“I have put you in the old night nursery,” Bee said. “I hope you don’t mind. Simon has the room that he used to share with — that you used to share with him.” Oh, dear, what a gaffe1, she thought; shall I ever be able to think of him as Patrick? “And to give you one of the spare rooms was to treat you like a visitor.”
Brat2 said that he would be glad to have the night nursery.
“Will you go up now, or will you have a drink first?”
“I’ll go up now,” Brat said, and turned to the stairway.
He knew that she had been waiting for this moment; waiting for the moment when he must show knowledge of the house. So he turned from her and led the way upstairs; up to the big first landing and down the narrow corridor to the north wing, and to the children’s rooms facing west from it. He opened the third of the four doors and stood in the room that Nora Ashby had arranged for her children when they were small. One window looked west over the paddocks and the other north to the rise of the down. It was on the quiet side of the house, away from the stables and the approach from the road. He stood at the window looking at the soft blue English distances, thinking of the brilliant mountains beyond the whirling dust of the West, and very conscious of Bee Ashby behind him.
There was something else that he must take the initiative about.
“Where is Simon?” he said, and turned to face her.
“He is like Jane,” she said. “Late for lunch. But he’ll be in at any moment.”
It was smoothly3 done, but he had seen her shy at his unheralded question, as if he had flicked4 a whip. Simon had not come to meet him; Simon had not been at Latchetts to greet him; Simon, it was to be deduced, was being difficult.
Before he could pursue the subject she took the initiative from him.
“You can have the nursery bathroom all to yourself, but do go slow on the hot water, will you? Fuel is a dreadful problem. Now wash and come down at once. The Pecks sent over some of the Rectory sherry.”
“Aren’t they coming to lunch?”
“No, they’re coming to dinner to-night. Lunch is for family only.”
She watched him turn to the fourth door, which he knew to be the bathroom of the nursery wing, and went away looking comforted. He knew why she was comforted: because he had known his way about the house. And he felt guilty and ill at ease. Fooling Mr. Sandal — with a K.C. sitting opposite you and gimletting holes in you with cynical5 Irish eyes — had been one thing; fooling Mr. Sandal had been fun. But fooling Bee Ashby was another thing altogether.
He washed absentmindedly, turning the soap in his hands with his eyes on the line of the down. There was the turf he had wanted to ride on; the turf he had sold his soul for. Presently he would get a horse and go up there and ride in the quiet, away from human relationships and this fantastic game of human poker7, and up there it would once more seem right and worth while.
He went back to his room and found a brassy blonde in tight flowered rayon tweaking the wallflower in the bowl on the window-sill.
“Hullo,” said the blonde. “Welcome home, and all that.”
“Thanks,” Brat said. Was this someone that he should know? Surely not!
“You’re very like your brother, aren’t you?”
“I suppose so.” He took his brushes from his “grip” and put them on the dressing-table; it was a symbolical8 taking-possession.
“You won’t know me, of course. I’m Lana Adams from the village. Adams the joiner was my father. I oblige because my boy-friend works in the stables.”
So that is what she was: the help. He looked at her and was sorry for the boy-friend.
“You look a lot older than your brother, don’t you? I suppose it’s knocking about the world that does it. Having to look out for yourself, and all that. Not being spoilt like your brother. You’ll excuse me saying it but spoilt he is. That’s why he’s made all this to-do about you coming back. Silly, I call it. You’ve only to look at you to know that you’re an Ashby. Not much point in saying you’re not, I should think. But you take my tip and stand up to him. He can’t stand being stood up to. Been humoured all his life, I should say. Don’t let it get you down.”
As Brat went silently on with his unpacking9, she paused; and before she could resume Eleanor’s cool voice said from the doorway10:
“Have you everything you want?”
The blonde said hastily: “I was just welcoming Mr. Patrick back,” and, having flung Brat a radiant smile, made a hip-swing exit from the room.
Brat wondered how much Eleanor had heard.
“It’s a nice room this,” Eleanor said, “except that it doesn’t get the morning sun. That bed is from Clare Park. Aunt Bee sold the little ones and bought that one at the Clare sale. It’s nice, isn’t it? It was the one in Alec Ledingham’s room. Except for that the room is just the same.”
“Yes; the old wallpaper, I notice.”
“Robinson Crusoe and company. Yes. I had a great weakness for Hereward the Wake. He had such an enchanting11 profile.” She pointed12 to Hereward’s place in the pattern of fictional13 heroes that Nora had chosen for her children’s nightly entertainment.
“Is the nursery-rhyme paper still next door?”
“Yes, of course. Come and see.”
He went with her, but while she rehearsed the pictured tales his mind was busy with the village girl’s revelation about Simon and with the ironic14 fact that he was to sleep in Alec Loding’s bed.
So Simon had refused to believe that he was Patrick. “Not much point in saying you’re not, I should think.” That could only mean that Simon, in the face of all the evidence, refused to accept him.
Why?
He followed Eleanor downstairs, still wondering.
Eleanor led him into a big sunny sitting-room15 where Bee was pouring sherry, and Ruth was picking out a tune16 on a piano.
“Would you like to hear me play?” Ruth asked, inevitably17.
“No,” Eleanor said, “he wouldn’t. We’ve been looking at the old wallpapers,” she said to Bee. “I’d forgotten how in love with Hereward I used to be. It’s just as well that I was removed from him in time or he might have become a fixation or something.”
“I never liked that baby stuff on the walls,” Ruth said.
“You never read, so you couldn’t know anything about them,” Eleanor said.
“We gave up using the nursery wing when the twins ceased to have a Nanny,” Bee said. “It was too far away from the rest of the house.”
“It was a day’s march to call the twins in the morning,” Eleanor said, “and as Ruth always needed calling several times we had to move them into the normal family orbit.”
“Delicate people need more sleep,” Ruth said.
“Since when have you been delicate?” asked Eleanor.
“It’s not that I’m delicate but that Jane’s more robust18, aren’t you, Jane?” she said, appealing to Jane, who sidled into the room, the hair at her temples still damp from her hasty ablutions.
But Jane’s eyes were on Bee.
“Simon is here,” she said in a small voice; and crossed the room to stand near Bee as if for reassurance19.
There was an instant of complete silence. In the moment of suspended animation20 only Ruth moved. Ruth sat up and sparkled with anticipation21.
Then Bee’s hand moved again and went on filling the glasses. “That is very nice,” she said. “We needn’t keep luncheon22 back after all.”
It was so beautifully done that Brat, knowing what he knew now, felt like applauding.
“Where is Simon?” Eleanor asked casually23.
“He was coming downstairs,” Jane said; and her eyes went back to Bee.
The door opened and Simon Ashby came in.
He paused a moment, looking across at Brat, before closing the door behind him. “So you’ve come,” he said.
There was no emphasis on the words; no apparent emotion in the tone.
He walked slowly across the room until he was standing24 face to face with Brat by the window. He had abnormally clear grey eyes with a darker rim25 to the iris6, but they had no expression in them. Nor had his pale features any expression. He was so tightly strung, Brat thought, that if you plucked him with a finger he would twang.
And then quite suddenly the tightness went.
He stood for a moment searching Brat’s face; and his own was suddenly slack with relief.
“They won’t have told you?” he said, drawling a little, “but I was prepared to deny with my last breath that you were Patrick. Now that I’ve seen you I take all that back. Of course you are Patrick.” He put out his hand. “Welcome home.”
The stillness behind them broke in a flurry of movement and competing voices. There was a babble26 of mutual27 congratulation, of chinking glasses and laughter. Even Ruth, it seemed, stifled28 her disappointment at being done out of melodrama29, and devoted30 her talents to wheedling31 a little more sherry into her glass than the “sip” that was the twins’ allowance for health-drinking.
But Brat, drinking the golden liquid and thanking heaven that the moment was over, was puzzled. Why relief? he was thinking.
What had Ashby expected? What had he been afraid of?
He had denied the possibility of Brat’s being Patrick. Had that been just a defence against hope; an insurance against ultimate disappointment? Had he said to himself: I won’t believe that Patrick is alive, and so when it is proved that he isn’t I won’t have hoped for nothing? And was that overwhelming relief a moment ago due merely to the realisation that he was after all Patrick?
It didn’t fit.
He watched Simon being the life of the party, and wondered about him. A few moments ago Ashby had been steeled to face something, and now it seemed he had been — let off. That was it. That was what that sudden relief had been. The reaction of someone steeled to face the worst and suddenly reprieved32.
Why should he feel reprieved?
He took the small puzzle into luncheon with him, and it lay at the back of his mind while he dealt with the problems of Ashby conversation and answered their crowding questions.
“You’re in!” gloated the voice inside him. “You’re in! You’re sitting as of right at the Ashby table, and they’re all tickled33 to death about it.”
Well, perhaps not all. Jane, loyal to Simon, was a small silent oasis34 in the right talk. And it was not to be expected that Simon himself, for all his capitulation, was tickled to any great extent. But Bee, entirely35 uncritical of that capitulation, was radiant: and Eleanor melted moment by moment from conversational36 politeness to a frank interest.
“But a Comanche bridle37 is a kind of twitch38, isn’t it?”
“No; just a gag. The rope goes through the mouth the way a bit does. It’s best for a led horse. He’ll follow to lessen39 the pull.”
Ruth, having quite forgiven his lack of speculation40 about her looks, paid assiduous court to him; and she was the only one who called him Patrick.
This became more noticeable as the meal went on, and her continual interjection of “Patrick!” as she claimed his attention contrasted with the others’ half-conscious avoidance of the name. Brat wished that his sole “follower” had proved to be Jane and not Ruth. If he had ever had a small sister he would have liked her to be just like Jane. It annoyed him that he had difficulty in meeting Jane’s eyes. It cost him the same effort to meet her regard with equanimity41 as it did to meet the eyes of the portrait behind her. The dining-room was positively42 papered with portraits, and the one behind Jane was of William Ashby the Seventh, wearing the uniform of the Westover Fencibles, in which he had proposed to resist the invasion of Napoleon the First. Brat had learned those portraits off by heart, sitting under the pagoda43 in Kew Gardens, and every time he lifted his eyes to those of William Ashby the Seventh he was plagued by the ridiculous notion that William knew all about the pagoda.
One thing helped him enormously, however, in this first difficult meeting with the Ashbys. The tale he had to tell, as Loding had pointed out during that meal at the Green Man, was, except for its beginnings, true; it was the tale of his own life. And since the whole family with one accord avoided any reference to the events which had catapulted him into that life, the conversational ground he moved on was firm. There was need for neither side-stepping nor manoeuvre44.
Nor was there any need for him to “mind his manners”; and for that too Alec Loding had given loud thanks. It seemed that, short of a first-class and very strict Nanny, there was no more rigorous training in the civilised consumption of food than was to be had at a first-class orphanage45. “My God,” Loding had said, “if I ever have any change from a round of drinks I’ll send it to that caravanserai of yours, as a mark of my gratitude46 that you were not brought up in some genteel suburb. Gentility is practically ineradicable, my boy. And whatever Pat Ashby might conceivably do, it is quite inconceivable that he should ever stick out his little finger when he drank.”
So Brat had no social habits to unlearn. Indeed, his orthodoxy slightly disappointed Ruth, always on the lookout47 for the flamboyant48.
“You don’t eat with your fork,” she said; and when he looked puzzled, added: “The way they do in American pictures; they cut things up with their knives and forks and then they change the fork over to their other hand and eat with it.”
“I don’t chew gum either,” he pointed out.
“I wonder how that very elaborate method of dealing49 with their food arose,” Bee said.
“Perhaps knives were scarce in the early days,” Eleanor suggested.
“Knives were far too useful to be scarce in a pioneer society,” Simon said. “It’s much more likely that they lived so long on hash that when they got things in slices their instinct was to make hash of it as soon as possible.”
Brat thought, listening to them, how very English it all was. Here he was, back from the dead, and they were calmly discussing American table manners. There was no backslapping, congratulatory insistence50 on the situation as there would be in a transatlantic household. They avoided the do-you-remember theme as determinedly51 as Americans would have wallowed in it. Remembering his friends of the Lazy Y, he thought what a fine exhibition of Limey snootiness this would be from the point of view of Pete, and Hank, and Lefty.
But perhaps the happiness on Bee’s face would have impressed even Lefty.
“Do you smoke?” Bee asked, when she had poured the coffee; and she pushed the cigarette box over to him. But Brat, who liked his own brand, took out his case and offered the contents to her.
“I’ve given them up,” Bee said. “I have a bank balance instead.”
So Brat offered the case to Eleanor.
Eleanor paused with her fingers touching52 the cigarettes, and bent53 forward to read something engraved54 on the inside of the case.
“Brat Farrar,” she said. “Who is that?”
“Me,” said Brat.
“You? Oh, yes; Farrar, of course. But why Brat?”
“I don’t know.”
“Did they call you that? Brat, I mean?”
“Yes.”
“Why Brat?”
“I don’t know. Because I was small, I guess.”
“Brat!” Ruth said delighted. “Do you mind if I call you Brat? Do you?”
“No. I haven’t been called anything else for a large part of my life.”
The door opened and Lana appeared to say that a young man had called to see Miss Ashby and she had put him in the library.
“Oh, what a nuisance,” Bee said. “What does he want, do you know?”
“He says he’s a reporter,” Lana said, “but he doesn’t look like a reporter to me. Quite tidy and clean and polite.” Lana’s experience of the Press, like Brat’s knowledge of middle-class life, was derived55 solely56 from films.
“Oh, no!” Bee said. “Not the Press. Not already.”
“The Westover Times he says he is.”
“Did he say why he had come?”
“Come about Mr. Patrick, of course,” Lana said, turning her thumb in Patrick’s direction.
“Oh, God,” Simon groaned57, “and the fatted calf58 not half-way down our gullets. I suppose it had to come sooner or later!”
Bee drank the remains59 of her coffee. “Come on, Brat!” she said, putting out her hand and pulling him to his feet. “We might as well go and get it over. You too, Simon.” She led Brat out of the room, laughing at him, and still hand in hand with him. The warm friendliness60 of her clasp sent a rush of emotion through him that he could not identify. It was like nothing he had so far experienced in life. And he was too busy with thoughts of the reporter to pause to analyse it.
The library was the dark room at the back of the house where Bee kept her roll-top desk, her accounts, and her reference books. A small young man in a neat blue suit was puzzling over a stud book. At their entrance he dropped the book and said in a rich Glasgow accent: “Miss Ashby? My name is Macallan. I’m working on the Westover Times. I’m awfully61 sorry about barging in like this, but I thought you’d have finished eating this long time.”
“Well, we began late, and I’m afraid we lingered over things,” Bee said.
“Uh-huh,” said Mr. Macallan understandingly. “A very special occasion. I’ve no right to be spoiling it for you, but ‘the first with the latest’ is my motto, and just this minute you’re the latest.”
“I suppose you mean my nephew’s homecoming.”
“Just that.”
“And how did you find out about it so soon, Mr. Macallan?”
“One of my contacts heard about it in one of the Clare pubs.”
“A deplorable word,” said Bee.
“Pub?” Mr. Macallan said, puzzled.
“No. Contact.”
“Och, well, one of my stooges, if you like that better,” Mr. Macallan said agreeably. “Which of these young gentlemen is the returned prodigal62, may I ask?”
Bee introduced Brat and Simon. Some of the cold tightness had come back to Simon’s face; but Brat, who had been around when Nat Zucco had cut his throat in the kitchen of his ex-wife’s eating-house and had witnessed the activities of the American Press on that occasion, was entranced by this glimpse of news-gathering in Britain. He answered the obvious questions put to him by Mr. Macallan and wondered if there would be any suggestion of a photograph. If so, he must get out of it somehow.
But it was Bee who saved him from that. No photograph, said Bee. No; positively no photograph. All the information he liked to ask for, but no photograph.
Mr. Macallan accepted this, but reluctantly. “The story of the missing twin won’t be half so good without a photograph,” he complained.
“You’re not going to call it ‘The Missing Twin,’ are you?” Bee said.
“No; he’s going to call it ‘Back From The Dead’,” Simon said, speaking for the first time. His cool drawl fell on the room like a shadow.
Mr. Macallan’s pale blue eyes went to him, rested a moment on him consideringly, and then came back to Bee. “I had thought of ‘Sensation at Clare’,” he said, “but I doubt the Westover Times won’t stand for it. A very conservative organ. But I expect the Daily Clarion63 will do better.”
“The Clarion!” Bee said. “A London paper! But — but I hope there is no question of that. This is an entirely local — an entirely family matter.”
“So was that affair in Hilldrop Crescent,” Mr. Macallan said.
“What affair?”
“Crippen was the name. The world’s Press is composed of family affairs, Miss Ashby.”
“But this is of no possible interest to anyone but ourselves. When my nephew — disappeared, eight years ago, the Westover Times reported it quite — quite incidentally.”
“Ay, I know. I looked it up. A small paragraph at the bottom of page three.”
“I fail to see why my nephew’s return should be of any more interest than his disappearance64.”
“It’s the man-bites-dog affair over again. People go to their deaths every day, but the amount of people who come back from the dead is very small indeed, Miss Ashby. Coming back from the dead, in spite of the advances of modern science, is still a sensation. And that’s why the Daily Clarion is going to be interested.”
“But how should they hear about it?”
“Hear about it!” Mr. Macallan said, genuinely horrified65. “Miss Ashby, this is my own scoop66, don’t you see.”
“You mean you are going to send the story to the Clarion?”
“Assuredly.”
“Mr. Macallan, you mustn’t; you really must not.”
“Listen, Miss Ashby,” Mr. Macallan said patiently, “I agreed about the no-photographs prohibition67, and I respect the agreement — I won’t go sneaking68 around the countryside trying to snap the young gentlemen unawares, or anything like that — but you can’t ask me to give up a scoop like this. Not a scoop of ‘London daily’ dimensions.” And as Bee, caught in the toils69 of her natural desire to be fair, hesitated, he added: “Even if I didn’t send them the story, there’s nothing to hinder a sub-editor lifting the story from the Westover Times and making it front-page news. You wouldn’t be a scrap70 better off and I’d have lost my chance of doing a bit of good for myself.”
“Oh, dear,” Bee said, tacitly acknowledging that he was right, “I suppose that means swarms71 of newspaper men from London.”
“Och, no. Only the Clarion. If it’s the Clarion’s story none of the rest will bother. And whoever they send down you don’t have to worry. They’re all Balliol men, I understand.”
With which flip72 at the English Press, Mr. Macallan looked round for his hat and made motions of departure.
“I’m very grateful to you, and to you, Mr. Ashby, for being so accommodating in the matter of information. I won’t keep you any longer. May I offer you my congratulations on your happiness”— for a second the pale blue eyes rested in mild benevolence73 on Simon —“and my thanks for your kindness.”
“You’re a long way from home, aren’t you, Mr. Macallan?” Bee said conversationally74 as she went to the front door with him.
“Home?”
“Scotland.”
“Oh, I see. How did you know I was Scots? Oh, my name, of course. Ay, it’s a far cry to Glasgow; but this is just the long way round to London, so to speak. If I’m going to work on an English paper it’s as well to know something of the — the ——”
“Aborigines?” suggested Bee.
“Local conditions, I was going to say,” Mr. Macallan said solemnly.
“Haven’t you a car?” Bee said, looking at the empty sweep in front of the door.
“I left it parked at the end of your drive there. I’ve never got used to sweeping75 up to strange houses as if I owned them.”
With which startling exhibition of modesty76 the little man bowed, put on his hat, and walked away.
收听单词发音 |
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gaffe
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| n.（社交上令人不快的）失言，失态 | |
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brat
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| n.孩子；顽童 | |
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smoothly
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| adv.平滑地，顺利地，流利地，流畅地 | |
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flicked
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| （尤指用手指或手快速地）轻击( flick的过去式和过去分词 )； （用…）轻挥； （快速地）按开关； 向…笑了一下（或瞥了一眼等） | |
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cynical
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| adj.(对人性或动机)怀疑的，不信世道向善的 | |
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iris
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| n.虹膜，彩虹 | |
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poker
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| n.扑克；vt.烙制 | |
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symbolical
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| a.象征性的 | |
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unpacking
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| n.取出货物，拆包[箱]v.从（包裹等）中取出（所装的东西），打开行李取出( unpack的现在分词 )；拆包；解除…的负担；吐露（心事等） | |
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doorway
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| n.门口，(喻)入门；门路，途径 | |
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enchanting
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| a.讨人喜欢的 | |
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pointed
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| adj.尖的，直截了当的 | |
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fictional
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| adj.小说的，虚构的 | |
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ironic
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| adj.讽刺的，有讽刺意味的，出乎意料的 | |
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sitting-room
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| n.（BrE）客厅，起居室 | |
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tune
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| n.调子；和谐，协调；v.调音，调节，调整 | |
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inevitably
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| adv.不可避免地；必然发生地 | |
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robust
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| adj.强壮的，强健的，粗野的，需要体力的，浓的 | |
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reassurance
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| n.使放心，使消除疑虑 | |
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animation
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| n.活泼，兴奋，卡通片／动画片的制作 | |
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anticipation
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| n.预期，预料，期望 | |
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luncheon
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| n.午宴，午餐，便宴 | |
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casually
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| adv.漠不关心地，无动于衷地，不负责任地 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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rim
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| n.(圆物的)边，轮缘；边界 | |
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babble
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| v.含糊不清地说，胡言乱语地说，儿语 | |
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mutual
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| adj.相互的，彼此的；共同的，共有的 | |
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stifled
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| （使）窒息， （使）窒闷( stifle的过去式和过去分词 )； 镇压，遏制； 堵 | |
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melodrama
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| n.音乐剧；情节剧 | |
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devoted
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| adj.忠诚的，忠实的，热心的，献身于...的 | |
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wheedling
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| v.骗取（某物），哄骗（某人干某事）( wheedle的现在分词 ) | |
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reprieved
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| v.缓期执行（死刑）( reprieve的过去式和过去分词 ) | |
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tickled
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oasis
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| n.（沙漠中的）绿洲，宜人的地方 | |
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entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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conversational
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| adj.对话的，会话的 | |
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bridle
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| n.笼头，束缚；vt.抑制，约束；动怒 | |
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twitch
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| v.急拉，抽动，痉挛，抽搐；n.扯，阵痛，痉挛 | |
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lessen
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| vt.减少，减轻；缩小 | |
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speculation
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| n.思索，沉思；猜测；投机 | |
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equanimity
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| n.沉着，镇定 | |
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positively
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| adv.明确地，断然，坚决地；实在，确实 | |
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pagoda
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| n.宝塔（尤指印度和远东的多层宝塔），（印度教或佛教的）塔式庙宇 | |
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manoeuvre
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| n.策略，调动；v.用策略，调动 | |
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orphanage
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| n.孤儿院 | |
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gratitude
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| adj.感激，感谢 | |
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lookout
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| n.注意，前途，瞭望台 | |
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flamboyant
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| adj.火焰般的，华丽的，炫耀的 | |
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dealing
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| n.经商方法，待人态度 | |
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insistence
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| n.坚持；强调；坚决主张 | |
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determinedly
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| adv.决意地；坚决地，坚定地 | |
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touching
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| adj.动人的，使人感伤的 | |
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bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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engraved
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| v.在（硬物）上雕刻（字，画等）( engrave的过去式和过去分词 )；将某事物深深印在（记忆或头脑中） | |
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derived
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| vi.起源；由来；衍生；导出v.得到( derive的过去式和过去分词 )；（从…中）得到获得；源于；（从…中）提取 | |
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solely
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| adv.仅仅，唯一地 | |
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groaned
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| v.呻吟( groan的过去式和过去分词 )；发牢骚；抱怨；受苦 | |
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calf
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| n.小牛，犊，幼仔，小牛皮 | |
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remains
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| n.剩余物，残留物；遗体，遗迹 | |
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friendliness
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| n.友谊，亲切，亲密 | |
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awfully
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| adv.可怕地，非常地，极端地 | |
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prodigal
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| adj.浪费的，挥霍的，放荡的 | |
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clarion
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| n.尖音小号声；尖音小号 | |
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disappearance
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| n.消失，消散，失踪 | |
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horrified
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| a.(表现出)恐惧的 | |
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scoop
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| n.铲子，舀取，独家新闻；v.汲取，舀取，抢先登出 | |
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prohibition
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| n.禁止；禁令，禁律 | |
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sneaking
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| a.秘密的，不公开的 | |
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toils
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| 网 | |
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scrap
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| n.碎片；废料；v.废弃，报废 | |
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swarms
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| 蜂群，一大群( swarm的名词复数 ) | |
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72
flip
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| vt.快速翻动；轻抛；轻拍；n.轻抛；adj.轻浮的 | |
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benevolence
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| n.慈悲，捐助 | |
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conversationally
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| adv.会话地 | |
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sweeping
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| adj.范围广大的，一扫无遗的 | |
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modesty
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| n.谦逊，虚心，端庄，稳重，羞怯，朴素 | |
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