent of lilac.空气中弥漫着丁香花的芬芳。
• The flowers give off a heady scent at night.这些花晚上散发出醉人的芳香。

6 sentimental   

adj.多愁善感的，感伤的

参考例句：

• She's a sentimental woman who believes marriage comes by destiny.她是多愁善感的人，她相信姻缘命中注定。
• We were deeply touched by the sentimental movie.我们深深被那感伤的电影所感动。

7 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

8 artifices   

n.灵巧( artifice的名词复数 )；诡计；巧妙办法；虚伪行为

参考例句：

• These pure verbal artifices do not change the essence of the matter. 这些纯粹是文词上的花样，并不能改变问题的实质。 来自互联网
• There are some tools which realise this kind of artifices. 一些工具实现了这些方法。 来自互联网

9 ridicule   

v.讥讽，挖苦；n.嘲弄

参考例句：

• You mustn't ridicule unfortunate people.你不该嘲笑不幸的人。
• Silly mistakes and queer clothes often arouse ridicule.荒谬的错误和古怪的服装常会引起人们的讪笑。

10 sanguine   

adj.充满希望的，乐观的，血红色的

参考例句：

• He has a sanguine attitude to life.他对于人生有乐观的看法。
• He is not very sanguine about our chances of success.他对我们成功的机会不太乐观。

11 suspense   

n.（对可能发生的事）紧张感，担心，挂虑

参考例句：

• The suspense was unbearable.这样提心吊胆的状况实在叫人受不了。
• The director used ingenious devices to keep the audience in suspense.导演用巧妙手法引起观众的悬念。

12 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

13 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

14 crafty   

adj.狡猾的，诡诈的

参考例句：

• He admired the old man for his crafty plan.他敬佩老者的神机妙算。
• He was an accomplished politician and a crafty autocrat.他是个有造诣的政治家，也是个狡黠的独裁者。

15 narrated   

v.故事( narrate的过去式和过去分词 )

参考例句：

• Some of the story was narrated in the film. 该电影叙述了这个故事的部分情节。 来自《简明英汉词典》
• Defoe skilfully narrated the adventures of Robinson Crusoe on his desert island. 笛福生动地叙述了鲁滨逊·克鲁索在荒岛上的冒险故事。 来自《现代汉英综合大词典》

16 vile   

adj.卑鄙的，可耻的，邪恶的；坏透的

参考例句：

• Who could have carried out such a vile attack?会是谁发起这么卑鄙的攻击呢？
• Her talk was full of vile curses.她的话里充满着恶毒的咒骂。

17 politic   

adj.有智虑的；精明的；v.从政

参考例句：

• He was too politic to quarrel with so important a personage.他很聪明，不会与这么重要的人争吵。
• The politic man tried not to offend people.那个精明的人尽量不得罪人。

18 legitimate   

adj.合法的，合理的，合乎逻辑的；v.使合法

参考例句：

• Sickness is a legitimate reason for asking for leave.生病是请假的一个正当的理由。
• That's a perfectly legitimate fear.怀有这种恐惧完全在情理之中。

19 briefly   

adv.简单地，简短地

参考例句：

• I want to touch briefly on another aspect of the problem.我想简单地谈一下这个问题的另一方面。
• He was kidnapped and briefly detained by a terrorist group.他被一个恐怖组织绑架并短暂拘禁。

20 remains   

n.剩余物，残留物；遗体，遗迹

参考例句：

• He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
• The remains of the meal were fed to the dog.残羹剩饭喂狗了。

21 misery   

n.痛苦，苦恼，苦难；悲惨的境遇，贫苦

参考例句：

• Business depression usually causes misery among the working class.商业不景气常使工薪阶层受苦。
• He has rescued me from the mire of misery.他把我从苦海里救了出来。

22 purely   

adv.纯粹地，完全地

参考例句：

• I helped him purely and simply out of friendship.我帮他纯粹是出于友情。
• This disproves the theory that children are purely imitative.这证明认为儿童只会单纯地模仿的理论是站不住脚的。

23 deriving   

v.得到( derive的现在分词 )；（从…中）得到获得；源于；（从…中）提取

参考例句：

• I anticipate deriving much instruction from the lecture. 我期望从这演讲中获得很多教益。 来自《简明英汉词典》
• He anticipated his deriving much instruction from the lecture. 他期望从这次演讲中得到很多教益。 来自辞典例句

24 determined   

adj.坚定的；有决心的

参考例句：

• I have determined on going to Tibet after graduation.我已决定毕业后去西藏。
• He determined to view the rooms behind the office.他决定查看一下办公室后面的房间。

25 portray   

v.描写，描述；画(人物、景象等)

参考例句：

• It is difficult to portray feelings in words.感情很难用言语来描写。
• Can you portray the best and worst aspects of this job?您能描述一下这份工作最好与最坏的方面吗？

26 contemptible   

adj.可鄙的，可轻视的，卑劣的

参考例句：

• His personal presence is unimpressive and his speech contemptible.他气貌不扬，言语粗俗。
• That was a contemptible trick to play on a friend.那是对朋友玩弄的一出可鄙的把戏。

27 motive   

n.动机，目的；adv.发动的，运动的

参考例句：

• The police could not find a motive for the murder.警察不能找到谋杀的动机。
• He had some motive in telling this fable.他讲这寓言故事是有用意的。

28 dissent   

n./v.不同意，持异议

参考例句：

• It is too late now to make any dissent.现在提出异议太晚了。
• He felt her shoulders gave a wriggle of dissent.他感到她的肩膀因为不同意而动了一下。

29 adverted   

引起注意（advert的过去式与过去分词形式）

参考例句：

• The speaker adverted to the need of more funds. 这位演说人论及需要增加资金问题。
• He only adverted to the main points of my argument. 他只提到我议论的要点。

30 vocation   

n.职业，行业

参考例句：

• She struggled for years to find her true vocation.她多年来苦苦寻找真正适合自己的职业。
• She felt it was her vocation to minister to the sick.她觉得照料病人是她的天职。

31 covert   

adj.隐藏的；暗地里的

参考例句：

• We should learn to fight with enemy in an overt and covert way.我们应学会同敌人做公开和隐蔽的斗争。
• The army carried out covert surveillance of the building for several months.军队对这座建筑物进行了数月的秘密监视。

32 improper   

adj.不适当的，不合适的，不正确的，不合礼仪的

参考例句：

• Short trousers are improper at a dance.舞会上穿短裤不成体统。
• Laughing and joking are improper at a funeral.葬礼时大笑和开玩笑是不合适的。

33 allusions   

暗指，间接提到( allusion的名词复数 )

参考例句：

• We should not use proverbs and allusions indiscriminately. 不要滥用成语典故。
• The background lent itself to allusions to European scenes. 眼前的情景容易使人联想到欧洲风光。

34 alluded   

提及，暗指( allude的过去式和过去分词 )

参考例句：

• In your remarks you alluded to a certain sinister design. 在你的谈话中，你提到了某个阴谋。
• She also alluded to her rival's past marital troubles. 她还影射了对手过去的婚姻问题。

35 innocence   

n.无罪；天真；无害

参考例句：

• There was a touching air of innocence about the boy.这个男孩有一种令人感动的天真神情。
• The accused man proved his innocence of the crime.被告人经证实无罪。

36 motives   

n.动机，目的( motive的名词复数 )

参考例句：

• to impeach sb's motives 怀疑某人的动机
• His motives are unclear. 他的用意不明。

37 condemned   

adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词

参考例句：

• He condemned the hypocrisy of those politicians who do one thing and say another. 他谴责了那些说一套做一套的政客的虚伪。
• The policy has been condemned as a regressive step. 这项政策被认为是一种倒退而受到谴责。

38 outrage   

n.暴行，侮辱，愤怒；vt.凌辱，激怒

参考例句：

• When he heard the news he reacted with a sense of outrage.他得悉此事时义愤填膺。
• We should never forget the outrage committed by the Japanese invaders.我们永远都不应该忘记日本侵略者犯下的暴行。

39 propriety   

n.正当行为；正当；适当

参考例句：

• We hesitated at the propriety of the method.我们对这种办法是否适用拿不定主意。
• The sensitive matter was handled with great propriety.这件机密的事处理得极为适当。

40 delicacy   

n.精致，细微，微妙，精良；美味，佳肴

参考例句：

• We admired the delicacy of the craftsmanship.我们佩服工艺师精巧的手艺。
• He sensed the delicacy of the situation.他感觉到了形势的微妙。

41 distinguished   

adj.卓越的，杰出的，著名的

参考例句：

• Elephants are distinguished from other animals by their long noses.大象以其长长的鼻子显示出与其他动物的不同。
• A banquet was given in honor of the distinguished guests.宴会是为了向贵宾们致敬而举行的。

42 prurient   

adj.好色的，淫乱的

参考例句：

• She showed a prurient interest in the details of the rape case.她对那强奸案的细节津津乐道。
• We read the gossip written about them with prurient interest.我们翻看他们的八卦时带着不洁的想法。

43 possessed   

adj.疯狂的；拥有的，占有的

参考例句：

• He flew out of the room like a man possessed.他像着了魔似地猛然冲出房门。
• He behaved like someone possessed.他行为举止像是魔怔了。

44 adverse   

adj.不利的；有害的；敌对的，不友好的

参考例句：

• He is adverse to going abroad.他反对出国。
• The improper use of medicine could lead to severe adverse reactions.用药不当会产生严重的不良反应。

45 lapse   

n.过失，流逝，失效，抛弃信仰，间隔；vi.堕落，停止，失效，流逝；vt.使失效

参考例句：

• The incident was being seen as a serious security lapse.这一事故被看作是一次严重的安全疏忽。
• I had a lapse of memory.我记错了。