In the valley below flows the rushing stream of the Neckar. Close from its margin20, on the opposite side, rises the Mountain of All Saints, crowned with the ruins of a convent; and up the valley stretches the mountain-curtain of the Odenwald. So close and many are the hills, which eastward21 shut the valley in, that the river seems a lake. But westward22 it opens, upon the broad plain of the Rhine, like the mouth of a trumpet23; and like the blast of a trumpet is at times the wintry wind through this narrow mountain pass. The blue Alsatian hills rise beyond; and, on a platform or strip of level land, between the Neckar and the mountains, right under the castle, stands the city of Heidelberg; as the old song says, "a pleasant city, when it has done raining."
Something of this did Paul Flemming behold24, when he rose the next morning and looked from his window. It was a warm, vapory morning, and a struggle was going on between the mist and the rising sun. The sun had taken the hill-tops, but the mist still kept possession of the valley and the town. The steeple of the great church rose through a dense25 mass of snow-white clouds; and eastward, on the hills, the dim vapors26 were rolling across the windows of the ruined castle, like the fiery27 smoke of a great conflagration28. It seemed to him an image of the rising of the sun of Truth on a benighted29 world; its light streamed through the ruins of centuries; and, down in the valley of Time, the cross on the Christian30 church caught its rays, though the priests were singing in mist and darkness below.
In the warm breakfast-parlour he found the Baron31, waiting for him. He was lying upon a sofa, in morning gown and purple-velvet slippers32, both with flowers upon them. He had a guitar in his hand, and a pipe in his mouth, at the same time smoking, playing, and humming his favorite song from Goethe;
Flemming could hardly refrain from laughing at the sight of his friend; and told him it reminded him of a street-musician he once saw in Aix-la-Chapelle, who was playing upon six instruments at once; having a helmet with bells on his head, a Pan's-reed in his cravat35, a fiddle36 in his hand, a triangle on his knee, cymbals37 on his heels, and on his back a bass-drum, which he played with his elbows. To tell the truth, the Baron of Hohenfels was rather a miscellaneous youth, rather a universal genius. He pursued all things with eagerness, but for a short time only; music, poetry, painting, pleasure, even the study of the Pandects. Hisfeelings were keenly alive to the enjoyment38 of life. His great defect was, that he was too much in love with human nature. But by the power of imagination, in him, the bearded goat was changed to a bright Capricornus:--no longer an animal on earth, but a constellation39 in heaven. An easy and indolent disposition40 made him gentle and childlike in his manners; and, in short, the beauty of his character, like that of the precious opal, was owing to a defect in its organization. His person was tall and slightly built; his hair light; and his eyes blue, and as beautiful as those of a girl. In the tones of his voice, there was something indescribably gentle and winning; and he spoke41 the German language, with the soft, musical accent of his native province of Curland. In his manners, if he had not `Antinous' easy sway,' he had at least an easy sway of his own. Such, in few words, was the bosom42 friend of Flemming.
"And what do you think of Heidelberg and the old castle up there?" said he, as they seated themselves at the breakfast-table.
"Last night the town seemed very long to me," replied Flemming; "and as to the castle, I have as yet had but a glimpse of it through the mist. They tell me there is nothing finer in its way, excepting the Alhambra of Granada; and no doubt I shall find it so. Only I wish the stone were gray and not red. But, red or gray, I foresee that I shall waste many a long hour in its desolate halls. Pray, does anybody live up there now-a-days?"
"Nobody," answered the Baron, "but the man, who shows the Heidelberg Ton, and Monsieur Charles de Grainberg, a Frenchman, who has been there sketching43 ever since the year eighteen-hundred and ten. He has, moreover, written a super-magnificent description of the ruin, in which he says, that during the day only birds of prey44 disturb it with their piercing cries, and at night, screech-owls45, and other fallow deer. These are his own words. You must buy his book and his sketches46."
"Take his or none, my friend, for you will find no others. And seriously, his sketches are very good. There is one on the wall there, which is beautiful, save and except that straddle-bug figure among the bushes in the corner."
"But is there no ghost, no haunted chamber11 in the old castle?" asked Flemming, after casting a hasty glance at the picture.
"Oh, certainly," replied the Baron; "there are two. There is the ghost of the Virgin48 Mary in Ruprecht's Tower, and the Devil in the Dungeon49."
"Ha! that is grand!" exclaimed Flemming, with evident delight. "Tell me the whole story, quickly! I am as curious as a child."
"It is a tale of the times of Louis the Debonnaire," said the Baron, with a smile; "a mouldy tradition of a credulous50 age. His brother Frederick lived here in the castle with him, and had a flirtation51 with Leonore von Luzelstein, a lady of the court, whom he afterwards despised, and was consequently most cordially hated by her. Frompolitical motives52 he was equally hateful to certain petty German tyrants53, who, in order to effect his ruin, accused him of heresy54. But his brother Louis would not deliver him up to their fury, and they resolved to effect by stratagem55, what they could not by intrigue56. Accordingly, Leonore von Luzelstein, disguised as the Virgin Mary, and the father confessor of the Elector, in the costume of Satan, made their appearance in the Elector's bed-chamber at midnight, and frightened him so horribly, that he consented to deliver up his brother into the hands of two Black Knights, who pretended to be ambassadors from the Vehm-Gericht. They proceeded together to Frederick's chamber; where luckily old Gemmingen, a brave soldier, kept guard behind the arras. The monk57 went foremost in his Satanic garb58; but, no sooner had he set foot in the prince's bed-chamber, than the brave Gemmingen drew his sword, and said quaintly59, `Die, wretch60!' and so he died. The rest took to their heels, and were heard of no more. And now the souls of Leonore and the monk haunt the scene of their midnight crime. You will find the story in Grainberg's book, worked up with a kind of red-morocco and burnt-cork sublimity61, and great melo-dramatic clanking of chains, and hooting62 of owls, and other fallow deer!"
"After breakfast," said Flemming, "we will go up to the castle. I must get acquainted with this mirror of owls, this modern Till Eulenspiegel. See what a glorious morning we have! It is truly a wondrous63 winter! what summer sunshine; what soft Venetian fogs! How the wanton, treacherous64 air coquets with the old gray-beard trees! Such weather makes the grass and our beards grow apace! But we have an old saying in English, that winter never rots in the sky. So he will come down at last in his old-fashioned, mealy coat. We shall have snow in spring; and the blossoms will be all snow-flakes. And afterwards a summer, which will be no summer, but, as Jean Paul says, only a winter painted green. Is it not so?"
"Unless I am much deceived in the climate of Heidelberg," replied the Baron, "we shall not have to wait long for snow. We have sudden changes here, and I should not marvel65 much if it snowed before night."
"The greater reason for making good use of the morning sunshine, then. Let us hasten to the castle, after which my heart yearns66."
点击收听单词发音
1 masonry | |
n.砖土建筑;砖石 | |
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2 chapel | |
n.小教堂,殡仪馆 | |
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3 battered | |
adj.磨损的;v.连续猛击;磨损 | |
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4 mace | |
n.狼牙棒,豆蔻干皮 | |
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5 niches | |
壁龛( niche的名词复数 ); 合适的位置[工作等]; (产品的)商机; 生态位(一个生物所占据的生境的最小单位) | |
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6 knights | |
骑士; (中古时代的)武士( knight的名词复数 ); 骑士; 爵士; (国际象棋中)马 | |
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7 armour | |
(=armor)n.盔甲;装甲部队 | |
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8 fable | |
n.寓言;童话;神话 | |
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9 desolate | |
adj.荒凉的,荒芜的;孤独的,凄凉的;v.使荒芜,使孤寂 | |
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10 chambers | |
n.房间( chamber的名词复数 );(议会的)议院;卧室;会议厅 | |
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11 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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12 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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13 profusion | |
n.挥霍;丰富 | |
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14 arabesques | |
n.阿拉伯式花饰( arabesque的名词复数 );错综图饰;阿拉伯图案;阿拉贝斯克芭蕾舞姿(独脚站立,手前伸,另一脚一手向后伸) | |
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15 acorns | |
n.橡子,栎实( acorn的名词复数 ) | |
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16 foliage | |
n.叶子,树叶,簇叶 | |
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17 muzzles | |
枪口( muzzle的名词复数 ); (防止动物咬人的)口套; (四足动物的)鼻口部; (狗)等凸出的鼻子和口 | |
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18 adorning | |
修饰,装饰物 | |
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19 overthrown | |
adj. 打翻的,推倒的,倾覆的 动词overthrow的过去分词 | |
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20 margin | |
n.页边空白;差额;余地,余裕;边,边缘 | |
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21 eastward | |
adv.向东;adj.向东的;n.东方,东部 | |
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22 westward | |
n.西方,西部;adj.西方的,向西的;adv.向西 | |
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23 trumpet | |
n.喇叭,喇叭声;v.吹喇叭,吹嘘 | |
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24 behold | |
v.看,注视,看到 | |
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25 dense | |
a.密集的,稠密的,浓密的;密度大的 | |
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26 vapors | |
n.水汽,水蒸气,无实质之物( vapor的名词复数 );自夸者;幻想 [药]吸入剂 [古]忧郁(症)v.自夸,(使)蒸发( vapor的第三人称单数 ) | |
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27 fiery | |
adj.燃烧着的,火红的;暴躁的;激烈的 | |
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28 conflagration | |
n.建筑物或森林大火 | |
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29 benighted | |
adj.蒙昧的 | |
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30 Christian | |
adj.基督教徒的;n.基督教徒 | |
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31 baron | |
n.男爵;(商业界等)巨头,大王 | |
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32 slippers | |
n. 拖鞋 | |
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33 swelled | |
增强( swell的过去式和过去分词 ); 肿胀; (使)凸出; 充满(激情) | |
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34 thereby | |
adv.因此,从而 | |
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35 cravat | |
n.领巾,领结;v.使穿有领结的服装,使结领结 | |
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36 fiddle | |
n.小提琴;vi.拉提琴;不停拨弄,乱动 | |
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37 cymbals | |
pl.铙钹 | |
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38 enjoyment | |
n.乐趣;享有;享用 | |
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39 constellation | |
n.星座n.灿烂的一群 | |
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40 disposition | |
n.性情,性格;意向,倾向;排列,部署 | |
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41 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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42 bosom | |
n.胸,胸部;胸怀;内心;adj.亲密的 | |
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43 sketching | |
n.草图 | |
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44 prey | |
n.被掠食者,牺牲者,掠食;v.捕食,掠夺,折磨 | |
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45 owls | |
n.猫头鹰( owl的名词复数 ) | |
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46 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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47 quotation | |
n.引文,引语,语录;报价,牌价,行情 | |
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48 virgin | |
n.处女,未婚女子;adj.未经使用的;未经开发的 | |
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49 dungeon | |
n.地牢,土牢 | |
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50 credulous | |
adj.轻信的,易信的 | |
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51 flirtation | |
n.调情,调戏,挑逗 | |
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52 motives | |
n.动机,目的( motive的名词复数 ) | |
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53 tyrants | |
专制统治者( tyrant的名词复数 ); 暴君似的人; (古希腊的)僭主; 严酷的事物 | |
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54 heresy | |
n.异端邪说;异教 | |
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55 stratagem | |
n.诡计,计谋 | |
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56 intrigue | |
vt.激起兴趣,迷住;vi.耍阴谋;n.阴谋,密谋 | |
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57 monk | |
n.和尚,僧侣,修道士 | |
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58 garb | |
n.服装,装束 | |
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59 quaintly | |
adv.古怪离奇地 | |
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60 wretch | |
n.可怜的人,不幸的人;卑鄙的人 | |
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61 sublimity | |
崇高,庄严,气质高尚 | |
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62 hooting | |
(使)作汽笛声响,作汽车喇叭声( hoot的现在分词 ); 倒好儿; 倒彩 | |
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63 wondrous | |
adj.令人惊奇的,奇妙的;adv.惊人地;异乎寻常地;令人惊叹地 | |
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64 treacherous | |
adj.不可靠的,有暗藏的危险的;adj.背叛的,背信弃义的 | |
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65 marvel | |
vi.(at)惊叹vt.感到惊异;n.令人惊异的事 | |
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66 yearns | |
渴望,切盼,向往( yearn的第三人称单数 ) | |
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