chapter 34 Valdes, Galdos, Verga, Zola, Trollope, Hardy

In fact, it was not till I returned, and took up my life again in Boston, in the old atmosphere of work, that I turned once more to books. Even then I had to wait for the time when I undertook a critical department in one of the magazines, before I felt the rise of the old enthusiasm for an author. That is to say, I had to begin reading for business again before I began reading for pleasure. One of the first great pleasures which I had upon these terms was in the book of a contemporary Spanish author. This was the ‘Marta y Maria’ of Armando Palacio Valdes, a novelist who delights me beyond words by his friendly and abundant humor, his feeling for character, and his subtle insight. I like every one of his books that I have read, and I believe that I have read nearly every one that he has written. As I mention ‘Riverito, Maximina, Un Idilio de un Inferno¹, La Hermana de San Sulpizio, El Cuarto Poder, Espuma,’ the mere² names conjure³ up the scenes and events that have moved me to tears and laughter, and filled me with a vivid sense of the life portrayed⁴ in them. I think the ‘Marta y Maria’ one of the most truthful⁵ and profound fictions I have read, and ‘Maximina’ one of the most pathetic, and ‘La Hermana de San Sulpizio’ one of the most amusing. Fortunately, these books of Valdes’s have nearly all been translated, and the reader may test the matter in English; though it necessarily halts somewhat behind the Spanish.
I do not know whether the Spaniards themselves rank Valdes with Galdos or not, and I have no wish to decide upon their relative merits. They are both present passions of mine, and I may say of the ‘Dona Perfecta’ of Galdos that no book, if I except those of the greatest Russians, has given me a keener and deeper impression; it is infinitely⁶ pathetic, and is full of humor, which, if more caustic⁷ than that of Valdes, is not less delicious. But I like all the books of Galdos that I have read, and though he seems to have worked more tardily⁸ out of his romanticism than Valdes, since he has worked finally into such realism as that of Leon Roch, his greatness leaves nothing to be desired.
I have read one of the books of Emilia Pardo–Bazan, called ‘Morrina,’ which must rank her with the great realists of her country and age; she, too, has that humor of her race, which brings us nearer the Spanish than any other non-Anglo–Saxon people.
A contemporary Italian, whom I like hardly less than these noble Spaniards, is Giovanni Verga, who wrote ‘I Malavoglia,’ or, as we call it in English, ‘The House by the Medlar Tree’: a story of infinite beauty, tenderness and truth. As I have said before, I think with Zola that Giacometti, the Italian author of “La Morte Civile,” has written almost the greatest play, all round, of modern times.
But what shall I say of Zola himself, and my admiration⁹ of his epic¹⁰ greatness? About his material there is no disputing among people of our Puritanic tradition. It is simply abhorrent¹¹, but when you have once granted him his material for his own use, it is idle and foolish to deny his power. Every literary theory of mine was contrary to him when I took up ‘L’Assommoir,’ though unconsciously I had always been as much of a realist as I could, but the book possessed¹² me with the same fascination¹³ that I felt the other day in reading his ‘L’Argent.’ The critics know now that Zola is not the realist he used to fancy himself, and he is full of the best qualities of the romanticism he has hated so much; but for what he is, there is but one novelist of our time, or of any, that outmasters him, and that is Tolstoy. For my own part, I think that the books of Zola are not immoral¹⁴, but they are indecent through the facts that they nakedly represent; they are infinitely more moral than the books of any other French novelist. This may not be saying a great deal, but it is saying the truth, and I do not mind owning that he has been one of my great literary passions, almost as great as Flaubert, and greater than Daudet or Maupassant, though I have profoundly appreciated the exquisite¹⁵ artistry of both these. No French writer, however, has moved me so much as the Spanish, for the French are wanting in the humor which endears these, and is the quintessence of their charm.
You cannot be at perfect ease with a friend who does not joke, and I suppose this is what deprived me of a final satisfaction in the company of Anthony Trollope, who jokes heavily or not at all, and whom I should otherwise make bold to declare the greatest of English novelists; as it is, I must put before him Jane Austen, whose books, late in life, have been a youthful rapture¹⁶ with me. Even without, much humor Trollope’s books have been a vast pleasure to me through their simple truthfulness¹⁷. Perhaps if they were more humorous they would not be so true to the British life and character present in them in the whole length and breadth of its expansive commonplaceness. It is their serious fidelity¹⁸ which gives them a value unique in literature, and which if it were carefully analyzed¹⁹ would afford a principle of the same quality in an author who was undoubtedly²⁰ one of the finest of artists as well as the most Philistine²¹ of men.
I came rather late, but I came with all the ardor²² of what seems my perennial²³ literary youth, to the love of Thomas Hardy²⁴, whom I first knew in his story ‘A Pair of Blue Eyes.’ As usual, after I had read this book and felt the new charm in it, I wished to read the books of no other author, and to read his books over and over. I love even the faults of Hardy; I will let him play me any trick he chooses (and he is not above playing tricks, when he seems to get tired of his story or perplexed²⁵ with it), if only he will go on making his peasants talk, and his rather uncertain ladies get in and out of love, and serve themselves of every chance that fortune offers them of having their own way. We shrink from the unmorality of the Latin races, but Hardy has divined in the heart of our own race a lingering heathenism, which, if not Greek, has certainly been no more baptized than the neo-hellenism of the Parisians. His heroines especially exemplify it, and I should be safe in saying that his Ethelbertas, his Eustacias, his Elfridas, his Bathshebas, his Fancies, are wholly pagan. I should not dare to ask how much of their charm came from that fact; and the author does not fail to show you how much harm, so that it is not on my conscience. His people live very close to the heart of nature, and no one, unless it is Tourguenief, gives you a richer and sweeter sense of her unity²⁶ with human nature. Hardy is a great poet as well as a great humorist, and if he were not a great artist also his humor would be enough to endear him to me.

1 inferno   

n.火海；地狱般的场所

参考例句：

• Rescue workers fought to get to victims inside the inferno.救援人员奋力营救大火中的受害者。
• The burning building became an inferno.燃烧着的大楼成了地狱般的地方。

2 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

3 conjure   

v.恳求，祈求；变魔术，变戏法

参考例句：

• I conjure you not to betray me.我恳求你不要背弃我。
• I can't simply conjure up the money out of thin air.我是不能像变魔术似的把钱变来。

4 portrayed   

v.画像( portray的过去式和过去分词 )；描述；描绘；描画

参考例句：

• Throughout the trial, he portrayed himself as the victim. 在审讯过程中，他始终把自己说成是受害者。
• The author portrayed his father as a vicious drunkard. 作者把他父亲描绘成一个可恶的酒鬼。 来自《现代汉英综合大词典》

5 truthful   

adj.真实的，说实话的，诚实的

参考例句：

• You can count on him for a truthful report of the accident.你放心，他会对事故作出如实的报告的。
• I don't think you are being entirely truthful.我认为你并没全讲真话。

6 infinitely   

adv.无限地，无穷地

参考例句：

• There is an infinitely bright future ahead of us.我们有无限光明的前途。
• The universe is infinitely large.宇宙是无限大的。

7 caustic   

adj.刻薄的，腐蚀性的

参考例句：

• He opened his mouth to make a caustic retort.他张嘴开始进行刻薄的反击。
• He enjoys making caustic remarks about other people.他喜欢挖苦别人。

8 tardily   

adv.缓慢

参考例句：

• Notice came so tardily that we almost missed the deadline. 通知下达的太慢了，我几乎都错过了最后期限。 来自互联网
• He always replied rather tardily to my letters. 他对我的信总是迟迟不作答复。 来自互联网

9 admiration   

n.钦佩，赞美，羡慕

参考例句：

• He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
• We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。

10 epic   

n.史诗，叙事诗；adj.史诗般的，壮丽的

参考例句：

• I gave up my epic and wrote this little tale instead.我放弃了写叙事诗，而写了这个小故事。
• They held a banquet of epic proportions.他们举行了盛大的宴会。

11 abhorrent   

adj.可恶的，可恨的，讨厌的

参考例句：

• He is so abhorrent,saying such bullshit to confuse people.他这样乱说，妖言惑众，真是太可恶了。
• The idea of killing animals for food is abhorrent to many people.许多人想到杀生取食就感到憎恶。

12 possessed   

adj.疯狂的；拥有的，占有的

参考例句：

• He flew out of the room like a man possessed.他像着了魔似地猛然冲出房门。
• He behaved like someone possessed.他行为举止像是魔怔了。

13 fascination   

n.令人着迷的事物，魅力，迷恋

参考例句：

• He had a deep fascination with all forms of transport.他对所有的运输工具都很着迷。
• His letters have been a source of fascination to a wide audience.广大观众一直迷恋于他的来信。

14 immoral   

adj.不道德的，淫荡的，荒淫的，有伤风化的

参考例句：

• She was questioned about his immoral conduct toward her.她被询问过有关他对她的不道德行为的情况。
• It is my belief that nuclear weapons are immoral.我相信使核武器是不邪恶的。

15 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

16 rapture   

n.狂喜；全神贯注；着迷；v.使狂喜

参考例句：

• His speech was received with rapture by his supporters.他的演说受到支持者们的热烈欢迎。
• In the midst of his rapture,he was interrupted by his father.他正欢天喜地，被他父亲打断了。

17 truthfulness   

n. 符合实际

参考例句：

• Among her many virtues are loyalty, courage, and truthfulness. 她有许多的美德，如忠诚、勇敢和诚实。
• I fired a hundred questions concerning the truthfulness of his statement. 我对他发言的真实性提出一连串质问。

18 fidelity   

n.忠诚，忠实；精确

参考例句：

• There is nothing like a dog's fidelity.没有什么能比得上狗的忠诚。
• His fidelity and industry brought him speedy promotion.他的尽职及勤奋使他很快地得到晋升。

19 analyzed   

v.分析( analyze的过去式和过去分词 )；分解；解释；对…进行心理分析

参考例句：

• The doctors analyzed the blood sample for anemia. 医生们分析了贫血的血样。 来自《简明英汉词典》
• The young man did not analyze the process of his captivation and enrapturement, for love to him was a mystery and could not be analyzed. 这年轻人没有分析自己蛊惑著迷的过程，因为对他来说，爱是个不可分析的迷。 来自《简明英汉词典》

20 undoubtedly   

adv.确实地，无疑地

参考例句：

• It is undoubtedly she who has said that.这话明明是她说的。
• He is undoubtedly the pride of China.毫无疑问他是中国的骄傲。

21 philistine   

n.庸俗的人；adj.市侩的，庸俗的

参考例句：

• I believe he seriously thinks me an awful Philistine.我相信，他真的认为我是个不可救药的庸人。
• Do you know what a philistine is,jim?吉姆，知道什么是庸俗吗?

22 ardor   

n.热情，狂热

参考例句：

• His political ardor led him into many arguments.他的政治狂热使他多次卷入争论中。
• He took up his pursuit with ardor.他满腔热忱地从事工作。

23 perennial   

adj.终年的；长久的

参考例句：

• I wonder at her perennial youthfulness.我对她青春常驻感到惊讶。
• There's a perennial shortage of teachers with science qualifications.有理科教学资格的老师一直都很短缺。

24 hardy   

adj.勇敢的，果断的，吃苦的；耐寒的

参考例句：

• The kind of plant is a hardy annual.这种植物是耐寒的一年生植物。
• He is a hardy person.他是一个能吃苦耐劳的人。

25 perplexed   

adj.不知所措的

参考例句：

• The farmer felt the cow,went away,returned,sorely perplexed,always afraid of being cheated.那农民摸摸那头牛，走了又回来，犹豫不决，总怕上当受骗。
• The child was perplexed by the intricate plot of the story.这孩子被那头绪纷繁的故事弄得迷惑不解。

26 unity   

n.团结，联合，统一；和睦，协调

参考例句：

• When we speak of unity,we do not mean unprincipled peace.所谓团结，并非一团和气。
• We must strengthen our unity in the face of powerful enemies.大敌当前，我们必须加强团结。