Another news piece, this one apparently1 done a few years later. Again we are on the Enterprise, but this time the atmosphere is different again. The top deck has been turned into an open-air refugee camp. It is swarming2 with Bangladeshis that L. Bob Rife3 plucked out of the Bay of Bengal after their country washed into the ocean in a series of massive floods, caused by deforestation farther upstream in India -- hydrological warfare5. The camera pans to look out over the edge of the flight deck, and down below, we see the first beginnings of the Raft: a relatively6 small collection of a few hundred boats that have glommed onto the Enterprise, hoping for a free ride across to America.
Rife's walking among the people, handing out Bible comics and kisses to little kids. They cluster around with broad smiles, pressing their palms together and bowing. Rife bows back, very awkwardly, but there's no gaiety on his face. He's deadly serious.
"Mr.Rife, what's your opinion of the people who say you're just doing this as a self-aggrandizing publicity7 stunt8?" This interviewer is trying to be more of a Bad Cop.
"Shit, if I took time out to have an opinion about everything, I wouldn't get any work done," L. Bob Rife says. "You should ask these people what they think."
"You're telling me that this refugee assistance program has nothing to do with your public image?"
"Nope. L -- "
There's an edit and they cut away to the journalist, pontificating into the camera. Rife was on the verge9 of delivering a sermon, Hiro senses, but they cut him off.
But one of the true glories of the Library is that it has so many outtakes. Just because a piece of videotape never got edited into a broadcast program doesn't mean it's devoid10 of intel value. CIC long ago stuck its fingers into the networks' videotape libraries. All of those outtakes -- millions of hours of footage -- have not actually been uploaded to the Library in digital form yet. But you can send in a request, and CIC will go and pull that videotape off the shelf for you and play it back.
Lagos has already done it. The tape is right there.
"Nope. Look. The Raft is a media event. But in a much more profound, general sense than you can possibly imagine."
"Huh?"
"It's created by the media in that without the media, people wouldn't know it was here, Refus wouldn't come out and glom onto it the way they do. And it sustains the media. It creates a lot of information flow-movies, news reports -- you know."
"So you're creating your own news event to make money off the information flow that it creates?" says the journalist, desperately11 trying to follow. His tone of voice says that this is all a waste of videotape. His weary attitude suggests that this is not the first time Rife has flown off on a bizarre tangent.
"Partly. But that's only a very crude explanation. It really goes a lot deeper than that. You've probably heard the expression that the Industry feeds off of biomass, like a whale straining krill from the ocean."
"I've heard the expression, yes."
"That's my expression. I made it up. An expression like that is just like a virus, you know -- it's a piece of information -- data -- that spreads from one person to the next. Well, the function of the Raft is to bring more biomass. To renew America. Most countries are static, all they need to do is keep having babies. But America's like this big old clanking, smoking machine that just lumbers12 across the landscape scooping13 up and eating everything in sight. Leaves behind a trail of garbage a mile wide. Always needs more fuel. Ever read the story about the labyrinth14 and the minotaur?"
"Sure. That was on Crete, right?" The journalist only answers out of sarcasm15; he can't believe he's here listening to this, he wants to fly back to L.A. yesterday.
"Yeah. Every year, the Greeks had to pony16 up a few virgins17 and send them to Crete as tribute. Then the king put them into the labyrinth, and the minotaur ate them up. I used to read that story when I was a kid and wonder who the hell these guys were, on Crete, that everyone else was so scared of them that they would just meekly18 give up their children to be eaten, every year. They must have been some mean sons of bitches.
"Now I have a different perspective on it. America must look, to those poor little buggers down there, about the same as Crete looked to those poor Greek suckers. Except that there's no coercion19 involved. Those people down there give up their children willingly. Send them into the labyrinth by the millions to be eaten up. The Industry feeds on them and spits back images, sends out movies and TV programs, over my networks, images of wealth and exotic things beyond their wildest dreams, back to those people, and it gives them something to dream about, something to aspire20 to. And that is the function of the Raft. It's just a big old krill carrier."
Finally the journalist gives up on being a journalist, just starts to slag21 L. Bob Rife openly. He's had it with this guy. "That's disgusting. I can't believe you can think about people that way."
"Shit, boy, get down off your high horse. Nobody really gets eaten. It's just a figure of speech. They come here, they get decent jobs, find Christ, buy a Weber grill22, and live happily ever after. What's wrong with that?"
Rife is pissed. He's yelling. Behind him, the Bangladeshis are picking up on his emotional vibes and becoming upset themselves. Suddenly, one of them, an incredibly gaunt man with a long drooping23 mustache, runs in front of the camera and begins to shout: "a ma la ge zen ba dam gal4 nun24 ka aria25 su su na an da ... " The sounds spread from him to his neighbors, spreading across the flight deck like a wave.
"Cut," the journalist says, turning into the camera. "Just cut. The Babble26 Brigade has started up again."
The soundtrack now consists of a thousand people speaking in tongues under the high-pitched, shit-eating chuckles27 of L. Bob Rife.
"This is the miracle of tongues," Rife shouts above the tumult28. "I can understand every word these people are saying. Can you, brother?"
收听单词发音 |
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apparently
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| adv.显然地；表面上，似乎 | |
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swarming
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| 密集( swarm的现在分词 )； 云集； 成群地移动； 蜜蜂或其他飞行昆虫成群地飞来飞去 | |
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rife
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| adj.(指坏事情)充斥的，流行的，普遍的 | |
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gal
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| n.姑娘，少女 | |
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warfare
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| n.战争(状态)；斗争；冲突 | |
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relatively
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| adv.比较...地，相对地 | |
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publicity
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| n.众所周知，闻名；宣传，广告 | |
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stunt
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| n.惊人表演，绝技，特技；vt.阻碍...发育，妨碍...生长 | |
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verge
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| n.边，边缘；v.接近，濒临 | |
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devoid
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| adj.全无的，缺乏的 | |
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desperately
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| adv.极度渴望地，绝望地，孤注一掷地 | |
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lumbers
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| 砍伐（lumber的第三人称单数形式） | |
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scooping
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| n.捞球v.抢先报道( scoop的现在分词 )；（敏捷地）抱起；抢先获得；用铲[勺]等挖（洞等） | |
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labyrinth
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| n.迷宫；难解的事物；迷路 | |
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sarcasm
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| n.讥讽，讽刺，嘲弄，反话 （adj.sarcastic） | |
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pony
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| adj.小型的；n.小马 | |
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virgins
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| 处女，童男( virgin的名词复数 )； 童贞玛利亚（耶稣之母） | |
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meekly
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| adv.温顺地，逆来顺受地 | |
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coercion
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| n.强制，高压统治 | |
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aspire
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| vi.(to，after)渴望，追求，有志于 | |
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slag
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| n.熔渣，铁屑，矿渣；v.使变成熔渣，变熔渣 | |
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grill
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| n.烤架，铁格子，烤肉；v.烧，烤，严加盘问 | |
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drooping
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| adj. 下垂的，无力的 动词droop的现在分词 | |
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nun
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| n.修女，尼姑 | |
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aria
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| n.独唱曲，咏叹调 | |
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babble
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| v.含糊不清地说，胡言乱语地说，儿语 | |
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chuckles
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| 轻声地笑( chuckle的名词复数 ) | |
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tumult
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| n.喧哗；激动，混乱；吵闹 | |
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