It was amusing to observe the elaborate courtesy and more than Christian17 kindness which the rival prelates and their official followers18 extended to each other. But under all this unction on both sides were unceasing observation, and a vigilance that never flagged; and on both sides there was an uneasy but irresistible19 conviction that they were on the eve of one of the decisive battles of the social world. Lord Culloden also at length appeared with his daughters, Ladies Flora20 and Grizell. They were quite as tall as Mr. Putney Giles had reported, but very pretty, with radiant complexions21, sunny blue eyes, and flaxen looks. Their dimples and white shoulders and small feet and hands were much admired. Mr. Giles also returned with Apollonia, and, at length, also appeared the rival of Lord Carisbrooke, his grace of Brecon.
Lothair had passed a happy morning, for he had contrived22, without difficulty, to be the companion of Theodora during the greater part of it. As the duchess and Lady Corisande had already inspected the castle, they disappeared after breakfast to write letters; and, when the after-luncheon expedition took place, Lothair allotted23 them to the care of Lord Carisbrooke, and himself became the companion of Lady St. Jerome and Theodora.
Notwithstanding all his efforts in the smoking-room, St. Aldegonde had only been able to induce Colonel Campian to be his companion in the shooting expedition, and the colonel fell into the lure25 only through his carelessness and good-nature. He much doubted the discretion26 of his decision as he listened to Lord St. Aldegonde’s reasons for the expedition, in their rapid journey to the moors27.
“I do not suppose,” he said, “we shall have any good sport; but when you are in Scotland, and come to me, as I hope you will, I will give you something you will like. But it is a great thing to get off seeing the Towers, and the gardens, and all that sort of thing. Nothing bores me so much as going over a man’s house. Besides, we get rid of the women.”
The meeting between the two guardians28 did not promise to be as pleasant as that between the bishop and the cardinal, but the crusty Lord Culloden was scarcely a match for the social dexterity29 of his eminence. The cardinal, crossing the room, with winning ceremony approached and addressed his colleague.
“We can have no more controversies30, my lord, for our reign3 is over;” and he extended a delicate hand, which the surprised peer touched with a huge finger.
“Yes; it all depends on himself now,” replied Lord Culloden, with a grim smile; “and I hope he will not make a fool of himself.”
“What have you got for us to-night?” inquired Lothair of Mr. Giles, as the gentlemen rose from the dining-table.
Mr. Giles said he would consult his wife, but Lothair observing he would himself undertake that office, when he entered the saloon, addressed Apollonia. Nothing could be more skilful31 than the manner in which Mrs. Giles, in this party, assumed precisely32 the position which equally became her and suited her own views; at the same time the somewhat humble33 friend, but the trusted counsellor, of the Towers, she disarmed34 envy and conciliated consideration. Never obtrusive35, yet always prompt and prepared with unfailing resource, and gifted apparently36, with universal talents, she soon became the recognized medium by which every thing was suggested or arranged; and before eight-and-forty hours had passed she was described by duchesses and their daughters as that “dear Mrs. Giles.”
“Monsieur Raphael and his sister came down in the train with us,” said Mrs. Giles to Lothair; “the rest of the troupe37 will not be here until tomorrow; but they told me they could give you a perfect proverbe if your lordship would like it; and the Spanish conjuror38 is here; but I rather think, from what I gather, that the young ladies would like a dance.”
“I do not much fancy acting39 the moment these great churchmen have arrived, and with cardinals40 and bishops41 I would rather not have dances the first-night. I almost wish we had kept the Hungarian lady for this evening.”
“Shall I send for her? She is ready.”
“The repetition would be too soon, and would show a great poverty of resources,” said Lothair, smiling; “what we want is some singing.”
“Mardoni ought to have been here today,” said Mrs. Giles; “but he never keeps his engagements.”
“I think our amateur materials are rather rich,” said Lothair.
“There is Mrs. Campian,” said Apollonia in a low voice; but Lothair shook his head.
“But, perhaps, if others set her the example,” he added, after a pause; “Lady Corisande is first rate, and all her sisters sing; I will go and consult the duchess.”
There was soon a stir in the room. Lady St. Aldegonde and her sisters approached the piano, at which was seated the eminent professor. A note was heard, and there was silence. The execution was exquisite42; and, indeed, there are few things more dainty than the blended voices of three women. No one seemed to appreciate the performance more than Mrs. Campian, who, greatly attracted by what was taking place, turned a careless ear, even to the honeyed sentences of no less a personage than the lord-bishop.
After an interval43 Lady Corisande was handed to the piano by Lothair. She was in fine voice, and sang with wonderful effect. Mrs. Campian, who seemed much interested, softly rose, and stole to the outward circle of the group which had gathered round the instrument. When the sounds had ceased, amid the general applause her voice of admiration44 was heard. The duchess approached her, evidently prompted by the general wish, and expressed her hope that Mrs. Campian would now favor them. It was not becoming to refuse when others had contributed so freely to the general entertainment, but Theodora was anxious not to place herself in competition with those who had preceded her. Looking over a volume of music, she suggested to Lady Corisande a duet, in which the peculiarities45 of their two voices, which in character were quite different, one being a soprano and the other a contralto, might be displayed. And very seldom, in a private chamber46, had any thing of so high a class been heard. Not a lip moved except those of the singers, so complete was the fascination47, till the conclusion elicited48 a burst of irresistible applause.
“In imagination I am throwing endless bouquets,” said Hugo Bohun.
“I wish we could induce her to give us a recitation from Alfieri,” said Mrs. Putney Giles in a whisper to Lady St. Aldegonde. “I heard it once: it was the finest thing I ever listened to.”
“But cannot we?” said Lady St. Aldegonde.
Apollonia shook her head. “She is extremely reserved. I am quite surprised that she sang; but she could not well refuse after your ladyship and your sisters had been so kind.”
“But if the Lord of the Towers asks her,” suggested Lady St. Aldegonde.
“No, no,” said Mrs. Giles, “that would not do; nor would he. He knows she dislikes it. A word from Colonel Campian, and the thing would be settled; but it is rather absurd to invoke49 the authority of a husband for so light a matter.”
“I should like so much to hear her,” said Lady St. Aldegonde. “I think I will ask her myself. I will go and speak to mamma.”
There was much whispering and consulting in the room, but unnoticed, as general conversation had now been resumed. The duchess sent for Lothair, and conferred with him; but Lothair seemed to shake his head. Then her grace rose and approached Colonel Campian, who was talking to Lord Culloden, and then the duchess and Lady St. Aldegonde went to Mrs. Campian. Then, after a short time, Lady St. Aldegonde rose and fetched Lothair.
“Her grace tells me,” said Theodora, “that Colonel Campian wishes me to give a recitation. I cannot believe that such a performance can ever be generally interesting, especially in a foreign language, and I confess that I would rather not exhibit. But I do not like to be churlish when all are so amiable50 and compliant51, and her grace tells me that it cannot well be postponed52, for this is the last quiet night we shall have. What I want is a screen, and I must be a moment alone, before I venture on these enterprises. I require it to create the ideal presence.”
Lothair and Bertram arranged the screen, the duchess and Lady St. Aldegonde glided53 about, and tranquilly54 intimated what was going to occur, so that, without effort, there was in a moment complete silence and general expectation. Almost unnoticed Mrs. Campian had disappeared, whispering a word as she passed to the eminent conductor, who was still seated at the piano. The company had almost unconsciously grouped themselves in the form of a theatre, the gentlemen generally standing24 behind the ladies who were seated. There were some bars of solemn music, and then, to an audience not less nervous than herself, Theodora came forward as Electra in that beautiful appeal to Clytemnestra, where she veils her mother’s guilt55 even while she intimates her more than terrible suspicion of its existence, and makes one last desperate appeal of pathetic duty in order to save her parent and her fated house:
“O amata madre,
Che fai? Non credo io, no, che ardente fiamma
Il cor ti avvampi.”
The ineffable56 grace of her action, simple without redundancy, her exquisite elocution, her deep yet controlled passion, and the magic of a voice thrilling even in a whisper—this form of Phidias with the genius of Sophocles—entirely enraptured57 a fastidious audience. When she ceased, there was an outburst of profound and unaffected appreciation58; and Lord St. Aldegonde, who had listened in a sort of ecstasy59, rushed forward, with a countenance as serious as the theme, to offer his thanks and express his admiration.
And then they gathered round her—all these charming women and some of these admiring men—as she would have resumed her seat, and entreated60 her once more—only once more—to favor them. She caught the adoring glance of the lord of the Towers, and her eyes seemed to inquire what she should do. “There will be many strangers here tomorrow,” said Lothair, “and next week all the world. This is a delight only for the initiated,” and he entreated her to gratify them.
“It shall be Alfieri’s ode to America, then,” said Theodora, “if you please.”
“She is a Roman, I believe,” said Lady St. Jerome to his eminence, “but not, alas61! a child of the Church. Indeed, I fear her views generally are advanced,” and she shook her head.
“At present,” said the cardinal, “this roof and this visit may influence her. I should like to see such powers engaged in the cause of God.”
The cardinal was an entire believer in female influence, and a considerable believer in his influence over females; and he had good cause for his convictions. The catalogue of his proselytes was numerous and distinguished62. He had not only converted a duchess and several countesses, but he had gathered into his fold a real Mary Magdalen. In the height of her beauty and her fame, the most distinguished member of the demi-monde had suddenly thrown up her golden whip and jingling63 reins64, and cast herself at the feet of the cardinal. He had a right, therefore, to be confident; and, while his exquisite taste and consummate65 cultivation66 rendered it impossible that he should not have been deeply gratified by the performance of Theodora, he was really the whole time considering the best means by which such charms and powers could be enlisted67 in the cause of the Church.
After the ladies had retired68, the gentlemen talked for a few minutes over the interesting occurrence of the evening.
“Do you know,” said the bishop to the duke and some surrounding auditors69, “fine as was the Electra, I preferred the ode to the tragedy? There was a tumult70 of her brow, especially in the address to Liberty, that was sublime—quite a Moenad look.”
“What do you think of it, Carry?” said St. Aldegonde to Lord Carisbrooke.
“Brecon says she puts him in mind of Ristori.”
“She is not in the least like Ristori, or any one else,” said St. Aldegonde. “I never heard, I never saw any one like her. I’ll tell you what—you must take care what you say about her in the smoking-room, for her husband will be there, and an excellent fellow too. We went together to the moors this morning, and he did not bore me in the least. Only, if I had known as much about his wife as I do now, I would have stayed at home, and passed my morning with the women.”
点击收听单词发音
1 cardinal | |
n.(天主教的)红衣主教;adj.首要的,基本的 | |
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2 eminence | |
n.卓越,显赫;高地,高处;名家 | |
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3 reign | |
n.统治时期,统治,支配,盛行;v.占优势 | |
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4 bishop | |
n.主教,(国际象棋)象 | |
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5 suite | |
n.一套(家具);套房;随从人员 | |
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6 guardian | |
n.监护人;守卫者,保护者 | |
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7 compensate | |
vt.补偿,赔偿;酬报 vi.弥补;补偿;抵消 | |
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8 omission | |
n.省略,删节;遗漏或省略的事物,冗长 | |
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9 reverences | |
n.尊敬,崇敬( reverence的名词复数 );敬礼 | |
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10 plausible | |
adj.似真实的,似乎有理的,似乎可信的 | |
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11 justified | |
a.正当的,有理的 | |
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12 mien | |
n.风采;态度 | |
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13 odds | |
n.让步,机率,可能性,比率;胜败优劣之别 | |
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14 Oxford | |
n.牛津(英国城市) | |
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15 eminent | |
adj.显赫的,杰出的,有名的,优良的 | |
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16 countenance | |
n.脸色,面容;面部表情;vt.支持,赞同 | |
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17 Christian | |
adj.基督教徒的;n.基督教徒 | |
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18 followers | |
追随者( follower的名词复数 ); 用户; 契据的附面; 从动件 | |
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19 irresistible | |
adj.非常诱人的,无法拒绝的,无法抗拒的 | |
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20 flora | |
n.(某一地区的)植物群 | |
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21 complexions | |
肤色( complexion的名词复数 ); 面色; 局面; 性质 | |
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22 contrived | |
adj.不自然的,做作的;虚构的 | |
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23 allotted | |
分配,拨给,摊派( allot的过去式和过去分词 ) | |
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24 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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25 lure | |
n.吸引人的东西,诱惑物;vt.引诱,吸引 | |
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26 discretion | |
n.谨慎;随意处理 | |
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27 moors | |
v.停泊,系泊(船只)( moor的第三人称单数 ) | |
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28 guardians | |
监护人( guardian的名词复数 ); 保护者,维护者 | |
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29 dexterity | |
n.(手的)灵巧,灵活 | |
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30 controversies | |
争论 | |
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31 skilful | |
(=skillful)adj.灵巧的,熟练的 | |
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32 precisely | |
adv.恰好,正好,精确地,细致地 | |
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33 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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34 disarmed | |
v.裁军( disarm的过去式和过去分词 );使息怒 | |
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35 obtrusive | |
adj.显眼的;冒失的 | |
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36 apparently | |
adv.显然地;表面上,似乎 | |
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37 troupe | |
n.剧团,戏班;杂技团;马戏团 | |
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38 conjuror | |
n.魔术师,变戏法者 | |
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39 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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40 cardinals | |
红衣主教( cardinal的名词复数 ); 红衣凤头鸟(见于北美,雄鸟为鲜红色); 基数 | |
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41 bishops | |
(基督教某些教派管辖大教区的)主教( bishop的名词复数 ); (国际象棋的)象 | |
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42 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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43 interval | |
n.间隔,间距;幕间休息,中场休息 | |
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44 admiration | |
n.钦佩,赞美,羡慕 | |
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45 peculiarities | |
n. 特质, 特性, 怪癖, 古怪 | |
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46 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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47 fascination | |
n.令人着迷的事物,魅力,迷恋 | |
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48 elicited | |
引出,探出( elicit的过去式和过去分词 ) | |
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49 invoke | |
v.求助于(神、法律);恳求,乞求 | |
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50 amiable | |
adj.和蔼可亲的,友善的,亲切的 | |
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51 compliant | |
adj.服从的,顺从的 | |
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52 postponed | |
vt.& vi.延期,缓办,(使)延迟vt.把…放在次要地位;[语]把…放在后面(或句尾)vi.(疟疾等)延缓发作(或复发) | |
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53 glided | |
v.滑动( glide的过去式和过去分词 );掠过;(鸟或飞机 ) 滑翔 | |
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54 tranquilly | |
adv. 宁静地 | |
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55 guilt | |
n.犯罪;内疚;过失,罪责 | |
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56 ineffable | |
adj.无法表达的,不可言喻的 | |
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57 enraptured | |
v.使狂喜( enrapture的过去式和过去分词 ) | |
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58 appreciation | |
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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59 ecstasy | |
n.狂喜,心醉神怡,入迷 | |
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60 entreated | |
恳求,乞求( entreat的过去式和过去分词 ) | |
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61 alas | |
int.唉(表示悲伤、忧愁、恐惧等) | |
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62 distinguished | |
adj.卓越的,杰出的,著名的 | |
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63 jingling | |
叮当声 | |
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64 reins | |
感情,激情; 缰( rein的名词复数 ); 控制手段; 掌管; (成人带着幼儿走路以防其走失时用的)保护带 | |
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65 consummate | |
adj.完美的;v.成婚;使完美 [反]baffle | |
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66 cultivation | |
n.耕作,培养,栽培(法),养成 | |
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67 enlisted | |
adj.应募入伍的v.(使)入伍, (使)参军( enlist的过去式和过去分词 );获得(帮助或支持) | |
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68 retired | |
adj.隐退的,退休的,退役的 | |
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69 auditors | |
n.审计员,稽核员( auditor的名词复数 );(大学课程的)旁听生 | |
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70 tumult | |
n.喧哗;激动,混乱;吵闹 | |
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