His Majesty1 shows magnanimous bounty2 — The Imperial consort3 Yuan pays a visit to her parents — The happiness of a family gathering4 — Pao-yü displays his polished talents.
But let us resume our story. A servant came, at this moment, to report that for the works in course of execution, they were waiting for gauze and damask silk to paste on various articles, and that they requested lady Feng to go and open the dep?t for them to take the gauze and silk, while another servant also came to ask lady Feng to open the treasury6 for them to receive the gold and silver ware7. And as Madame Wang, the waiting-maids and the other domestics of the upper rooms had all no leisure, Pao-ch’ai suggested: “Don’t let us remain in here and be in the way of their doing what there is to be done, and of going where they have to go,” and saying this, she betook herself, escorted by Pao-yü and the rest, into Ying Ch’un’s rooms.
Madame Wang continued day after day in a great state of flurry and confusion, straight up to within the tenth moon, by which time every arrangement had been completed, and the overseers had all handed in a clear statement of their accounts. The curios and writing materials, wherever needed, had all already been laid out and everything got ready, and the birds (and animals), from the stork9, the deer and rabbits to the chickens, geese and the like, had all been purchased and handed over to be reared in the various localities in the garden; and over at Chia Se’s, had also been learnt twenty miscellaneous plays, while a company of young nuns10 and Taoist priestesses had likewise the whole number of them, mastered the intonation11 of Buddhist12 classics and incantations.
Chia Cheng after this, at length, was slightly composed in mind, and cheerful at heart; and having further invited dowager lady Chia and other inmates14 to go into the garden, he deliberated with them on, and made arrangements for, every detail in such a befitting manner that not the least trifle remained for which suitable provision had not been made; and Chia Cheng eventually mustered16 courage to indite17 a memorial, and on the very day on which the memorial was presented, a decree was received fixing upon the fifteenth day of the first moon of the ensuing year, the very day of the Shang Yuan festival, for the honourable18 consorts19 to visit their homes.
Upon the receipt of this decree, with which the Chia family was honoured, they had still less leisure, both by day as well as by night; so much so that they could not even properly observe the new year festivities. But in a twinkle of the eye, the festival of the full moon of the first moon drew near; and beginning from the eighth day of the first moon, eunuchs issued from the palace and inspected beforehand the various localities, the apartments in which the imperial consort was to change her costume; the place where she would spend her leisure moments; the spot where she would receive the conventionalities; the premises21 where the banquets would be spread; the quarters where she would retire for rest.
There were also eunuchs who came to assume the patrol of the grounds and the direction of the defences; and they brought along with them a good many minor22 eunuchs, whose duty it was to look after the safety of the various localities, to screen the place with enclosing curtains, to instruct the inmates and officials of the Chia mansion23 whither to go out and whence to come in from, what side the viands24 should be brought in from, where to report matters, and in the observance of every kind of etiquette25; and for outside the mansion, there were, on the other hand, officers from the Board of Works, and a superintendent26 of the Police, of the “Five Cities,” in charge of the sweeping27 of the streets and roads, and the clearing away of loungers. While Chia She and the others superintended the workmen in such things as the manufacture of flowered lanterns and fireworks.
The fourteenth day arrived and everything was in order; but on this night, one and all whether high or low, did not get a wink20 of sleep; and when the fifteenth came, every one, at the fifth watch, beginning from dowager lady Chia and those who enjoyed any official status, appeared in full gala dress, according to their respective ranks. In the garden, the curtains were, by this time, flapping like dragons, the portieres flying about like phoenixes29 with variegated31 plumage. Gold and silver glistened32 with splendour. Pearls and precious gems33 shed out their brilliant lustre34. The tripod censers burnt the Pai-ho incense35. In the vases were placed evergreens36. Silence and stillness prevailed, and not a man ventured so much as to cough.
Chia She and the other men were standing37 outside the door giving on to the street on the west; and old lady Chia and the other ladies were outside the main entrance of the Jung mansion at the head of the street, while at the mouth of the lane were placed screens to rigorously obstruct38 the public gaze. They were unable to bear the fatigue39 of any further waiting when, at an unexpected moment, a eunuch arrived on horseback, and Chia Cheng went up to meet him, and ascertained40 what tidings he was the bearer of.
“It’s as yet far too early,” rejoined the eunuch, “for at one o’clock (her highness) will have her evening repast, and at two she has to betake herself to the Palace of Precious Perception to worship Buddha41. At five, she will enter the Palace of Great Splendour to partake of a banquet, and to see the lanterns, after which, she will request His Majesty’s permission; so that, I’m afraid, it won’t be earlier than seven before they set out.”
Lady Feng’s ear caught what was said. “If such be the case,” she interposed, “may it please your venerable ladyship, and you, my lady, to return for a while to your apartments, and wait; and if you come when it’s time you’ll be here none too late.”
Dowager lady Chia and the other ladies immediately left for a time and suited their own convenience, and as everything in the garden devolved upon lady Feng to supervise, she ordered the butlers to take the eunuchs and give them something to eat and drink; and at the same time, she sent word that candles should be brought in and that the lanterns in the various places should be lit.
But unexpectedly was heard from outside the continuous patter of horses running, whereupon about ten eunuchs hurried in gasping43 and out of breath. They clapped their hands, and the several eunuchs (who had come before), understanding the signal, and knowing that the party had arrived, stood in their respective positions; while Chia She, at the head of all the men of the clan44, remained at the western street door, and dowager lady Chia, at the head of the female relatives of the family, waited outside the principal entrance to do the honours.
For a long interval45, everything was plunged46 in silence and quiet; when suddenly two eunuchs on horseback were espied47 advancing with leisurely48 step. Reaching the western street gate, they dismounted, and, driving their horses beyond the screens, they forthwith took their stand facing the west. After another long interval, a second couple arrived, and went likewise through the same proceedings50. In a short time, drew near about ten couples, when, at length, were heard the gentle strains of music, and couple by couple advanced with banners, dragons, with fans made with phoenix30 feathers, and palace flabella of pheasant plumes51; and those besides who carried gold-washed censers burning imperial incense. Next in order was brought past a state umbrella of golden yellow, with crooked52 handle and embroidered53 with seven phoenixes; after which quickly followed the crown, robe, girdle and shoes.
There were likewise eunuchs, who took a part in the procession, holding scented54 handkerchiefs and embroidered towels, cups for rinsing56 the mouth, dusters and other such objects; and company after company went past, when, at the rear, approached with stately step eight eunuchs carrying an imperial sedan chair, of golden yellow, with a gold knob and embroidered with phoenixes.
Old lady Chia and the other members of the family hastily fell on their knees, but a eunuch came over at once to raise her ladyship and the rest; and the imperial chair was thereupon carried through the main entrance, the ceremonial gate and into a court on the eastern side, at the door of which stood a eunuch, who prostrated57 himself and invited (her highness) to dismount and change her costume.
Having forthwith carried her inside the gate, the eunuchs dispersed59; and only the maids-of-honour and ladies-in-waiting ushered60 Yuan Ch’un out of the chair, when what mainly attracted her eye in the park was the brilliant lustre of the flowered lamps of every colour, all of which were made of gauze or damask, and were beautiful in texture61, and out of the common run; while on the upper side was a flat lantern with the inscription62 in four characters, “Regarded (by His Majesty’s) benevolence63 and permeated64 by his benefits.”
Yuan Ch’un entered the apartment and effected the necessary changes in her toilette; after which, she again egressed, and, mounting her chair, she made her entry into the garden, when she perceived the smoke of incense whirling and twirling, and the reflection of the flowers confusing the eyes. Far and wide, the rays of light, shed by the lanterns, intermingled their brilliancy, while, from time to time, fine strains of music sounded with clamorous66 din28. But it would be impossible to express adequately the perfect harmony in the aspect of this scene, and the grandeur67 of affluence68 and splendour.
The imperial consort of the Chia family, we must now observe, upon catching69 sight, from the interior of her chair, of the picture presented within as well as without the confines of this garden, shook her head and heaved a sigh. “What lavish70 extravagance! What excessive waste!” she soliloquised.
But of a sudden was again seen a eunuch who, on his knees, invited her to get into a boat; and the Chia consort descended71 from the chair and stepped into the craft, when the expanse of a limpid72 stream met her gaze, whose grandeur resembled that of the dragon in its listless course. The stone bannisters, on each side, were one mass of air-tight lanterns, of every colour, made of crystal or glass, which threw out a light like the lustre of silver or the brightness of snow.
The willow73, almond and the whole lot of trees, on the upper side, were, it is true, without blossom and leaves; but pongee and damask silks, paper and lustring had been employed, together with rice-paper, to make flowers of, which had been affixed74 on the branches. Upon each tree were suspended thousands of lanterns; and what is more, the lotus and aquatic76 plants, the ducks and water fowl77 in the pond had all, in like manner, been devised out of conches and clams78, plumes and feathers. The various lanterns, above and below, vied in refulgence79. In real truth, it was a crystal region, a world of pearls and precious stones. On board the boat were also every kind of lanterns representing such designs as are used on flower-pots, pearl-laden portieres, embroidered curtains, oars80 of cinnamon wood, and paddles of magnolia, which need not of course be minutely described.
They entered a landing with a stone curb81; and on this landing was erected82 a flat lantern upon which were plainly visible the four characters the “Persicary beach and flower-laden bank.” But, reader, you have heard how that these four characters “the persicary beach and the flower-laden bank,” the motto “a phoenix comes with dignified83 air,” and the rest owe one and all their origin to the unexpected test to which Chia Cheng submitted, on a previous occasion, Pao-yü‘s literary abilities; but how did it come about that they were actually adopted?
You must remember that the Chia family had been, generation after generation, given to the study of letters, so that it was only natural that there should be among them one or two renowned84 writers of verses; for how could they ever resemble the families of such upstarts, who only employ puerile85 expressions as a makeshift to get through what they have to do? But the why and the wherefore must be sought in the past. The consort, belonging to the Chia mansion, had, before she entered the palace, been, from her infancy86, also brought up by dowager lady Chia; and when Pao-yü was subsequently added to the family, she was the eldest87 sister and Pao-yü the youngest child. The Chia consort, bearing in mind how that she had, when her mother was verging88 on old age, at length obtained this younger brother, she for this reason doated upon him with single love; and as they were besides companions in their attendance upon old lady Chia, they were inseparable for even a moment. Before Pao-yü had entered school, and when three or four years of age, he had already received oral instruction from the imperial spouse89 Chia from the contents of several books and had committed to memory several thousands of characters, for though they were only sister and brother, they were like mother and child. And after she had entered the Palace, she was wont90 time and again to have letters taken out to her father and her cousins, urgently recommending them to be careful with his bringing up, that if they were not strict, he could not possibly become good for anything, and that if they were immoderately severe, there was the danger of something unpropitious befalling him, with the result, moreover, that his grandmother would be stricken with sorrow; and this solicitude92 on his account was never for an instant lost sight of by her.
Hence it was that Chia Cheng having, a few days back, heard his teacher extol93 him for his extreme abilities, he forthwith put him to the test on the occasion of their ramble94 through the garden. And though (his compositions) were not in the bold style of a writer of note, yet they were productions of their own family, and would, moreover, be instrumental, when the Chia consort had her notice attracted by them, and come to know that they were devised by her beloved brother, in also not rendering95 nugatory96 the anxious interest which she had ever entertained on his behalf, and he, therefore, purposely adopted what had been suggested by Pao-yü; while for those places, for which on that day no devices had been completed, a good number were again subsequently composed to make up what was wanted.
After the Chia consort had, for we shall now return to her, perused97 the four characters, she gave a smile. “The two words ‘flower-laden bank,’” she said, “are really felicitous98, so what use was there for ‘persicary beach?’”
When the eunuch in waiting heard this observation, he promptly99 jumped off the craft on to the bank, and at a flying pace hurried to communicate it to Chia Cheng, and Chia Cheng instantly effected the necessary alteration100.
By this time the craft had reached the inner bank, and leaving the boat, and mounting into her sedan chair, she in due course contemplated102 the magnificent Jade103-like Palace; the Hall of cinnamon wood, lofty and sublime104; and the marble portals with the four characters in bold style: the “Precious confines of heavenly spirits,” which the Chia consort gave directions should be changed for the four words denoting: “additional Hall (for the imperial consort) on a visit to her parents.” And forthwith making her entrance into the travelling lodge105 her gaze was attracted by torches burning in the court encompassing106 the heavens, fragments of incense strewn on the ground, fire-like trees and gem-like flowers, gold-like windows and jade-like bannisters. But it would be difficult to give a full account of the curtains, which rolled up (as fine as a) shrimp’s moustache; of the carpets of other skins spread on the floor; of the tripods exhaling107 the fragrant108 aroma109 of the brain of the musk110 deer; of the screens in a row resembling fans made of pheasant tails. Indeed, the gold-like doors and the windows like jade were suggestive of the abode111 of spirits; while the halls made of cinnamon wood and the palace of magnolia timber, of the very homes of the imperial secondary consorts.
“Why is it,” the Chia consort inquired, “that there is no tablet in this Hall?”
The eunuch in waiting fell on his knees. “This is the main Hall,” he reverently112 replied, “and the officials, outside the palace, did not presume to take upon themselves to suggest any motto.”
The Chia consort shook her head and said not a word; whereupon the eunuch, who acted as master of ceremonies, requested Her Majesty to ascend113 the throne and receive homage114. The band stationed on the two flights of steps struck up a tune115, while two eunuchs ushered Chia She, Chia Cheng and the other members on to the moonlike stage, where they arranged themselves in order and ascended116 into the hall, but when the ladies-in-waiting transmitted her commands that the homage could be dispensed117 with, they at once retraced119 their footsteps.
(The master of the ceremonies), in like manner led forward the dowager lady of the Jung Kuo mansion, as well as the female relatives, from the steps on the east side, on to the moon-like stage; where they were placed according to their ranks. But the maids-of-honour again commanded that they should dispense118 with the ceremony, so they likewise promptly withdrew.
After tea had been thrice presented, the Chia consort descended the Throne, and the music ceased. She retired120 into a side room to change her costume, and the private chairs were then got ready for her visit to her parents. Issuing from the garden, she came into the main quarters belonging to dowager lady Chia, where she was bent121 upon observing the domestic conventionalities, when her venerable ladyship, and the other members of the family, prostrated themselves in a body before her, and made her desist. Tears dropped down from the eyes of the Chia consort as (she and her relatives) mutually came forward, and greeted each other, and as with one hand she grasped old lady Chia, and with the other she held madame Wang, the three had plenty in their hearts which they were fain to speak about; but, unable as each one of them was to give utterance123 to their feelings, all they did was to sob124 and to weep, as they kept face to face to each other; while madame Hsing, widow Li Wan8, Wang Hsi-feng, and the three sisters: Ying Ch’un, T’an Ch’un, and Hsi Ch’un, stood aside in a body shedding tears and saying not a word.
After a long time, the Chia consort restrained her anguish125, and forcing a smile, she set to work to reassure126 old lady Chia and madame Wang. “Having in days gone by,” she urged, “been sent to that place where no human being can be seen, I have to-day after extreme difficulty returned home; and now that you ladies and I have been reunited, instead of chatting or laughing we contrariwise give way to incessant127 tears! But shortly, I shall be gone, and who knows when we shall be able again to even see each other!”
When she came to this sentence, they could not help bursting into another tit of crying; and Madame Hsing hastened to come forward, and to console dowager lady Chia and the rest. But when the Chia consort resumed her seat, and one by one came again, in turn, to exchange salutations, they could not once more help weeping and sobbing128 for a time.
Next in order, were the managers and servants of the eastern and western mansions129 to perform their obeisance130 in the outer pavilion; and after the married women and waiting-maids had concluded their homage, the Chia consort heaved a sigh. “How many relatives,” she observed, “there are all of whom, alas131! I may not see.”
“There are here now,” madame Wang rejoined with due respect, “kindred with outside family names, such as Mrs. Hsüeh, née Wang, Pao-ch’ai, and Tai-yü waiting for your commands; but as they are distant relatives, and without official status, they do not venture to arrogate132 to themselves the right of entering into your presence.” But the Chia consort issued directions that they should be invited to come that they should see each other; and in a short while, Mrs. Hsüeh and the other relatives walked in, but as they were on the point of performing the rites133, prescribed by the state, she bade them relinquish134 the observance so that they came forward, and each, in turn, alluded135 to what had transpired136 during the long separation.
Pao Ch’in also and a few other waiting-maids, whom the Chia consort had originally taken along with her into the palace, knocked their heads before dowager lady Chia, but her ladyship lost no time in raising them up, and in bidding them go into a separate suite42 of rooms to be entertained; and as for the retainers, eunuchs as well as maids-of-honour, ladies-in-waiting and every attendant, there were needless to say, those in the two places, the Ning mansion and Chia She’s residence, to wait upon them; there only remained three or four young eunuchs to answer the summons.
The mother and daughter and her cousins conversed137 for some time on what had happened during the protracted138 separation, as well as on domestic affairs and their private feelings, when Chia Cheng likewise advanced as far as the other side of the portiere, and inquired after her health, and the Chia consort from inside performed the homage and other conventionalities (due to her parent).
“The families of farmers,” she further went on to say to her father, “feed on salted cabbage, and clothe in cotton material; but they readily enjoy the happiness of the relationships established by heaven! We, however, relatives though we now be of one bone and flesh, are, with all our affluence and honours, living apart from each other, and deriving139 no happiness whatsoever140!”
Chia Cheng, on his part endeavoured, to restrain his tears. “I belonged,” he rejoined, “to a rustic141 and poor family; and among that whole number of pigeons and pheasants, how could I have imagined that I would have obtained the blessing142 of a hidden phoenix! Of late all for the sake of your honourable self, His Majesty, above, confers upon us his heavenly benefits; while we, below, show forth49 the virtue143 of our ancestors! And it is mainly because the vital principle of the hills, streams, sun, and moon, and the remote virtue of our ancestors have been implanted in you alone that this good fortune has attained145 me Cheng and my wife! Moreover, the present emperor, bearing in mind the great bounty shewn by heaven and earth in promoting a ceaseless succession, has vouchsafed146 a more generous act of grace than has ever been displayed from old days to the present. And although we may besmear our liver and brain in the mire147, how could we show our gratitude148, even to so slight a degree as one ten-thousandth part. But all I can do is, in the daytime, to practise diligence, vigilance at night, and loyalty149 in my official duties. My humble150 wish is that His Majesty, my master, may live ten thousand years and see thousands of autumns, so as to promote the welfare of all mankind in the world! And you, worthy151 imperial consort, must, on no account, be mindful of me Cheng and my wife, decrepid as we are in years. What I would solicit91 more than anything is that you should be more careful of yourself, and that you should be diligent152 and reverential in your service to His Majesty, with the intent that you may not prove ungrateful of his affectionate regard and bountiful grace.”
The Chia consort, on the other hand, enjoined153 “that much as it was expedient154 to display zeal155, in the management of state matters, it behoved him, when he had any leisure, to take good care of himself, and that he should not, whatever he did, give way to solicitude on her behalf.” And Chia Cheng then went on to say “that the various inscriptions156 in the park over the pavilions, terraces, halls and residences had been all composed by Pao-yü, and, that in the event of there being one or two that could claim her attention, he would be happy if it would please her to at once favour him with its name.” Whereupon the imperial consort Yüan, when she heard that Pao-yü could compose verses, forthwith exclaimed with a smile: “He has in very truth made progress!”
After Chia Cheng had retired out of the hall, the Chia consort made it a point to ask: “How is it that I do not see Pao-yü?” and dowager lady Chia explained: “An outside male relative as he is, and without official rank, he does not venture to appear before you of his own accord.”
“Bring him in!” the imperial consort directed; whereupon a young eunuch ushered Pao-yü in. After he had first complied with the state ceremonies, she bade him draw near to her, and taking his hand, she held it in her lap, and, as she went on to caress157 his head and neck, she smiled and said: “He’s grown considerably158 taller than he was before;” but she had barely concluded this remark, when her tears ran down as profuse159 as rain. Mrs. Yu, lady Feng, and the rest pressed forward. “The banquet is quite ready,” they announced, “and your highness is requested to favour the place with your presence.”
The imperial consort Yuan stood up and asking Pao-yü to lead the way, she followed in his steps, along with the whole party, and betook herself on foot as far as the entrance of the garden gate, whence she at once espied, in the lustre shed by the lanterns, every kind of decorations. Entering the garden, they first passed the spots with the device “a phoenix comes with dignified air,” “the red (flowers are) fragrant and the green (banana leaves like) jade!” “the sign on the apricot tree is visible,” “the fragrance160 pure of the ligularia and iris161,” and other places; and ascending162 the towers they walked up the halls, forded the streams and wound round the hills; contemplating163 as they turned their gaze from side to side, each place arranged in a different style, and each kind of article laid out in unique designs. The Chia consort expressed her admiration164 in most profuse eulogiums, and then went on to advise them: “that it was not expedient to indulge in future in such excessive extravagance and that all these arrangements were over and above what should have been done.”
Presently they reached the main pavilion, where she commanded that they could dispense with the rites and take their seats. A sumptuous165 banquet was laid out, at which dowager lady Chia and the other ladies occupied the lower seats and entertained each other, while Mrs. Yu, widow Li Wan, lady Feng and the rest presented the soup and handed the cups. The Imperial consort Yuan subsequently directed that the pencils and inkslabs should be brought, and with her own hands she opened the silken paper. She chose the places she liked, and conferred upon them a name; and devising a general designation for the garden, she called it the Ta Kuan garden (Broad vista167), while for the tablet of the main pavilion the device she composed ran as follows: “Be mindful of the grace and remember the equity168 (of His Majesty);” with this inscription on the antithetical scrolls169:
Mercy excessive Heaven and earth display,
And it men young and old hail gratefully;
From old till now they pour their bounties170 great
Those rich gifts which Cathay and all states permeate65.
Changing also the text: “A phoenix comes with dignified air for the Hsiao Hsiang Lodge.”
“The red (flowers are) fragrant and the green (banana leaves like) jade,” she altered into “Happy red and joyful171 green”; bestowing172 upon the place the appellation173 of the I Hung court (joyful red). The spot where “the fragrance pure of the ligularia and iris,” was inscribed174, she called “the ligularia and the ‘Wu’ weed court;” and where was “the sign in the apricot tree is visible,” she designated “the cottage in the hills where dolichos is bleached175.” The main tower she called the Broad Vista Tower. The lofty tower facing the east, she designated “the variegated and flowery Hall;” bestowing on the line of buildings, facing the west, the appellation of “the Hall of Occult Fragrance;” and besides these figured such further names as: “the Hall of peppery wind,” “the Arbour of lotus fragrance,” “the Islet of purple caltrop,” “the Bank of golden lotus,” and the like. There were also tablets with four characters such as: “the peach blossom and the vernal rain;” “the autumnal wind prunes176 the Eloecocca,” “the artemisia leaves and the night snow,” and other similar names which could not all be placed on record. She furthermore directed that such tablets as were already put up, should not be dismounted, and she forthwith took the lead and composed an heptameter stanza177, the burden of which was:
Hills it enclasps, embraces streams, with skill it is laid out:
What task the grounds to raise! the works to start and bring about!
Of scenery in heaven and amongst men store has been made;
The name Broad Vista o’er the fragrant park should be engraved178.
When she had finished writing, she observed smilingly, as she addressed herself to all the young ladies: “I have all along lacked the quality of sharpness and never besides been good at verses; as you, sisters, and all of you have ever been aware; but, on a night like this I’ve been fain to do my best, with the object of escaping censure179, and of not reflecting injustice180 on this scenery and nothing more. But some other day when I’ve got time, be it ever so little, I shall deem it my duty to make up what remains181 by inditing182 a record of the Broad Vista Garden, as well as a song on my visit to my parents and other such literary productions in memory of the events of this day. You sisters and others must, each of you, in like manner compose a stanza on the motto on each tablet, expressing your sentiments, as you please, without being restrained by any regard for my meagre ability. Knowing as I do besides that Pao-yü is, indeed, able to write verses, I feel the more delighted! But among his compositions, those I like the best are those in the two places, ‘the Hsiao Hsiang Lodge,’ and ‘the court of Heng and Wu;’ and next those of ‘the Joyful red court,’ and ‘the cottage in the hills, where the dolichos is bleached.’ As for grand sites like these four, there should be found some out-of-the-way expressions to insert in the verses so that they should be felicitous. The antithetical lines composed by you, (Pao-yü), on a former occasion are excellent, it is true; but you should now further indite for each place, a pentameter stanza, so that by allowing me to test you in my presence, you may not show yourself ungrateful for the trouble I have taken in teaching you from your youth up.”
Pao-yü had no help but to assent183, and descending184 from the hall, he went off all alone to give himself up to reflection.
Of the three Ying Ch’un, T’an Ch’un, and Hsi Ch’un, T’an Ch’un must be considered to have also been above the standard of her sisters, but she, in her own estimation, imagined it, in fact, difficult to compete with Hsüeh Pao-ch’ai and Lin Tai-yü. With no alternative however than that of doing her best, she followed the example of all the rest with the sole purpose of warding185 off criticism. And Li Wan too succeeded, after much exertion186, in putting together a stanza.
The consort of the Chia family perused in due order the verses written by the young ladies, the text of which is given below.
The lines written by Ying Ch’un on the tablet of “Boundless187 spirits and blissful heart” were:
A park laid out with scenery surpassing fine and rare!
Submissive to thy will, on boundless bliss188 bashful I write!
Who could believe that yonder scenes in this world found a share!
Will not thy heart be charmed on thy visit by the sight?
These are the verses by T’an Ch’un on the tablet of “All nature vies in splendour”:
Of aspect lofty and sublime is raised a park of fame!
Honoured with thy bequest189, my shallow lore190 fills me with shame.
No words could e’er amply exhaust the beauteous skill,
For lo! in very truth glory and splendour all things fill!
Thus runs Hsi Ch’un’s stanza on the tablet of the “Conception of literary compositions”:
The hillocks and the streams crosswise beyond a thousand li extend!
The towers and terraces ‘midst the five-coloured clouds lofty ascend!
In the resplendent radiance of both sun and moon the park it lies!
The skill these scenes to raise the skill e’en essays to conceive
outvies!
The lines composed by Li Wan on the tablet “grace and elegance191,” consisted of:
The comely192 streams and hillocks clear, in double folds, embrace;
E’en Fairyland, forsooth, transcend193 they do in elegance and grace!
The “Fragrant Plant” the theme is of the ballad194 fan, green-made.
Like drooping195 plum-bloom flap the lapel red and the Hsiang gown.
From prosperous times must have been handed down those pearls and jade.
What bliss! the fairy on the jasper terrace will come down!
When to our prayers she yields, this glorious park to contemplate101,
No mortal must e’er be allowed these grounds to penetrate197.
The ode by Hsüeh Pao-ch’ai on the tablet of “Concentrated Splendour and Accumulated auspiciousness” was:
Raised on the west of the Imperial city, lo! the park stored with fragrant smell,
Shrouded198 by Phoebe’s radiant rays and clouds of good omen5, in wondrous199 glory lies!
The willows200 tall with joy exult201 that the parrots their nests have shifted from the dell.
The bamboo groves202, when laid, for the phoenix with dignity to come, were meant to rise.
The very eve before the Empress’ stroll, elegant texts were ready and affixed.
If even she her parents comes to see, how filial piety203 supreme204 must be!
When I behold205 her beauteous charms and talents supernatural, with awe206 transfixed,
One word, to utter more how can I troth ever presume, when shame overpowers me.
The distich by Lin Tai-yü on the tablet of “Spiritual stream outside the world,” ran thus:
Th’ imperial visit doth enhance joy and delight.
This fairy land from mortal scenes what diff’rent sight!
The comely grace it borrows of both hill and stream;
And to the landscape it doth add a charm supreme.
The fumes207 of Chin Ku wine everything permeate;
The flowers the inmate13 of the Jade Hall fascinate.
The imperial favour to receive how blessed our lot!
For oft the palace carriage will pass through this spot.
The Chia consort having concluded the perusal208 of the verses, and extolled209 them for a time: “After all,” she went on to say with a smile, “those composed by my two cousins, Hsüeh Pao-ch’ai and Lin Tai-yü, differ in excellence210 from those of all the rest; and neither I, stupid as I am, nor my sisters can attain144 their standard.”
Lin Tao-yü had, in point of fact, made up her mind to display, on this evening, her extraordinary abilities to their best advantage, and to put down every one else, but contrary to her expectations the Chia consort had expressed her desire that no more than a single stanza should be written on each tablet, so that unable, after all, to disregard her directions by writing anything in excess, she had no help but to compose a pentameter stanza, in an offhand211 way, merely with the intent of complying with her wishes.
Pao-yü had by this time not completed his task. He had just finished two stanzas212 on the Hsiao Hsiang Lodge and the Heng Wu garden, and was just then engaged in composing a verse on the “Happy red Court.” In his draft figured a line: “The (leaves) of jade-like green in spring are yet rolled up,” which Pao-ch’ai stealthily observed as she turned her eyes from side to side; and availing herself of the very first moment, when none of the company could notice her, she gave him a nudge. “As her highness,” she remarked, “doesn’t relish213 the four characters, representing the red (flowers are) fragrant, and the green (banana leaves) like jade, she changed them, just a while back, for ‘the joyful red and gladsome green;’ and if you deliberately214 now again employ these two words ‘jade-like green,’ won’t it look as if you were bent upon being at variance215 with her? Besides, very many are the old books, in which the banana leaves form the theme, so you had better think of another line and substitute it and have done with it!”
When Pao-yü heard the suggestion made by Pao-ch’ai, he speedily replied, as he wiped off the perspiration216: “I can’t at all just at present call to mind any passage from the contents of some old book.”
“Just simply take,” proposed Pao-ch’ai smilingly, “the character jade in jade-like green and change it into the character wax, that’s all.”
“Does ‘green wax,’” Pao-yü inquired, “come out from anywhere?”
Pao-ch’ai gently smacked217 her lips and nodded her head as she laughed. “I fear,” she said, “that if, on an occasion like to-night, you show no more brains than this, by and by when you have to give any answers in the golden hall, to the questions (of the examiner), you will, really, forget (the very first four names) of Chao, Oh’ien, Sun and Li (out of the hundred)! What, have you so much as forgotten the first line of the poem by Han Yü, of the T’ang dynasty, on the Banana leaf:
“Cold is the candle and without a flame, the green wax dry?”
On hearing these words, Pao-yü‘s mind suddenly became enlightened. “What a fool I am!” he added with a simper; “I couldn’t for the moment even remember the lines, ready-made though they were and staring at me in my very eyes! Sister, you really can be styled my teacher, little though you may have taught me, and I’ll henceforward address you by no other name than ‘teacher,’ and not call you ‘sister’ any more!”
“Don’t you yet hurry to go on,” Pao-ch’ai again observed in a gentle tone of voice sneeringly218, “but keep on calling me elder sister and younger sister? Who’s your sister? that one over there in a yellow coat is your sister!”
But apprehending219, as she bandied these jokes, lest she might be wasting his time, she felt constrained220 to promptly move away; whereupon Pao-yü continued the ode he had been working at, and brought it to a close, writing in all three stanzas.
Tai-yü had not had so far an opportunity of making a display of her ability, and was feeling at heart in a very dejected mood; but when she perceived that Pao-yü was having intense trouble in conceiving what he had to write, and she found, upon walking up to the side of the table, that he had only one stanza short, that on “the sign on the apricot tree is visible,” she consequently bade him copy out clean the first three odes, while she herself composed a stanza, which she noted221 down on a slip of paper, rumpled222 up into a ball, and threw just in front of Pao-yü.
As soon as Pao-yü opened it and glanced at it, he realised that it was a hundred times better than his own three stanzas, and transcribing223 it without loss of time, in a bold writing, he handed up his compositions.
On perusal, the Chia Consort read what follows. By Pao-yü, on: “A phoenix comes with dignified air:”
The bamboos just now don that jadelike grace,
Which worthy makes them the pheasant to face;
Each culm so tender as if to droop196 fain,
Each one so verdant224, in aspect so cool,
The curb protects, from the steps wards225 the pool.
The pervious screens the tripod smell restrain.
The shadow will be strewn, mind do not shake
And (Hsieh) from her now long fine dream (awake)!
On “the pure fragrance of the Ligularia and Iris Florentina:”
Hengs and Wus the still park permeate;
The los and pis their sweet perfume enhance;
And supple226 charms the third spring flowers ornate;
Softly is wafted227 one streak228 of fragrance!
A light mist doth becloud the tortuous229 way!
With moist the clothes bedews, that verdure cold!
The pond who ever sinuous230 could hold?
Dreams long and subtle, dream the household Hsieh.
On “the happy red and joyful green:”
Stillness pervades231 the deep pavilion on a lengthy232 day.
The green and red, together matched, transcendent grace display.
Unfurled do still remain in spring the green and waxlike leaves.
No sleep yet seeks the red-clad maid, though night’s hours be far-spent,
But o’er the rails lo, she reclines, dangling233 her ruddy sleeves;
Against the stone she leans shrouded by taintless234 scent55,
And stands the quarter facing whence doth blow the eastern wind!
Her lord and master must look up to her with feelings kind.
On “the sign on the apricot tree is visible:”
The apricot tree sign to drink wayfarers235 doth invite;
A farm located on a hill, lo! yonder strikes the sight!
And water caltrops, golden lotus, geese, as well as flows,
And mulberry and elm trees which afford rest to swallows.
That wide extent of spring leeks236 with verdure covers the ground;
And o’er ten li the paddy blossom fragrance doth abound237.
In days of plenty there’s a lack of dearth238 and of distress239,
And what need then is there to plough and weave with such briskness240?
When the Chia consort had done with the perusal, excessive joy filled her heart. “He has indeed made progress!” she exclaimed, and went on to point at the verses on “the sign on the apricot tree,” as being the crowning piece of the four stanzas. In due course, she with her own hands changed the motto “a cottage in the hills where dolichos is bleached” into “the paddy-scented village;” and bidding also T’an Ch’un to take the several tens of stanzas written then, and to transcribe241 them separately on ornamented242 silk paper, she commanded a eunuch to send them to the outer quarters. And when Chia Cheng and the other men perused them, one and all sung their incessant praise, while Chia Cheng, on his part, sent in some complimentary243 message, with regard to her return home on a visit.
Yuan Ch’un went further and gave orders that luscious244 wines, a ham and other such presents should be conferred upon Pao-yü, as well as upon Chia Lan. This Chia Lan was as yet at this time a perfect youth without any knowledge of things in general, so that all that he could do was to follow the example of his mother, and imitate his uncle in performing the conventional rites.
At the very moment that Chia Se felt unable, along with a company of actresses, to bear the ordeal245 of waiting on the ground floor of the two-storied building, he caught sight of a eunuch come running at a flying pace. “The composition of verses is over,” he said, “so quick give me the programme;” whereupon Chia Se hastened to present the programme as well as a roll of the names of the twelve girls. And not a long interval elapsed before four plays were chosen; No. 1 being the Imperial Banquet; No. 2 Begging (the weaver246 goddess) for skill in needlework; No. 3 The spiritual match; and No. 4 the Parting spirit. Chia Se speedily lent a hand in the getting up, and the preparations for the performance, and each of the girls sang with a voice sufficient to split the stones and danced in the manner of heavenly spirits; and though their exterior247 was that of the characters in which they were dressed up for the play, their acting248 nevertheless represented, in a perfect manner, both sorrow as well as joy. As soon as the performance was brought to a close, a eunuch walked in holding a golden salver containing cakes, sweets, and the like, and inquired who was Ling Kuan; and Chia Se readily concluding that these articles were presents bestowed249 upon Ling Kuan, made haste to take them over, as he bade Ling Kuan prostrate58 herself.
“The honourable consort,” the eunuch further added, “directs that Ling Kuan, who is the best actress of the lot, should sing two more songs; any two will do, she does not mind what they are.”
Chia Se at once expressed his obedience250, and felt constrained to urge Ling Kuan to sing the two ballads251 entitled: “The walk through the garden” and “Frightened out of a dream.” But Ling Kuan asserted that these two ballads had not originally been intended for her own role; and being firm in her refusal to accede252 and insisting upon rendering the two songs “The Mutual122 Promise” and “The Mutual Abuse,” Chia Se found it hard to bring her round, and had no help but to let her have her own way. The Chia consort was so extremely enchanted253 with her that she gave directions that she should not be treated harshly, and that this girl should receive a careful training, while besides the fixed75 number of presents, she gave her two rolls of palace silk, two purses, gold and silver ingots, and presents in the way of eatables.
Subsequently, when the banquet had been cleared, and she once more prosecuted254 her visit through those places to which she had not been, she quite accidentally espied the Buddhist Temple encircled by hills, and promptly rinsing her hands, she walked in and burnt incense and worshipped Buddha. She also composed the device for a tablet, “a humane255 boat on the (world’s) bitter sea,” and went likewise so far as to show special acts of additional grace to a company of ascetic256 nuns and Taoist priestesses.
A eunuch came in a short while and reverently fell on his knees. “The presents are all in readiness,” he reported, “and may it please you to inspect them and to distribute them, in compliance257 with custom;” and presented to her a list, which the Chia consort perused from the very top throughout without raising any objection, and readily commanding that action should be taken according to the list, a eunuch descended and issued the gifts one after another. The presents for dowager lady Chia consisted, it may be added, of two sceptres, one of gold, the other of jade, with “may your wishes be fulfilled” inscribed on them; a staff made of lign-aloes; a string of chaplet beads258 of Chia-nan fragrant wood; four rolls of imperial satins with words “Affluence and honours” and Perennial259 Spring (woven in them); four rolls of imperial silk with Perennial Happiness and Longevity260; two shoes of purple gold bullion261, representing a pen, an ingot and “as you like;” and ten silver ingots with the device “Felicitous Blessings262.” While the two shares for madame Hsing and madame Wang were only short of hers by the sceptres and staffs, four things in all. Chia She, Chia Cheng and the others had each apportioned263 to him a work newly written by the Emperor, two boxes of superior ink, and gold and silver cups, two pairs of each; their other gifts being identical with those above. Pao-ch’ai, Tai-yü, all the sisters and the rest were assigned each a copy of a new book, a fine slab166 and two pair of gold and silver ornaments264 of a novel kind and original shape; Pao-yü likewise receiving the same presents. Chia Lan’s gifts consisted of two necklets, one of gold, the other of silver, and of two pair of gold ingots. Mrs. Yu, widow Li Wan, lady Feng and the others had each of them, four ingots of gold and silver; and, in the way of keepsakes, four pieces of silk. There were, in addition, presents consisting of twenty-four pieces of silk and a thousand strings265 of good cash to be allotted266 to the nurses, and waiting-maids, in the apartments of dowager lady Chia, madame Wang and of the respective sisters; while Chia Chen, Chia Lien267, Chia Huan, Chia Jung and the rest had, every one, for presents, a piece of silk, and a pair of gold and silver ingots.
As regards the other gifts, there were a hundred rolls of various coloured silks, a thousand ounces of pure silver, and several bottles of imperial wine, intended to be bestowed upon all the men-servants of the mansions, on the East and the West, as well as upon those who had been in the garden overseeing works, arranging the decorations, and in waiting to answer calls, and upon those who looked after the theatres and managed the lanterns. There being, besides, five hundred strings of pure cash for the cooks, waiters, jugglers and hundreds of actors and every kind of domestic.
The whole party had finished giving expression to their thanks for her bounty, when the managers and eunuchs respectfully announced: “It is already a quarter to three, and may it please your Majesty to turn back your imperial chariot;” whereupon, much against her will, the Chia consort’s eyes brimmed over, and she once more gave vent15 to tears. Forcing herself however again to put on a smile, she clasped old lady Chia’s and madame Wang’s hands, and could not bring herself to let them go; while she repeatedly impressed upon their minds: that there was no need to give way to any solicitude, and that they should take good care of their healths; that the grace of the present emperor was so vast, that once a month he would grant permission for them to enter the palace and pay her a visit. “It is easy enough for us to see each other,” (she said,) “and why should we indulge in any excess of grief? But when his majesty in his heavenly generosity268 allows me another time to return home, you shouldn’t go in for such pomp and extravagance.”
Dowager lady Chia and the other inmates had already cried to such an extent that sobs269 choked their throats and they could with difficulty give utterance to speech. But though the Chia consort could not reconcile herself to the separation, the usages in vogue270 in the imperial household could not be disregarded or infringed271, so that she had no alternative but to stifle272 the anguish of her heart, to mount her chariot, and take her departure.
The whole family experienced meanwhile a hard task before they succeeded in consoling the old lady and madame Wang and in supporting them away out of the garden. But as what follows is not ascertained, the next chapter will disclose it.
收听单词发音 |
1
majesty
|
|
| n.雄伟，壮丽，庄严，威严；最高权威，王权 | |
参考例句： |
|
|
|
|
2
bounty
|
|
| n.慷慨的赠予物，奖金；慷慨，大方；施与 | |
参考例句： |
|
|
|
|
3
consort
|
|
| v.相伴；结交 | |
参考例句： |
|
|
|
|
4
gathering
|
|
| n.集会，聚会，聚集 | |
参考例句： |
|
|
|
|
5
omen
|
|
| n.征兆，预兆；vt.预示 | |
参考例句： |
|
|
|
|
6
treasury
|
|
| n.宝库；国库，金库；文库 | |
参考例句： |
|
|
|
|
7
ware
|
|
| n.(常用复数)商品，货物 | |
参考例句： |
|
|
|
|
8
wan
|
|
| (wide area network)广域网 | |
参考例句： |
|
|
|
|
9
stork
|
|
| n.鹳 | |
参考例句： |
|
|
|
|
10
nuns
|
|
| n.（通常指基督教的）修女， （佛教的）尼姑( nun的名词复数 ) | |
参考例句： |
|
|
|
|
11
intonation
|
|
| n.语调，声调；发声 | |
参考例句： |
|
|
|
|
12
Buddhist
|
|
| adj./n.佛教的，佛教徒 | |
参考例句： |
|
|
|
|
13
inmate
|
|
| n.被收容者；(房屋等的)居住人；住院人 | |
参考例句： |
|
|
|
|
14
inmates
|
|
| n.囚犯( inmate的名词复数 ) | |
参考例句： |
|
|
|
|
15
vent
|
|
| n.通风口，排放口；开衩；vt.表达，发泄 | |
参考例句： |
|
|
|
|
16
mustered
|
|
| v.集合，召集，集结（尤指部队）( muster的过去式和过去分词 )；（自他人处）搜集某事物；聚集；激发 | |
参考例句： |
|
|
|
|
17
indite
|
|
| v.写（文章，信等）创作 | |
参考例句： |
|
|
|
|
18
honourable
|
|
| adj.可敬的；荣誉的，光荣的 | |
参考例句： |
|
|
|
|
19
consorts
|
|
| n.配偶( consort的名词复数 )；（演奏古典音乐的）一组乐师；一组古典乐器；一起v.结伴( consort的第三人称单数 )；交往；相称；调和 | |
参考例句： |
|
|
|
|
20
wink
|
|
| n.眨眼，使眼色，瞬间；v.眨眼，使眼色，闪烁 | |
参考例句： |
|
|
|
|
21
premises
|
|
| n.建筑物，房屋 | |
参考例句： |
|
|
|
|
22
minor
|
|
| adj.较小(少)的，较次要的；n.辅修学科；vi.辅修 | |
参考例句： |
|
|
|
|
23
mansion
|
|
| n.大厦，大楼；宅第 | |
参考例句： |
|
|
|
|
24
viands
|
|
| n.食品，食物 | |
参考例句： |
|
|
|
|
25
etiquette
|
|
| n.礼仪，礼节；规矩 | |
参考例句： |
|
|
|
|
26
superintendent
|
|
| n.监督人，主管，总监；(英国)警务长 | |
参考例句： |
|
|
|
|
27
sweeping
|
|
| adj.范围广大的，一扫无遗的 | |
参考例句： |
|
|
|
|
28
din
|
|
| n.喧闹声，嘈杂声 | |
参考例句： |
|
|
|
|
29
phoenixes
|
|
| 凤凰，长生鸟（神话中的鸟，在阿拉伯沙漠中，可活数百年，然后自焚为灰而再生）( phoenix的名词复数 )； 菲尼克斯 （美国城市） | |
参考例句： |
|
|
|
|
30
phoenix
|
|
| n.凤凰，长生(不死)鸟；引申为重生 | |
参考例句： |
|
|
|
|
31
variegated
|
|
| adj.斑驳的，杂色的 | |
参考例句： |
|
|
|
|
32
glistened
|
|
| v.湿物闪耀，闪亮( glisten的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
33
gems
|
|
| growth； economy； management； and customer satisfaction 增长 | |
参考例句： |
|
|
|
|
34
lustre
|
|
| n.光亮，光泽；荣誉 | |
参考例句： |
|
|
|
|
35
incense
|
|
| v.激怒；n.香，焚香时的烟，香气 | |
参考例句： |
|
|
|
|
36
evergreens
|
|
| n.常青树，常绿植物，万年青( evergreen的名词复数 ) | |
参考例句： |
|
|
|
|
37
standing
|
|
| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
参考例句： |
|
|
|
|
38
obstruct
|
|
| v.阻隔，阻塞(道路、通道等)；n.阻碍物，障碍物 | |
参考例句： |
|
|
|
|
39
fatigue
|
|
| n.疲劳，劳累 | |
参考例句： |
|
|
|
|
40
ascertained
|
|
| v.弄清，确定，查明( ascertain的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
41
Buddha
|
|
| n.佛；佛像；佛陀 | |
参考例句： |
|
|
|
|
42
suite
|
|
| n.一套(家具)；套房；随从人员 | |
参考例句： |
|
|
|
|
43
gasping
|
|
| adj. 气喘的, 痉挛的 动词gasp的现在分词 | |
参考例句： |
|
|
|
|
44
clan
|
|
| n.氏族，部落，宗族，家族，宗派 | |
参考例句： |
|
|
|
|
45
interval
|
|
| n.间隔，间距；幕间休息，中场休息 | |
参考例句： |
|
|
|
|
46
plunged
|
|
| v.颠簸( plunge的过去式和过去分词 )；暴跌；骤降；突降 | |
参考例句： |
|
|
|
|
47
espied
|
|
| v.看到( espy的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
48
leisurely
|
|
| adj.悠闲的；从容的，慢慢的 | |
参考例句： |
|
|
|
|
49
forth
|
|
| adv.向前；向外，往外 | |
参考例句： |
|
|
|
|
50
proceedings
|
|
| n.进程，过程，议程；诉讼(程序)；公报 | |
参考例句： |
|
|
|
|
51
plumes
|
|
| 羽毛( plume的名词复数 )； 羽毛饰； 羽毛状物； 升上空中的羽状物 | |
参考例句： |
|
|
|
|
52
crooked
|
|
| adj.弯曲的；不诚实的，狡猾的，不正当的 | |
参考例句： |
|
|
|
|
53
embroidered
|
|
| adj．绣花的 | |
参考例句： |
|
|
|
|
54
scented
|
|
| adj.有香味的；洒香水的；有气味的v.嗅到(scent的过去分词) | |
参考例句： |
|
|
|
|
55
scent
|
|
| n.气味，香味，香水，线索，嗅觉；v.嗅，发觉 | |
参考例句： |
|
|
|
|
56
rinsing
|
|
| n.清水，残渣v.漂洗( rinse的现在分词 )；冲洗；用清水漂洗掉（肥皂泡等）；（用清水）冲掉 | |
参考例句： |
|
|
|
|
57
prostrated
|
|
| v.使俯伏，使拜倒( prostrate的过去式和过去分词 )；（指疾病、天气等）使某人无能为力 | |
参考例句： |
|
|
|
|
58
prostrate
|
|
| v.拜倒，平卧，衰竭；adj.拜倒的，平卧的，衰竭的 | |
参考例句： |
|
|
|
|
59
dispersed
|
|
| adj. 被驱散的, 被分散的, 散布的 | |
参考例句： |
|
|
|
|
60
ushered
|
|
| v.引，领，陪同( usher的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
61
texture
|
|
| n.(织物)质地；(材料)构造；结构；肌理 | |
参考例句： |
|
|
|
|
62
inscription
|
|
| n.（尤指石块上的）刻印文字，铭文，碑文 | |
参考例句： |
|
|
|
|
63
benevolence
|
|
| n.慈悲，捐助 | |
参考例句： |
|
|
|
|
64
permeated
|
|
| 弥漫( permeate的过去式和过去分词 )； 遍布； 渗入； 渗透 | |
参考例句： |
|
|
|
|
65
permeate
|
|
| v.弥漫，遍布，散布；渗入，渗透 | |
参考例句： |
|
|
|
|
66
clamorous
|
|
| adj.吵闹的，喧哗的 | |
参考例句： |
|
|
|
|
67
grandeur
|
|
| n.伟大，崇高，宏伟，庄严，豪华 | |
参考例句： |
|
|
|
|
68
affluence
|
|
| n.充裕，富足 | |
参考例句： |
|
|
|
|
69
catching
|
|
| adj.易传染的，有魅力的，迷人的，接住 | |
参考例句： |
|
|
|
|
70
lavish
|
|
| adj.无节制的；浪费的；vt.慷慨地给予，挥霍 | |
参考例句： |
|
|
|
|
71
descended
|
|
| a.为...后裔的，出身于...的 | |
参考例句： |
|
|
|
|
72
limpid
|
|
| adj.清澈的，透明的 | |
参考例句： |
|
|
|
|
73
willow
|
|
| n.柳树 | |
参考例句： |
|
|
|
|
74
affixed
|
|
| adj.[医]附着的，附着的v.附加( affix的过去式和过去分词 )；粘贴；加以；盖（印章） | |
参考例句： |
|
|
|
|
75
fixed
|
|
| adj.固定的，不变的，准备好的；(计算机)固定的 | |
参考例句： |
|
|
|
|
76
aquatic
|
|
| adj.水生的，水栖的 | |
参考例句： |
|
|
|
|
77
fowl
|
|
| n.家禽，鸡，禽肉 | |
参考例句： |
|
|
|
|
78
clams
|
|
| n.蛤；蚌，蛤( clam的名词复数 )v.（在沙滩上）挖蛤( clam的第三人称单数 ) | |
参考例句： |
|
|
|
|
79
refulgence
|
|
| n.辉煌，光亮 | |
参考例句： |
|
|
|
|
80
oars
|
|
| n.桨，橹( oar的名词复数 )；划手v.划（行）( oar的第三人称单数 ) | |
参考例句： |
|
|
|
|
81
curb
|
|
| n.场外证券市场，场外交易；vt.制止，抑制 | |
参考例句： |
|
|
|
|
82
ERECTED
|
|
| adj. 直立的，竖立的，笔直的 vt. 使 ... 直立，建立 | |
参考例句： |
|
|
|
|
83
dignified
|
|
| a.可敬的，高贵的 | |
参考例句： |
|
|
|
|
84
renowned
|
|
| adj.著名的，有名望的，声誉鹊起的 | |
参考例句： |
|
|
|
|
85
puerile
|
|
| adj.幼稚的，儿童的 | |
参考例句： |
|
|
|
|
86
infancy
|
|
| n.婴儿期；幼年期；初期 | |
参考例句： |
|
|
|
|
87
eldest
|
|
| adj.最年长的，最年老的 | |
参考例句： |
|
|
|
|
88
verging
|
|
| 接近，逼近（verge的现在分词形式） | |
参考例句： |
|
|
|
|
89
spouse
|
|
| n.配偶(指夫或妻) | |
参考例句： |
|
|
|
|
90
wont
|
|
| adj.习惯于；v.习惯；n.习惯 | |
参考例句： |
|
|
|
|
91
solicit
|
|
| vi.勾引；乞求；vt.请求，乞求；招揽(生意) | |
参考例句： |
|
|
|
|
92
solicitude
|
|
| n.焦虑 | |
参考例句： |
|
|
|
|
93
extol
|
|
| v.赞美，颂扬 | |
参考例句： |
|
|
|
|
94
ramble
|
|
| v.漫步，漫谈，漫游；n.漫步，闲谈，蔓延 | |
参考例句： |
|
|
|
|
95
rendering
|
|
| n.表现，描写 | |
参考例句： |
|
|
|
|
96
nugatory
|
|
| adj.琐碎的，无价值的 | |
参考例句： |
|
|
|
|
97
perused
|
|
| v.读（某篇文字）( peruse的过去式和过去分词 )；（尤指）细阅；审阅；匆匆读或心不在焉地浏览（某篇文字） | |
参考例句： |
|
|
|
|
98
felicitous
|
|
| adj.恰当的，巧妙的；n.恰当，贴切 | |
参考例句： |
|
|
|
|
99
promptly
|
|
| adv.及时地，敏捷地 | |
参考例句： |
|
|
|
|
100
alteration
|
|
| n.变更，改变；蚀变 | |
参考例句： |
|
|
|
|
101
contemplate
|
|
| vt.盘算，计议；周密考虑；注视，凝视 | |
参考例句： |
|
|
|
|
102
contemplated
|
|
| adj. 预期的 动词contemplate的过去分词形式 | |
参考例句： |
|
|
|
|
103
jade
|
|
| n.玉石；碧玉；翡翠 | |
参考例句： |
|
|
|
|
104
sublime
|
|
| adj.崇高的，伟大的；极度的，不顾后果的 | |
参考例句： |
|
|
|
|
105
lodge
|
|
| v.临时住宿，寄宿，寄存，容纳；n.传达室，小旅馆 | |
参考例句： |
|
|
|
|
106
encompassing
|
|
| v.围绕( encompass的现在分词 )；包围；包含；包括 | |
参考例句： |
|
|
|
|
107
exhaling
|
|
| v.呼出，发散出( exhale的现在分词 )；吐出（肺中的空气、烟等），呼气 | |
参考例句： |
|
|
|
|
108
fragrant
|
|
| adj.芬香的，馥郁的，愉快的 | |
参考例句： |
|
|
|
|
109
aroma
|
|
| n.香气，芬芳，芳香 | |
参考例句： |
|
|
|
|
110
musk
|
|
| n.麝香, 能发出麝香的各种各样的植物，香猫 | |
参考例句： |
|
|
|
|
111
abode
|
|
| n.住处，住所 | |
参考例句： |
|
|
|
|
112
reverently
|
|
| adv.虔诚地 | |
参考例句： |
|
|
|
|
113
ascend
|
|
| vi.渐渐上升，升高；vt.攀登，登上 | |
参考例句： |
|
|
|
|
114
homage
|
|
| n.尊敬，敬意，崇敬 | |
参考例句： |
|
|
|
|
115
tune
|
|
| n.调子；和谐，协调；v.调音，调节，调整 | |
参考例句： |
|
|
|
|
116
ascended
|
|
| v.上升，攀登( ascend的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
117
dispensed
|
|
| v.分配( dispense的过去式和过去分词 )；施与；配（药） | |
参考例句： |
|
|
|
|
118
dispense
|
|
| vt.分配，分发；配(药)，发(药)；实施 | |
参考例句： |
|
|
|
|
119
retraced
|
|
| v.折回( retrace的过去式和过去分词 )；回忆；回顾；追溯 | |
参考例句： |
|
|
|
|
120
retired
|
|
| adj.隐退的，退休的，退役的 | |
参考例句： |
|
|
|
|
121
bent
|
|
| n.爱好，癖好；adj.弯的；决心的，一心的 | |
参考例句： |
|
|
|
|
122
mutual
|
|
| adj.相互的，彼此的；共同的，共有的 | |
参考例句： |
|
|
|
|
123
utterance
|
|
| n.用言语表达，话语，言语 | |
参考例句： |
|
|
|
|
124
sob
|
|
| n.空间轨道的轰炸机；呜咽，哭泣 | |
参考例句： |
|
|
|
|
125
anguish
|
|
| n.(尤指心灵上的)极度痛苦，烦恼 | |
参考例句： |
|
|
|
|
126
reassure
|
|
| v.使放心，使消除疑虑 | |
参考例句： |
|
|
|
|
127
incessant
|
|
| adj.不停的，连续的 | |
参考例句： |
|
|
|
|
128
sobbing
|
|
| <主方>Ⅰ adj.湿透的 | |
参考例句： |
|
|
|
|
129
mansions
|
|
| n.宅第，公馆，大厦( mansion的名词复数 ) | |
参考例句： |
|
|
|
|
130
obeisance
|
|
| n.鞠躬，敬礼 | |
参考例句： |
|
|
|
|
131
alas
|
|
| int.唉(表示悲伤、忧愁、恐惧等) | |
参考例句： |
|
|
|
|
132
arrogate
|
|
| v.冒称具有...权利，霸占 | |
参考例句： |
|
|
|
|
133
rites
|
|
| 仪式，典礼( rite的名词复数 ) | |
参考例句： |
|
|
|
|
134
relinquish
|
|
| v.放弃，撤回，让与，放手 | |
参考例句： |
|
|
|
|
135
alluded
|
|
| 提及，暗指( allude的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
136
transpired
|
|
| （事实，秘密等）被人知道( transpire的过去式和过去分词 )； 泄露； 显露； 发生 | |
参考例句： |
|
|
|
|
137
conversed
|
|
| v.交谈，谈话( converse的过去式 ) | |
参考例句： |
|
|
|
|
138
protracted
|
|
| adj.拖延的；延长的v.拖延“protract”的过去式和过去分词 | |
参考例句： |
|
|
|
|
139
deriving
|
|
| v.得到( derive的现在分词 )；（从…中）得到获得；源于；（从…中）提取 | |
参考例句： |
|
|
|
|
140
whatsoever
|
|
| adv.（用于否定句中以加强语气）任何；pron.无论什么 | |
参考例句： |
|
|
|
|
141
rustic
|
|
| adj.乡村的，有乡村特色的；n.乡下人，乡巴佬 | |
参考例句： |
|
|
|
|
142
blessing
|
|
| n.祈神赐福；祷告；祝福，祝愿 | |
参考例句： |
|
|
|
|
143
virtue
|
|
| n.德行，美德；贞操；优点；功效，效力 | |
参考例句： |
|
|
|
|
144
attain
|
|
| vt.达到，获得，完成 | |
参考例句： |
|
|
|
|
145
attained
|
|
| （通常经过努力）实现( attain的过去式和过去分词 )； 达到； 获得； 达到（某年龄、水平、状况） | |
参考例句： |
|
|
|
|
146
vouchsafed
|
|
| v.给予，赐予( vouchsafe的过去式和过去分词 )；允诺 | |
参考例句： |
|
|
|
|
147
mire
|
|
| n.泥沼，泥泞；v.使...陷于泥泞，使...陷入困境 | |
参考例句： |
|
|
|
|
148
gratitude
|
|
| adj.感激，感谢 | |
参考例句： |
|
|
|
|
149
loyalty
|
|
| n.忠诚，忠心 | |
参考例句： |
|
|
|
|
150
humble
|
|
| adj.谦卑的，恭顺的；地位低下的；v.降低，贬低 | |
参考例句： |
|
|
|
|
151
worthy
|
|
| adj.(of)值得的，配得上的；有价值的 | |
参考例句： |
|
|
|
|
152
diligent
|
|
| adj.勤勉的，勤奋的 | |
参考例句： |
|
|
|
|
153
enjoined
|
|
| v.命令( enjoin的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
154
expedient
|
|
| adj.有用的，有利的；n.紧急的办法，权宜之计 | |
参考例句： |
|
|
|
|
155
zeal
|
|
| n.热心，热情，热忱 | |
参考例句： |
|
|
|
|
156
inscriptions
|
|
| （作者）题词( inscription的名词复数 )； 献词； 碑文； 证劵持有人的登记 | |
参考例句： |
|
|
|
|
157
caress
|
|
| vt./n.爱抚，抚摸 | |
参考例句： |
|
|
|
|
158
considerably
|
|
| adv.极大地；相当大地；在很大程度上 | |
参考例句： |
|
|
|
|
159
profuse
|
|
| adj.很多的，大量的，极其丰富的 | |
参考例句： |
|
|
|
|
160
fragrance
|
|
| n.芬芳，香味，香气 | |
参考例句： |
|
|
|
|
161
iris
|
|
| n.虹膜，彩虹 | |
参考例句： |
|
|
|
|
162
ascending
|
|
| adj.上升的，向上的 | |
参考例句： |
|
|
|
|
163
contemplating
|
|
| 深思，细想，仔细考虑( contemplate的现在分词 )； 注视，凝视； 考虑接受（发生某事的可能性）； 深思熟虑，沉思，苦思冥想 | |
参考例句： |
|
|
|
|
164
admiration
|
|
| n.钦佩，赞美，羡慕 | |
参考例句： |
|
|
|
|
165
sumptuous
|
|
| adj.豪华的，奢侈的，华丽的 | |
参考例句： |
|
|
|
|
166
slab
|
|
| n.平板，厚的切片；v.切成厚板，以平板盖上 | |
参考例句： |
|
|
|
|
167
vista
|
|
| n.远景，深景，展望，回想 | |
参考例句： |
|
|
|
|
168
equity
|
|
| n.公正，公平，（无固定利息的）股票 | |
参考例句： |
|
|
|
|
169
scrolls
|
|
| n.（常用于录写正式文件的）纸卷( scroll的名词复数 )；卷轴；涡卷形（装饰）；卷形花纹v.（电脑屏幕上）从上到下移动（资料等），卷页( scroll的第三人称单数 )；（似卷轴般）卷起；（像展开卷轴般地）将文字显示于屏幕 | |
参考例句： |
|
|
|
|
170
bounties
|
|
| （由政府提供的）奖金( bounty的名词复数 )； 赏金； 慷慨； 大方 | |
参考例句： |
|
|
|
|
171
joyful
|
|
| adj.欢乐的，令人欢欣的 | |
参考例句： |
|
|
|
|
172
bestowing
|
|
| 砖窑中砖堆上层已烧透的砖 | |
参考例句： |
|
|
|
|
173
appellation
|
|
| n.名称，称呼 | |
参考例句： |
|
|
|
|
174
inscribed
|
|
| v.写，刻( inscribe的过去式和过去分词 )；内接 | |
参考例句： |
|
|
|
|
175
bleached
|
|
| 漂白的，晒白的，颜色变浅的 | |
参考例句： |
|
|
|
|
176
prunes
|
|
| n.西梅脯，西梅干( prune的名词复数 )v.修剪（树木等）( prune的第三人称单数 )；精简某事物，除去某事物多余的部分 | |
参考例句： |
|
|
|
|
177
stanza
|
|
| n.（诗）节，段 | |
参考例句： |
|
|
|
|
178
engraved
|
|
| v.在（硬物）上雕刻（字，画等）( engrave的过去式和过去分词 )；将某事物深深印在（记忆或头脑中） | |
参考例句： |
|
|
|
|
179
censure
|
|
| v./n.责备；非难；责难 | |
参考例句： |
|
|
|
|
180
injustice
|
|
| n.非正义，不公正，不公平，侵犯（别人的）权利 | |
参考例句： |
|
|
|
|
181
remains
|
|
| n.剩余物，残留物；遗体，遗迹 | |
参考例句： |
|
|
|
|
182
inditing
|
|
| v.写（文章，信等）创作，赋诗，创作( indite的现在分词 ) | |
参考例句： |
|
|
|
|
183
assent
|
|
| v.批准，认可；n.批准，认可 | |
参考例句： |
|
|
|
|
184
descending
|
|
| n. 下行 adj. 下降的 | |
参考例句： |
|
|
|
|
185
warding
|
|
| 监护，守护（ward的现在分词形式） | |
参考例句： |
|
|
|
|
186
exertion
|
|
| n.尽力，努力 | |
参考例句： |
|
|
|
|
187
boundless
|
|
| adj.无限的；无边无际的；巨大的 | |
参考例句： |
|
|
|
|
188
bliss
|
|
| n.狂喜，福佑，天赐的福 | |
参考例句： |
|
|
|
|
189
bequest
|
|
| n.遗赠；遗产，遗物 | |
参考例句： |
|
|
|
|
190
lore
|
|
| n.传说；学问，经验，知识 | |
参考例句： |
|
|
|
|
191
elegance
|
|
| n.优雅；优美，雅致；精致，巧妙 | |
参考例句： |
|
|
|
|
192
comely
|
|
| adj.漂亮的，合宜的 | |
参考例句： |
|
|
|
|
193
transcend
|
|
| vt.超出，超越(理性等)的范围 | |
参考例句： |
|
|
|
|
194
ballad
|
|
| n.歌谣，民谣，流行爱情歌曲 | |
参考例句： |
|
|
|
|
195
drooping
|
|
| adj. 下垂的，无力的 动词droop的现在分词 | |
参考例句： |
|
|
|
|
196
droop
|
|
| v.低垂，下垂；凋萎，萎靡 | |
参考例句： |
|
|
|
|
197
penetrate
|
|
| v.透(渗)入；刺入，刺穿；洞察，了解 | |
参考例句： |
|
|
|
|
198
shrouded
|
|
| v.隐瞒( shroud的过去式和过去分词 )；保密 | |
参考例句： |
|
|
|
|
199
wondrous
|
|
| adj.令人惊奇的，奇妙的；adv.惊人地；异乎寻常地；令人惊叹地 | |
参考例句： |
|
|
|
|
200
willows
|
|
| n.柳树( willow的名词复数 )；柳木 | |
参考例句： |
|
|
|
|
201
exult
|
|
| v.狂喜，欢腾；欢欣鼓舞 | |
参考例句： |
|
|
|
|
202
groves
|
|
| 树丛，小树林( grove的名词复数 ) | |
参考例句： |
|
|
|
|
203
piety
|
|
| n.虔诚，虔敬 | |
参考例句： |
|
|
|
|
204
supreme
|
|
| adj.极度的，最重要的；至高的，最高的 | |
参考例句： |
|
|
|
|
205
behold
|
|
| v.看，注视，看到 | |
参考例句： |
|
|
|
|
206
awe
|
|
| n.敬畏，惊惧；vt.使敬畏，使惊惧 | |
参考例句： |
|
|
|
|
207
fumes
|
|
| n.(强烈而刺激的)气味，气体 | |
参考例句： |
|
|
|
|
208
perusal
|
|
| n.细读，熟读；目测 | |
参考例句： |
|
|
|
|
209
extolled
|
|
| v.赞颂，赞扬，赞美( extol的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
210
excellence
|
|
| n.优秀，杰出，(pl.)优点，美德 | |
参考例句： |
|
|
|
|
211
offhand
|
|
| adj.临时，无准备的；随便，马虎的 | |
参考例句： |
|
|
|
|
212
stanzas
|
|
| 节，段( stanza的名词复数 ) | |
参考例句： |
|
|
|
|
213
relish
|
|
| n.滋味，享受，爱好，调味品；vt.加调味料，享受，品味；vi.有滋味 | |
参考例句： |
|
|
|
|
214
deliberately
|
|
| adv.审慎地；蓄意地；故意地 | |
参考例句： |
|
|
|
|
215
variance
|
|
| n.矛盾，不同 | |
参考例句： |
|
|
|
|
216
perspiration
|
|
| n.汗水；出汗 | |
参考例句： |
|
|
|
|
217
smacked
|
|
| 拍，打，掴( smack的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
218
sneeringly
|
|
| 嘲笑地，轻蔑地 | |
参考例句： |
|
|
|
|
219
apprehending
|
|
| 逮捕，拘押( apprehend的现在分词 )； 理解 | |
参考例句： |
|
|
|
|
220
constrained
|
|
| adj.束缚的,节制的 | |
参考例句： |
|
|
|
|
221
noted
|
|
| adj.著名的，知名的 | |
参考例句： |
|
|
|
|
222
rumpled
|
|
| v.弄皱，使凌乱( rumple的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
223
transcribing
|
|
| （用不同的录音手段）转录( transcribe的现在分词 )； 改编（乐曲）（以适应他种乐器或声部）； 抄写； 用音标标出（声音） | |
参考例句： |
|
|
|
|
224
verdant
|
|
| adj.翠绿的，青翠的，生疏的，不老练的 | |
参考例句： |
|
|
|
|
225
wards
|
|
| 区( ward的名词复数 )； 病房； 受监护的未成年者； 被人照顾或控制的状态 | |
参考例句： |
|
|
|
|
226
supple
|
|
| adj.柔软的，易弯的，逢迎的，顺从的，灵活的；vt.使柔软，使柔顺，使顺从；vi.变柔软，变柔顺 | |
参考例句： |
|
|
|
|
227
wafted
|
|
| v.吹送，飘送，（使）浮动( waft的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
228
streak
|
|
| n.条理，斑纹，倾向，少许，痕迹；v.加条纹，变成条纹，奔驰，快速移动 | |
参考例句： |
|
|
|
|
229
tortuous
|
|
| adj.弯弯曲曲的，蜿蜒的 | |
参考例句： |
|
|
|
|
230
sinuous
|
|
| adj.蜿蜒的，迂回的 | |
参考例句： |
|
|
|
|
231
pervades
|
|
| v.遍及，弥漫( pervade的第三人称单数 ) | |
参考例句： |
|
|
|
|
232
lengthy
|
|
| adj.漫长的，冗长的 | |
参考例句： |
|
|
|
|
233
dangling
|
|
| 悬吊着( dangle的现在分词 )； 摆动不定； 用某事物诱惑…； 吊胃口 | |
参考例句： |
|
|
|
|
234
taintless
|
|
| adj.无污点的，纯洁清白的 | |
参考例句： |
|
|
|
|
|
235
wayfarers
|
|
| n.旅人，（尤指）徒步旅行者( wayfarer的名词复数 ) | |
参考例句： |
|
|
|
|
236
leeks
|
|
| 韭葱( leek的名词复数 ) | |
参考例句： |
|
|
|
|
237
abound
|
|
| vi.大量存在；(in，with)充满，富于 | |
参考例句： |
|
|
|
|
238
dearth
|
|
| n.缺乏，粮食不足，饥谨 | |
参考例句： |
|
|
|
|
239
distress
|
|
| n.苦恼，痛苦，不舒适；不幸；vt.使悲痛 | |
参考例句： |
|
|
|
|
240
briskness
|
|
| n.敏捷，活泼 | |
参考例句： |
|
|
|
|
241
transcribe
|
|
| v.抄写，誉写；改编(乐曲)；复制，转录 | |
参考例句： |
|
|
|
|
242
ornamented
|
|
| adj.花式字体的v.装饰，点缀，美化( ornament的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
243
complimentary
|
|
| adj.赠送的，免费的，赞美的，恭维的 | |
参考例句： |
|
|
|
|
244
luscious
|
|
| adj.美味的；芬芳的；肉感的，引与性欲的 | |
参考例句： |
|
|
|
|
245
ordeal
|
|
| n.苦难经历，（尤指对品格、耐力的）严峻考验 | |
参考例句： |
|
|
|
|
246
weaver
|
|
| n.织布工；编织者 | |
参考例句： |
|
|
|
|
247
exterior
|
|
| adj.外部的，外在的；表面的 | |
参考例句： |
|
|
|
|
248
acting
|
|
| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
参考例句： |
|
|
|
|
249
bestowed
|
|
| 赠给，授予( bestow的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
250
obedience
|
|
| n.服从，顺从 | |
参考例句： |
|
|
|
|
251
ballads
|
|
| 民歌，民谣，特别指叙述故事的歌( ballad的名词复数 )； 讴 | |
参考例句： |
|
|
|
|
252
accede
|
|
| v.应允，同意 | |
参考例句： |
|
|
|
|
253
enchanted
|
|
| adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词 | |
参考例句： |
|
|
|
|
254
prosecuted
|
|
| a.被起诉的 | |
参考例句： |
|
|
|
|
255
humane
|
|
| adj.人道的，富有同情心的 | |
参考例句： |
|
|
|
|
256
ascetic
|
|
| adj.禁欲的；严肃的 | |
参考例句： |
|
|
|
|
257
compliance
|
|
| n.顺从；服从；附和；屈从 | |
参考例句： |
|
|
|
|
258
beads
|
|
| n.（空心）小珠子( bead的名词复数 )；水珠；珠子项链 | |
参考例句： |
|
|
|
|
259
perennial
|
|
| adj.终年的；长久的 | |
参考例句： |
|
|
|
|
260
longevity
|
|
| n.长命；长寿 | |
参考例句： |
|
|
|
|
261
bullion
|
|
| n.金条，银条 | |
参考例句： |
|
|
|
|
262
blessings
|
|
| n.（上帝的）祝福( blessing的名词复数 )；好事；福分；因祸得福 | |
参考例句： |
|
|
|
|
263
apportioned
|
|
| vt.分摊，分配（apportion的过去式与过去分词形式） | |
参考例句： |
|
|
|
|
264
ornaments
|
|
| n.装饰( ornament的名词复数 )；点缀；装饰品；首饰v.装饰，点缀，美化( ornament的第三人称单数 ) | |
参考例句： |
|
|
|
|
265
strings
|
|
| n.弦 | |
参考例句： |
|
|
|
|
266
allotted
|
|
| 分配，拨给，摊派( allot的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
267
lien
|
|
| n.扣押权，留置权 | |
参考例句： |
|
|
|
|
268
generosity
|
|
| n.大度，慷慨，慷慨的行为 | |
参考例句： |
|
|
|
|
269
sobs
|
|
| 啜泣（声），呜咽（声）( sob的名词复数 ) | |
参考例句： |
|
|
|
|
270
Vogue
|
|
| n.时髦，时尚；adj.流行的 | |
参考例句： |
|
|
|
|
271
infringed
|
|
| v.违反（规章等）( infringe的过去式和过去分词 )；侵犯（某人的权利）；侵害（某人的自由、权益等） | |
参考例句： |
|
|
|
|
272
stifle
|
|
| vt.使窒息；闷死；扼杀；抑止，阻止 | |
参考例句： |
|
|
|
| 欢迎访问英文小说网 |