Fyodor Pavlovitch Karamazov
ALEXEY Fyodorovitch Karamazov was the third son of Fyodor Pavlovitch Karamazov, a landowner well known in our district in his own day, and still remembered among us owing to his gloomy and tragic1 death, which happened thirteen years ago, and which I shall describe in its proper place. For the present I will only say that this “landowner” — for so we used to call him, although he hardly spent a day of his life on his own estate — was a strange type, yet one pretty frequently to be met with, a type abject2 and vicious and at the same time senseless. But he was one of those senseless persons who are very well capable of looking after their worldly affairs, and, apparently3, after nothing else. Fyodor Pavlovitch, for instance, began with next to nothing; his estate was of the smallest; he ran to dine at other men’s tables, and fastened on them as a toady4, yet at his death it appeared that he had a hundred thousand roubles in hard cash. At the same time, he was all his life one of the most senseless, fantastical fellows in the whole district. I repeat, it was not stupidity — the majority of these fantastical fellows are shrewd and intelligent enough — but just senselessness, and a peculiar5 national form of it.
He was married twice, and had three sons, the eldest6, Dmitri, by his first wife, and two, Ivan and Alexey, by his second. Fyodor Pavlovitch’s first wife, Adelaida Ivanovna, belonged to a fairly rich and distinguished7 noble family, also landowners in our district, the Miusovs. How it came to pass that an heiress, who was also a beauty, and moreover one of those vigorous intelligent girls, so common in this generation, but sometimes also to be found in the last, could have married such a worthless, puny8 weakling, as we all called him, I won’t attempt to explain. I knew a young lady of the last “romantic” generation who after some years of an enigmatic passion for a gentleman, whom she might quite easily have married at any moment, invented insuperable obstacles to their union, and ended by throwing herself one stormy night into a rather deep and rapid river from a high bank, almost a precipice9, and so perished, entirely10 to satisfy her own caprice, and to be like Shakespeare’s Ophelia. Indeed, if this precipice, a chosen and favourite spot of hers, had been less picturesque11, if there had been a prosaic12 flat bank in its place, most likely the suicide would never have taken place. This is a fact, and probably there have been not a few similar instances in the last two or three generations. Adelaida Ivanovna Miusov’s action was similarly, no doubt, an echo of other people’s ideas, and was due to the irritation13 caused by lack of mental freedom. She wanted, perhaps, to show her feminine independence, to override14 class distinctions and the despotism of her family. And a pliable15 imagination persuaded her, we must suppose, for a brief moment, that Fyodor Pavlovitch, in spite of his parasitic16 position, was one of the bold and ironical17 spirits of that progressive epoch18, though he was, in fact, an ill-natured buffoon19 and nothing more. What gave the marriage piquancy20 was that it was preceded by an elopement, and this greatly captivated Adelaida Ivanovna’s fancy. Fyodor Pavlovitch’s position at the time made him specially21 eager for any such enterprise, for he was passionately22 anxious to make a career in one way or another. To attach himself to a good family and obtain a dowry was an alluring23 prospect24. As for mutual25 love it did not exist apparently, either in the bride or in him, in spite of Adelaida Ivanovna’s beauty. This was, perhaps, a unique case of the kind in the life of Fyodor Pavlovitch, who was always of a voluptuous26 temper, and ready to run after any petticoat on the slightest encouragement. She seems to have been the only woman who made no particular appeal to his senses.
Immediatley after the elopement Adelaida Ivanovna discerned in a flash that she had no feeling for her husband but contempt. The marriage accordingly showed itself in its true colours with extraordinary rapidity. Although the family accepted the event pretty quickly and apportioned27 the runaway28 bride her dowry, the husband and wife began to lead a most disorderly life, and there were everlasting29 scenes between them. It was said that the young wife showed incomparably more generosity30 and dignity than Fyodor Pavlovitch, who, as is now known, got hold of all her money up to twenty five thousand roubles as soon as she received it, so that those thousands were lost to her forever. The little village and the rather fine town house which formed part of her dowry he did his utmost for a long time to transfer to his name, by means of some deed of conveyance31. He would probably have succeeded, merely from her moral fatigue32 and desire to get rid of him, and from the contempt and loathing33 he aroused by his persistent34 and shameless importunity35. But, fortunately, Adelaida Ivanovna’s family intervened and circumvented36 his greediness. It is known for a fact that frequent fights took place between the husband and wife, but rumour37 had it that Fyodor Pavlovitch did not beat his wife but was beaten by her, for she was a hot-tempered, bold, dark-browed, impatient woman, possessed38 of remarkable39 physical strength. Finally, she left the house and ran away from Fyodor Pavlovitch with a destitute40 divinity student, leaving Mitya, a child of three years old, in her husband’s hands. Immediately Fyodor Pavlovitch introduced a regular harem into the house, and abandoned himself to orgies of drunkenness. In the intervals41 he used to drive all over the province, complaining tearfully to each and all of Adelaida Ivanovna’s having left him, going into details too disgraceful for a husband to mention in regard to his own married life. What seemed to gratify him and flatter his self-love most was to play the ridiculous part of the injured husband, and to parade his woes42 with embellishments.
“One would think that you’d got a promotion43, Fyodor Pavlovitch, you seem so pleased in spite of your sorrow,” scoffers said to him. Many even added that he was glad of a new comic part in which to play the buffoon, and that it was simply to make it funnier that he pretended to be unaware44 of his ludicrous position. But, who knows, it may have been simplicity45. At last he succeeded in getting on the track of his runaway wife. The poor woman turned out to be in Petersburg, where she had gone with her divinity student, and where she had thrown herself into a life of complete emancipation46. Fyodor Pavlovitch at once began bustling47 about, making preparations to go to Petersburg, with what object he could not himself have said. He would perhaps have really gone; but having determined49 to do so he felt at once entitled to fortify50 himself for the journey by another bout48 of reckless drinking. And just at that time his wife’s family received the news of her death in Petersburg. She had died quite suddenly in a garret, according to one story, of typhus, or as another version had it, of starvation. Fyodor Pavlovitch was drunk when he heard of his wife’s death, and the story is that he ran out into the street and began shouting with joy, raising his hands to Heaven: “Lord, now lettest Thou Thy servant depart in peace,” but others say he wept without restraint like a little child, so much so that people were sorry for him, in spite of the repulsion he inspired. It is quite possible that both versions were true, that he rejoiced at his release, and at the same time wept for her who released him. As a general rule, people, even the wicked, are much more naive51 and simple-hearted than we suppose. And we ourselves are, too.
1 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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2 abject | |
adj.极可怜的,卑屈的 | |
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3 apparently | |
adv.显然地;表面上,似乎 | |
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4 toady | |
v.奉承;n.谄媚者,马屁精 | |
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5 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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6 eldest | |
adj.最年长的,最年老的 | |
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7 distinguished | |
adj.卓越的,杰出的,著名的 | |
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8 puny | |
adj.微不足道的,弱小的 | |
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9 precipice | |
n.悬崖,危急的处境 | |
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10 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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11 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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12 prosaic | |
adj.单调的,无趣的 | |
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13 irritation | |
n.激怒,恼怒,生气 | |
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14 override | |
vt.不顾,不理睬,否决;压倒,优先于 | |
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15 pliable | |
adj.易受影响的;易弯的;柔顺的,易驾驭的 | |
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16 parasitic | |
adj.寄生的 | |
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17 ironical | |
adj.讽刺的,冷嘲的 | |
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18 epoch | |
n.(新)时代;历元 | |
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19 buffoon | |
n.演出时的丑角 | |
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20 piquancy | |
n.辛辣,辣味,痛快 | |
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21 specially | |
adv.特定地;特殊地;明确地 | |
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22 passionately | |
ad.热烈地,激烈地 | |
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23 alluring | |
adj.吸引人的,迷人的 | |
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24 prospect | |
n.前景,前途;景色,视野 | |
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25 mutual | |
adj.相互的,彼此的;共同的,共有的 | |
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26 voluptuous | |
adj.肉欲的,骄奢淫逸的 | |
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27 apportioned | |
vt.分摊,分配(apportion的过去式与过去分词形式) | |
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28 runaway | |
n.逃走的人,逃亡,亡命者;adj.逃亡的,逃走的 | |
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29 everlasting | |
adj.永恒的,持久的,无止境的 | |
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30 generosity | |
n.大度,慷慨,慷慨的行为 | |
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31 conveyance | |
n.(不动产等的)转让,让与;转让证书;传送;运送;表达;(正)运输工具 | |
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32 fatigue | |
n.疲劳,劳累 | |
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33 loathing | |
n.厌恶,憎恨v.憎恨,厌恶( loathe的现在分词);极不喜欢 | |
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34 persistent | |
adj.坚持不懈的,执意的;持续的 | |
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35 importunity | |
n.硬要,强求 | |
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36 circumvented | |
v.设法克服或避免(某事物),回避( circumvent的过去式和过去分词 );绕过,绕行,绕道旅行 | |
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37 rumour | |
n.谣言,谣传,传闻 | |
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38 possessed | |
adj.疯狂的;拥有的,占有的 | |
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39 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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40 destitute | |
adj.缺乏的;穷困的 | |
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41 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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42 woes | |
困境( woe的名词复数 ); 悲伤; 我好苦哇; 某人就要倒霉 | |
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43 promotion | |
n.提升,晋级;促销,宣传 | |
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44 unaware | |
a.不知道的,未意识到的 | |
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45 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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46 emancipation | |
n.(从束缚、支配下)解放 | |
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47 bustling | |
adj.喧闹的 | |
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48 bout | |
n.侵袭,发作;一次(阵,回);拳击等比赛 | |
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49 determined | |
adj.坚定的;有决心的 | |
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50 fortify | |
v.强化防御,为…设防;加强,强化 | |
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51 naive | |
adj.幼稚的,轻信的;天真的 | |
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