Part 2 Chapter 13 On anxiety

When I see a man anxious, I say, “What does this man want? If he did not want something which is not in his power, how could he be anxious?” For this reason a lute¹ player when he is singing by himself has no anxiety, but when he enters the theatre, he is anxious even if he has a good voice and plays well on the lute; for he not only wishes to sing well, but also to obtain applause: but this is not in his power. Accordingly, where he has skill, there he has confidence. Bring any single person who knows nothing of music, and the musician does not care for him. But in the matter where a man knows nothing and has not been practiced, there he is anxious. What matter is this? He knows not what a crowd is or what the praise of a crowd is. However he has learned to strike the lowest chord and the highest; but what the praise of the many is, and what power it has in life he neither knows nor has he thought about it. Hence he must of necessity tremble and grow pale. I cannot then say that a man is not a lute player when I see him afraid, but I can say something else, and not one thing, but many. And first of all I call him a stranger and say, “This man does not know in what part of the world he is, but though he has been here so long, he is ignorant of the laws of the State and the customs, and what is permitted and what is not; and he has never employed any lawyer to tell him and to explain the laws.” But a man does not write a will, if he does not does not know how it ought to be written, or he employs a person who does know; nor does he rashly seal a bond or write a security. But he uses his desire without a lawyer’s advice, and aversion, and pursuit, and attempt and purpose. “How do you mean without a lawyer?” He does not know that he wills what is not allowed, and does not will that which is of necessity; and he does not know either what is his own or what is or what is another man’s; but if he did know, he could never be impeded², he would never be hindered, he would not be anxious. “How so?” Is any man then afraid about things which are not evil? “No.” Is he afraid about things which are evils, but still so far within his power that they may not happen? “Certainly he is not.” If, then, the things which are independent of the will are neither good nor bad, and all things which do depend on the will are within our power, and no man can either take them from us or give them to us, if we do not choose, where is room left for anxiety? But we are anxious about our poor body, our little property, about the will of Caesar; but not anxious about things internal. Are we anxious about not forming a false opinion? No, for this is in my power. About not exerting our movements contrary to nature? No, not even about this. When then you see a man pale, as the physician says, judging from the complexion³, this man’s spleen is disordered, that man’s liver; so also say, this man’s desire and aversion are disordered, he is not in the right way, he is in a fever. For nothing else changes the color, or causes trembling or chattering⁴ of the teeth, or causes a man to

Sink in his knees and shift from foot to foot.

For this reason when Zeno was going to meet Antigonus, he was not anxious, for Antigonus had no power over any of the things which Zeno admired; and Zeno did not care for those things over which Antigonus had power. But Antigonus was anxious when he was going to meet Zeno, for he wished to please Zeno; but this was a thing external. But Zeno did not want to please Antigonus; for no man who is skilled in any art wishes to please one who has no such skill.

Should I try to please you? Why? I suppose, you know the measure by which one man is estimated by another. Have you taken pains to learn what is a good man and what is a bad man, and how a man becomes one or the other? Why, then, are you not good yourself? “How,” he replies, “am I not good?” Because no good man laments⁵ or roans or weeps, no good man is pale and trembles, or says, “How will he receive me, how will he listen to me?” Slave, just as it pleases him. Why do you care about what belongs to others? Is it now his fault if he receives badly what proceeds from you? “Certainly.” And is it possible that a fault should be one man’s, and the evil in another? “No.” Why then are you anxious about that which belongs to others? “Your question is reasonable; but I am anxious how I shall speak to him.” Cannot you then speak to him as you choose? “But I fear that I may be disconcerted?” If you are going to write the name of Dion, are you afraid that you would be disconcerted? “By no means.” Why? is it not because you have practiced writing the name? “Certainly.” Well, if you were going to read the name, would you not feel the same? and why? Because every art has a certain strength and confidence in the things which belong to it. Have you then not practiced speaking? and what else did you learn in the school? Syllogisms and sophistical propositions? For what purpose? was it not for the purpose of discoursing⁶ skillfully? and is not discoursing skillfully the same as discoursing seasonably and cautiously and with intelligence, and also without making mistakes and without hindrance⁷, and besides all this with confidence? “Yes.” When, then, you are mounted on a horse and go into a plain, are you anxious at being matched against a man who is on foot, and anxious in a matter in which you are practiced, and he is not? “Yes, but that person has power to kill me.” Speak the truth then, unhappy man, and do not brag⁸, nor claim to be a philosopher, nor refuse to acknowledge your masters, but so long as you present this handle in your body, follow every man who is stronger than yourself. Socrates used to practice speaking, he who talked as he did to the tyrants⁹, to the dicasts, he who talked in his prison. Diogenes had practiced speaking, he who spoke¹⁰ as he did to Alexander, to the pirates, to the person who bought him. These men were confident in the things which they practiced. But do you walk off to your own affairs and never leave them: go and sit in a corner, and weave syllogisms, and propose them to another. There is not in you the man who can rule a state.

1 lute   

n.琵琶，鲁特琴

参考例句：

• He idly plucked the strings of the lute.他漫不经心地拨弄着鲁特琴的琴弦。
• He knows how to play the Chinese lute.他会弹琵琶。

2 impeded   

阻碍，妨碍，阻止( impede的过去式和过去分词 )

参考例句：

• Work on the building was impeded by severe weather. 楼房的施工因天气恶劣而停了下来。
• He was impeded in his work. 他的工作受阻。

3 complexion   

n.肤色；情况，局面；气质，性格

参考例句：

• Red does not suit with her complexion.红色与她的肤色不协调。
• Her resignation puts a different complexion on things.她一辞职局面就全变了。

4 chattering   

n. （机器振动发出的）咔嗒声，(鸟等)鸣，啁啾 adj. 喋喋不休的，啾啾声的 动词chatter的现在分词形式

参考例句：

• The teacher told the children to stop chattering in class. 老师叫孩子们在课堂上不要叽叽喳喳讲话。
• I was so cold that my teeth were chattering. 我冷得牙齿直打战。

5 laments   

n.悲恸，哀歌，挽歌( lament的名词复数 )v.（为…）哀悼，痛哭，悲伤( lament的第三人称单数 )

参考例句：

• In the poem he laments the destruction of the countryside. 在那首诗里他对乡村遭到的破坏流露出悲哀。
• In this book he laments the slight interest shown in his writings. 在该书中他慨叹人们对他的著作兴趣微弱。 来自辞典例句

6 discoursing   

演说（discourse的现在分词形式）

参考例句：

• He was discoursing to us on Keats. 他正给我们讲济慈。
• He found the time better employed in searching than in discussing, in discovering than in discoursing. 他认为与其把时间花费在你争我辩和高谈阔论上，不如用在研究和发现上。

7 hindrance   

n.妨碍，障碍

参考例句：

• Now they can construct tunnel systems without hindrance.现在他们可以顺利地建造隧道系统了。
• The heavy baggage was a great hindrance to me.那件行李成了我的大累赘。

8 brag   

v./n.吹牛，自夸；adj.第一流的

参考例句：

• He made brag of his skill.他夸耀自己技术高明。
• His wealth is his brag.他夸张他的财富。

9 tyrants   

专制统治者( tyrant的名词复数 )； 暴君似的人； （古希腊的）僭主； 严酷的事物

参考例句：

• The country was ruled by a succession of tyrants. 这个国家接连遭受暴君的统治。
• The people suffered under foreign tyrants. 人民在异族暴君的统治下受苦受难。

10 spoke   

n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说

参考例句：

• They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
• The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。