"I think——" began Kent, but he was interrupted by a noise at the door, and the Great Nishimura strode in, radiant, flatulent with self-importance.
"Hello, Nishimura-san," Kent waved him to a chair. "We were just talking about the Premier's proclamation. What do you think of it?"
"Bunk4!" He dismissed the matter with a scornful sweep of the hand. "Gentlemen, congratulate me; I'm going to be a candidate for the House of Representatives."
"Good for you; congratulations. What party will it be, Seiyukai or Kenseikai?"
"Ah, that's a detail that hasn't been decided5 yet. We shall find out first which party seems to be the[Pg 176] strongest in my native place where I'm going to run; we're a little uncertain yet. But the most important part, the financial arrangement, has all been fixed6 up, so probably, gentlemen, a short time from now you shall address me as the Honorable Nishimura, and, who knows, some day it may be His Excellency Nishimura. Finally my talents are being recognized by the people that count. I know the game, and I shall go far—and I shan't forget my friends." He smiled effusively7. "In fact, that's what I came in about, to see if you two gentlemen would care to join me in a little celebration, just us three. Now, you know, it is not the common thing for us Japanese gentlemen to go to the Yoshiwara. It isn't done, at least not openly. We go to geisha houses when we want relaxation8 for 'the tired business man,' as you Americans say. But the fact is, an old client of mine owns one of the first-class houses in the Yoshiwara, and to tender his respects to me he has invited me to come with a few friends to his place—so I thought you might like to come."
"Why, thanks, Nishimura-san, I think I'd like to go." Kent had never seen the Yoshiwara. He had meant to see it, just as he had meant to see the Imperial Museum and the tombs of the Forty-seven Ronin, some day, ever postponing9 with the knowledge that he might go at any time. "What about you, Kittrick?"
"Sure I'll go. The Yoshiwara isn't what it used to be, is it, Nishimura-san?" The great man shook his head sadly. "Still we shall enjoy the excellent hospitality of the coming Premier of Japan."
"Who knows?" he smiled deprecatingly. "All right, gentlemen, I shall be here at seven with a car."
The car he brought must have been one of the largest in Tokyo, an enormous thing with an interior [Pg 177]resplendent with mirrors, cut-glass flower holders10 and manifold glittering nickel trimmings. "Not a hired car, this," explained Nishimura. "It belongs to the Watanabe interests, my backers, who are now assisting me. Step in."
They swept through Tokyo, through a dimly lighted section of narrow streets, emerging presently into a quarter where great buildings, brilliantly lighted, presented a vivid contrast to the surrounding squalor. "Here we are," announced Nishimura. "The nightless city of wine, and song, and beautiful women. You have nothing like that in America."
"I'd like to take a look around before we go to your place," said Kent. "Do you mind?"
"I shall show you the place, and then you two can walk about a bit. I shall wait for you. I cannot well be seen in these streets, you know."
Their destination was an enormous house, three-storied, gorgeous with elaborate carvings11 and gilt12 ornamentation. Kittrick and Kent set out down the wide street, bright in the blaze thrown out from the scintillating13 glare from the great buildings, all spotless, prosperous looking, glittering with light and tinsel. Along the front of each house ran a great hall-like space. One entered and faced a show-window-like arrangement, where rows of large portraits of women, each bearing a name, appeared, set in variously arranged backgrounds of gilt screens, vases with flowers, heavy hangings of brocade, excellently executed silk scroll14 pictures. At each end of this was a small box, ludicrously like a pulpit, in which sat men, the doorkeepers, who drove the bargains with the guests. Some sat silently, impassively suffering the crowds to flow by, stirred to action only when inquiries15 were made of them. Others were busy, after the fashion of barkers at a fair, praising their wares16, calling attention[Pg 178] to the beauties displayed, to the cheap prices. In some houses huge open gateways17 allowed glimpses of gardens, meticulously18 arranged with stone lanterns, miniature shrines19, grotesquely20 gnarled pine trees throwing their shadows in the soft light flooding the space from the windows above, each a delicately contrived, entrancing little fairyland, inviting21, alluring22.
They passed down narrower streets, mere23 alleys24, where the lights were dim, the houses smaller, some displaying but three or four portraits, and where the barkers were more insistent25. But throughout it all was noticeable the almost entire absence of women. Here and there, especially in the smaller places, a painted face might be glimpsed for an instant between parted curtains, titters might be heard behind drawn26 shoji, and from above would come the strident whimper of samisen and high-pitched female voices; but that was all.
As they progressed, the sameness grew tiring; one became irritated at the monotony of these rows and rows of stiffly smiling portraits staring at one, all so curiously27 alike that soon they gave the impression of a vast composite picture.
"I don't see much in it," commented Kent. "It seems to me drab, tedious. Many of the settings are fine, beautiful even, but so much of it is sordid28, these barkers and the pictures, the gross commercial hawking29 of women with as little feeling as if they were meat in a butcher shop. I can't see the temptation."
"You came too late," said Kittrick. "You ought to have seen this place a few years ago, when the women were displayed, when these fronts faced right up to the street, showing the girls behind gilded30 bars. You could look down an entire street, a blaze of light and gorgeous color. Here would be a dozen girls with[Pg 179] high coiffures, whitened faces and painted lips, all clad alike in costly31 silks, gold and crimson32, set against a background of heavy brocade and among massive, carved hibachi and mirrors; here, in the next place, would be a score of women in purple and silver, shimmering33 against hangings of soft-toned velvet34; farther on would be another row, in dark blue and white, in the background marvelous carvings and dwarf35 pines and flowers, and so on, as far as eye could see, a kaleidoscope of glittering and glimmering36 gilt, and lacquer, and bronze, and constant, restless flittering of soft textures37, blazing colors, riotously38 bewildering, all decking and displaying thousands of women for sale,—a truly barbaric phantasy of the Orient, where, if one could forget the beastly commercialism of it all, one might at least have a picture, flamingly, prismatically dazzling eye and imagination. And then came the reformer. He pointed39 out, quite rightly, of course, that it was degrading to the great Japanese nation to have its women displayed, like animals, in cages. So they put an end to that part of it, the beauty, the splendor40, and did away with the only excuse that the Yoshiwara ever had for existence; for then, by the gods, you might well have called it one of the Seven Wonders of the World."
点击收听单词发音
1 contrived | |
adj.不自然的,做作的;虚构的 | |
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2 whitewash | |
v.粉刷,掩饰;n.石灰水,粉刷,掩饰 | |
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3 premier | |
adj.首要的;n.总理,首相 | |
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4 bunk | |
n.(车、船等倚壁而设的)铺位;废话 | |
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5 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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6 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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7 effusively | |
adv.变溢地,热情洋溢地 | |
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8 relaxation | |
n.松弛,放松;休息;消遣;娱乐 | |
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9 postponing | |
v.延期,推迟( postpone的现在分词 ) | |
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10 holders | |
支持物( holder的名词复数 ); 持有者; (支票等)持有人; 支托(或握持)…之物 | |
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11 carvings | |
n.雕刻( carving的名词复数 );雕刻术;雕刻品;雕刻物 | |
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12 gilt | |
adj.镀金的;n.金边证券 | |
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13 scintillating | |
adj.才气横溢的,闪闪发光的; 闪烁的 | |
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14 scroll | |
n.卷轴,纸卷;(石刻上的)漩涡 | |
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15 inquiries | |
n.调查( inquiry的名词复数 );疑问;探究;打听 | |
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16 wares | |
n. 货物, 商品 | |
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17 gateways | |
n.网关( gateway的名词复数 );门径;方法;大门口 | |
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18 meticulously | |
adv.过细地,异常细致地;无微不至;精心 | |
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19 shrines | |
圣地,圣坛,神圣场所( shrine的名词复数 ) | |
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20 grotesquely | |
adv. 奇异地,荒诞地 | |
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21 inviting | |
adj.诱人的,引人注目的 | |
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22 alluring | |
adj.吸引人的,迷人的 | |
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23 mere | |
adj.纯粹的;仅仅,只不过 | |
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24 alleys | |
胡同,小巷( alley的名词复数 ); 小径 | |
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25 insistent | |
adj.迫切的,坚持的 | |
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26 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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27 curiously | |
adv.有求知欲地;好问地;奇特地 | |
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28 sordid | |
adj.肮脏的,不干净的,卑鄙的,暗淡的 | |
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29 hawking | |
利用鹰行猎 | |
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30 gilded | |
a.镀金的,富有的 | |
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31 costly | |
adj.昂贵的,价值高的,豪华的 | |
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32 crimson | |
n./adj.深(绯)红色(的);vi.脸变绯红色 | |
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33 shimmering | |
v.闪闪发光,发微光( shimmer的现在分词 ) | |
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34 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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35 dwarf | |
n.矮子,侏儒,矮小的动植物;vt.使…矮小 | |
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36 glimmering | |
n.微光,隐约的一瞥adj.薄弱地发光的v.发闪光,发微光( glimmer的现在分词 ) | |
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37 textures | |
n.手感( texture的名词复数 );质感;口感;(音乐或文学的)谐和统一感 | |
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38 riotously | |
adv.骚动地,暴乱地 | |
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39 pointed | |
adj.尖的,直截了当的 | |
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40 splendor | |
n.光彩;壮丽,华丽;显赫,辉煌 | |
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