It was a brisk, sunny day, and they were waiting for Elinor on the steps of the Academy. Judith was looking very happy, and Patricia, while she had a perturbed1 air, was no less triumphant2 in her manner.
"I wonder what keeps Elinor? She's awfully3 late," complained Judith, shifting on one foot. "Let's go in and have lunch without her."
Patricia shook her head decisively.
"Not much. You'll wait here in solitude4 till she comes. I'm not going to have you spout5 it out before any old person, and get us into hot water, perhaps. Here's Elinor now. Come on, Norn, we're about dead, standing6 on these flinty-hearted steps. Got the sandwiches you promised?"
Elinor showed a neat parcel tucked under her muff-arm. "Chicken and lettuce," she said delectably7. "White grapes for dessert. Have you seen Margaret Howes and Griffin?"
Patricia nodded as she held the door wide for Elinor. "Griffin said she'd be ready for us, and Margaret Howes is coming straight down from composition class."
Elinor glanced at them as she went in. "You two look remarkably8 hilarious," she said casually9. "Is it the spring in the air or the prospect10 of a festive11 lunch that so illuminates12 you?"
"Both and more too," laughed Patricia. "We've got a surprise for you, Norn, but we won't tell till we've had lunch; will we, Ju?"
"Not till the very last crumb13 is done for," declared Judith, emphatically, putting down her parcels on the dressing-room couch. "You may not like it very much, Elinor——"
"Nonsense! Don't put such ideas in her head," cried Patricia stabbing her hat-pins into her hat to secure it on the hanger14. "Of course, she'll be sorry for part of it, but right is right, and justice ought to be done. But there, I'll blab it all myself if I don't look out. Hurry up, Judy, let's get the cocoa stewing15 while Elinor prinks."
They had the table arranged in gala array, and the cocoa steaming in its receptacle, before Elinor and Margaret Howes joined them.
"Griffin says not to wait—she's got to finish stretching a canvas," Margaret Howes told them, but Patricia and Judith would not hear to beginning the little feast without the staunch and genial16 Griffin.
"There's no hurry, anyway," insisted Patricia. "The cocoa will keep hot on the corner of the stove and the rest of the things don't matter. You girls haven't any classes this afternoon, so we have an eternity17 to feed in."
They loitered about the room, chatting at various tables, and were taken by surprise at last by the breathless arrival of their late guest. She hailed them with an air of the bearer of important news, and as soon as they were ensconced in their corner with the cocoa safely bestowed18 on a stool at Patricia's right hand, she opened her heart.
"Awful row in the Committee room," she announced gleefully. "Good old Greenie marched right in to the grave and reverend seniors while they were in session just now, and she gave them ballyhoo. She called it a remonstrance19 in the cause of justice, but, my word, it was ripping!"
"What was it all about?" asked Patricia, much diverted by the picture of the mournful monitor facing the dreaded20 Board. "What did she say?"
Griffin chuckled21. "You see, I was in the ante-room, cataloguing the prints—you know I got that job last week. Well, the Board was droning on in the big room in their usual uninteresting fashion and I was deep in admiration22 of a Rembrandt etching—that one with the hat and the open window behind him—when Green sails past me, head up and majesty23 writ24 large on her bulging25 brow. She always does put on lugs26 when she reports to the Committee, so I didn't sit up and take notice right away. But in a minute or two I came to life, I can tell you! She was rolling off the sentences about 'injustice27 to a high-minded student' and 'unnecessary humiliation28' and 'reparation to one who was an ornament29 to any school,' and a lot of other junk like that. I tell you, I could have hugged the old girl! The Board just sat still, like school-boys caught stealing jam, and she went on, getting more flowery all the time."
"But what—" began Patricia again.
Griffin waved her to silence. "All of a sudden she seemed to realize that she was giving them a drubbing instead of a gentle rebuke30. She hauled in her sails and stood winking31 at them behind her huge spectacles, while they all sat staring at her. It was a picture, I can tell you. Then dear old Farrer cleared his throat in that nervous way he has, and he bowed to Bottle Green as though she were the finest ever. 'We have heard with surprise and I am sure with regret,' he says, 'Miss Green's account of this matter. I think we will all agree that an investigation32 should be undertaken, and if there has been injustice done, such reparation as is possible shall be made.' Then they came and closed the door and I lit out for here. You've got a fine champion, Kendall Major, and we'll all see you through if it comes to a public demonstration33, you can gamble on that!"
Elinor's face was perplexed34. "But I don't see what can be done," she said gently. "I'd hate to have the thing dragged up before the school again. Of course, if it had been denied right then and there, I'd have been very glad, but now, after all these days——"
"It's only a week," protested Margaret Howes, firmly. "We had to wait till the Board met, you know."
"They can make an announcement, just as the prize announcement was made," explained Griffin, drumming impatiently on the table. "You may be too modest to be there, but it can be put through without you, and you will be cleared, don't you see?"
"Is Miss Green still in the Committee room?" asked Patricia suddenly.
"Of course," returned Griffin, shortly. "She had other reports to make. She usually stays about half an hour, she'll be longer today. Why?"
"I thought I'd like to have her here," she said, with a sidelong glance at Judith. "We've found out something about——"
She stopped, trying to arrange her speech so as to present the intended disclosure in the clearest form possible, but Judith, whose cheeks had been burning at Griffin's account of the interview in the Committee room, took the words out of her mouth.
"We've found out all about it!" she cried triumphantly35. "Doris Leighton copied Elinor's design, and put it in ahead of Elinor! I know all about it, and I'll tell Miss Green and the whole committee, too, if I have to!"
Griffin was the first of the three to recover. She leaned forward, a thin, eager hand on Judith's arm.
"Say that again, young one," she demanded imperatively36. "Make it good and plain this time."
Judith repeated her startling statement, adding that she had proof for everything she said. Her manner was so genuine and convincing that Griffin started up with a quick gesture of command.
"Don't say another word till I get back," she said, authoritatively37, and was gone before any questions could be formed.
They sat in absolute silence, absently watching the occupants of the now nearly deserted38 tables straggle out in twos and threes, until the room was quite empty, and Patricia could bear it no longer.
"We don't have to petrify39, do we?" she said, with a nervous ripple40. "Griffin may keep us sitting here for hours——"
Judith's dramatic sense asserted itself, and she frowned at Patricia's frivolous41 interruption of the portentous42 silence.
"Do be still, Miss Pat," she said sedately43. "We've waited two whole days already—five minutes more won't hurt us."
Margaret Howes glanced at Elinor, as she sat quietly with chin in one pink palm, her brows drawn44 level and her dark eyes steady and thoughtful.
"You're a wonder, Kendall Major," she broke out. "Here am I all fluffed up and on positive pins and needles over this affair, while you are as calm as a picture. Don't you feel excited? Aren't you wild to hear what it is?"
Elinor laid her hands on the table and Patricia could see that the fingers were twisted together until the knuckles45 showed white.
"Of course, I am anxious," she said evenly. "But I've had a different sort of life from most girls, and it's taught me that there's always a lot more to any surprise than we're looking for. I've been wondering just how much pain there's going to be, back of the pleasure of being set right in the eyes of the school."
"There oughtn't to be any for you," said Margaret Howes, impulsively46 laying her hand on Elinor's. "There isn't anything coming to you but plain every-day satisfaction in getting your rights."
"Ah, but how about Doris?" questioned Elinor sadly. "Isn't she to be remembered?"
"Why should she be?" returned the other warmly. "Did she have any thought for anything but her own parade when she pretended to be sorry for you? There's such a thing as carrying virtue47 too far, my dear girl, and I think you're straining your charity with too fine a sieve48."
Elinor smiled a wistful little puckered49 smile. "Perhaps I am rather lop-sided in my feelings," she confessed. "I always feel so dreadfully sorry for the wrong-doers, and the less they care the sorrier I am."
Patricia had opened her lips to sustain Margaret Howes' point of view, when Griffin, followed by Miss Green, came breathlessly in to the room.
"Now we're all ready," she said eagerly when they had made room for the generous figure of the monitor. "Fire away with your tale, young one, and don't spare the details. We're game for any length of story, so long as you can prove it."
Judith, with her cheeks flushing and paling and her composed tones carrying conviction, laid the story of her discoveries before them, telling them how she had thought of it first "for fun, like a plot for a story," and then how she had remembered that Doris Leighton had Elinor's keys with access to the locker50 where the two studies for the prize designs were left that night that Elinor was taken ill; how she had discovered through Doris' younger sister that Doris had made her study for the Roberts prize from a little rough color sketch51 "just like Elinor had."
"I'd heard her say the Saturday that Miss Jinny came to see us that she never made sketches52 beforehand," said Judith, earnestly. "And she told Patricia the very day Elinor fainted that she hadn't begun her study. So I pretended to myself that we were all in a story, and I thought and thought what I should make of it if I were reading about it all instead of living in it. Then I saw that the thing to do was to find out if Doris Leighton had the little color sketch that she used for her study, and compare it with Elinor's."
Here Elinor gave a start, and then composed herself as Judith went on.
"I hunted and hunted for Elinor's, which I knew very well, for it was made on the back of one of my old tablets, but I couldn't find it. Geraldine couldn't find the one Doris used either, and then I got awfully interested. I told Geraldine that I was making up a story and I wanted to act it all out in life, and she was glad to help. She was mad at Doris anyway, and so she hunted everywhere for her sketch, but she couldn't find it. I was pretty near giving up then, for I thought I was mistaken; but the men were just making ready to take out Leighton's ashes when I thought, like a flash, 'There's where it would be, if anywhere,' and I told Geraldine. So we got sticks and we rummaged53. My gracious, but it was dusty!"
Patricia gave a gasp54 of comprehension. "That's what made you so grimy that day Mrs. Halden came in for tea!" she exclaimed.
Judith nodded. "We found it!" she went on, growing more excited as the end approached. "We found it, all in little bits, along with other stuff from Doris' waste basket!"
The girls looked at one another in shamed silence. The actual discovery of the deception55 was so much more disconcerting than they had foreseen. They seemed to visualize56 Doris Leighton as she tore those guilty fragments and hid them in the rubbish, and the sight sickened them.
Griffin held out a hand for Judith's envelope. "You'll verify these, Kendall?" she said brusquely, pushing the bulky oblong across the table to Elinor.
Spread out on the cloth, the scraps57 pieced perfectly58 into the study that Elinor had made for the Roberts prize. The back showed the stamp of the Keystone tablet, with Judith's name partly erased59 and Doris' scribbled60 over it.
"It's my sketch," admitted Elinor in a low tone. "I missed it the next day, but I thought Miss Pat had dropped it when she brought my things home to me. My study was almost done, and I forgot all about it after that."
There was a disconcerting silence, while Judith breathed hard and kept her eyes glued on Miss Green.
Suddenly Patricia spoke61. "It's a horrid62 mess, and I'm sorry that it had to come out, but there's no use shirking, is there? If someone, no matter who, stole your hat, you'd feel they should be brought to justice. Isn't stealing an idea a lot worse? I don't really think you ought to feel so badly, Elinor. If Doris Leighton could do such a thing, and then be friends with you afterward63, she isn't worth breaking your heart over. I felt badly enough when Ju told me, but I've kept getting madder and madder, as I've seen how she goes on acting64 her part of kind friend to you."
Miss Green rose majestically65 and Griffin sprang up at the same time.
"I shall ask to be allowed to have the evidence," said the impressive representative of justice. "There is no time to be lost. Come, Miss Griffin, I shall need you and Miss Howes too."
At the door she turned, with expansive kindliness66.
"Do not distress67 yourself, my dear Miss Kendall," she said, benignantly. "There is no cause for apprehension68. Absolute secrecy69 and perfect amenity70 will prevail. You will be sent for later perhaps, but nothing unpleasant will occur. Depend upon it, the Board will welcome this revelation of the true state of affairs, and will do its duty gently."
点击收听单词发音
1 perturbed | |
adj.烦燥不安的v.使(某人)烦恼,不安( perturb的过去式和过去分词 ) | |
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2 triumphant | |
adj.胜利的,成功的;狂欢的,喜悦的 | |
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3 awfully | |
adv.可怕地,非常地,极端地 | |
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4 solitude | |
n. 孤独; 独居,荒僻之地,幽静的地方 | |
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5 spout | |
v.喷出,涌出;滔滔不绝地讲;n.喷管;水柱 | |
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6 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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7 delectably | |
令人愉快的,让人喜爱的 | |
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8 remarkably | |
ad.不同寻常地,相当地 | |
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9 casually | |
adv.漠不关心地,无动于衷地,不负责任地 | |
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10 prospect | |
n.前景,前途;景色,视野 | |
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11 festive | |
adj.欢宴的,节日的 | |
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12 illuminates | |
v.使明亮( illuminate的第三人称单数 );照亮;装饰;说明 | |
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13 crumb | |
n.饼屑,面包屑,小量 | |
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14 hanger | |
n.吊架,吊轴承;挂钩 | |
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15 stewing | |
炖 | |
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16 genial | |
adj.亲切的,和蔼的,愉快的,脾气好的 | |
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17 eternity | |
n.不朽,来世;永恒,无穷 | |
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18 bestowed | |
赠给,授予( bestow的过去式和过去分词 ) | |
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19 remonstrance | |
n抗议,抱怨 | |
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20 dreaded | |
adj.令人畏惧的;害怕的v.害怕,恐惧,担心( dread的过去式和过去分词) | |
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21 chuckled | |
轻声地笑( chuckle的过去式和过去分词 ) | |
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22 admiration | |
n.钦佩,赞美,羡慕 | |
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23 majesty | |
n.雄伟,壮丽,庄严,威严;最高权威,王权 | |
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24 writ | |
n.命令状,书面命令 | |
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25 bulging | |
膨胀; 凸出(部); 打气; 折皱 | |
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26 lugs | |
钎柄 | |
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27 injustice | |
n.非正义,不公正,不公平,侵犯(别人的)权利 | |
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28 humiliation | |
n.羞辱 | |
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29 ornament | |
v.装饰,美化;n.装饰,装饰物 | |
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30 rebuke | |
v.指责,非难,斥责 [反]praise | |
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31 winking | |
n.瞬眼,目语v.使眼色( wink的现在分词 );递眼色(表示友好或高兴等);(指光)闪烁;闪亮 | |
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32 investigation | |
n.调查,调查研究 | |
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33 demonstration | |
n.表明,示范,论证,示威 | |
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34 perplexed | |
adj.不知所措的 | |
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35 triumphantly | |
ad.得意洋洋地;得胜地;成功地 | |
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36 imperatively | |
adv.命令式地 | |
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37 authoritatively | |
命令式地,有权威地,可信地 | |
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38 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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39 petrify | |
vt.使发呆;使…变成化石 | |
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40 ripple | |
n.涟波,涟漪,波纹,粗钢梳;vt.使...起涟漪,使起波纹; vi.呈波浪状,起伏前进 | |
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41 frivolous | |
adj.轻薄的;轻率的 | |
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42 portentous | |
adj.不祥的,可怕的,装腔作势的 | |
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43 sedately | |
adv.镇静地,安详地 | |
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44 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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45 knuckles | |
n.(指人)指关节( knuckle的名词复数 );(指动物)膝关节,踝v.(指人)指关节( knuckle的第三人称单数 );(指动物)膝关节,踝 | |
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46 impulsively | |
adv.冲动地 | |
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47 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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48 sieve | |
n.筛,滤器,漏勺 | |
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49 puckered | |
v.(使某物)起褶子或皱纹( pucker的过去式和过去分词 ) | |
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50 locker | |
n.更衣箱,储物柜,冷藏室,上锁的人 | |
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51 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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52 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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53 rummaged | |
翻找,搜寻( rummage的过去式和过去分词 ); 已经海关检查 | |
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54 gasp | |
n.喘息,气喘;v.喘息;气吁吁他说 | |
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55 deception | |
n.欺骗,欺诈;骗局,诡计 | |
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56 visualize | |
vt.使看得见,使具体化,想象,设想 | |
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57 scraps | |
油渣 | |
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58 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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59 erased | |
v.擦掉( erase的过去式和过去分词 );抹去;清除 | |
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60 scribbled | |
v.潦草的书写( scribble的过去式和过去分词 );乱画;草草地写;匆匆记下 | |
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61 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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62 horrid | |
adj.可怕的;令人惊恐的;恐怖的;极讨厌的 | |
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63 afterward | |
adv.后来;以后 | |
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64 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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65 majestically | |
雄伟地; 庄重地; 威严地; 崇高地 | |
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66 kindliness | |
n.厚道,亲切,友好的行为 | |
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67 distress | |
n.苦恼,痛苦,不舒适;不幸;vt.使悲痛 | |
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68 apprehension | |
n.理解,领悟;逮捕,拘捕;忧虑 | |
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69 secrecy | |
n.秘密,保密,隐蔽 | |
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70 amenity | |
n.pl.生活福利设施,文娱康乐场所;(不可数)愉快,适意 | |
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