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CHAPTER XXIV
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 WHAT are you doing?” She was standing1 on tiptoe, her eyes barely over the edge of the table, watching Simeon’s pencil as it moved over the paper.
 
The pencil continued its curious tracks. Simeon’s eyes were fixed2 on it intently. There was no reply.
 
She watched it a few minutes in silence. She and Simeon were good friends. They did not mind the silence, but he would answer—if he heard—“What are you doing?” It was very quiet—but firm—in the clear, high voice.
 
He looked down. Then he smiled into the level eyes. “I’m drawing a map,” he said.
 
She found a chair and pushed it to the table. She climbed into it and knelt with her fat arms folded in front of her on the table, bending toward the paper.
 
Simeon paid no heed3 to her. The pencil went its absent-minded way.
 
It was no unusual thing for them to be silent a long while, with an occasional smile or nod between them, she intent on grave matters, Simeon following hazy4, wavering thoughts.
 
But he had never chosen to make pictures. This was something important and different. She leaned closer, her shoulder touching5 his. “Is that a pig?” she asked politely. Her finger indicated a shape in one corner.
 
“That is a mountain,” said Simeon. He sketched6 in a tree or two to verify it.
 
“It ’s a funny mountain,” she said. She drew in her breath a little, watching the pencil respectfully.
 
“It is full of beautiful things,” said Simeon.
 
She bent7 closer to examine it. “Can you see them?” She lifted serious eyes to his.
 
“Yes, I see them—very plain. There is iron and copper8 and lead—” his pencil touched the paper, here and there, in little dots, “and silver.”
 
“And gold—” said the child in a soft, monotonous9 voice. They were playing a game.
 
“Not much gold, I’m afraid,” said Simeon, shaking his head, “but it is a wonderful mountain full of beautiful things—that can’t get out.”
 
“Why can’t they get out?” she demanded as if some foolish mystery lay behind his talk.
 
He hesitated a moment. “A bad man keeps them there,” he said. “He has the key.”
 
“Won’t he let ’em out?” It was a shrewd little wondering, groping question toward the truth, but it was full of sing-song happiness.
 
She nestled closer while the pencil went its way, drawing two long lines that stretched side by side across the paper. They readied the mountain and stopped.
 
“What is that?” she asked.
 
“That is a railroad that the bad man will build,” he said, putting in some extra lines.
 
They watched the pencil in silence.
 
“I know a bad man,” she said idly, as if it were not important, but worth mentioning since it concerned Ellen.
 
“Do you?” The surprise in the tone was partly real. “Do you know a bad man?”
 
“Yes—I know one.” It was a modest little drawl—an assertion of wisdom tinged10 with importance. “He’s a very bad man,” she added.
 
“No?”
 
The half-teasing note did not touch her. “He kills folks—He killed my father,” she said tersely11. The words were light on her tongue, but she nodded to him with deep serious eyes that his could not fathom12. Something in the eyes hurt him—a kind of trust and ignorance and deep appeal. He put his arm protectingly about the little form, drawing it close.
 
“You must not say things like that, Ellen.”
 
“Gran’ther says it.”
 
“But you must not.... You will not say it again—?” It was half a command. “Don’t ever say it again, Ellen.”
 
“No—o—” It was reassuring13 and polite-half drawled; and it dismissed the subject idly—They had dwelt on it too long.
 
“Where is the key?” She was dipping toward the paper, peering close.
 
“The key?” He stared a little—“Oh—yes—This is the key.” His pencil touched the parallel lines.
 
“That ’s a railroad,” she said promptly14.
 
He smiled. “It is the key, too—See—” He drew more lines rapidly, “When this touches the mountain, the iron and silver will come pouring out and it will run down this track—here, and here—” The pencil moved fast.
 
She followed it with grave eyes. She drew a deep breath and leaned closer to him. She lifted her face with a smile. It had caught the glow in his—but she did not speak.
 
He fell to sketching15 again and she nestled in his arm. By-and-by she put out a short finger. “Does folks live there—or Brownies!” she said, half whispering the words.
 
He looked up absently—“Where—Oh—on the mountain?—People live there—I suppose—”
 
“You ever seen them?”
 
“No,”—still absently.
 
She sighed a little. “I like folks,” she said.
 
“What?” He paused in his thought and looked at her with a smile—tolerant and old—“You like folks, do you?” The look teased her.
 
She nodded gravely. “They ’ll be glad—” Her finger was tapping at the mountain—“They ’ll like to have the beautiful things come pouring out—” She spread her hands with a little gesture of beneficent plenty.
 
He stared at her a minute—then he laughed. “I suppose they will.... I had n’t thought of it.” His eyes dwelt on her fondly.
 
“Yes.—They ’ll like it.—They ’re nice folks.”
 
“How do you know?—You seen them?” They often played like this.
 
“I know.” She nodded wisely. “There’s fahvers and muwers and little uns—bairns-like me.” She was looking at something far away—Then her eyes flashed back to his. “They ’ll like it,” she said swiftly, “They ’ll help—They ’ll bring out the beautiful things—great handfuls!” She threw them out with her lavish16 little hands.
 
He caught them both in one of his. But he was not looking at her. He was seeing something far off... something the child’s words made him see.... He looked at it so long that one of the hands freed itself and reached up to the intent face, stroking it.... Then he looked down and saw her. He smiled at her—with deep eyes... with the little shadow playing in them—far back.... “So you love folks?” he said slowly.
 
“We must e’en love everybody,” she repeated as if it were a lesson.
 
“Everybody?” He looked at her, a little startled at the words.
 
The clear eyes lifted themselves—“Gran-’ther says we must do justice to all men,” she said gravely. “But Grannie says we must forgi’e ’em—she says we must e’en love ’em.”
 
“Then you must love him—the bad man.” He said the words half teasingly, half gravely.
 
Her face clouded. But the eyes were untroubled. “I don’t fink anybody loves him,” she said simply, “But Grannie says we e’en must.” She gave a little sigh.
 
“So you will!”
 
“Yes—I love him.”
 
The voice was full of her ignorance—a kind of sing-song chant, but somehow it gripped him strangely.... As if he heard in some inner world—faint, ringing little bells of joy and sadness and the mystery of life.
 

点击收听单词发音收听单词发音  

1 standing 2hCzgo     
n.持续,地位;adj.永久的,不动的,直立的,不流动的
参考例句:
  • After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
  • They're standing out against any change in the law.他们坚决反对对法律做任何修改。
2 fixed JsKzzj     
adj.固定的,不变的,准备好的;(计算机)固定的
参考例句:
  • Have you two fixed on a date for the wedding yet?你们俩选定婚期了吗?
  • Once the aim is fixed,we should not change it arbitrarily.目标一旦确定,我们就不应该随意改变。
3 heed ldQzi     
v.注意,留意;n.注意,留心
参考例句:
  • You must take heed of what he has told.你要注意他所告诉的事。
  • For the first time he had to pay heed to his appearance.这是他第一次非得注意自己的外表不可了。
4 hazy h53ya     
adj.有薄雾的,朦胧的;不肯定的,模糊的
参考例句:
  • We couldn't see far because it was so hazy.雾气蒙蒙妨碍了我们的视线。
  • I have a hazy memory of those early years.对那些早先的岁月我有着朦胧的记忆。
5 touching sg6zQ9     
adj.动人的,使人感伤的
参考例句:
  • It was a touching sight.这是一幅动人的景象。
  • His letter was touching.他的信很感人。
6 sketched 7209bf19355618c1eb5ca3c0fdf27631     
v.草拟(sketch的过去式与过去分词形式)
参考例句:
  • The historical article sketched the major events of the decade. 这篇有关历史的文章概述了这十年中的重大事件。 来自《简明英汉词典》
  • He sketched the situation in a few vivid words. 他用几句生动的语言简述了局势。 来自《现代汉英综合大词典》
7 bent QQ8yD     
n.爱好,癖好;adj.弯的;决心的,一心的
参考例句:
  • He was fully bent upon the project.他一心扑在这项计划上。
  • We bent over backward to help them.我们尽了最大努力帮助他们。
8 copper HZXyU     
n.铜;铜币;铜器;adj.铜(制)的;(紫)铜色的
参考例句:
  • The students are asked to prove the purity of copper.要求学生们检验铜的纯度。
  • Copper is a good medium for the conduction of heat and electricity.铜是热和电的良导体。
9 monotonous FwQyJ     
adj.单调的,一成不变的,使人厌倦的
参考例句:
  • She thought life in the small town was monotonous.她觉得小镇上的生活单调而乏味。
  • His articles are fixed in form and monotonous in content.他的文章千篇一律,一个调调儿。
10 tinged f86e33b7d6b6ca3dd39eda835027fc59     
v.(使)发丁丁声( ting的过去式和过去分词 )
参考例句:
  • memories tinged with sadness 略带悲伤的往事
  • white petals tinged with blue 略带蓝色的白花瓣
11 tersely d1432df833896d885219cd8112dce451     
adv. 简捷地, 简要地
参考例句:
  • Nixon proceeded to respond, mercifully more tersely than Brezhnev. 尼克松开始作出回答了。幸运的是,他讲的比勃列日涅夫简练。
  • Hafiz Issail tersely informed me that Israel force had broken the young cease-fire. 哈菲兹·伊斯梅尔的来电简洁扼要,他说以色列部队破坏了刚刚生效的停火。
12 fathom w7wy3     
v.领悟,彻底了解
参考例句:
  • I really couldn't fathom what he was talking about.我真搞不懂他在说些什么。
  • What these people hoped to achieve is hard to fathom.这些人希望实现些什么目标难以揣测。
13 reassuring vkbzHi     
a.使人消除恐惧和疑虑的,使人放心的
参考例句:
  • He gave her a reassuring pat on the shoulder. 他轻拍了一下她的肩膀让她放心。
  • With a reassuring pat on her arm, he left. 他鼓励地拍了拍她的手臂就离开了。
14 promptly LRMxm     
adv.及时地,敏捷地
参考例句:
  • He paid the money back promptly.他立即还了钱。
  • She promptly seized the opportunity his absence gave her.她立即抓住了因他不在场给她创造的机会。
15 sketching 2df579f3d044331e74dce85d6a365dd7     
n.草图
参考例句:
  • They are sketching out proposals for a new road. 他们正在草拟修建新路的计划。 来自《简明英汉词典》
  • "Imagination is busy sketching rose-tinted pictures of joy. “飞舞驰骋的想象描绘出一幅幅玫瑰色欢乐的场景。 来自英汉文学 - 汤姆历险
16 lavish h1Uxz     
adj.无节制的;浪费的;vt.慷慨地给予,挥霍
参考例句:
  • He despised people who were lavish with their praises.他看不起那些阿谀奉承的人。
  • The sets and costumes are lavish.布景和服装极尽奢华。


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