My heart untravell’d still shall turn to thee.
GOLDSMITH
The carriages were at the gates at an early hour; the bustle1 of the domestics, passing to and fro in the galleries, awakened2 Emily from harassing3 slumbers4: her unquiet mind had, during the night, presented her with terrific images and obscure circumstances, concerning her affection and her future life. She now endeavoured to chase away the impressions they had left on her fancy; but from imaginary evils she awoke to the consciousness of real ones. Recollecting5 that she had parted with Valancourt, perhaps for ever, her heart sickened as memory revived. But she tried to dismiss the dismal6 forebodings that crowded on her mind, and to restrain the sorrow which she could not subdue7; efforts which diffused8 over the settled melancholy9 of her countenance10 an expression of tempered resignation, as a thin veil, thrown over the features of beauty, renders them more interesting by a partial concealment11. But Madame Montoni observed nothing in this countenance except its usual paleness, which attracted her censure12. She told her niece, that she had been indulging in fanciful sorrows, and begged she would have more regard for decorum, than to let the world see that she could not renounce13 an improper14 attachment15; at which Emily’s pale cheek became flushed with crimson16, but it was the blush of pride, and she made no answer. Soon after, Montoni entered the breakfast room, spoke17 little, and seemed impatient to be gone.
The windows of this room opened upon the garden. As Emily passed them, she saw the spot where she had parted with Valancourt on the preceding night: the remembrance pressed heavily on her heart, and she turned hastily away from the object that had awakened it.
The baggage being at length adjusted, the travellers entered their carriages, and Emily would have left the chateau18 without one sigh of regret, had it not been situated19 in the neighbourhood of Valancourt’s residence.
From a little eminence20 she looked back upon Tholouse, and the far- seen plains of Gascony, beyond which the broken summits of the Pyrenees appeared on the distant horizon, lighted up by a morning sun. ‘Dear pleasant mountains!’ said she to herself, ‘how long may it be ere I see ye again, and how much may happen to make me miserable21 in the interval22! Oh, could I now be certain, that I should ever return to ye, and find that Valancourt still lived for me, I should go in peace! He will still gaze on ye, gaze when I am far away!’
The trees, that impended23 over the high banks of the road and formed a line of perspective with the distant country, now threatened to exclude the view of them; but the blueish mountains still appeared beyond the dark foliage24, and Emily continued to lean from the coach window, till at length the closing branches shut them from her sight.
Another object soon caught her attention. She had scarcely looked at a person who walked along the bank, with his hat, in which was the military feather, drawn25 over his eyes, before, at the sound of wheels, he suddenly turned, and she perceived that it was Valancourt himself, who waved his hand, sprung into the road, and through the window of the carriage put a letter into her hand. He endeavoured to smile through the despair that overspread his countenance as she passed on. The remembrance of that smile seemed impressed on Emily’s mind for ever. She leaned from the window, and saw him on a knoll26 of the broken bank, leaning against the high trees that waved over him, and pursuing the carriage with his eyes. He waved his hand, and she continued to gaze till distance confused his figure, and at length another turn of the road entirely27 separated him from her sight.
Having stopped to take up Signor Cavigni at a chateau on the road, the travellers, of whom Emily was disrespectfully seated with Madame Montoni’s woman in a second carriage, pursued their way over the plains of Languedoc. The presence of this servant restrained Emily from reading Valancourt’s letter, for she did not choose to expose the emotions it might occasion to the observation of any person. Yet such was her wish to read this his last communication, that her trembling hand was every moment on the point of breaking the seal.
At length they reached the village, where they staid only to change horses, without alighting, and it was not till they stopped to dine, that Emily had an opportunity of reading the letter. Though she had never doubted the sincerity28 of Valancourt’s affection, the fresh assurances she now received of it revived her spirits; she wept over his letter in tenderness, laid it by to be referred to when they should be particularly depressed29, and then thought of him with much less anguish30 than she had done since they parted. Among some other requests, which were interesting to her, because expressive31 of his tenderness, and because a compliance32 with them seemed to annihilate33 for a while the pain of absence, he entreated34 she would always think of him at sunset. ‘You will then meet me in thought,’ said he; ‘I shall constantly watch the sun-set, and I shall be happy in the belief, that your eyes are fixed35 upon the same object with mine, and that our minds are conversing36. You know not, Emily, the comfort I promise myself from these moments; but I trust you will experience it.’
It is unnecessary to say with what emotion Emily, on this evening, watched the declining sun, over a long extent of plains, on which she saw it set without interruption, and sink towards the province which Valancourt inhabited. After this hour her mind became far more tranquil37 and resigned, than it had been since the marriage of Montoni and her aunt.
During several days the travellers journeyed over the plains of Languedoc; and then entering Dauphiny, and winding38 for some time among the mountains of that romantic province, they quitted their carriages and began to ascend39 the Alps. And here such scenes of sublimity40 opened upon them as no colours of language must dare to paint! Emily’s mind was even so much engaged with new and wonderful images, that they sometimes banished41 the idea of Valancourt, though they more frequently revived it. These brought to her recollection the prospects42 among the Pyrenees, which they had admired together, and had believed nothing could excel in grandeur43. How often did she wish to express to him the new emotions which this astonishing scenery awakened, and that he could partake of them! Sometimes too she endeavoured to anticipate his remarks, and almost imagined him present. she seemed to have arisen into another world, and to have left every trifling44 thought, every trifling sentiment, in that below; those only of grandeur and sublimity now dilated45 her mind, and elevated the affections of her heart.
With what emotions of sublimity, softened46 by tenderness, did she meet Valancourt in thought, at the customary hour of sun-set, when, wandering among the Alps, she watched the glorious orb47 sink amid their summits, his last tints49 die away on their snowy points, and a solemn obscurity steal over the scene! And when the last gleam had faded, she turned her eyes from the west with somewhat of the melancholy regret that is experienced after the departure of a beloved friend; while these lonely feelings were heightened by the spreading gloom, and by the low sounds, heard only when darkness confines attention, which make the general stillness more impressive- -leaves shook by the air, the last sigh of the breeze that lingers after sun-set, or the murmur50 of distant streams.
During the first days of this journey among the Alps, the scenery exhibited a wonderful mixture of solitude51 and inhabitation, of cultivation52 and barrenness. On the edge of tremendous precipices54, and within the hollow of the cliffs, below which the clouds often floated, were seen villages, spires55, and convent towers; while green pastures and vineyards spread their hues56 at the feet of perpendicular57 rocks of marble, or of granite58, whose points, tufted with alpine59 shrubs60, or exhibiting only massy crags, rose above each other, till they terminated in the snow-topt mountain, whence the torrent61 fell, that thundered along the valley.
The snow was not yet melted on the summit of Mount Cenis, over which the travellers passed; but Emily, as she looked upon its clear lake and extended plain, surrounded by broken cliffs, saw, in imagination, the verdant62 beauty it would exhibit when the snows should be gone, and the shepherds, leading up the midsummer flocks from Piedmont, to pasture on its flowery summit, should add Arcadian figures to Arcadian landscape.
As she descended64 on the Italian side, the precipices became still more tremendous, and the prospects still more wild and majestic65, over which the shifting lights threw all the pomp of colouring. Emily delighted to observe the snowy tops of the mountains under the passing influence of the day, blushing with morning, glowing with the brightness of noon, or just tinted66 with the purple evening. The haunt of man could now only be discovered by the simple hut of the shepherd and the hunter, or by the rough pine bridge thrown across the torrent, to assist the latter in his chase of the chamois over crags where, but for this vestige68 of man, it would have been believed only the chamois or the wolf dared to venture. As Emily gazed upon one of these perilous69 bridges, with the cataract70 foaming71 beneath it, some images came to her mind, which she afterwards combined in the following
STORIED SONNET72
The weary traveller, who, all night long,
Has climb’d among the Alps’ tremendous steeps,
Skirting the pathless precipice53, where throng73
Wild forms of danger; as he onward74 creeps
If, chance, his anxious eye at distance sees
The mountain-shepherd’s solitary75 home,
Peeping from forth76 the moon-illumin’d trees,
What sudden transports to his bosom77 come!
But, if between some hideous78 chasm79 yawn,
Where the cleft80 pine a doubtful bridge displays,
In dreadful silence, on the brink81, forlorn
He stands, and views in the faint rays
Far, far below, the torrent’s rising surge,
And listens to the wild impetuous roar;
Still eyes the depth, still shudders82 on the verge83,
Fears to return, nor dares to venture o’er.
Desperate, at length the tottering84 plank85 he tries,
His weak steps slide, he shrieks86, he sinks — he dies!
Emily, often as she travelled among the clouds, watched in silent awe87 their billowy surges rolling below; sometimes, wholly closing upon the scene, they appeared like a world of chaos88, and, at others, spreading thinly, they opened and admitted partial catches of the landscape — the torrent, whose astounding89 roar had never failed, tumbling down the rocky chasm, huge cliffs white with snow, or the dark summits of the pine forests, that stretched mid-way down the mountains. But who may describe her rapture90, when, having passed through a sea of vapour, she caught a first view of Italy; when, from the ridge67 of one of those tremendous precipices that hang upon Mount Cenis and guard the entrance of that enchanting91 country, she looked down through the lower clouds, and, as they floated away, saw the grassy92 vales of Piedmont at her feet, and, beyond, the plains of Lombardy extending to the farthest distance, at which appeared, on the faint horizon, the doubtful towers of Turin?
The solitary grandeur of the objects that immediately surrounded her, the mountain-region towering above, the deep precipices that fell beneath, the waving blackness of the forests of pine and oak, which skirted their feet, or hung within their recesses93, the headlong torrents94 that, dashing among their cliffs, sometimes appeared like a cloud of mist, at others like a sheet of ice — these were features which received a higher character of sublimity from the reposing95 beauty of the Italian landscape below, stretching to the wide horizon, where the same melting blue tint48 seemed to unite earth and sky.
Madame Montoni only shuddered96 as she looked down precipices near whose edge the chairmen trotted97 lightly and swiftly, almost, as the chamois bounded, and from which Emily too recoiled98; but with her fears were mingled99 such various emotions of delight, such admiration100, astonishment101, and awe, as she had never experienced before.
Meanwhile the carriers, having come to a landing-place, stopped to rest, and the travellers being seated on the point of a cliff, Montoni and Cavigni renewed a dispute concerning Hannibal’s passage over the Alps, Montoni contending that he entered Italy by way of Mount Cenis, and Cavigni, that he passed over Mount St. Bernard. The subject brought to Emily’s imagination the disasters he had suffered in this bold and perilous adventure. She saw his vast armies winding among the defiles103, and over the tremendous cliffs of the mountains, which at night were lighted up by his fires, or by the torches which he caused to be carried when he pursued his indefatigable104 march. In the eye of fancy, she perceived the gleam of arms through the duskiness of night, the glitter of spears and helmets, and the banners floating dimly on the twilight105; while now and then the blast of a distant trumpet106 echoed along the defile102, and the signal was answered by a momentary107 clash of arms. She looked with horror upon the mountaineers, perched on the higher cliffs, assailing108 the troops below with broken fragments of the mountain; on soldiers and elephants tumbling headlong down the lower precipices; and, as she listened to the rebounding109 rocks, that followed their fall, the terrors of fancy yielded to those of reality, and she shuddered to behold110 herself on the dizzy height, whence she had pictured the descent of others.
Madame Montoni, meantime, as she looked upon Italy, was contemplating111 in imagination the splendour of palaces and the grandeur of castles, such as she believed she was going to be mistress of at Venice and in the Apennine, and she became, in idea, little less than a princess. Being no longer under the alarms which had deterred112 her from giving entertainments to the beauties of Tholouse, whom Montoni had mentioned with more eclat113 to his own vanity than credit to their discretion114, or regard to truth, she determined115 to give concerts, though she had neither ear nor taste for music; conversazioni, though she had no talents for conversation; and to outvie, if possible, in the gaieties of her parties and the magnificence of her liveries, all the noblesse of Venice. This blissful reverie was somewhat obscured, when she recollected116 the Signor, her husband, who, though he was not averse117 to the profit which sometimes results from such parties, had always shewn a contempt of the frivolous119 parade that sometimes attends them; till she considered that his pride might be gratified by displaying, among his own friends, in his native city, the wealth which he had neglected in France; and she courted again the splendid illusions that had charmed her before.
The travellers, as they descended, gradually, exchanged the region of winter for the genial120 warmth and beauty of spring. The sky began to assume that serene121 and beautiful tint peculiar122 to the climate of Italy; patches of young verdure, fragrant123 shrubs and flowers looked gaily124 among the rocks, often fringing their rugged125 brows, or hanging in tufts from their broken sides; and the buds of the oak and mountain ash were expanding into foliage. Descending126 lower, the orange and the myrtle, every now and then, appeared in some sunny nook, with their yellow blossoms peeping from among the dark green of their leaves, and mingling127 with the scarlet128 flowers of the pomegranate and the paler ones of the arbutus, that ran mantling129 to the crags above; while, lower still, spread the pastures of Piedmont, where early flocks were cropping the luxuriant herbage of spring.
The river Doria, which, rising on the summit of Mount Cenis, had dashed for many leagues over the precipices that bordered the road, now began to assume a less impetuous, though scarcely less romantic character, as it approached the green vallies of Piedmont, into which the travellers descended with the evening sun; and Emily found herself once more amid the tranquil beauty of pastoral scenery; among flocks and herds63, and slopes tufted with woods of lively verdure and with beautiful shrubs, such as she had often seen waving luxuriantly over the alps above. The verdure of the pasturage, now varied130 with the hues of early flowers, among which were yellow ranunculuses and pansey violets of delicious fragrance131, she had never seen excelled.— Emily almost wished to become a peasant of Piedmont, to inhabit one of the pleasant embowered cottages which she saw peeping beneath the cliffs, and to pass her careless hours among these romantic landscapes. To the hours, the months, she was to pass under the dominion132 of Montoni, she looked with apprehension133; while those which were departed she remembered with regret and sorrow.
In the present scenes her fancy often gave her the figure of Valancourt, whom she saw on a point of the cliffs, gazing with awe and admiration on the imagery around him; or wandering pensively134 along the vale below, frequently pausing to look back upon the scenery, and then, his countenance glowing with the poet’s fire, pursuing his way to some overhanging heights. When she again considered the time and the distance that were to separate them, that every step she now took lengthened135 this distance, her heart sunk, and the surrounding landscape charmed her no more.
The travellers, passing Novalesa, reached, after the evening had closed, the small and antient town of Susa, which had formerly136 guarded this pass of the Alps into Piedmont. The heights which command it had, since the invention of artillery137, rendered its fortifications useless; but these romantic heights, seen by moon- light, with the town below, surrounded by its walls and watchtowers, and partially138 illumined, exhibited an interesting picture to Emily. Here they rested for the night at an inn, which had little accommodation to boast of; but the travellers brought with them the hunger that gives delicious flavour to the coarsest viands139, and the weariness that ensures repose140; and here Emily first caught a strain of Italian music, on Italian ground. As she sat after supper at a little window, that opened upon the country, observing an effect of the moon-light on the broken surface of the mountains, and remembering that on such a night as this she once had sat with her father and Valancourt, resting upon a cliff of the Pyrenees, she heard from below the long-drawn notes of a violin, of such tone and delicacy141 of expression, as harmonized exactly with the tender emotions she was indulging, and both charmed and surprised her. Cavigni, who approached the window, smiled at her surprise. ‘This is nothing extraordinary,’ said he, ‘you will hear the same, perhaps, at every inn on our way. It is one of our landlord’s family who plays, I doubt not,’ Emily, as she listened, thought he could be scarcely less than a professor of music whom she heard; and the sweet and plaintive142 strains soon lulled143 her into a reverie, from which she was very unwillingly144 roused by the raillery of Cavigni, and by the voice of Montoni, who gave orders to a servant to have the carriages ready at an early hour on the following morning; and added, that he meant to dine at Turin.
Madame Montoni was exceedingly rejoiced to be once more on level ground; and, after giving a long detail of the various terrors she had suffered, which she forgot that she was describing to the companions of her dangers, she added a hope, that she should soon be beyond the view of these horrid145 mountains, ‘which all the world,’ said she, ‘should not tempt118 me to cross again.’ Complaining of fatigue146 she soon retired147 to rest, and Emily withdrew to her own room, when she understood from Annette, her aunt’s woman, that Cavigni was nearly right in his conjecture148 concerning the musician, who had awakened the violin with so much taste, for that he was the son of a peasant inhabiting the neighbouring valley. ‘He is going to the Carnival149 at Venice,’ added Annette, ‘for they say he has a fine hand at playing, and will get a world of money; and the Carnival is just going to begin: but for my part, I should like to live among these pleasant woods and hills, better than in a town; and they say Ma’moiselle, we shall see no woods, or hills, or fields, at Venice, for that it is built in the very middle of the sea.’
Emily agreed with the talkative Annette, that this young man was making a change for the worse, and could not forbear silently lamenting150, that he should be drawn from the innocence151 and beauty of these scenes, to the corrupt152 ones of that voluptuous153 city.
When she was alone, unable to sleep, the landscapes of her native home, with Valancourt, and the circumstances of her departure, haunted her fancy; she drew pictures of social happiness amidst the grand simplicity154 of nature, such as she feared she had bade farewel to for ever; and then, the idea of this young Piedmontese, thus ignorantly sporting with his happiness, returned to her thoughts, and, glad to escape awhile from the pressure of nearer interests, she indulged her fancy in composing the following lines.
THE PIEDMONTESE
Ah, merry swain, who laugh’d along the vales,
And with your gay pipe made the mountains ring,
Why leave your cot, your woods, and thymy gales155,
And friends belov’d, for aught that wealth can bring?
He goes to wake o’er moon-light seas the string,
Venetian gold his untaught fancy hails!
Yet oft of home his simple carols sing,
And his steps pause, as the last Alp he scales.
Once more he turns to view his native scene —
Far, far below, as roll the clouds away,
He spies his cabin ‘mid the pine-tops green,
The well-known woods, clear brook156, and pastures gay;
And thinks of friends and parents left behind,
Of sylvan157 revels158, dance, and festive159 song;
And hears the faint reed swelling160 in the wind;
And his sad sighs the distant notes prolong!
Thus went the swain, till mountain-shadows fell,
And dimm’d the landscape to his aching sight;
And must he leave the vales he loves so well!
Can foreign wealth, and shows, his heart delight?
No, happy vales! your wild rocks still shall hear
His pipe, light sounding on the morning breeze;
Still shall he lead the flocks to streamlet clear,
And watch at eve beneath the western trees.
Away, Venetian gold — your charm is o’er!
And now his swift step seeks the lowland bow’rs,
Where, through the leaves, his cottage light ONCE MORE
Guides him to happy friends, and jocund161 hours.
Ah, merry swain! that laugh along the vales,
And with your gay pipe make the mountains ring,
Your cot, your woods, your thymy-scented gales —
And friends belov’d — more joy than wealth can bring!
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1
bustle
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| v.喧扰地忙乱，匆忙，奔忙；n.忙碌；喧闹 | |
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awakened
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| v.（使）醒( awaken的过去式和过去分词 )；（使）觉醒；弄醒；（使）意识到 | |
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harassing
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| v.侵扰，骚扰( harass的现在分词 )；不断攻击（敌人） | |
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slumbers
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| 睡眠，安眠( slumber的名词复数 ) | |
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5
recollecting
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| v.记起，想起( recollect的现在分词 ) | |
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6
dismal
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| adj.阴沉的，凄凉的，令人忧郁的，差劲的 | |
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7
subdue
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| vt.制服，使顺从，征服；抑制，克制 | |
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8
diffused
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| 散布的，普及的，扩散的 | |
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9
melancholy
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| n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的 | |
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10
countenance
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| n.脸色，面容；面部表情；vt.支持，赞同 | |
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concealment
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| n.隐藏, 掩盖，隐瞒 | |
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12
censure
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| v./n.责备；非难；责难 | |
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13
renounce
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| v.放弃；拒绝承认，宣布与…断绝关系 | |
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14
improper
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| adj.不适当的，不合适的，不正确的，不合礼仪的 | |
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15
attachment
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| n.附属物，附件；依恋；依附 | |
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16
crimson
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| n./adj.深(绯)红色(的)；vi.脸变绯红色 | |
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17
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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chateau
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| n.城堡，别墅 | |
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situated
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| adj.坐落在...的，处于某种境地的 | |
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eminence
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| n.卓越，显赫；高地，高处；名家 | |
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miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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interval
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| n.间隔，间距；幕间休息，中场休息 | |
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impended
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| v.进行威胁，即将发生( impend的过去式和过去分词 ) | |
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foliage
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| n.叶子，树叶，簇叶 | |
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25
drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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knoll
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| n.小山，小丘 | |
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27
entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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sincerity
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| n.真诚，诚意；真实 | |
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depressed
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| adj.沮丧的，抑郁的，不景气的，萧条的 | |
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anguish
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| n.(尤指心灵上的)极度痛苦，烦恼 | |
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expressive
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| adj.表现的，表达…的，富于表情的 | |
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compliance
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| n.顺从；服从；附和；屈从 | |
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33
annihilate
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| v.使无效；毁灭；取消 | |
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34
entreated
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| 恳求，乞求( entreat的过去式和过去分词 ) | |
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35
fixed
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| adj.固定的，不变的，准备好的；(计算机)固定的 | |
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36
conversing
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| v.交谈，谈话( converse的现在分词 ) | |
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tranquil
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| adj. 安静的, 宁静的, 稳定的, 不变的 | |
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winding
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| n.绕，缠，绕组，线圈 | |
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ascend
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| vi.渐渐上升，升高；vt.攀登，登上 | |
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sublimity
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| 崇高，庄严，气质高尚 | |
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41
banished
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| v.放逐，驱逐( banish的过去式和过去分词 ) | |
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42
prospects
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| n.希望，前途(恒为复数) | |
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43
grandeur
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| n.伟大，崇高，宏伟，庄严，豪华 | |
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trifling
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| adj.微不足道的；没什么价值的 | |
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dilated
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| adj.加宽的，扩大的v.（使某物）扩大，膨胀，张大( dilate的过去式和过去分词 ) | |
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softened
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| （使）变软( soften的过去式和过去分词 )； 缓解打击； 缓和； 安慰 | |
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47
orb
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| n.太阳；星球；v.弄圆；成球形 | |
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48
tint
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| n.淡色，浅色；染发剂；vt.着以淡淡的颜色 | |
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49
tints
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| 色彩( tint的名词复数 )； 带白的颜色； （淡色）染发剂； 痕迹 | |
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50
murmur
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| n.低语，低声的怨言；v.低语，低声而言 | |
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51
solitude
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| n. 孤独; 独居,荒僻之地,幽静的地方 | |
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52
cultivation
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| n.耕作，培养，栽培（法），养成 | |
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53
precipice
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| n.悬崖，危急的处境 | |
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54
precipices
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| n.悬崖，峭壁( precipice的名词复数 ) | |
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55
spires
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| n.（教堂的） 塔尖，尖顶( spire的名词复数 ) | |
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56
hues
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| 色彩( hue的名词复数 )； 色调； 信仰； 观点 | |
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57
perpendicular
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| adj.垂直的，直立的；n.垂直线，垂直的位置 | |
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58
granite
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| adj.花岗岩，花岗石 | |
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59
alpine
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| adj.高山的；n.高山植物 | |
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60
shrubs
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| 灌木( shrub的名词复数 ) | |
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61
torrent
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| n.激流，洪流；爆发，(话语等的)连发 | |
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62
verdant
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| adj.翠绿的，青翠的，生疏的，不老练的 | |
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63
herds
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| 兽群( herd的名词复数 )； 牧群； 人群； 群众 | |
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64
descended
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| a.为...后裔的，出身于...的 | |
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65
majestic
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| adj.雄伟的，壮丽的，庄严的，威严的，崇高的 | |
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66
tinted
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| adj. 带色彩的 动词tint的过去式和过去分词 | |
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67
ridge
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| n.山脊；鼻梁；分水岭 | |
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68
vestige
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| n.痕迹，遗迹，残余 | |
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69
perilous
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| adj.危险的，冒险的 | |
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70
cataract
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| n.大瀑布，奔流，洪水，白内障 | |
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71
foaming
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| adj.布满泡沫的；发泡 | |
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72
sonnet
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| n.十四行诗 | |
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73
throng
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| n.人群，群众；v.拥挤，群集 | |
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74
onward
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| adj.向前的，前进的；adv.向前，前进，在先 | |
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75
solitary
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| adj.孤独的，独立的，荒凉的；n.隐士 | |
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76
forth
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| adv.向前；向外，往外 | |
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77
bosom
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| n.胸，胸部；胸怀；内心；adj.亲密的 | |
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78
hideous
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| adj.丑陋的，可憎的，可怕的，恐怖的 | |
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79
chasm
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| n.深坑，断层，裂口，大分岐，利害冲突 | |
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80
cleft
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| n.裂缝；adj.裂开的 | |
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81
brink
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| n.(悬崖、河流等的)边缘，边沿 | |
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82
shudders
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| n.颤动，打颤，战栗( shudder的名词复数 )v.战栗( shudder的第三人称单数 )；发抖；（机器、车辆等）突然震动；颤动 | |
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83
verge
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| n.边，边缘；v.接近，濒临 | |
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84
tottering
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| adj.蹒跚的，动摇的v.走得或动得不稳( totter的现在分词 )；踉跄；蹒跚；摇摇欲坠 | |
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85
plank
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| n.板条，木板，政策要点，政纲条目 | |
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86
shrieks
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| n.尖叫声( shriek的名词复数 )v.尖叫( shriek的第三人称单数 ) | |
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87
awe
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| n.敬畏，惊惧；vt.使敬畏，使惊惧 | |
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88
chaos
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| n.混乱，无秩序 | |
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89
astounding
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| adj.使人震惊的vt.使震惊，使大吃一惊astound的现在分词) | |
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90
rapture
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| n.狂喜；全神贯注；着迷；v.使狂喜 | |
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91
enchanting
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| a.讨人喜欢的 | |
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92
grassy
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| adj.盖满草的；长满草的 | |
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93
recesses
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| n.壁凹( recess的名词复数 )；（工作或业务活动的）中止或暂停期间；学校的课间休息；某物内部的凹形空间v.把某物放在墙壁的凹处( recess的第三人称单数 )；将（墙）做成凹形，在（墙）上做壁龛；休息，休会，休庭 | |
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94
torrents
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| n.倾注；奔流( torrent的名词复数 )；急流；爆发；连续不断 | |
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95
reposing
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| v.将（手臂等）靠在某人（某物）上( repose的现在分词 ) | |
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96
shuddered
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| v.战栗( shudder的过去式和过去分词 )；发抖；（机器、车辆等）突然震动；颤动 | |
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97
trotted
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| 小跑，急走( trot的过去分词 )； 匆匆忙忙地走 | |
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98
recoiled
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| v.畏缩( recoil的过去式和过去分词 )；退缩；报应；返回 | |
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99
mingled
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| 混合，混入( mingle的过去式和过去分词 )； 混进，与…交往[联系] | |
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100
admiration
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| n.钦佩，赞美，羡慕 | |
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101
astonishment
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| n.惊奇，惊异 | |
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102
defile
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| v.弄污，弄脏；n.(山间)小道 | |
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103
defiles
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| v.玷污( defile的第三人称单数 )；污染；弄脏；纵列行进 | |
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104
indefatigable
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| adj.不知疲倦的，不屈不挠的 | |
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105
twilight
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| n.暮光，黄昏；暮年，晚期，衰落时期 | |
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106
trumpet
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| n.喇叭，喇叭声；v.吹喇叭，吹嘘 | |
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107
momentary
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| adj.片刻的，瞬息的；短暂的 | |
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108
assailing
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| v.攻击( assail的现在分词 )；困扰；质问；毅然应对 | |
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109
rebounding
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| 蹦跳运动 | |
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110
behold
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| v.看，注视，看到 | |
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111
contemplating
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| 深思，细想，仔细考虑( contemplate的现在分词 )； 注视，凝视； 考虑接受（发生某事的可能性）； 深思熟虑，沉思，苦思冥想 | |
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112
deterred
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| v.阻止，制止( deter的过去式和过去分词 ) | |
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113
eclat
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| n.显赫之成功，荣誉 | |
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114
discretion
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| n.谨慎；随意处理 | |
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115
determined
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| adj.坚定的；有决心的 | |
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116
recollected
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| adj.冷静的；镇定的；被回忆起的；沉思默想的v.记起，想起( recollect的过去式和过去分词 ) | |
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117
averse
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| adj.厌恶的；反对的，不乐意的 | |
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118
tempt
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| vt.引诱，勾引，吸引，引起…的兴趣 | |
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119
frivolous
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| adj.轻薄的；轻率的 | |
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120
genial
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| adj.亲切的，和蔼的，愉快的，脾气好的 | |
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121
serene
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| adj. 安详的，宁静的，平静的 | |
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122
peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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123
fragrant
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| adj.芬香的，馥郁的，愉快的 | |
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124
gaily
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| adv.欢乐地，高兴地 | |
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125
rugged
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| adj.高低不平的，粗糙的，粗壮的，强健的 | |
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126
descending
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| n. 下行 adj. 下降的 | |
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127
mingling
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| adj.混合的 | |
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128
scarlet
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| n.深红色，绯红色，红衣；adj.绯红色的 | |
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129
mantling
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| 覆巾 | |
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130
varied
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| adj.多样的，多变化的 | |
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131
fragrance
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| n.芬芳，香味，香气 | |
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132
dominion
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| n.统治，管辖，支配权；领土，版图 | |
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133
apprehension
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| n.理解，领悟；逮捕，拘捕；忧虑 | |
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134
pensively
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| adv.沉思地，焦虑地 | |
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135
lengthened
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| （时间或空间）延长，伸长( lengthen的过去式和过去分词 ) | |
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136
formerly
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| adv.从前，以前 | |
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137
artillery
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| n.(军)火炮，大炮；炮兵(部队) | |
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138
partially
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| adv.部分地，从某些方面讲 | |
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139
viands
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| n.食品，食物 | |
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140
repose
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| v.(使)休息；n.安息 | |
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141
delicacy
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| n.精致，细微，微妙，精良；美味，佳肴 | |
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142
plaintive
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| adj.可怜的，伤心的 | |
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143
lulled
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| vt.使镇静，使安静（lull的过去式与过去分词形式） | |
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144
unwillingly
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| adv.不情愿地 | |
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145
horrid
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| adj.可怕的；令人惊恐的；恐怖的；极讨厌的 | |
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146
fatigue
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| n.疲劳，劳累 | |
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147
retired
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| adj.隐退的，退休的，退役的 | |
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148
conjecture
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| n./v.推测，猜测 | |
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149
carnival
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| n.嘉年华会，狂欢，狂欢节，巡回表演 | |
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150
lamenting
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| adj.悲伤的，悲哀的v.（为…）哀悼，痛哭，悲伤( lament的现在分词 ) | |
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151
innocence
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| n.无罪；天真；无害 | |
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152
corrupt
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| v.贿赂，收买；adj.腐败的，贪污的 | |
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153
voluptuous
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| adj.肉欲的，骄奢淫逸的 | |
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154
simplicity
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| n.简单，简易；朴素；直率，单纯 | |
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155
gales
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| 龙猫 | |
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156
brook
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| n.小河，溪；v.忍受，容让 | |
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157
sylvan
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| adj.森林的 | |
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158
revels
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| n.作乐( revel的名词复数 )；狂欢；着迷；陶醉v.作乐( revel的第三人称单数 )；狂欢；着迷；陶醉 | |
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159
festive
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| adj.欢宴的，节日的 | |
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160
swelling
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| n.肿胀 | |
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161
jocund
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| adj.快乐的，高兴的 | |
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