But now the scene was changed. Around the jet table were grouped a number of figures — Lugur, Yolara beside him; seven others-all of them fair-haired and all men save one who sat at the left of the priestess — an old, old woman, how old I could not tell, her face bearing traces of beauty that must once have been as great as Yolara’s own, but now ravaged2, in some way awesome3; through its ruins the fearful, malicious4 gaiety shining out like a spirit of joy held within a corpse5!
Began then our examination, for such it was. And as it progressed I was more and more struck by the change in the O’Keefe. All flippancy6 was gone, rarely did his sense of humour reveal itself in any of his answers. He was like a cautious swordsman, fencing, guarding, studying his opponent; or rather, like a chess-player who keeps sensing some far-reaching purpose in the game: alert, contained, watchful7. Always he stressed the power of our surface races, their multitudes, their solidarity8.
Their questions were myriad9. What were our occupations? Our system of government? How great were the waters? The land? Intensely interested were they in the World War, querying10 minutely into its causes, its effects. In our weapons their interest was avid11. And they were exceedingly minute in their examination of us as to the ruins which had excited our curiosity; their position and surroundings — and if others than ourselves might be expected to find and pass through their entrance!
At this I shot a glance at Lugur. He did not seem unduly12 interested. I wondered if the Russian had told him as yet of the girl of the rosy13 wall of the Moon Pool Chamber14 and the real reasons for our search. Then I answered as briefly15 as possible — omitting all reference to these things. The red dwarf16 watched me with unmistakable amusement — and I knew Marakinoff had told him. But clearly Lugur had kept his information even from Yolara; and as clearly she had spoken to none of that episode when O’Keefe’s automatic had shattered the Keth-smitten vase. Again I felt that sense of deep bewilderment — of helpless search for clue to all the tangle17.
For two hours we were questioned and then the priestess called Rador and let us go.
Larry was sombre as we returned. He walked about the room uneasily.
“Hell’s brewing18 here all right,” he said at last, stopping before me. “I can’t make out just the particular brand — that’s all that bothers me. We’re going to have a stiff fight, that’s sure. What I want to do quick is to find the Golden Girl, Doc. Haven’t seen her on the wall lately, have you?” he queried20, hopefully fantastic.
“Laugh if you want to,” he went on. “But she’s our best bet. It’s going to be a race between her and the O’Keefe banshee — but I put my money on her. I had a queer experience while I was in that garden, after you’d left.” His voice grew solemn. “Did you ever see a leprechaun, Doc?” I shook my head again, as solemnly. “He’s a little man in green,” said Larry. “Oh, about as high as your knee. I saw one once — in Carntogher Woods. And as I sat there, half asleep, in Yolara’s garden, the living spit of him stepped out from one of those bushes, twirling a little shillalah.
“‘It’s a tight box ye’re gettin’ in, Larry avick,’ said he, ‘but don’t ye be downhearted, lad.’
“‘I’m carrying on,’ said I, ‘but you’re a long way from Ireland,’ I said, or thought I did.
“‘Ye’ve a lot o’ friends there,’ he answered. ‘An’ where the heart rests the feet are swift to follow. Not that I’m sayin’ I’d like to live here, Larry,’ said he.
“‘I know where my heart is now,’ I told him. ‘It rests on a girl with golden eyes and the hair and swan-white breast of Eilidh the Fair — but me feet don’t seem to get me to her,’ I said.”
The brogue thickened.
“An’ the little man in green nodded his head an’ whirled his shillalah.
“‘It’s what I came to tell ye,’ says he. ‘Don’t ye fall for the Bhean–Nimher, the serpent woman wit’ the blue eyes; she’s a daughter of Ivor, lad — an’ don’t ye do nothin’ to make the brown-haired coleen ashamed o’ ye, Larry O’Keefe. I knew yer great, great grandfather an’ his before him, aroon,’ says he, ‘an’ wan19 o’ the O’Keefe failin’s is to think their hearts big enough to hold all the wimmen o’ the world. A heart’s built to hold only wan permanently21, Larry,’ he says, ‘an’ I’m warnin’ ye a nice girl don’t like to move into a place all cluttered22 up wid another’s washin’ an’ mendin’ an’ cookin’ an’ other things pertainin’ to general wife work. Not that I think the blue-eyed wan is keen for mendin’ an’ cookin’!’ says he.
“‘You don’t have to be comin’ all this way to tell me that,’ I answer.
“‘Well, I’m just a tellin’ you,’ he says. ‘Ye’ve got some rough knocks comin’, Larry. In fact, ye’re in for a devil of a time. But, remember that ye’re the O’Keefe,’ says he. ‘An’ while the bhoys are all wid ye, avick, ye’ve got to be on the job yourself.’
“‘I hope,’ I tell him, ‘that the O’Keefe banshee can find her way here in time — that is, if it’s necessary, which I hope it won’t be.’
“‘Don’t ye worry about that,’ says he. ‘Not that she’s keen on leavin’ the ould sod, Larry. The good ould soul’s in quite a state o’ mind about ye, aroon. I don’t mind tellin’ ye, lad, that she’s mobilizing all the clan23 an’ if she HAS to come for ye, avick, they’ll be wid her an’ they’ll sweep this joint24 clean before ye go. What they’ll do to it’ll make the Big Wind look like a summer breeze on Lough Lene! An’ that’s about all, Larry. We thought a voice from the Green Isle25 would cheer ye. Don’t fergit that ye’re the O’Keefe an’ I say it again — all the bhoys are wid ye. But we want t’ kape bein’ proud o’ ye, lad!’
“An’ I looked again and there was only a bush waving.”
There wasn’t a smile in my heart — or if there was it was a very tender one.
“I’m going to bed,” he said abruptly26. “Keep an eye on the wall, Doc!”
Between the seven sleeps that followed, Larry and I saw but little of each other. Yolara sought him more and more. Thrice we were called before the Council; once we were at a great feast, whose splendours and surprises I can never forget. Largely I was in the company of Rador. Together we two passed the green barriers into the dwelling27 — place of the ladala.
They seemed provided with everything needful for life. But everywhere was an oppressiveness, a gathering28 together of hate, that was spiritual rather than material — as tangible29 as the latter and far, far more menacing!
“They do not like to dance with the Shining One,” was Rador’s constant and only reply to my efforts to find the cause.
Once I had concrete evidence of the mood. Glancing behind me, I saw a white, vengeful face peer from behind a tree-trunk, a hand lift, a shining dart30 speed from it straight toward Rador’s back. Instinctively31 I thrust him aside. He turned upon me angrily. I pointed32 to where the little missile lay, still quivering, on the ground. He gripped my hand.
“That, some day I will repay!” he said. I looked again at the thing. At its end was a tiny cone33 covered with a glistening34, gelatinous substance.
Rador pulled from a tree beside us a fruit somewhat like an apple.
“Look!” he said. He dropped it upon the dart — and at once, before my eyes, in less than ten seconds, the fruit had rotted away!
“That’s what would have happened to Rador but for you, friend!” he said.
Come now between this and the prelude35 to the latter half of the drama whose history this narrative36 is — only scattering37 and necessarily fragmentary observations.
First — the nature of the ebon opacities38, blocking out the spaces between the pavilion-pillars or covering their tops like roofs, These were magnetic fields, light absorbers, negativing the vibrations39 of radiance; literally40 screens of electric force which formed as impervious41 a barrier to light as would have screens of steel.
They instantaneously made night appear in a place where no night was. But they interposed no obstacle to air or to sound. They were extremely simple in their inception42 — no more miraculous43 than is glass, which, inversely44, admits the vibrations of light, but shuts out those coarser ones we call air — and, partly, those others which produce upon our auditory nerves the effects we call sound.
Briefly their mechanism45 was this:
[For the same reason that Dr. Goodwin’s exposition of the mechanism of the atomic engines was deleted, his description of the light-destroying screens has been deleted by the Executive Council. — J. B. F., President, I. A. of S.]
There were two favoured classes of the ladala — the soldiers and the dream-makers. The dream-makers were the most astonishing social phenomena46, I think, of all. Denied by their circumscribed47 environment the wider experiences of us of the outer world, the Murians had perfected an amazing system of escape through the imagination.
They were, too, intensely musical. Their favourite instruments were double flutes48; immensely complex pipe-organs; harps49, great and small. They had another remarkable50 instrument made up of a double octave of small drums which gave forth51 percussions remarkably52 disturbing to the emotional centres.
It was this love of music that gave rise to one of the few truly humorous incidents of our caverned life. Larry came to me — it was just after our fourth sleep, I remember.
“Come on to a concert,” he said.
We skimmed off to one of the bridge garrisons53. Rador called the two-score guards to attention; and then, to my utter stupefaction, the whole company, O’Keefe leading them, roared out the anthem54, “God Save the King.” They sang — in a closer approach to the English than might have been expected scores of miles below England’s level. “Send him victorious55! Happy and glorious!” they bellowed56.
He quivered with suppressed mirth at my paralysis57 of surprise.
“Taught ’em that for Marakinoff’s benefit!” he gasped58. “Wait till that Red hears it. He’ll blow up.
“Just wait until you hear Yolara lisp a pretty little thing I taught her,” said Larry as we set back for what we now called home. There was an impish twinkle in his eyes.
And I did hear. For it was not many minutes later that the priestess condescended59 to command me to come to her with O’Keefe.
“Show Goodwin how much you have learned of our speech, O lady of the lips of honeyed flame!” murmured Larry.
She hesitated; smiled at him, and then from that perfect mouth, out of the exquisite60 throat, in the voice that was like the chiming of little silver bells, she trilled a melody familiar to me indeed:
“She’s only a bird in a gilded61 cage,
A bee-yu-tiful sight to see —”
And so on to the bitter end.
“She thinks it’s a love-song,” said Larry when we had left. “It’s only part of a repertoire62 I’m teaching her. Honestly, Doc, it’s the only way I can keep my mind clear when I’m with her,” he went on earnestly. “She’s a devil-ess from hell — but a wonder. Whenever I find myself going I get her to sing that, or Take Back Your Gold! or some other ancient lay, and I’m back again — pronto — with the right perspective! POP goes all the mystery! ‘Hell!’ I say, ‘she’s only a woman!’”
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1
abruptness
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| n. 突然，唐突 | |
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2
ravaged
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| 毁坏( ravage的过去式和过去分词 )； 蹂躏； 劫掠； 抢劫 | |
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awesome
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| adj.令人惊叹的，难得吓人的，很好的 | |
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malicious
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| adj.有恶意的，心怀恶意的 | |
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corpse
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| n.尸体，死尸 | |
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flippancy
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| n.轻率；浮躁；无礼的行动 | |
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watchful
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| adj.注意的，警惕的 | |
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solidarity
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| n.团结；休戚相关 | |
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9
myriad
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| adj.无数的；n.无数，极大数量 | |
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10
querying
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| v.质疑，对…表示疑问( query的现在分词 )；询问 | |
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avid
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| adj.热心的；贪婪的；渴望的；劲头十足的 | |
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unduly
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| adv.过度地，不适当地 | |
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rosy
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| adj.美好的，乐观的，玫瑰色的 | |
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chamber
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| n.房间，寝室；会议厅；议院；会所 | |
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15
briefly
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| adv.简单地，简短地 | |
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dwarf
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| n.矮子，侏儒，矮小的动植物；vt.使…矮小 | |
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17
tangle
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| n.纠缠；缠结；混乱；v.(使)缠绕；变乱 | |
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18
brewing
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| n. 酿造, 一次酿造的量 动词brew的现在分词形式 | |
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19
wan
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| (wide area network)广域网 | |
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20
queried
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| v.质疑，对…表示疑问( query的过去式和过去分词 )；询问 | |
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21
permanently
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| adv.永恒地，永久地，固定不变地 | |
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22
cluttered
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| v.杂物，零乱的东西零乱vt.( clutter的过去式和过去分词 )；乱糟糟地堆满，把…弄得很乱；（以…） 塞满… | |
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clan
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| n.氏族，部落，宗族，家族，宗派 | |
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joint
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| adj.联合的，共同的；n.关节，接合处；v.连接，贴合 | |
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isle
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| n.小岛，岛 | |
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abruptly
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| adv.突然地，出其不意地 | |
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dwelling
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| n.住宅，住所，寓所 | |
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28
gathering
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| n.集会，聚会，聚集 | |
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29
tangible
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| adj.有形的，可触摸的，确凿的，实际的 | |
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dart
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| v.猛冲，投掷；n.飞镖，猛冲 | |
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instinctively
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| adv.本能地 | |
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pointed
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| adj.尖的，直截了当的 | |
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cone
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| n.圆锥体，圆锥形东西，球果 | |
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glistening
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| adj.闪耀的，反光的v.湿物闪耀，闪亮( glisten的现在分词 ) | |
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prelude
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| n.序言，前兆，序曲 | |
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narrative
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| n.叙述，故事；adj.叙事的，故事体的 | |
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37
scattering
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| n.[物]散射；散乱，分散；在媒介质中的散播adj.散乱的；分散在不同范围的；广泛扩散的；（选票）数量分散的v.散射(scatter的ing形式)；散布；驱散 | |
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38
opacities
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| n.不透明性( opacity的名词复数 )；费解；难懂；模糊 | |
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39
vibrations
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| n.摆动( vibration的名词复数 )；震动；感受；（偏离平衡位置的）一次性往复振动 | |
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40
literally
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| adv.照字面意义，逐字地；确实 | |
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41
impervious
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| adj.不能渗透的，不能穿过的，不易伤害的 | |
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inception
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| n.开端，开始，取得学位 | |
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miraculous
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| adj.像奇迹一样的，不可思议的 | |
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inversely
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| adj.相反的 | |
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45
mechanism
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| n.机械装置；机构，结构 | |
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46
phenomena
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| n.现象 | |
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47
circumscribed
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| adj.[医]局限的：受限制或限于有限空间的v.在…周围划线( circumscribe的过去式和过去分词 )；划定…范围；限制；限定 | |
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48
flutes
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| 长笛( flute的名词复数 )； 细长香槟杯（形似长笛） | |
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49
harps
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| abbr.harpsichord 拨弦古钢琴n.竖琴( harp的名词复数 ) | |
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50
remarkable
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| adj.显著的，异常的，非凡的，值得注意的 | |
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51
forth
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| adv.向前；向外，往外 | |
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52
remarkably
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| ad.不同寻常地，相当地 | |
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53
garrisons
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| 守备部队，卫戍部队( garrison的名词复数 ) | |
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54
anthem
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| n.圣歌，赞美诗，颂歌 | |
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55
victorious
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| adj.胜利的，得胜的 | |
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56
bellowed
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| v.发出吼叫声，咆哮（尤指因痛苦）( bellow的过去式和过去分词 )；（愤怒地）说出（某事），大叫 | |
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57
paralysis
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| n.麻痹(症)；瘫痪(症) | |
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58
gasped
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| v.喘气( gasp的过去式和过去分词 )；喘息；倒抽气；很想要 | |
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59
condescended
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| 屈尊，俯就( condescend的过去式和过去分词 )； 故意表示和蔼可亲 | |
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60
exquisite
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| adj.精美的；敏锐的；剧烈的，感觉强烈的 | |
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61
gilded
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| a.镀金的，富有的 | |
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62
repertoire
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| n.(准备好演出的)节目，保留剧目；(计算机的)指令表，指令系统， <美>(某个人的)全部技能；清单，指令表 | |
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