Preface

If this kind of composition, of which the two years’ product is now laid before the public, fail in art, as it constantly does and must, it at least has the advantage of a certain truth and honesty, which a work more elaborate might lose. In his constant communication with the reader, the writer is forced into frankness of expression, and to speak out his own mind and feelings as they urge him. Many a slip of the pen and the printer, many a word spoken in haste, he sees and would recall as he looks over his volume. It is a sort of confidential¹ talk between writer and reader, which must often be dull, must often flag. In the course of his volubility, the perpetual speaker must of necessity lay bare his own weaknesses, vanities, peculiarities². And as we judge of a man’s character, after long frequenting his society, not by one speech, or by one mood or opinion, or by one day’s talk, but by the tenor³ of his general bearing and conversation; so of a writer, who delivers himself up to you perforce unreservedly, you say, Is he honest? Does he tell the truth in the main? Does he seem actuated by a desire to find out and speak it? Is he a quack⁴, who shams⁵ sentiment, or mouths for effect? Does he seek popularity by claptraps or other arts? I can no more ignore good fortune than any other chance which has befallen me. I have found many thousands more readers than I ever looked for. I have no right to say to these, You shall not find fault with my art, or fall asleep over my pages; but I ask you to believe that this person writing strives to tell the truth. If there is not that, there is nothing.

Perhaps the lovers of ‘excitement’ may care to know, that this book began with a very precise plan, which was entirely⁶ put aside. Ladies and gentlemen, you were to have been treated, and the writer’s and the publisher’s pocket benefited, by the recital⁷ of the most active horrors. What more exciting than a ruffian (with many admirable virtues) in St. Giles’s, visited constantly by a young lady from Belgravia? What more stirring than the contrasts of society? the mixture of slang and fashionable language? the escapes, the battles, the murders? Nay⁸, up to nine o’clock this very morning, my poor friend, Colonel Altamont, was doomed⁹ to execution, and the author only relented when his victim was actually at the window.

The ‘exciting’ plan was laid aside (with a very honourable¹⁰ forbearance on the part of the publishers), because, on attempting it, I found that I failed from want of experience of my subject; and never having been intimate with any convict in my life, and the manners of ruffians and gaol-birds being quite unfamiliar¹¹ to me, the idea of entering into competition with M. Eugene Sue was abandoned. To describe a real rascal¹², you must make him so horrible that he would be too hideous¹³ to show; and unless the painter paints him fairly, I hold he has no right to show him at all.

Even the gentlemen of our age — this is an attempt to describe one of them, no better nor worse than most educated men — even these we cannot show as they are, with the notorious foibles and selfishness of their lives and their education. Since the author of Tom Jones was buried, no writer of fiction among us has been permitted to depict¹⁴ to his utmost power a MAN. We must drape him, and give him a certain conventional simper. Society will not tolerate the Natural in our Art. Many ladies have remonstrated¹⁵ and subscribers left me, because, in the course of the story, I described a young man resisting and affected¹⁶ by temptation.

My object was to say, that he had the passions to feel, and the manliness¹⁷ and generosity¹⁸ to overcome them. You will not hear — it is best to know it — what moves in the real world, what passes in society, in the clubs, colleges, mess-rooms,— what is the life and talk of your sons. A little more frankness than is customary has been attempted in this story; with no bad desire on the writer’s part, it is hoped, and with no ill consequence to any reader. If truth is not always pleasant, at any rate truth is best, from whatever chair — from those whence graver writers or thinkers argue, as from that at which the story-teller sits as he concludes his labour, and bids his kind reader farewell.

Kensington, Nov. 26th, 1850.

1 confidential   

adj.秘（机）密的，表示信任的，担任机密工作的

参考例句：

• He refused to allow his secretary to handle confidential letters.他不让秘书处理机密文件。
• We have a confidential exchange of views.我们推心置腹地交换意见。

2 peculiarities   

n. 特质, 特性, 怪癖, 古怪

参考例句：

• the cultural peculiarities of the English 英国人的文化特点
• He used to mimic speech peculiarities of another. 他过去总是模仿别人讲话的特点。

3 tenor   

n.男高音（歌手），次中音（乐器），要旨，大意

参考例句：

• The tenor of his speech was that war would come.他讲话的大意是战争将要发生。
• The four parts in singing are soprano,alto,tenor and bass.唱歌的四个声部是女高音、女低音、男高音和男低音。

4 quack   

n.庸医；江湖医生；冒充内行的人；骗子

参考例句：

• He describes himself as a doctor,but I feel he is a quack.他自称是医生，可是我感觉他是个江湖骗子。
• The quack was stormed with questions.江湖骗子受到了猛烈的质问。

5 shams   

假象( sham的名词复数 )； 假货； 虚假的行为（或感情、言语等）； 假装…的人

参考例句：

• Are those real diamonds or only shams? 那些是真钻石还是赝品？
• Tear away their veil of shams! 撕开他们的假面具吧！

6 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

7 recital   

n.朗诵，独奏会，独唱会

参考例句：

• She is going to give a piano recital.她即将举行钢琴独奏会。
• I had their total attention during the thirty-five minutes that my recital took.在我叙述的35分钟内，他们完全被我吸引了。

8 nay   

adv.不；n.反对票，投反对票者

参考例句：

• He was grateful for and proud of his son's remarkable,nay,unique performance.他为儿子出色的，不，应该是独一无二的表演心怀感激和骄傲。
• Long essays,nay,whole books have been written on this.许多长篇大论的文章，不，应该说是整部整部的书都是关于这件事的。

9 doomed   

命定的

参考例句：

• The court doomed the accused to a long term of imprisonment. 法庭判处被告长期监禁。
• A country ruled by an iron hand is doomed to suffer. 被铁腕人物统治的国家定会遭受不幸的。

10 honourable   

adj.可敬的；荣誉的，光荣的

参考例句：

• I don't think I am worthy of such an honourable title.这样的光荣称号，我可担当不起。
• I hope to find an honourable way of settling difficulties.我希望设法找到一个体面的办法以摆脱困境。

11 unfamiliar   

adj.陌生的，不熟悉的

参考例句：

• I am unfamiliar with the place and the people here.我在这儿人地生疏。
• The man seemed unfamiliar to me.这人很面生。

12 rascal   

n.流氓；不诚实的人

参考例句：

• If he had done otherwise,I should have thought him a rascal.如果他不这样做，我就认为他是个恶棍。
• The rascal was frightened into holding his tongue.这坏蛋吓得不敢往下说了。

13 hideous   

adj.丑陋的，可憎的，可怕的，恐怖的

参考例句：

• The whole experience had been like some hideous nightmare.整个经历就像一场可怕的噩梦。
• They're not like dogs,they're hideous brutes.它们不像狗，是丑陋的畜牲。

14 depict   

vt.描画，描绘；描写，描述

参考例句：

• I don't care to see plays or films that depict murders or violence.我不喜欢看描写谋杀或暴力的戏剧或电影。
• Children's books often depict farmyard animals as gentle,lovable creatures.儿童图书常常把农场的动物描写得温和而可爱。

15 remonstrated   

v.抗议( remonstrate的过去式和过去分词 )；告诫

参考例句：

• They remonstrated with the official about the decision. 他们就这一决定向这位官员提出了抗议。
• We remonstrated against the ill-treatment of prisoners of war. 我们对虐待战俘之事提出抗议。 来自辞典例句

16 affected   

adj.不自然的，假装的

参考例句：

• She showed an affected interest in our subject.她假装对我们的课题感到兴趣。
• His manners are affected.他的态度不自然。

17 manliness   

刚毅

参考例句：

• She was really fond of his strength, his wholesome looks, his manliness. 她真喜欢他的坚强，他那健康的容貌，他的男子气概。
• His confidence, his manliness and bravery, turn his wit into wisdom. 他的自信、男子气概和勇敢将他的风趣变为智慧。

18 generosity   

n.大度，慷慨，慷慨的行为

参考例句：

• We should match their generosity with our own.我们应该像他们一样慷慨大方。
• We adore them for their generosity.我们钦佩他们的慷慨。