The treatise1 “Of the Imitation of Christ” appears to have been originally written in Latin early in the fifteenth century. Its exact date and its authorship are still a matter of debate. Manuscripts of the Latin version survive in considerable numbers all over Western Europe, and they, with the vast list of translations and of printed editions, testify to its almost unparalleled popularity. One scribe attributes it to St. Bernard of Clairvaux; but the fact that it contains a quotation2 from St. Francis of Assisi, who was born thirty years after the death of St. Bernard, disposes of this theory. In England there exist many manuscripts of the first three books, called “Musica Ecclesiastica,” frequently ascribed to the English mystic Walter Hilton. But Hilton seems to have died in 1395, and there is no evidence of the existence of the work before 1400. Many manuscripts scattered3 throughout Europe ascribe the book to Jean le Charlier de Gerson, the great Chancellor4 of the University of Paris, who was a leading figure in the Church in the earlier part of the fifteenth century. The most probable author, however, especially when the internal evidence is considered, is Thomas Haemmerlein, known also as Thomas a Kempis, from his native town of Kempen, near the Rhine, about forty miles north of Cologne. Haemmerlein, who was born in 1379 or 1380, was a member of the order of the Brothers of Common Life, and spent the last seventy years of his life at Mount St. Agnes, a monastery5 of Augustinian canons in the diocese of Utrecht. Here he died on July 26, 1471, after an uneventful life spent in copying manuscripts, reading, and composing, and in the peaceful routine of monastic piety6.
With the exception of the Bible, no Christian7 writing has had so wide a vogue8 or so sustained a popularity as this. And yet, in one sense, it is hardly an original work at all. Its structure it owes largely to the writings of the medieval mystics, and its ideas and phrases are a mosaic9 from the Bible and the Fathers of the early Church. But these elements are interwoven with such delicate skill and a religious feeling at once so ardent10 and so sound, that it promises to remain, what it has been for five hundred years, the supreme11 call and guide to spiritual aspiration12.
THE IMITATION OF CHRIST
1 treatise | |
n.专著;(专题)论文 | |
参考例句: |
|
|
2 quotation | |
n.引文,引语,语录;报价,牌价,行情 | |
参考例句: |
|
|
3 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
参考例句: |
|
|
4 chancellor | |
n.(英)大臣;法官;(德、奥)总理;大学校长 | |
参考例句: |
|
|
5 monastery | |
n.修道院,僧院,寺院 | |
参考例句: |
|
|
6 piety | |
n.虔诚,虔敬 | |
参考例句: |
|
|
7 Christian | |
adj.基督教徒的;n.基督教徒 | |
参考例句: |
|
|
8 Vogue | |
n.时髦,时尚;adj.流行的 | |
参考例句: |
|
|
9 mosaic | |
n./adj.镶嵌细工的,镶嵌工艺品的,嵌花式的 | |
参考例句: |
|
|
10 ardent | |
adj.热情的,热烈的,强烈的,烈性的 | |
参考例句: |
|
|
11 supreme | |
adj.极度的,最重要的;至高的,最高的 | |
参考例句: |
|
|
12 aspiration | |
n.志向,志趣抱负;渴望;(语)送气音;吸出 | |
参考例句: |
|
|
欢迎访问英文小说网 |