How the battle in which the good Bacchus overthrew1 the Indians was represented in mosaic2 work.
In the next place we saw the representation of the good Bacchus’s engagement with the Indians. Silenus, who led the van, was sweating, puffing3, and blowing, belabouring his ass4 most grievously. The ass dreadfully opened its wide jaws5, drove away the flies that plagued it, winced6, flounced, went back, and bestirred itself in a most terrible manner, as if some damned gad-bee had stung it at the breech.
The satyrs, captains, sergeants7, and corporals of companies, sounding the orgies with cornets, in a furious manner went round the army, skipping, capering9, bounding, jerking, farting, flying out at heels, kicking and prancing10 like mad, encouraging their companions to fight bravely; and all the delineated army cried out Evohe!
First, the Maenades charged the Indians with dreadful shouts, and a horrid11 din8 of their brazen12 drums and bucklers; the air rung again all around, as the mosaic work well expressed it. And pray for the future don’t so much admire Apelles, Aristides the Theban, and others who drew claps of thunder, lightnings, winds, words, manners, and spirits.
We then saw the Indian army, who had at last taken the field to prevent the devastation13 of the rest of their country. In the front were the elephants, with castles well garrisoned14 on their backs. But the army and themselves were put into disorder15; the dreadful cries of the Bacchae having filled them with consternation16, and those huge animals turned tail and trampled18 on the men of their party.
There you might have seen gaffer Silenus on his ass, putting on as hard as he could, striking athwart and alongst, and laying about him lustily with his staff after the old fashion of fencing. His ass was prancing and making after the elephants, gaping19 and martially20 braying21, as it were to sound a charge, as he did when formerly22 in the Bacchanalian23 feasts he waked the nymph Lottis, when Priapus, full of priapism, had a mind to priapize while the pretty creature was taking a nap.
There you might have seen Pan frisk it with his goatish shanks about the Maenades, and with his rustic24 pipe excite them to behave themselves like Maenades.
A little further you might have blessed your eyes with the sight of a young satyr who led seventeen kings his prisoners; and a Bacchis, who with her snakes hauled along no less than two and forty captains; a little faun, who carried a whole dozen of standards taken from the enemy; and goodman Bacchus on his chariot, riding to and fro fearless of danger, making much of his dear carcass, and cheerfully toping to all his merry friends.
Finally, we saw the representation of his triumph, which was thus: first, his chariot was wholly lined with ivy25 gathered on the mountain Meros; this for its scarcity26, which you know raises the price of everything, and principally of those leaves in India. In this Alexander the Great followed his example at his Indian triumph. The chariot was drawn27 by elephants joined together, wherein he was imitated by Pompey the Great at Rome in his African triumph. The good Bacchus was seen drinking out of a mighty28 urn17, which action Marius aped after his victory over the Cimbri near Aix in Provence. All his army were crowned with ivy; their javelins29, bucklers, and drums were also wholly covered with it; there was not so much as Silenus’s ass but was betrapped with it.
The Indian kings were fastened with chains of gold close by the wheels of the chariot. All the company marched in pomp with unspeakable joy, loaded with an infinite number of trophies30, pageants31, and spoils, playing and singing merry epiniciums, songs of triumph, and also rural lays and dithyrambs.
At the farthest end was a prospect32 of the land of Egypt; the Nile with its crocodiles, marmosets, ibides, monkeys, trochiloses, or wrens33, ichneumons, or Pharoah’s mice, hippopotami, or sea-horses, and other creatures, its guests and neighbours. Bacchus was moving towards that country under the conduct of a couple of horned beasts, on one of which was written in gold, Apis, and Osiris on the other; because no ox or cow had been seen in Egypt till Bacchus came thither34.
1 overthrew | |
overthrow的过去式 | |
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2 mosaic | |
n./adj.镶嵌细工的,镶嵌工艺品的,嵌花式的 | |
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3 puffing | |
v.使喷出( puff的现在分词 );喷着汽(或烟)移动;吹嘘;吹捧 | |
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4 ass | |
n.驴;傻瓜,蠢笨的人 | |
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5 jaws | |
n.口部;嘴 | |
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6 winced | |
赶紧避开,畏缩( wince的过去式和过去分词 ) | |
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7 sergeants | |
警官( sergeant的名词复数 ); (美国警察)警佐; (英国警察)巡佐; 陆军(或空军)中士 | |
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8 din | |
n.喧闹声,嘈杂声 | |
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9 capering | |
v.跳跃,雀跃( caper的现在分词 );蹦蹦跳跳 | |
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10 prancing | |
v.(马)腾跃( prance的现在分词 ) | |
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11 horrid | |
adj.可怕的;令人惊恐的;恐怖的;极讨厌的 | |
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12 brazen | |
adj.厚脸皮的,无耻的,坚硬的 | |
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13 devastation | |
n.毁坏;荒废;极度震惊或悲伤 | |
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14 garrisoned | |
卫戍部队守备( garrison的过去式和过去分词 ); 派部队驻防 | |
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15 disorder | |
n.紊乱,混乱;骚动,骚乱;疾病,失调 | |
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16 consternation | |
n.大为吃惊,惊骇 | |
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17 urn | |
n.(有座脚的)瓮;坟墓;骨灰瓮 | |
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18 trampled | |
踩( trample的过去式和过去分词 ); 践踏; 无视; 侵犯 | |
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19 gaping | |
adj.口的;张口的;敞口的;多洞穴的v.目瞪口呆地凝视( gape的现在分词 );张开,张大 | |
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20 martially | |
adv.好战地;勇敢地 | |
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21 braying | |
v.发出驴叫似的声音( bray的现在分词 );发嘟嘟声;粗声粗气地讲话(或大笑);猛击 | |
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22 formerly | |
adv.从前,以前 | |
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23 bacchanalian | |
adj.闹酒狂饮的;n.发酒疯的人 | |
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24 rustic | |
adj.乡村的,有乡村特色的;n.乡下人,乡巴佬 | |
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25 ivy | |
n.常青藤,常春藤 | |
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26 scarcity | |
n.缺乏,不足,萧条 | |
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27 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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28 mighty | |
adj.强有力的;巨大的 | |
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29 javelins | |
n.标枪( javelin的名词复数 ) | |
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30 trophies | |
n.(为竞赛获胜者颁发的)奖品( trophy的名词复数 );奖杯;(尤指狩猎或战争中获得的)纪念品;(用于比赛或赛跑名称)奖 | |
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31 pageants | |
n.盛装的游行( pageant的名词复数 );穿古代服装的游行;再现历史场景的娱乐活动;盛会 | |
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32 prospect | |
n.前景,前途;景色,视野 | |
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33 wrens | |
n.鹪鹩( wren的名词复数 ) | |
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34 thither | |
adv.向那里;adj.在那边的,对岸的 | |
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