chapter 32 Tourguenief, Auerbach

In those years at Cambridge my most notable literary experience without doubt was the knowledge of Tourguenief’s novels, which began to be recognized in all their greatness about the middle seventies. I think they made their way with such of our public as were able to appreciate them before they were accepted in England; but that does not matter. It is enough for the present purpose that ‘Smoke,’ and ‘Lisa,’ and ‘On the Eve,’ and ‘Dimitri Roudine,’ and ‘Spring Floods,’ passed one after another through my hands, and that I formed for their author one of the profoundest literary passions of my life.
I now think that there is a finer and truer method than his, but in its way, Tourguenief’s method is as far as art can go. That is to say, his fiction is to the last degree dramatic. The persons are sparely described, and briefly¹ accounted for, and then they are left to transact² their affair, whatever it is, with the least possible comment or explanation from the author. The effect flows naturally from their characters, and when they have done or said a thing you conjecture³ why as unerringly as you would if they were people whom you knew outside of a book. I had already conceived of the possibility of this from Bjornson, who practises the same method, but I was still too sunken in the gross darkness of English fiction to rise to a full consciousness of its excellence⁴. When I remembered the deliberate and impertinent moralizing of Thackeray, the clumsy exegesis⁵ of George Eliot, the knowing nods and winks⁶ of Charles Reade, the stage-carpentering and limelighting of Dickens, even the fine and important analysis of Hawthorne, it was with a joyful⁷ astonishment⁸ that I realized the great art of Tourguenief.
Here was a master who was apparently⁹ not trying to work out a plot, who was not even trying to work out a character, but was standing¹⁰ aside from the whole affair, and letting the characters work the plot out. The method was revealed perfectly¹¹ in ‘Smoke,’ but each successive book of his that I read was a fresh proof of its truth, a revelation of its transcendent superiority. I think now that I exaggerated its value somewhat; but this was inevitable¹² in the first surprise. The sane¹³ aesthetics¹⁴ of the first Russian author I read, however, have seemed more and more an essential part of the sane ethics¹⁵ of all the Russians I have read. It was not only that Tourguenief had painted life truly, but that he had painted it conscientiously¹⁶.
Tourguenief was of that great race which has more than any other fully¹⁷ and freely uttered human nature, without either false pride or false shame in its nakedness. His themes were oftenest those of the French novelist, but how far he was from handling them in the French manner and with the French spirit! In his hands sin suffered no dramatic punishment; it did not always show itself as unhappiness, in the personal sense, but it was always unrest, and without the hope of peace. If the end did not appear, the fact that it must be miserable¹⁸ always appeared. Life showed itself to me in different colors after I had once read Tourguenief; it became more serious, more awful, and with mystical responsibilities I had not known before. My gay American horizons were bathed in the vast melancholy¹⁹ of the Slav, patient, agnostic, trustful. At the same time nature revealed herself to me through him with an intimacy²⁰ she had not hitherto shown me. There are passages in this wonderful writer alive with a truth that seems drawn²¹ from the reader’s own knowledge; who else but Tourguenief and one’s own most secret self ever felt all the rich, sad meaning of the night air drawing in at the open window, of the fires burning in the darkness on the distant fields? I try in vain to give some notion of the subtle sympathy with nature which scarcely put itself into words with him. As for the people of his fiction, though they were of orders and civilizations so remote from my experience, they were of the eternal human types whose origin and potentialities every one may find in his own heart, and I felt their verity²² in every touch.
I cannot describe the satisfaction his work gave me; I can only impart some sense of it, perhaps, by saying that it was like a happiness I had been waiting for all my life, and now that it had come, I was richly content forever. I do not mean to say that the art of Tourguenief surpasses the art of Bjornson; I think Bjornson is quite as fine and true. But the Norwegian deals with simple and primitive²³ circumstances for the most part, and always with a small world; and the Russian has to do with human nature inside of its conventional shells, and his scene is often as large as Europe. Even when it is as remote as Norway, it is still related to the great capitals by the history if not the actuality of the characters. Most of Tourguenief’s books I have read many times over, all of them I have read more than twice. For a number of years I read them again and again without much caring for other fiction. It was only the other day that I read Smoke through once more, with no diminished sense of its truth, but with somewhat less than my first satisfaction in its art. Perhaps this was because I had reached the point through my acquaintance with Tolstoy where I was impatient even of the artifice²⁴ that hid itself. In ‘Smoke’ I was now aware of an artifice that kept out of sight, but was still always present somewhere, invisibly operating the story.
I must not fail to own the great pleasure that I have had in some of the stories of Auerbach. It is true that I have never cared greatly for ‘On the Heights,’ which in its dealing²⁵ with royalties²⁶ seems too far aloof²⁷ from the ordinary human life, and which on the moral side finally fades out into a German mistiness²⁸. But I speak of it with the imperfect knowledge of one who was never able to read it quite through, and I have really no right to speak of it. The book of his that pleased me most was ‘Edelweiss,’ which, though the story was somewhat too catastrophical, seemed to me admirably good and true. I still think it very delicately done, and with a deep insight; but there is something in all Auerbach’s work which in the retrospect²⁹ affects me as if it dealt with pigmies.

1 briefly   

adv.简单地，简短地

参考例句：

• I want to touch briefly on another aspect of the problem.我想简单地谈一下这个问题的另一方面。
• He was kidnapped and briefly detained by a terrorist group.他被一个恐怖组织绑架并短暂拘禁。

2 transact   

v.处理；做交易；谈判

参考例句：

• I will transact my business by letter.我会写信去洽谈业务。
• I have been obliged to see him；there was business to transact.我不得不见他，有些事物要处理。

3 conjecture   

n./v.推测，猜测

参考例句：

• She felt it no use to conjecture his motives.她觉得猜想他的动机是没有用的。
• This conjecture is not supported by any real evidence.这种推测未被任何确切的证据所证实。

4 excellence   

n.优秀，杰出，(pl.)优点，美德

参考例句：

• His art has reached a high degree of excellence.他的艺术已达到炉火纯青的地步。
• My performance is far below excellence.我的表演离优秀还差得远呢。

5 exegesis   

n.注释，解释

参考例句：

• An allegorical exegesis of scripture supported these views.一个寓言圣经注释支持这些观点。
• Within this context,Fraser is capable of exegesis that goes beyond the obvious.在这一背景下，弗雷泽能够作些富有新意的诠释。

6 winks   

v.使眼色( wink的第三人称单数 )；递眼色（表示友好或高兴等）；（指光）闪烁；闪亮

参考例句：

• I'll feel much better when I've had forty winks. 我打个盹就会感到好得多。
• The planes were little silver winks way out to the west. 飞机在西边老远的地方，看上去只是些很小的银色光点。 来自辞典例句

7 joyful   

adj.欢乐的，令人欢欣的

参考例句：

• She was joyful of her good result of the scientific experiments.她为自己的科学实验取得好成果而高兴。
• They were singing and dancing to celebrate this joyful occasion.他们唱着、跳着庆祝这令人欢乐的时刻。

8 astonishment   

n.惊奇，惊异

参考例句：

• They heard him give a loud shout of astonishment.他们听见他惊奇地大叫一声。
• I was filled with astonishment at her strange action.我对她的奇怪举动不胜惊异。

9 apparently   

adv.显然地；表面上，似乎

参考例句：

• An apparently blind alley leads suddenly into an open space.山穷水尽，豁然开朗。
• He was apparently much surprised at the news.他对那个消息显然感到十分惊异。

10 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

11 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

12 inevitable   

adj.不可避免的，必然发生的

参考例句：

• Mary was wearing her inevitable large hat.玛丽戴着她总是戴的那顶大帽子。
• The defeat had inevitable consequences for British policy.战败对英国政策不可避免地产生了影响。

13 sane   

adj.心智健全的，神志清醒的，明智的，稳健的

参考例句：

• He was sane at the time of the murder.在凶杀案发生时他的神志是清醒的。
• He is a very sane person.他是一个很有头脑的人。

14 aesthetics   

n.(尤指艺术方面之)美学，审美学

参考例句：

• Sometimes, of course, our markings may be simply a matter of aesthetics. 当然，有时我们的标点符号也许只是个审美的问题。 来自名作英译部分
• The field of aesthetics presents an especially difficult problem to the historian. 美学领域向历史学家提出了一个格外困难的问题。

15 ethics   

n.伦理学；伦理观，道德标准

参考例句：

• The ethics of his profession don't permit him to do that.他的职业道德不允许他那样做。
• Personal ethics and professional ethics sometimes conflict.个人道德和职业道德有时会相互抵触。

16 conscientiously   

adv.凭良心地；认真地，负责尽职地；老老实实

参考例句：

• He kept silent,eating just as conscientiously but as though everything tasted alike. 他一声不吭，闷头吃着，仿佛桌上的饭菜都一个味儿。 来自《简明英汉词典》
• She discharged all the responsibilities of a minister conscientiously. 她自觉地履行部长的一切职责。 来自《简明英汉词典》

17 fully   

adv.完全地，全部地，彻底地；充分地

参考例句：

• The doctor asked me to breathe in,then to breathe out fully.医生让我先吸气，然后全部呼出。
• They soon became fully integrated into the local community.他们很快就完全融入了当地人的圈子。

18 miserable   

adj.悲惨的，痛苦的；可怜的，糟糕的

参考例句：

• It was miserable of you to make fun of him.你取笑他，这是可耻的。
• Her past life was miserable.她过去的生活很苦。

19 melancholy   

n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的

参考例句：

• All at once he fell into a state of profound melancholy.他立即陷入无尽的忧思之中。
• He felt melancholy after he failed the exam.这次考试没通过，他感到很郁闷。

20 intimacy   

n.熟悉，亲密，密切关系，亲昵的言行

参考例句：

• His claims to an intimacy with the President are somewhat exaggerated.他声称自己与总统关系密切，这有点言过其实。
• I wish there were a rule book for intimacy.我希望能有个关于亲密的规则。

21 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

22 verity   

n.真实性

参考例句：

• Human's mission lies in exploring verity bravely.人的天职在勇于探索真理。
• How to guarantee the verity of the financial information disclosed by listed companies? 如何保证上市公司财务信息披露真实性?

23 primitive   

adj.原始的；简单的；n.原(始)人，原始事物

参考例句：

• It is a primitive instinct to flee a place of danger.逃离危险的地方是一种原始本能。
• His book describes the march of the civilization of a primitive society.他的著作描述了一个原始社会的开化过程。

24 artifice   

n.妙计，高明的手段；狡诈，诡计

参考例句：

• The use of mirrors in a room is an artifice to make the room look larger.利用镜子装饰房间是使房间显得大一点的巧妙办法。
• He displayed a great deal of artifice in decorating his new house.他在布置新房子中表现出富有的技巧。

25 dealing   

n.经商方法，待人态度

参考例句：

• This store has an excellent reputation for fair dealing.该商店因买卖公道而享有极高的声誉。
• His fair dealing earned our confidence.他的诚实的行为获得我们的信任。

26 royalties   

特许权使用费

参考例句：

• I lived on about £3,000 a year from the royalties on my book. 我靠着写书得来的每年约3，000英镑的版税生活。 来自辞典例句
• Payments shall generally be made in the form of royalties. 一般应采取提成方式支付。 来自经济法规部分

27 aloof   

adj.远离的；冷淡的，漠不关心的

参考例句：

• Never stand aloof from the masses.千万不可脱离群众。
• On the evening the girl kept herself timidly aloof from the crowd.这小女孩在晚会上一直胆怯地远离人群。

28 mistiness   

n.雾，模糊，不清楚

参考例句：

• Through this low-lit mistiness Tess walked leisurely along. 苔丝就在这样光线暗淡的暮霭里，往前从从容容地走。 来自辞典例句

29 retrospect   

n.回顾，追溯；v.回顾，回想，追溯

参考例句：

• One's school life seems happier in retrospect than in reality.学校生活回忆起来显得比实际上要快乐。
• In retrospect,it's easy to see why we were wrong.回顾过去就很容易明白我们的错处了。