I sat up quickly and looked out. The trees were swaying violently to and fro as the gusts4 smote6 them, but our little bit of green canvas lay snugly7 safe in the hollow, for the wind passed over it without meeting enough resistance to make it vicious. The feeling of disquietude did not pass however, and I crawled quietly out of the tent to see if our belongings8 were safe. I moved carefully so as not to waken my companion. A curious excitement was on me.
I was halfway9 out, kneeling on all fours, when my eye first took in that the tops of the bushes opposite, with their moving tracery of leaves, made shapes against the sky. I sat back on my haunches and stared. It was incredible, surely, but there, opposite and slightly above me, were shapes of some indeterminate sort among the willows10, and as the branches swayed in the wind they seemed to group themselves about these shapes, forming a series of monstrous11 outlines that shifted rapidly beneath the moon. Close, about fifty feet in front of me, I saw these things.
My first instinct was to waken my companion that he too might see them, but something made me hesitate—the sudden realization12, probably, that I should not welcome corroboration13; and meanwhile I crouched14 there staring in amazement15 with smarting eyes. I was wide awake. I remember saying to myself that I was not dreaming.
They first became properly visible, these huge figures, just within the tops of the bushes—immense bronze-colored, moving, and wholly independent of the swaying of the branches. I saw them plainly and noted16, now I came to examine them more calmly, that they were very much larger than human, and indeed that something in their appearance proclaimed them to be not human at all. Certainly they were not merely the moving tracery of the branches against the moonlight. They shifted independently. They rose upwards17 in a continuous stream from earth to sky, vanishing utterly18 as soon as they reached the dark of the sky. They were interlaced one with another, making a great column, and I saw their limbs and huge bodies melting in and out of each other, forming this serpentine19 line that bent20 and swayed and twisted spirally with the contortions21 of the wind-tossed trees. They were nude22, fluid shapes, passing up the bushes, within the leaves almost—rising up in a living column into the heavens. Their faces I never could see. Unceasingly they poured upwards, swaying in great bending curves, with a hue23 of dull bronze upon their skins.
I stared, trying to force every atom of vision from my eyes. For a long time I thought they must every moment disappear and resolve themselves into the movements of the branches and prove to be an optical illusion. I searched everywhere for a proof of reality, when all the while I understood quite well that the standard of reality had changed. For the longer I looked the more certain I became that these figures were real and living, though perhaps not according to the standards that the camera and the biologist would insist upon.
Far from feeling fear, I was possessed24 with a sense of awe25 and wonder such as I have never known. I seemed to be gazing at the personified elemental forces of this haunted and primeval region. Our intrusion had stirred the powers of the place into activity. It was we who were the cause of the disturbance, and my brain filled to bursting with stories and legends of the spirits and deities26 of places that have been acknowledged and worshiped by men in all ages of the world's history. But, before I could arrive at any possible explanation, something impelled27 me to go farther out, and I crept forward on to the sand and stood upright. I felt the ground still warm under my bare feet; the wind tore at my hair and face; and the sound of the river burst upon my ears with a sudden roar. These things, I knew, were real, and proved that my senses were acting28 normally. Yet the figures still rose from earth to heaven, silent, majestically29, in a great spiral of grace and strength that overwhelmed me at length with a genuine deep emotion of worship. I felt that I must fall down and worship—absolutely worship.
Perhaps in another minute I might have done so, when a gust5 of wind swept against me with such force that it blew me sideways, and I nearly stumbled and fell. It seemed to shake the dream violently out of me. At least it gave me another point of view somehow. The figures still remained, still ascended30 into heaven from the heart of the night, but my reason at last began to assert itself. It must be a subjective31 experience, I argued—none the less real for that, but still subjective. The moonlight and the branches combined to work out these pictures upon the mirror of my imagination, and for some reason I projected them outwards32 and made them appear objective. I knew this must be the case, of course. I was the subject of a vivid and interesting hallucination. I took courage, and began to move forward across the open patches of sand. By Jove, though, was it all hallucination? Was it merely subjective? Did not my reason argue in the old futile33 way from the little standard of the known?
I only know that great column of figures ascended darkly into the sky for what seemed a very long period of time, and with a very complete measure of reality as most men are accustomed to gauge34 reality. Then suddenly they were gone!
And, once they were gone and the immediate wonder of their great presence had passed, fear came down upon me with a cold rush. The esoteric meaning of this lonely and haunted region suddenly flamed up within me and I began to tremble dreadfully. I took a quick look round—a look of horror that came near to panic—calculating vainly ways of escape; and then, realizing how helpless I was to achieve anything really effective, I crept back silently into the tent and lay down again upon my sandy mattress, first lowering the door-curtain to shut out the sight of the willows in the moonlight, and then burying my head as deeply as possible beneath the blankets to deaden the sound of the terrifying wind.
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1 mattress | |
n.床垫,床褥 | |
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2 disturbance | |
n.动乱,骚动;打扰,干扰;(身心)失调 | |
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3 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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4 gusts | |
一阵强风( gust的名词复数 ); (怒、笑等的)爆发; (感情的)迸发; 发作 | |
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5 gust | |
n.阵风,突然一阵(雨、烟等),(感情的)迸发 | |
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6 smote | |
v.猛打,重击,打击( smite的过去式 ) | |
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7 snugly | |
adv.紧贴地;贴身地;暖和舒适地;安适地 | |
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8 belongings | |
n.私人物品,私人财物 | |
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9 halfway | |
adj.中途的,不彻底的,部分的;adv.半路地,在中途,在半途 | |
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10 willows | |
n.柳树( willow的名词复数 );柳木 | |
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11 monstrous | |
adj.巨大的;恐怖的;可耻的,丢脸的 | |
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12 realization | |
n.实现;认识到,深刻了解 | |
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13 corroboration | |
n.进一步的证实,进一步的证据 | |
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14 crouched | |
v.屈膝,蹲伏( crouch的过去式和过去分词 ) | |
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15 amazement | |
n.惊奇,惊讶 | |
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16 noted | |
adj.著名的,知名的 | |
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17 upwards | |
adv.向上,在更高处...以上 | |
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18 utterly | |
adv.完全地,绝对地 | |
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19 serpentine | |
adj.蜿蜒的,弯曲的 | |
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20 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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21 contortions | |
n.扭歪,弯曲;扭曲,弄歪,歪曲( contortion的名词复数 ) | |
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22 nude | |
adj.裸体的;n.裸体者,裸体艺术品 | |
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23 hue | |
n.色度;色调;样子 | |
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24 possessed | |
adj.疯狂的;拥有的,占有的 | |
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25 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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26 deities | |
n.神,女神( deity的名词复数 );神祗;神灵;神明 | |
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27 impelled | |
v.推动、推进或敦促某人做某事( impel的过去式和过去分词 ) | |
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28 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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29 majestically | |
雄伟地; 庄重地; 威严地; 崇高地 | |
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30 ascended | |
v.上升,攀登( ascend的过去式和过去分词 ) | |
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31 subjective | |
a.主观(上)的,个人的 | |
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32 outwards | |
adj.外面的,公开的,向外的;adv.向外;n.外形 | |
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33 futile | |
adj.无效的,无用的,无希望的 | |
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34 gauge | |
v.精确计量;估计;n.标准度量;计量器 | |
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