"My dear fellow," said Sherlock Holmes as we sat on either side of the fire in his lodgings1 at Baker2 Street, "life is infinitely3 stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere4 commonplaces of existence. If we could fly out of that window hand in hand, hover5 over this great city, gently remove the roofs, and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generation, and leading to the most outre results, it would make all fiction with its conventionalities and foreseen conclusions most stale and unprofitable."
"And yet I am not convinced of it," I answered. "The cases which come to light in the papers are, as a rule, bald enough, and vulgar enough. We have in our police reports realism pushed to its extreme limits, and yet the result is, it must be confessed, neither fascinating nor artistic6."
"A certain selection and discretion7 must be used in producing a realistic effect," remarked Holmes. "This is wanting in the police report, where more stress is laid, perhaps, upon the platitudes8 of the magistrate9 than upon the details, which to an observer contain the vital essence of the whole matter. Depend upon it, there is nothing so unnatural10 as the commonplace."
I smiled and shook my head. "I can quite understand your thinking so." I said. "Of course, in your position of unofficial adviser11 and helper to everybody who is absolutely puzzled, throughout three continents, you are brought in contact with all that is strange and bizarre. But here"--I picked up the morning paper from the ground--"let us put it to a practical test. Here is the first heading upon which I come. 'A husband's cruelty to his wife.' There is half a column of print, but I know without reading it that it is all perfectly12 familiar to me. There is, of course, the other woman, the drink, the push, the blow, the bruise13, the sympathetic sister or landlady14. The crudest of writers could invent nothing more crude."
"Indeed, your example is an unfortunate one for your argument," said Holmes, taking the paper and glancing his eye down it. "This is the Dundas separation case, and, as it happens, I was engaged in clearing up some small points in connection with it. The husband was a teetotaler, there was no other woman, and the conduct complained of was that he had drifted into the habit of winding15 up every meal by taking out his false teeth and hurling16 them at his wife, which, you will allow, is not an action likely to occur to the imagination of the average story-teller. Take a pinch of snuff, Doctor, and acknowledge that I have scored over you in your example."
He held out his snuffbox of old gold, with a great amethyst17 in the centre of the lid. Its splendour was in such contrast to his homely18 ways and simple life that I could not help commenting upon it.
"Ah," said he, "I forgot that I had not seen you for some weeks. It is a little souvenir from the King of Bohemia in return for my assistance in the case of the Irene Adler papers."
"And the ring?" I asked, glancing at a remarkable19 brilliant which sparkled upon his finger.
"It was from the reigning20 family of Holland, though the matter in which I served them was of such delicacy21 that I cannot confide22 it even to you, who have been good enough to chronicle one or two of my little problems."
"And have you any on hand just now?" I asked with interest.
"Some ten or twelve, but none which present any feature of interest. They are important, you understand, without being interesting. Indeed, I have found that it is usually in unimportant matters that there is a field for the observation, and for the quick analysis of cause and effect which gives the charm to an investigation23. The larger crimes are apt to be the simpler, for the bigger the crime the more obvious, as a rule, is the motive24. In these cases, save for one rather intricate matter which has been referred to me from Marseilles, there is nothing which presents any features of interest. It is possible, however, that I may have something better before very many minutes are over, for this is one of my clients, or I am much mistaken."
1 lodgings | |
n. 出租的房舍, 寄宿舍 | |
参考例句: |
|
|
2 baker | |
n.面包师 | |
参考例句: |
|
|
3 infinitely | |
adv.无限地,无穷地 | |
参考例句: |
|
|
4 mere | |
adj.纯粹的;仅仅,只不过 | |
参考例句: |
|
|
5 hover | |
vi.翱翔,盘旋;徘徊;彷徨,犹豫 | |
参考例句: |
|
|
6 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
参考例句: |
|
|
7 discretion | |
n.谨慎;随意处理 | |
参考例句: |
|
|
8 platitudes | |
n.平常的话,老生常谈,陈词滥调( platitude的名词复数 );滥套子 | |
参考例句: |
|
|
9 magistrate | |
n.地方行政官,地方法官,治安官 | |
参考例句: |
|
|
10 unnatural | |
adj.不自然的;反常的 | |
参考例句: |
|
|
11 adviser | |
n.劝告者,顾问 | |
参考例句: |
|
|
12 perfectly | |
adv.完美地,无可非议地,彻底地 | |
参考例句: |
|
|
13 bruise | |
n.青肿,挫伤;伤痕;vt.打青;挫伤 | |
参考例句: |
|
|
14 landlady | |
n.女房东,女地主 | |
参考例句: |
|
|
15 winding | |
n.绕,缠,绕组,线圈 | |
参考例句: |
|
|
16 hurling | |
n.爱尔兰式曲棍球v.猛投,用力掷( hurl的现在分词 );大声叫骂 | |
参考例句: |
|
|
17 amethyst | |
n.紫水晶 | |
参考例句: |
|
|
18 homely | |
adj.家常的,简朴的;不漂亮的 | |
参考例句: |
|
|
19 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
参考例句: |
|
|
20 reigning | |
adj.统治的,起支配作用的 | |
参考例句: |
|
|
21 delicacy | |
n.精致,细微,微妙,精良;美味,佳肴 | |
参考例句: |
|
|
22 confide | |
v.向某人吐露秘密 | |
参考例句: |
|
|
23 investigation | |
n.调查,调查研究 | |
参考例句: |
|
|
24 motive | |
n.动机,目的;adv.发动的,运动的 | |
参考例句: |
|
|
欢迎访问英文小说网 |