NOT always remarkable1 for arriving at just conclusions, Lady Loring had drawn2 the right inference this time. Stella had stopped the first cab that passed her, and had directed the driver to Camp’s Hill, Islington.
The aspect of the miserable3 little street, closed at one end, and swarming4 with dirty children quarreling over their play, daunted5 her for the moment. Even the cabman, drawing up at the entrance to the street, expressed his opinion that it was a queer sort of place for a young lady to venture into alone. Stella thought of Romayne. Her firm persuasion6 that she was helping7 him to perform an act of mercy, which was (to his mind) an act of atonement as well, roused her courage. She boldly approached the open door of No. 10, and knocked on it with her parasol.
The tangled8 gray hair and grimy face of a hideous9 old woman showed themselves slowly at the end of the passage, rising from the strong-smelling obscurity of the kitchen regions. “What do you want?” said the half-seen witch of the London slums. “Does Madame Marillac live here?” Stella asked. “Do you mean the foreigner?” “Yes.” “Second door.” With those instructions the upper half of the witch sank and vanished. Stella gathered her skirts together, and ascended11 a filthy12 flight of stairs for the first time in her life.
Coarse voices, shameless language, gross laughter behind the closed doors of the first floor hurried her on her way to the rooms on the higher flight. Here there was a change for the better — here, at least, there was silence. She knocked at the door on the landing of the second floor. A gentle voice answered, in French; “Entrez!”— then quickly substituted the English equivalent, “Come in!” Stella opened the door.
The wretchedly furnished room was scrupulously14 clean. Above the truckle-bed, a cheap little image of the Virgin15 was fastened to the wall, with some faded artificial flowers arranged above it in the form of a wreath. Two women, in dresses of coarse black stuff, sat at a small round table, working at the same piece of embroidery16. The elder of the two rose when the visitor entered the room. Her worn and weary face still showed the remains17 of beauty in its finely proportioned parts — her dim eyes rested on Stella with an expression of piteous entreaty18. “Have you come for the work, madam?” she asked, in English, spoken with a strong foreign accent. “Pray forgive me; I have not finished it yet.”
The second of the two workwomen suddenly looked up.
She, too, was wan10 and frail20; but her eyes were bright; her movements still preserved the elasticity21 of youth. Her likeness22 to the elder woman proclaimed their relationship, even before she spoke19. “Ah! it’s my fault!” she burst out passionately23 in French. “I was hungry and tired, and I slept hours longer than I ought. My mother was too kind to wake me and set me to work. I am a selfish wretch13 — and my mother is an angel!” She dashed away the tears gathering24 in her eyes, and proudly, fiercely, resumed her work.
Stella hastened to reassure25 them, the moment she could make herself heard. “Indeed, I have nothing to do with the work,” she said, speaking in French, so that they might the more readily understand her. “I came here, Madame Marillac — if you will not be offended with me, for plainly owning it — to offer you some little help.”
“Charity?” asked the daughter, looking up again sternly from her needle.
“Sympathy,” Stella answered gently.
The girl resumed her work. “I beg your pardon,” she said; “I shall learn to submit to my lot in time.”
The quiet long-suffering mother placed a chair for Stella. “You have a kind beautiful face, miss,” she said; “and I am sure you will make allowances for my poor girl. I remember the time when I was as quick to feel as she is. May I ask how you came to hear of us?”
“I hope you will excuse me,” Stella replied. “I am not at liberty to answer that question.”
The mother said nothing. The daughter asked sharply, “Why not?”
Stella addressed her answer to the mother. “I come from a person who desires to be of service to you as an unknown friend,” she said.
The wan face of the widow suddenly brightened. “Oh!” she exclaimed, “has my brother heard of the General’s death? and has he forgiven me my marriage at last?”
“No, no!” Stella interposed; “I must not mislead you. The person whom I represent is no relation of yours.”
Even in spite of this positive assertion, the poor woman held desperately26 to the hope that had been roused in her. “The name by which you know me may mislead you,” she suggested anxiously. “My late husband assumed the name in his exile here. Perhaps, if I told you —”
The daughter stopped her there. “My dear mother, leave this to me.” The widow sighed resignedly, and resumed her work. “Madame Marillac will do very well as a name,” the girl continued, turning to Stella, “until we know something more of each other. I suppose you are well acquainted with the person whom you represent?”
“Certainly, or I should not be here.”
“You know the person’s family connections, in that case? and you can say for certain whether they are French connections or not?”
“I can say for certain,” Stella answered, “that they are English connections. I represent a friend who feels kindly27 toward Madame Marillac; nothing more.”
“You see, mother, you were mistaken. Bear it as bravely, dear, as you have borne other trials.” Saying this very tenderly, she addressed herself once more to Stella, without attempting to conceal28 the accompanying change in her manner to coldness and distrust. “One of us must speak plainly,” she said. “Our few friends are nearly as poor as we are, and they are all French. I tell you positively29 that we have no English friends. How has this anonymous30 benefactor31 been informed of our poverty? You are a stranger to us —you cannot have given the information?”
Stella’s eyes were now open to the awkward position in which she had placed herself. She met the difficulty boldly, still upheld by the conviction that she was serving a purpose cherished by Romayne. “You had good reasons, no doubt, mademoiselle, when you advised your mother to conceal her true name,” she rejoined. “Be just enough to believe that your ‘anonymous benefactor’ has good reasons for concealment32 too.”
It was well said, and it encouraged Madame Marillac to take Stella’s part. “My dear Blanche, you speak rather harshly to this good young lady,” she said to her daughter. “You have only to look at her, and to see that she means well.”
Blanche took up her needle again, with dogged submission33. “If we are to accept charity, mother, I should like to know the hand that gives it,” she answered. “I will say no more.”
“When you are as old as I am, my dear,” rejoined Madame Marillac, “you will not think quite so positively as you think now. I have learned some hard lessons,” she proceeded, turning to Stella, “and I hope I am the better for them. My life has not been a happy one —”
“Your life has been a martyrdom!” said the girl, breaking out again in spite of herself. “Oh, my father! my father!” She pushed aside the work and hid her face in her hands.
The gentle mother spoke severely34 for the first time. “Respect your father’s memory!” she said. Blanche trembled and kept silence. “I have no false pride,” Madame Marillac continued. “I own that we are miserably35 poor; and I thank you, my dear young lady, for your kind intentions toward us, without embarrassing you by any inquiries36. We manage to live. While my eyes last, our work helps to support us. My good eldest37 daughter has some employment as a teacher of music, and contributes her little share to assist our poor household. I don’t distrust you — I only say, let us try a little longer if we cannot help ourselves.”
She had barely pronounced the last words, when a startling interruption led to consequences which the persons present had not foreseen. A shrill38, wailing39 voice suddenly pierced through the flimsy partition which divided the front room and the back room. “Bread!” cried the voice in French; “I’m hungry. Bread! bread!”
The daughter started to her feet. “Think of his betraying us at this moment!” she exclaimed indignantly. The mother rose in silence, and opened a cupboard. Its position was opposite to the place in which Stella was sitting. She saw two or three knives and forks, some cups and saucers and plates, and a folded table-cloth. Nothing else appeared on the shelves; not even the stray crust of bread for which the poor woman had been looking. “Go, my dear, and quiet your brother,” she said — and closed the cupboard door again as patiently as ever.
Stella opened her pocketbook when Blanche had left the room. “For God’s sake, take something!” she cried. “I offer it with the sincerest respect — I offer it as a loan.”
Madame Marillac gently signed to Stella to close the pocketbook again. “That kind heart of yours must not be distressed41 about trifles,” she said. “The baker42 will trust us until we get the money for our work — and my daughter knows it. If you can tell me nothing else, my dear, will you tell me your Christian43 name? It is painful to me to speak to you quite as a stranger.”
Stella at once complied with the request. Madame Marillac smiled as she repeated the name.
“There is almost another tie between us,” she said. “We have your name in France — it speaks with a familiar sound to me in this strange place. Dear Miss Stella, when my poor boy startled you by that cry for food, he recalled to me the saddest of all my anxieties. When I think of him, I should be tempted44 if my better sense did not restrain me — No! no! put back the pocketbook. I am incapable45 of the shameless audacity46 of borrowing a sum of money which I could never repay. Let me tell you what my trouble is, and you will understand that I am in earnest. I had two sons, Miss Stella. The elder — the most lovable, the most affectionate of my children — was killed in a duel47.”
The sudden disclosure drew a cry of sympathy from Stella, which she was not mistress enough of herself to repress. Now for the first time she understood the remorse48 that tortured Romayne, as she had not understood it when Lady Loring had told her the terrible story of the duel. Attributing the effect produced on her to the sensitive nature of a young woman, Madame Marillac innocently added to Stella’s distress40 by making excuses.
“I am sorry to have frightened you, my dear,” she said. “In your happy country such a dreadful death as my son’s is unknown. I am obliged to mention it, or you might not understand what I have still to say. Perhaps I had better not go on?”
Stella roused herself. “Yes! yes!” she answered, eagerly. “Pray go on!”
“My son in the next room,” the widow resumed, “is only fourteen years old. It has pleased God sorely to afflict49 a harmless creature. He has not been in his right mind since — since the miserable day when he followed the duelists, and saw his brother’s death. Oh! you are turning pale! How thoughtless, how cruel of me! I ought to have remembered that such horrors as these have never overshadowed your happy life!”
Struggling to recover her self-control, Stella tried to reassure Madame Marillac by a gesture. The voice which she had heard in the next room was — as she now knew — the voice that haunted Romayne. Not the words that had pleaded hunger and called for bread — but those other words, “Assassin! assassin! where are you?”— rang in her ears. She entreated50 Madame Marillac to break the unendurable interval51 of silence. The widow’s calm voice had a soothing52 influence which she was eager to feel. “Go on!” she repeated. “Pray go on!”
“I ought not to lay all the blame of my boy’s affliction on the duel,” said Madame Marillac. “In childhood, his mind never grew with his bodily growth. His brother’s death may have only hurried the result which was sooner or later but too sure to come. You need feel no fear of him. He is never violent — and he is the most beautiful of my children. Would you like to see him?”
“No! I would rather hear you speak of him. Is he not conscious of his own misfortune?”
“For weeks together, Stella — I am sure I may call you Stella?— he is quite calm; you would see no difference outwardly between him and other boys. Unhappily, it is just at those times that a spirit of impatience53 seems to possess him. He watches his opportunity, and, however careful we may be, he is cunning enough to escape our vigilance.”
“Do you mean that he leaves you and his sisters?”
“Yes, that is what I mean. For nearly two months past he has been away from us. Yesterday only, his return relieved us from a state of suspense54 which I cannot attempt to describe. We don’t know where he has been, or in the company of what persons he has passed the time of his absense. No persuasion will induce him to speak to us on the subject. This morning we listened while he was talking to himself.”
“Was it part of the boy’s madness to repeat the words which still tormented55 Romayne?” Stella asked if he ever spoke of the duel.
“Never! He seems to have lost all memory of it. We only heard, this morning, one or two unconnected words — something about a woman, and then more that appeared to allude56 to some person’s death. Last night I was with him when he went to bed, and I found that he had something to conceal from me. He let me fold all his clothes, as usual, except his waistcoat — and that he snatched away from me, and put it under his pillow. We have no hope of being able to examine the waistcoat without his knowledge. His sleep is like the sleep of a dog; if you only approach him, he wakes instantly. Forgive me for troubling you with these trifling57 details, only interesting to ourselves. You will at least understand the constant anxiety that we suffer.”
“In your unhappy position,” said Stella, “I should try to resign myself to parting with him — I mean to placing him under medical care.”
The mother’s face saddened. “I have inquired about it,” she answered. “He must pass a night in the workhouse before he can be received as a pauper58 lunatic in a public asylum59. Oh, my dear, I am afraid there is some pride still left in me! He is my only son now; his father was a General in the French army; I was brought up among people of good blood and breeding — I can’t take my own boy to the workhouse!”
Stella understood her. “I feel for you with all my heart,” she said. “Place him privately60, dear Madame Marillac, under skillful and kind control — and let me, do let me, open the pocketbook again.”
The widow steadily61 refused even to look at the pocketbook. “Perhaps,” Stella persisted, “you don’t know of a private asylum that would satisfy you?”
“My dear, I do know of such a place! The good doctor who attended my husband in his last illness told me of it. A friend of his receives a certain number of poor people into his house, and charges no more than the cost of maintaining them. An unattainable sum to me! There is the temptation that I spoke of. The help of a few pounds I might accept, if I fell ill, because I might afterward62 pay it back. But a larger sum — never!”
She rose, as if to end the interview. Stella tried every means of persuasion that she could think of, and tried in vain. The friendly dispute between them might have been prolonged, if they had not both been silenced by another interruption from the next room.
This time, it was not only endurable, it was even welcome. The poor boy was playing the air of a French vaudeville63 on a pipe or flageolet. “Now he is happy!” said the mother. “He is a born musician; do come and see him!” An idea struck Stella. She overcame the inveterate64 reluctance65 in her to see the boy so fatally associated with the misery66 of Romayne’s life. As Madame Marillac led the way to the door of communication between the rooms, she quickly took from her pocketbook the bank-notes with which she had provided herself, and folded them so that they could be easily concealed67 in her hand.
She followed the widow into the little room.
The boy was sitting on his bed. He laid down his flageolet and bowed to Stella. His long silky hair flowed to his shoulders. But one betrayal of a deranged68 mind presented itself in his delicate face — his large soft eyes had the glassy, vacant look which it is impossible to mistake. “Do you like music, mademoiselle?” he asked, gently. Stella asked him to play his little vaudeville air again. He proudly complied with the request. His sister seemed to resent the presence of a stranger. “The work is at a standstill,” she said — and passed into the front room. Her mother followed her as far as the door, to give her some necessary directions. Stella seized her opportunity. She put the bank-notes into the pocket of the boy’s jacket, and whispered to him: “Give them to your mother when I have gone away.” Under those circumstances, she felt sure that Madame Marillac would yield to the temptation. She could resist much — but she could not resist her son.
The boy nodded, to show that he understood her. The moment after he laid down his flageolet with an expression of surprise.
“You are trembling!” he said. “Are you frightened?”
She was frightened. The mere69 sense of touching70 him had made her shudder71. Did she feel a vague presentiment72 of some evil to come from that momentary73 association with him?
Madame Marillac, turning away again from her daughter, noticed Stella’s agitation74. “Surely, my poor boy doesn’t alarm you?” she said. Before Stella could answer, some one outside knocked at the door. Lady Loring’s servant appeared, charged with a carefully-worded message. “If you please, miss, a friend is waiting for you below.” Any excuse for departure was welcome to Stella at that moment. She promised to call at the house again in a few days. Madame Marillac kissed her on the forehead as she took leave. Her nerves were still shaken by that momentary contact with the boy. Descending75 the stairs, she trembled so that she was obliged to hold by the servant’s arm. She was not naturally timid. What did it mean?
Lady Loring’s carriage was waiting at the entrance of the street, with all the children in the neighborhood assembled to admire it. She impulsively76 forestalled77 the servant in opening the carriage door. “Come in!” she cried. “Oh, Stella, you don’t know how you have frightened me! Good heavens, you look frightened yourself! From what wretches78 have I rescued you? Take my smelling bottle, and tell me all about it.”
The fresh air, and the reassuring79 presence of her old friend, revived Stella. She was able to describe her interview with the General’s family, and to answer the inevitable80 inquiries which the narrative81 called forth82. Lady Loring’s last question was the most important of the series: “What are you going to do about Romayne?”
“I am going to write to him the moment we get home.”
The answer seemed to alarm Lady Loring. “You won’t betray me?” she said.
“What do you mean?”
“You won’t let Romayne discover that I have told you about the duel?”
“Certainly not. You shall see my letter before I send it to be forwarded.”
Tranquilized so far, Lady Loring bethought herself next of Major Hynd. “Can we tell him what you have done?” her ladyship asked.
“Of course we can tell him,” Stella replied. “I shall conceal nothing from Lord Loring, and I shall beg your good husband to write to the Major. He need only say that I have made the necessary inquiries, after being informed of the circumstances by you, and that I have communicated the favorable result to Mr. Romayne.”
“It’s easy enough to write the letter, my dear. But it’s not so easy to say what Major Hynd may think of you.”
“Does it matter to me what Major Hynd thinks?”
Lady Loring looked at Stella with a malicious83 smile. “Are you equally indifferent,” she said, “to what Romayne’s opinion of your conduct may be?”
Stella’s color rose. “Try to be serious, Adelaide, when you speak to me of Romayne,” she answered, gravely. “His good opinion of me is the breath of my life.”
An hour later, the important letter to Romayne was written. Stella scrupulously informed him of all that had happened — with two necessary omissions84. In the first place, nothing was said of the widow’s reference to her son’s death, and of the effect produced by it on his younger brother. The boy was simply described as being of weak intellect, and as requiring to be kept under competent control. In the second place, Romayne was left to infer that ordinary motives85 of benevolence86 were the only motives, on his part, known to Miss Eyrecourt.
The letter ended in these lines:
“If I have taken an undue87 liberty in venturing, unasked, to appear as your representative, I can only plead that I meant well. It seemed to me to be hard on these poor people, and not just to you in your absence, to interpose any needless delays in carrying out those kind intentions of yours, which had no doubt been properly considered beforehand. In forming your opinion of my conduct, pray remember that I have been careful not to compromise you in any way. You are only known to Madame Marillac as a compassionate88 person who offers to help her, and who wishes to give that help anonymously89. If, notwithstanding this, you disapprove90 of what I have done, I must not conceal that it will grieve and humiliate91 me — I have been so eager to be of use to you, when others appeared to hesitate. I must find my consolation92 in remembering that I have become acquainted with one of the sweetest and noblest of women, and that I have helped to preserve her afflicted93 son from dangers in the future which I cannot presume to estimate. You will complete what I have only begun. Be forbearing and kind to me if I have innocently offended in this matter — and I shall gratefully remember the day when I took it on myself to be Mr. Romayne’s almoner.”
Lady Loring read these concluding sentences twice over.
“I think the end of your letter will have its effect on him,” she said.
“If it brings me a kind letter in reply,” Stella answered, “it will have all the effect I hope for.”
“If it does anything,” Lady Loring rejoined, “it will do more than that.”
“What more can it do?”
“My dear, it can bring Romayne back to you.”
Those hopeful words seemed rather to startle Stella than to encourage her.
“Bring him back to me?” she repeated “Oh, Adelaide, I wish I could think as you do!”
“Send the letter to the post,” said Lady Loring, “and we shall see.”
1 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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2 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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3 miserable | |
adj.悲惨的,痛苦的;可怜的,糟糕的 | |
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4 swarming | |
密集( swarm的现在分词 ); 云集; 成群地移动; 蜜蜂或其他飞行昆虫成群地飞来飞去 | |
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5 daunted | |
使(某人)气馁,威吓( daunt的过去式和过去分词 ) | |
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6 persuasion | |
n.劝说;说服;持有某种信仰的宗派 | |
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7 helping | |
n.食物的一份&adj.帮助人的,辅助的 | |
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8 tangled | |
adj. 纠缠的,紊乱的 动词tangle的过去式和过去分词 | |
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9 hideous | |
adj.丑陋的,可憎的,可怕的,恐怖的 | |
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10 wan | |
(wide area network)广域网 | |
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11 ascended | |
v.上升,攀登( ascend的过去式和过去分词 ) | |
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12 filthy | |
adj.卑劣的;恶劣的,肮脏的 | |
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13 wretch | |
n.可怜的人,不幸的人;卑鄙的人 | |
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14 scrupulously | |
adv.一丝不苟地;小心翼翼地,多顾虑地 | |
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15 virgin | |
n.处女,未婚女子;adj.未经使用的;未经开发的 | |
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16 embroidery | |
n.绣花,刺绣;绣制品 | |
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17 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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18 entreaty | |
n.恳求,哀求 | |
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19 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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20 frail | |
adj.身体虚弱的;易损坏的 | |
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21 elasticity | |
n.弹性,伸缩力 | |
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22 likeness | |
n.相像,相似(之处) | |
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23 passionately | |
ad.热烈地,激烈地 | |
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24 gathering | |
n.集会,聚会,聚集 | |
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25 reassure | |
v.使放心,使消除疑虑 | |
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26 desperately | |
adv.极度渴望地,绝望地,孤注一掷地 | |
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27 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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28 conceal | |
v.隐藏,隐瞒,隐蔽 | |
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29 positively | |
adv.明确地,断然,坚决地;实在,确实 | |
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30 anonymous | |
adj.无名的;匿名的;无特色的 | |
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31 benefactor | |
n. 恩人,行善的人,捐助人 | |
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32 concealment | |
n.隐藏, 掩盖,隐瞒 | |
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33 submission | |
n.服从,投降;温顺,谦虚;提出 | |
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34 severely | |
adv.严格地;严厉地;非常恶劣地 | |
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35 miserably | |
adv.痛苦地;悲惨地;糟糕地;极度地 | |
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36 inquiries | |
n.调查( inquiry的名词复数 );疑问;探究;打听 | |
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37 eldest | |
adj.最年长的,最年老的 | |
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38 shrill | |
adj.尖声的;刺耳的;v尖叫 | |
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39 wailing | |
v.哭叫,哀号( wail的现在分词 );沱 | |
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40 distress | |
n.苦恼,痛苦,不舒适;不幸;vt.使悲痛 | |
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41 distressed | |
痛苦的 | |
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42 baker | |
n.面包师 | |
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43 Christian | |
adj.基督教徒的;n.基督教徒 | |
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44 tempted | |
v.怂恿(某人)干不正当的事;冒…的险(tempt的过去分词) | |
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45 incapable | |
adj.无能力的,不能做某事的 | |
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46 audacity | |
n.大胆,卤莽,无礼 | |
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47 duel | |
n./v.决斗;(双方的)斗争 | |
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48 remorse | |
n.痛恨,悔恨,自责 | |
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49 afflict | |
vt.使身体或精神受痛苦,折磨 | |
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50 entreated | |
恳求,乞求( entreat的过去式和过去分词 ) | |
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51 interval | |
n.间隔,间距;幕间休息,中场休息 | |
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52 soothing | |
adj.慰藉的;使人宽心的;镇静的 | |
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53 impatience | |
n.不耐烦,急躁 | |
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54 suspense | |
n.(对可能发生的事)紧张感,担心,挂虑 | |
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55 tormented | |
饱受折磨的 | |
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56 allude | |
v.提及,暗指 | |
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57 trifling | |
adj.微不足道的;没什么价值的 | |
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58 pauper | |
n.贫民,被救济者,穷人 | |
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59 asylum | |
n.避难所,庇护所,避难 | |
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60 privately | |
adv.以私人的身份,悄悄地,私下地 | |
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61 steadily | |
adv.稳定地;不变地;持续地 | |
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62 afterward | |
adv.后来;以后 | |
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63 vaudeville | |
n.歌舞杂耍表演 | |
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64 inveterate | |
adj.积习已深的,根深蒂固的 | |
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65 reluctance | |
n.厌恶,讨厌,勉强,不情愿 | |
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66 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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67 concealed | |
a.隐藏的,隐蔽的 | |
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68 deranged | |
adj.疯狂的 | |
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69 mere | |
adj.纯粹的;仅仅,只不过 | |
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70 touching | |
adj.动人的,使人感伤的 | |
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71 shudder | |
v.战粟,震动,剧烈地摇晃;n.战粟,抖动 | |
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72 presentiment | |
n.预感,预觉 | |
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73 momentary | |
adj.片刻的,瞬息的;短暂的 | |
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74 agitation | |
n.搅动;搅拌;鼓动,煽动 | |
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75 descending | |
n. 下行 adj. 下降的 | |
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76 impulsively | |
adv.冲动地 | |
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77 forestalled | |
v.先发制人,预先阻止( forestall的过去式和过去分词 ) | |
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78 wretches | |
n.不幸的人( wretch的名词复数 );可怜的人;恶棍;坏蛋 | |
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79 reassuring | |
a.使人消除恐惧和疑虑的,使人放心的 | |
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80 inevitable | |
adj.不可避免的,必然发生的 | |
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81 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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82 forth | |
adv.向前;向外,往外 | |
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83 malicious | |
adj.有恶意的,心怀恶意的 | |
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84 omissions | |
n.省略( omission的名词复数 );删节;遗漏;略去或漏掉的事(或人) | |
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85 motives | |
n.动机,目的( motive的名词复数 ) | |
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86 benevolence | |
n.慈悲,捐助 | |
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87 undue | |
adj.过分的;不适当的;未到期的 | |
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88 compassionate | |
adj.有同情心的,表示同情的 | |
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89 anonymously | |
ad.用匿名的方式 | |
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90 disapprove | |
v.不赞成,不同意,不批准 | |
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91 humiliate | |
v.使羞辱,使丢脸[同]disgrace | |
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92 consolation | |
n.安慰,慰问 | |
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93 afflicted | |
使受痛苦,折磨( afflict的过去式和过去分词 ) | |
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