I always liked working tough murder cases with Kyle Craig, so I was glad that he would be joining Jamilla Hughes and me in Los Angeles later that day. I was surprised, however, when I saw him already at the murder scene in Beverly Hills when we arrived. The body had been found at the Chateau1 Marmont, the hotel where John Belushi had overdosed and died.
The hotel looked like a French castle and rose seven stories over the Sunset Strip. As I entered the lobby, I noticed that everything looked to be authentic2 1920s, but dated rather than antique. Supposedly, a studio boss had once told the actor William Holden, If you have to get into trouble, do it at the Chateau Marmont.’ Kyle met us at the door of the hotel room. His dark hair was slicked back and it looked like he’d gotten a little sun. Unusual for Kyle. I almost didn’t recognize him.
‘This is Kyle Craig, FBI,’I told Jamilla.’Before I met you, he was the best homicide investigator3 I ever worked with.’ Kyle and Jamilla shook hands. Then we followed him into the hotel room. Actually, it was a hillside bungalow4: two bedrooms, a living room with a working fireplace. It had its own private street entrance.
The crime scene was as depressingly bad as the others. I recalled something typically pessimistic that a philosopher had written. I’d once had this same thought at a grisly crime scene in North Carolina: ‘Human existence must be a kind of error. It is bad today and every day it will get worse, until the worst of all happens.’ My own philosophy was a little cheerier than Schopenhauer’s, but there were times when he seemed on the mark.
The worst of all had happened to a twenty-nine-year-old record company executive named Jonathan Mueller, and in the worst possible way. There were bites on his neck. I didn’t see any knife cuts. Mueller had been hung from a lighting5 fixture6 in the hotel room. His skin was waxy7 and translucent8 and I didn’t think he had been dead very long.
The three of us moved closer to the hanging body. It was swaying slightly, and still dripping blood.
‘The major bites are all in his neck/I said.’It looks like role-playing vampires9 again. The hanging has to be their ritual, maybe their signature.’
‘This is so goddamn creepy,’Jamilla whispered.’This poor guy had the blood sucked out of him. It almost looks like a sex crime.’ ‘I think it is,’ Kyle said. ‘I think they seduced10 him first.’ Just then the cell phone in my jacket pocket went off. The timing11 couldn’t have been worse.
I looked at Kyle before I answered the call.’It could be him,’I said.
‘The Mastermind.’
I put the receiver to my ear.
‘How do you like LA, Alex?’ the Mastermind asked in his usual mechanical drone. ‘The dead pretty much look the same everywhere, don’t they?’
I nodded at Kyle. He understood who was on the line. The Mastermind.
He motioned for me to give him the phone and I handed it over. I watched his face as he listened, then frowned deeply. Kyle finally took the phone away from his ear.
‘He broke off the connection,’ he said. ‘It was like he knew you weren’t on the line anymore. How did he know, Alex? How does the bastard12 know so much? What the hell does he want from you?’ I stared at the slowly revolving13 corpse14, and I didn’t have any answers. None at all. I felt drained myself.
1 chateau | |
n.城堡,别墅 | |
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2 authentic | |
a.真的,真正的;可靠的,可信的,有根据的 | |
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3 investigator | |
n.研究者,调查者,审查者 | |
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4 bungalow | |
n.平房,周围有阳台的木造小平房 | |
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5 lighting | |
n.照明,光线的明暗,舞台灯光 | |
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6 fixture | |
n.固定设备;预定日期;比赛时间;定期存款 | |
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7 waxy | |
adj.苍白的;光滑的 | |
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8 translucent | |
adj.半透明的;透明的 | |
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9 vampires | |
n.吸血鬼( vampire的名词复数 );吸血蝠;高利贷者;(舞台上的)活板门 | |
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10 seduced | |
诱奸( seduce的过去式和过去分词 ); 勾引; 诱使堕落; 使入迷 | |
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11 timing | |
n.时间安排,时间选择 | |
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12 bastard | |
n.坏蛋,混蛋;私生子 | |
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13 revolving | |
adj.旋转的,轮转式的;循环的v.(使)旋转( revolve的现在分词 );细想 | |
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14 corpse | |
n.尸体,死尸 | |
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