Horace Walpole idled, and amused himself with the small life of the fashionable world to which he was proud of belonging, though he had a quick eye for its vanities. He had social wit, and liked to put it to small uses. But he was not an empty idler, and there were seasons when he could become a sharp judge of himself. “I am sensible,” he wrote to his most intimate friend, “I am sensible of having more follies5 and weaknesses and fewer real good qualities than most men. I sometimes reflect on this, though, I own, too seldom. I always want to begin acting6 like a man, and a sensible one, which I think I might be if I would.” He had deep home affections, and, under many polite affectations, plenty of good sense.
Horace Walpole’s father died in 1745. The eldest7 son, who succeeded to the earldom, died in 1751, and left a son, George, who was for a time insane, and lived until 1791. As George left no child, the title and estates passed to Horace Walpole, then seventy-four years old, and the only uncle who survived. Horace Walpole thus became Earl of Orford, during the last six years of his life. As to the title, he said that he felt himself being called names in his old age. He died unmarried, in the year 1797, at the age of eighty.
He had turned his house at Strawberry Hill, by the Thames, near Twickenham, into a Gothic villa—eighteenth-century Gothic—and amused himself by spending freely upon its adornment8 with such things as were then fashionable as objects of taste. But he delighted also in his flowers and his trellises of roses, and the quiet Thames. When confined by gout to his London house in Arlington Street, flowers from Strawberry Hill and a bird were necessary consolations9. He set up also at Strawberry Hill a private printing press, at which he printed his friend Gray’s poems, also in 1758 his own “Catalogue of the Royal and Noble Authors of England,” and five volumes of “Anecdotes of Painting in England,” between 1762 and 1771.
Horace Walpole produced The Castle of Otranto in 1765, at the mature age of forty-eight. It was suggested by a dream from which he said he waked one morning, and of which “all I could recover was, that I had thought myself in an ancient castle (a very natural dream for a head like mine, filled with Gothic story), and that on the uppermost banister of a great staircase I saw a gigantic hand in armour10. In the evening I sat down and began to write, without knowing in the least what I intended to say or relate.” So began the tale which professed11 to be translated by “William Marshal, gentleman, from the Italian of Onuphro Muralto, canon of the Church of St. Nicholas, at Otranto.” It was written in two months. Walpole’s friend Gray reported to him that at Cambridge the book made “some of them cry a little, and all in general afraid to go to bed o’ nights.” The Castle of Otranto was, in its own way, an early sign of the reaction towards romance in the latter part of the last century. This gives it interest. But it has had many followers12, and the hardy13 modern reader, when he read’s Gray’s note from Cambridge, needs to be reminded of its date.
H. M.
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1 opposition | |
n.反对,敌对 | |
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2 tenure | |
n.终身职位;任期;(土地)保有权,保有期 | |
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3 usher | |
n.带位员,招待员;vt.引导,护送;vi.做招待,担任引座员 | |
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4 exchequer | |
n.财政部;国库 | |
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5 follies | |
罪恶,时事讽刺剧; 愚蠢,蠢笨,愚蠢的行为、思想或做法( folly的名词复数 ) | |
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6 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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7 eldest | |
adj.最年长的,最年老的 | |
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8 adornment | |
n.装饰;装饰品 | |
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9 consolations | |
n.安慰,慰问( consolation的名词复数 );起安慰作用的人(或事物) | |
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10 armour | |
(=armor)n.盔甲;装甲部队 | |
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11 professed | |
公开声称的,伪称的,已立誓信教的 | |
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12 followers | |
追随者( follower的名词复数 ); 用户; 契据的附面; 从动件 | |
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13 hardy | |
adj.勇敢的,果断的,吃苦的;耐寒的 | |
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