The ‘poor learned gentleman’ was sitting at a table in the window, looking at something very small which he held in a pair of fine pincers. He had a round spy-glass sort of thing in one eye—which reminded the children of watchmakers, and also of the long snail’s eyes of the Psammead. The gentleman was very long and thin, and his long, thin boots stuck out under the other side of his table. He did not hear the door open, and the children stood hesitating. At last Robert gave the door a push, and they all started back, for in the middle of the wall that the door had hidden was a mummy-case—very, very, very big—painted in red and yellow and green and black, and the face of it seemed to look at them quite angrily.
You know what a mummy-case is like, of course? If you don’t you had better go to the British Museum at once and find out. Anyway, it is not at all the sort of thing that you expect to meet in a top-floor front in Bloomsbury, looking as though it would like to know what business YOU had there.
So everyone said, ‘Oh!’ rather loud, and their boots clattered3 as they stumbled back.
The learned gentleman took the glass out of his eye and said—‘I beg your pardon,’ in a very soft, quiet pleasant voice—the voice of a gentleman who has been to Oxford4.
‘It’s us that beg yours,’ said Cyril politely. ‘We are sorry to disturb you.’
‘Come in,’ said the gentleman, rising—with the most distinguished5 courtesy, Anthea told herself. ‘I am delighted to see you. Won’t you sit down? No, not there; allow me to move that papyrus6.’
He cleared a chair, and stood smiling and looking kindly7 through his large, round spectacles.
‘He treats us like grown-ups,’ whispered Robert, ‘and he doesn’t seem to know how many of us there are.’
‘Hush,’ said Anthea, ‘it isn’t manners to whisper. You say, Cyril—go ahead.’
‘We’re very sorry to disturb you,’ said Cyril politely, ‘but we did knock three times, and you didn’t say “Come in”, or “Run away now”, or that you couldn’t be bothered just now, or to come when you weren’t so busy, or any of the things people do say when you knock at doors, so we opened it. We knew you were in because we heard you sneeze while we were waiting.’
‘Not at all,’ said the gentleman; ‘do sit down.’
‘He has found out there are four of us,’ said Robert, as the gentleman cleared three more chairs. He put the things off them carefully on the floor. The first chair had things like bricks that tiny, tiny birds’ feet have walked over when the bricks were soft, only the marks were in regular lines. The second chair had round things on it like very large, fat, long, pale beads8. And the last chair had a pile of dusty papers on it. The children sat down.
‘We know you are very, very learned,’ said Cyril, ‘and we have got a charm, and we want you to read the name on it, because it isn’t in Latin or Greek, or Hebrew, or any of the languages WE know—’
‘A thorough knowledge of even those languages is a very fair foundation on which to build an education,’ said the gentleman politely.
‘Oh!’ said Cyril blushing, ‘but we only know them to look at, except Latin—and I’m only in Caesar with that.’ The gentleman took off his spectacles and laughed. His laugh sounded rusty9, Cyril thought, as though it wasn’t often used.
‘Of course!’ he said. ‘I’m sure I beg your pardon. I think I must have been in a dream. You are the children who live downstairs, are you not? Yes. I have seen you as I have passed in and out. And you have found something that you think to be an antiquity10, and you’ve brought it to show me? That was very kind. I should like to inspect it.’
‘I’m afraid we didn’t think about your liking11 to inspect it,’ said the truthful12 Anthea. ‘It was just for US because we wanted to know the name on it—’
‘Oh, yes—and, I say,’ Robert interjected, ‘you won’t think it rude of us if we ask you first, before we show it, to be bound in the what-do-you-call-it of—’
‘In the bonds of honour and upright dealing,’ said Anthea.
‘I’m afraid I don’t quite follow you,’ said the gentleman, with gentle nervousness.
‘Well, it’s this way,’ said Cyril. ‘We’ve got part of a charm. And the Sammy—I mean, something told us it would work, though it’s only half a one; but it won’t work unless we can say the name that’s on it. But, of course, if you’ve got another name that can lick ours, our charm will be no go; so we want you to give us your word of honour as a gentleman—though I’m sure, now I’ve seen you, that it’s not necessary; but still I’ve promised to ask you, so we must. Will you please give us your honourable13 word not to say any name stronger than the name on our charm?’
The gentleman had put on his spectacles again and was looking at Cyril through them. He now said: ‘Bless me!’ more than once, adding, ‘Who told you all this?’
‘I can’t tell you,’ said Cyril. ‘I’m very sorry, but I can’t.’
Some faint memory of a far-off childhood must have come to the learned gentleman just then, for he smiled. ‘I see,’ he said. ‘It is some sort of game that you are engaged in? Of course! Yes! Well, I will certainly promise. Yet I wonder how you heard of the names of power?’
‘We can’t tell you that either,’ said Cyril; and Anthea said, ‘Here is our charm,’ and held it out.
With politeness, but without interest, the gentleman took it. But after the first glance all his body suddenly stiffened14, as a pointer’s does when he sees a partridge.
‘Excuse me,’ he said in quite a changed voice, and carried the charm to the window. He looked at it; he turned it over. He fixed his spy-glass in his eye and looked again. No one said anything. Only Robert made a shuffling15 noise with his feet till Anthea nudged him to shut up. At last the learned gentleman drew a long breath.
‘Where did you find this?’ he asked.
‘We didn’t find it. We bought it at a shop. Jacob Absalom the name is—not far from Charing16 Cross,’ said Cyril.
‘We gave seven-and-sixpence for it,’ added Jane.
‘It is not for sale, I suppose? You do not wish to part with it?
I ought to tell you that it is extremely valuable—extraordinarily valuable, I may say.’
‘Yes,’ said Cyril, ‘we know that, so of course we want to keep it.’
‘Keep it carefully, then,’ said the gentleman impressively; ‘and if ever you should wish to part with it, may I ask you to give me the refusal of it?’
‘The refusal?’
‘I mean, do not sell it to anyone else until you have given me the opportunity of buying it.’
‘All right,’ said Cyril, ‘we won’t. But we don’t want to sell it. We want to make it do things.’
‘I suppose you can play at that as well as at anything else,’ said the gentleman; ‘but I’m afraid the days of magic are over.’
‘They aren’t REALLY,’ said Anthea earnestly. ‘You’d see they aren’t if I could tell you about our last summer holidays. Only I mustn’t. Thank you very much. And can you read the name?’
‘Yes, I can read it.’
‘Will you tell it us?’ ‘The name,’ said the gentleman, ‘is Ur Hekau Setcheh.’
‘Ur Hekau Setcheh,’ repeated Cyril. ‘Thanks awfully17. I do hope we haven’t taken up too much of your time.’
‘Not at all,’ said the gentleman. ‘And do let me entreat18 you to be very, very careful of that most valuable specimen19.’
They said ‘Thank you’ in all the different polite ways they could think of, and filed out of the door and down the stairs. Anthea was last. Half-way down to the first landing she turned and ran up again.
The door was still open, and the learned gentleman and the mummy-case were standing20 opposite to each other, and both looked as though they had stood like that for years.
The gentleman started when Anthea put her hand on his arm.
‘I hope you won’t be cross and say it’s not my business,’ she said, ‘but do look at your chop! Don’t you think you ought to eat it? Father forgets his dinner sometimes when he’s writing, and Mother always says I ought to remind him if she’s not at home to do it herself, because it’s so bad to miss your regular meals.
So I thought perhaps you wouldn’t mind my reminding you, because you don’t seem to have anyone else to do it.’
She glanced at the mummy-case; IT certainly did not look as though it would ever think of reminding people of their meals.
The learned gentleman looked at her for a moment before he said—
‘Thank you, my dear. It was a kindly thought. No, I haven’t anyone to remind me about things like that.’
He sighed, and looked at the chop.
‘It looks very nasty,’ said Anthea.
‘Yes,’ he said, ‘it does. I’ll eat it immediately, before I forget.’
As he ate it he sighed more than once. Perhaps because the chop was nasty, perhaps because he longed for the charm which the children did not want to sell, perhaps because it was so long since anyone cared whether he ate his chops or forgot them.
Anthea caught the others at the stair-foot. They woke the Psammead, and it taught them exactly how to use the word of power, and to make the charm speak. I am not going to tell you how this is done, because you might try to do it. And for you any such trying would be almost sure to end in disappointment. Because in the first place it is a thousand million to one against your ever getting hold of the right sort of charm, and if you did, there would be hardly any chance at all of your finding a learned gentleman clever enough and kind enough to read the word for you.
The children and the Psammead crouched21 in a circle on the floor—in the girls’ bedroom, because in the parlour they might have been interrupted by old Nurse’s coming in to lay the cloth for tea—and the charm was put in the middle of the circle.
The sun shone splendidly outside, and the room was very light. Through the open window came the hum and rattle22 of London, and in the street below they could hear the voice of the milkman.
When all was ready, the Psammead signed to Anthea to say the word. And she said it. Instantly the whole light of all the world seemed to go out. The room was dark. The world outside was dark—darker than the darkest night that ever was. And all the sounds went out too, so that there was a silence deeper than any silence you have ever even dreamed of imagining. It was like being suddenly deaf and blind, only darker and quieter even than that.
But before the children had got over the sudden shock of it enough to be frightened, a faint, beautiful light began to show in the middle of the circle, and at the same moment a faint, beautiful voice began to speak. The light was too small for one to see anything by, and the voice was too small for you to hear what it said. You could just see the light and just hear the voice.
But the light grew stronger. It was greeny, like glow-worms’ lamps, and it grew and grew till it was as though thousands and thousands of glow-worms were signalling to their winged sweethearts from the middle of the circle. And the voice grew, not so much in loudness as in sweetness (though it grew louder, too), till it was so sweet that you wanted to cry with pleasure just at the sound of it. It was like nightingales, and the sea, and the fiddle23, and the voice of your mother when you have been a long time away, and she meets you at the door when you get home.
And the voice said—
‘Speak. What is it that you would hear?’
I cannot tell you what language the voice used. I only know that everyone present understood it perfectly24. If you come to think of it, there must be some language that everyone could understand, if we only knew what it was. Nor can I tell you how the charm spoke25, nor whether it was the charm that spoke, or some presence in the charm. The children could not have told you either. Indeed, they could not look at the charm while it was speaking, because the light was too bright. They looked instead at the green radiance on the faded Kidderminster carpet at the edge of the circle. They all felt very quiet, and not inclined to ask questions or fidget with their feet. For this was not like the things that had happened in the country when the Psammead had given them their wishes. That had been funny somehow, and this was not. It was something like Arabian Nights magic, and something like being in church. No one cared to speak.
It was Cyril who said at last—
‘Please we want to know where the other half of the charm is.’
‘The part of the Amulet26 which is lost,’ said the beautiful voice, ‘was broken and ground into the dust of the shrine27 that held it. It and the pin that joined the two halves are themselves dust, and the dust is scattered28 over many lands and sunk in many seas.’
‘Oh, I say!’ murmured Robert, and a blank silence fell. ‘Then it’s all up?’ said Cyril at last; ‘it’s no use our looking for a thing that’s smashed into dust, and the dust scattered all over the place.’
‘If you would find it,’ said the voice, ‘You must seek it where it still is, perfect as ever.’
‘I don’t understand,’ said Cyril.
‘In the Past you may find it,’ said the voice.
‘I wish we MAY find it,’ said Cyril.
The Psammead whispered crossly, ‘Don’t you understand? The thing existed in the Past. If you were in the Past, too, you could find it. It’s very difficult to make you understand things. Time and space are only forms of thought.’
‘I see,’ said Cyril.
‘No, you don’t,’ said the Psammead, ‘and it doesn’t matter if you don’t, either. What I mean is that if you were only made the right way, you could see everything happening in the same place at the same time. Now do you see?’
‘I’m afraid I don’t,’ said Anthea; ‘I’m sorry I’m so stupid.’
‘Well, at any rate, you see this. That lost half of the Amulet is in the Past. Therefore it’s in the Past we must look for it. I mustn’t speak to the charm myself. Ask it things! Find out!’
‘Where can we find the other part of you?’ asked Cyril obediently.
‘In the Past,’ said the voice.
‘What part of the Past?’
‘I may not tell you. If you will choose a time, I will take you to the place that then held it. You yourselves must find it.’
‘When did you see it last?’ asked Anthea—‘I mean, when was it taken away from you?’
The beautiful voice answered—
‘That was thousands of years ago. The Amulet was perfect then, and lay in a shrine, the last of many shrines29, and I worked wonders. Then came strange men with strange weapons and destroyed my shrine, and the Amulet they bore away with many captives. But of these, one, my priest, knew the word of power, and spoke it for me, so that the Amulet became invisible, and thus returned to my shrine, but the shrine was broken down, and ere any magic could rebuild it one spoke a word before which my power bowed down and was still. And the Amulet lay there, still perfect, but enslaved. Then one coming with stones to rebuild the shrine, dropped a hewn stone on the Amulet as it lay, and one half was sundered30 from the other. I had no power to seek for that which was lost. And there being none to speak the word of power, I could not rejoin it. So the Amulet lay in the dust of the desert many thousand years, and at last came a small man, a conqueror31 with an army, and after him a crowd of men who sought to seem wise, and one of these found half the Amulet and brought it to this land. But none could read the name. So I lay still. And this man dying and his son after him, the Amulet was sold by those who came after to a merchant, and from him you bought it, and it is here, and now, the name of power having been spoken, I also am here.’
This is what the voice said. I think it must have meant Napoleon by the small man, the conqueror. Because I know I have been told that he took an army to Egypt, and that afterwards a lot of wise people went grubbing in the sand, and fished up all sorts of wonderful things, older than you would think possible. And of these I believe this charm to have been one, and the most wonderful one of all.
Everyone listened: and everyone tried to think. It is not easy to do this clearly when you have been listening to the kind of talk I have told you about.
At last Robert said—
‘Can you take us into the Past—to the shrine where you and the other thing were together. If you could take us there, we might find the other part still there after all these thousands of years.’
‘Still there? silly!’ said Cyril. ‘Don’t you see, if we go back into the Past it won’t be thousands of years ago. It will be NOW for us—won’t it?’ He appealed to the Psammead, who said—
‘You’re not so far off the idea as you usually are!’
‘Well,’ said Anthea, ‘will you take us back to when there was a shrine and you were safe in it—all of you?’
‘Yes,’ said the voice. ‘You must hold me up, and speak the word of power, and one by one, beginning with the first-born, you shall pass through me into the Past. But let the last that passes be the one that holds me, and let him not lose his hold, lest you lose me, and so remain in the Past for ever.’
‘That’s a nasty idea,’ said Robert.
‘When you desire to return,’ the beautiful voice went on, ‘hold me up towards the East, and speak the word. Then, passing through me, you shall return to this time and it shall be the present to you.’
‘But how—’ A bell rang loudly.
‘Oh crikey!’ exclaimed Robert, ‘that’s tea! Will you please make it proper daylight again so that we can go down. And thank you so much for all your kindness.’
‘We’ve enjoyed ourselves very much indeed, thank you!’ added Anthea politely.
The beautiful light faded slowly. The great darkness and silence came and these suddenly changed to the dazzlement of day and the great soft, rustling32 sound of London, that is like some vast beast turning over in its sleep.
The children rubbed their eyes, the Psammead ran quickly to its sandy bath, and the others went down to tea. And until the cups were actually filled tea seemed less real than the beautiful voice and the greeny light.
After tea Anthea persuaded the others to allow her to hang the charm round her neck with a piece of string.
‘It would be so awful if it got lost,’ she said: ‘it might get lost anywhere, you know, and it would be rather beastly for us to have to stay in the Past for ever and ever, wouldn’t it?’
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1
gravy
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| n.肉汁；轻易得来的钱，外快 | |
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fixed
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| adj.固定的，不变的，准备好的；(计算机)固定的 | |
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clattered
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| 发出咔哒声（clatter的过去式与过去分词形式） | |
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Oxford
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| n.牛津（英国城市） | |
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distinguished
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| adj.卓越的，杰出的，著名的 | |
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papyrus
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| n.古以纸草制成之纸 | |
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kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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beads
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| n.（空心）小珠子( bead的名词复数 )；水珠；珠子项链 | |
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rusty
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| adj.生锈的；锈色的；荒废了的 | |
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antiquity
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| n.古老；高龄；古物，古迹 | |
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11
liking
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| n.爱好；嗜好；喜欢 | |
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truthful
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| adj.真实的，说实话的，诚实的 | |
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honourable
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| adj.可敬的；荣誉的，光荣的 | |
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14
stiffened
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| 加强的 | |
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shuffling
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| adj. 慢慢移动的, 滑移的 动词shuffle的现在分词形式 | |
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charing
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| n.炭化v.把…烧成炭，把…烧焦( char的现在分词 )；烧成炭，烧焦；做杂役女佣 | |
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17
awfully
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| adv.可怕地，非常地，极端地 | |
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entreat
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| v.恳求，恳请 | |
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specimen
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| n.样本，标本 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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crouched
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| v.屈膝，蹲伏( crouch的过去式和过去分词 ) | |
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rattle
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| v.飞奔，碰响；激怒；n.碰撞声；拨浪鼓 | |
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fiddle
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| n.小提琴；vi.拉提琴；不停拨弄，乱动 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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amulet
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| n.护身符 | |
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shrine
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| n.圣地，神龛，庙；v.将...置于神龛内，把...奉为神圣 | |
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scattered
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| adj.分散的，稀疏的；散步的；疏疏落落的 | |
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shrines
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| 圣地，圣坛，神圣场所( shrine的名词复数 ) | |
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sundered
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| v.隔开，分开( sunder的过去式和过去分词 ) | |
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conqueror
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| n.征服者，胜利者 | |
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rustling
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| n. 瑟瑟声，沙沙声 adj. 发沙沙声的 | |
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