Meanwhile, Mr. Gryce was not idle. Anxious to determine just how and where Madame Duclos’ story fitted into the deeper and broader one of the museum crime, he made use of his fast waning4 strength to probe its mysteries and master such of its details as bore upon the serious investigation5 to which he was so unhappily committed. When he had done this,— when he had penetrated6, as it were, into the very heart of the matter to the elimination7 of all doubt and the full establishment of his own theory, it was felt that the time had come for some sort of positive action on the part of those interested in the cause of justice.
This they decided8 should take the form of a personal interview between certain officials and Mr. Roberts himself. A lesser9 man would have been asked to meet the District Attorney in his office; but in a case of such moment where the honor of one so prominent in many ways was involved it was thought best for them to visit him in his own home. To do this without exciting his apprehension10 while still making sure of his presence required some management. Various plans were discussed with the result that a political exigency11 was brought into play. The District Attorney asked Mr. Roberts for an interview for the purpose of introducing to him a man whose influence could not fail to play an important part in his future candidacy.
He did not name this man; but we will name him. It was the Chief Inspector12.
The appointment was made and the day set. It was the following Monday. On Tuesday, Coroner Price was to open his inquest.
Did Carleton Roberts see any connection between these two events?
Who can tell? The secrets of such a brain are not to be read lightly. If we possessed13 Sweetwater’s interest, and were to follow in secret fashion every action of the director on the evening preceding this date, what conclusion should we draw in this regard? How would we characterize his anticipations14, or measure in our own mind the possibilities of the future as felt by him?
He was very quiet. He ate his meal with seeming appetite. Then he took a look over his whole house. From the carefulness with which he noted15 everything, the changes which he had caused to be made in it were not without their interest for him. Not a young man’s interest, but yet an interest as critical and acute as though he had expected it to be shared by one whose comfort he sought and in whose happiness he would fain take part.
This, to Sweetwater, had he our vision, would have been incomprehensible from any point of view; especially, had he seen what followed when the owner of all this luxury returned to his library.
There was a picture there; a small framed photograph which occupied the post of honor on his desk.
It showed a young and pretty face, untouched, as yet, by the cares or troubles of this world. He spent a minute or so in looking at it; then he slowly lifted it, and taking the picture from the frame, gave it another look, during which a smile almost derisive16 gathered slowly on his lips. Before this smile had altogether vanished, he had torn the picture in two and thrown the fragments into the fire he had kindled17 early in the evening with his own hands.
If he stopped to watch these fragments burn, it was from abstraction rather than from interest; for his step grew lighter18 as he left the fireplace. Whatever this young girl’s face had meant to him in days gone by was now as completely dissipated as the little puff19 of smoke which had marked the end of her picture.
If he read the papers afterward20 it was mechanically. Night, and the one great planet sinking in the West, appeared to appeal to him much more strongly than his books or the more than usually stirring news of the day.
He must have stood an hour in his unlighted window, gazing out at the tumbling waves lapping the shore.
But of his thoughts, God wot, he gave no sign.
Later, he slept.
Slept! with his hand under his pillow! Slept, though there were others in the house awake!— or why this creeping shadow of a man outlined upon the wall wherever the moon shone in, and disappearing from sight whenever the way led through darkness.
It came from above; no noise accompanied it. Where the great window opened upon the sea, lighting21 up the main staircase, it halted,— halted for several minutes; then passed stealthily down, a shadowy silhouette22, descending23 now quickly, now slowly, as tread after tread is left behind and the great hall is reached.
Here there is no darkness. Open doors admit the light from many windows. A semi-obscurity is all, and through this the figure passes, but hesitatingly still, and with pause after pause, till a certain door is reached — a closed door — the only door which is closed in this part of the house.
Here it stands — stands with profile to the panels, one ear against the wood. One minute — two minutes — five minutes pass. Then a hand goes out and touches the knob. It yields; yields without a sound — and a small gap is seen between the door and its casing. This gap grows. Still no sound to disturb the tragic24 silence. Stop! What was that? A moan? Yes, from within. Another? Yes. Then all is quiet again. The dream has passed. Sleep has resumed its sway. The gap can safely be made wider. This is done, and the figure halting without, passes in.
点击收听单词发音
1 anticipation | |
n.预期,预料,期望 | |
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2 postponement | |
n.推迟 | |
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3 inquiry | |
n.打听,询问,调查,查问 | |
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4 waning | |
adj.(月亮)渐亏的,逐渐减弱或变小的n.月亏v.衰落( wane的现在分词 );(月)亏;变小;变暗淡 | |
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5 investigation | |
n.调查,调查研究 | |
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6 penetrated | |
adj. 击穿的,鞭辟入里的 动词penetrate的过去式和过去分词形式 | |
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7 elimination | |
n.排除,消除,消灭 | |
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8 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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9 lesser | |
adj.次要的,较小的;adv.较小地,较少地 | |
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10 apprehension | |
n.理解,领悟;逮捕,拘捕;忧虑 | |
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11 exigency | |
n.紧急;迫切需要 | |
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12 inspector | |
n.检查员,监察员,视察员 | |
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13 possessed | |
adj.疯狂的;拥有的,占有的 | |
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14 anticipations | |
预期( anticipation的名词复数 ); 预测; (信托财产收益的)预支; 预期的事物 | |
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15 noted | |
adj.著名的,知名的 | |
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16 derisive | |
adj.嘲弄的 | |
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17 kindled | |
(使某物)燃烧,着火( kindle的过去式和过去分词 ); 激起(感情等); 发亮,放光 | |
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18 lighter | |
n.打火机,点火器;驳船;v.用驳船运送;light的比较级 | |
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19 puff | |
n.一口(气);一阵(风);v.喷气,喘气 | |
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20 afterward | |
adv.后来;以后 | |
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21 lighting | |
n.照明,光线的明暗,舞台灯光 | |
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22 silhouette | |
n.黑色半身侧面影,影子,轮廓;v.描绘成侧面影,照出影子来,仅仅显出轮廓 | |
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23 descending | |
n. 下行 adj. 下降的 | |
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24 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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