The story which the marquis formerly3 related to his son, concerning the southern buildings, it was now evident was fabricated for the purpose of concealing4 the imprisonment5 of the marchioness. In the choice of his subject, he certainly discovered some art; for the circumstance related was calculated, by impressing terror, to prevent farther enquiry into the recesses7 of these buildings. It served, also, to explain, by supernatural evidence, the cause of those sounds, and of that appearance which had been there observed, but which were, in reality, occasioned only by the marquis.
The event of the examination in the cell threw Ferdinand into new perplexity. The marquis had confessed that he poisoned his wife—yet her remains8 were not to be found; and the place which he signified to be that of her confinement9, bore no vestige10 of her having been there. There appeared no way by which she could have escaped from her prison; for both the door which opened upon the cell, and that which terminated the avenue beyond, were fastened when tried by Ferdinand.
But the young marquis had no time for useless speculation—serious duties called upon him. He believed that Julia was still in the power of banditti; and, on the conclusion of his father's funeral, he set forward himself to Palermo, to give information of the abode11 of the robbers, and to repair with the officers of justice, accompanied by a party of his own people, to the rescue of his sister. On his arrival at Palermo he was informed, that a banditti, whose retreat had been among the ruins of a monastery12, situated13 in the forest of Marentino, was already discovered; that their abode had been searched, and themselves secured for examples of public justice—but that no captive lady had been found amongst them. This latter intelligence excited in Ferdinand a very serious distress14, and he was wholly unable to conjecture15 her fate. He obtained leave, however, to interrogate16 those of the robbers, who were imprisoned17 at Palermo, but could draw from them no satisfactory or certain information.
At length he quitted Palermo for the forest of Marentino, thinking it possible that Julia might be heard of in its neighbourhood. He travelled on in melancholy18 and dejection, and evening overtook him long before he reached the place of his destination. The night came on heavily in clouds, and a violent storm of wind and rain arose. The road lay through a wild and rocky country, and Ferdinand could obtain no shelter. His attendants offered him their cloaks, but he refused to expose a servant to the hardship he would not himself endure. He travelled for some miles in a heavy rain; and the wind, which howled mournfully among the rocks, and whose solemn pauses were filled by the distant roarings of the sea, heightened the desolation of the scene. At length he discerned, amid the darkness from afar, a red light waving in the wind: it varied20 with the blast, but never totally disappeared. He pushed his horse into a gallop21, and made towards it.
The flame continued to direct his course; and on a nearer approach, he perceived, by the red reflection of its fires, streaming a long radiance upon the waters beneath—a lighthouse situated upon a point of rock which overhung the sea. He knocked for admittance, and the door was opened by an old man, who bade him welcome.
Within appeared a cheerful blazing fire, round which were seated several persons, who seemed like himself to have sought shelter from the tempest of the night. The sight of the fire cheered him, and he advanced towards it, when a sudden scream seized his attention; the company rose up in confusion, and in the same instant he discovered Julia and Hippolitus. The joy of that moment is not to be described, but his attention was quickly called off from his own situation to that of a lady, who during the general transport had fainted. His sensations on learning she was his mother cannot be described.
She revived. 'My son!' said she, in a languid voice, as she pressed him to her heart. 'Great God, I am recompensed! Surely this moment may repay a life of misery22!' He could only receive her caresses23 in silence; but the sudden tears which started in his eyes spoke24 a language too expressive25 to be misunderstood.
When the first emotion of the scene was passed, Julia enquired26 by what means Ferdinand had come to this spot. He answered her generally, and avoided for the present entering upon the affecting subject of the late events at the castle of Mazzini. Julia related the history of her adventures since she parted with her brother. In her narration27, it appeared that Hippolitus, who was taken by the Duke de Luovo at the mouth of the cave, had afterwards escaped, and returned to the cavern28 in search of Julia. The low recess6 in the rock, through which Julia had passed, he perceived by the light of his flambeau. He penetrated29 to the cavern beyond, and from thence to the prison of the marchioness. No colour of language can paint the scene which followed; it is sufficient to say that the whole party agreed to quit the cell at the return of night. But this being a night on which it was known the marquis would visit the prison, they agreed to defer30 their departure till after his appearance, and thus elude31 the danger to be expected from an early discovery of the escape of the marchioness.
At the sound of footsteps above, Hippolitus and Julia had secreted32 themselves in the avenue; and immediately on the marquis's departure they all repaired to the cavern, leaving, in the hurry of their flight, untouched the poisonous food he had brought. Having escaped from thence they proceeded to a neighbouring village, where horses were procured33 to carry them towards Palermo. Here, after a tedious journey, they arrived, in the design of embarking34 for Italy. Contrary winds had detained them till the day on which Ferdinand left that city, when, apprehensive35 and weary of delay, they hired a small vessel36, and determined37 to brave the winds. They had soon reason to repent38 their temerity39; for the vessel had not been long at sea when the storm arose, which threw them back upon the shores of Sicily, and brought them to the lighthouse, where they were discovered by Ferdinand.
On the following morning Ferdinand returned with his friends to Palermo, where he first disclosed the late fatal events of the castle. They now settled their future plans; and Ferdinand hastened to the castle of Mazzini to fetch Emilia, and to give orders for the removal of his household to his palace at Naples, where he designed to fix his future residence. The distress of Emilia, whom he found recovered from her indisposition, yielded to joy and wonder, when she heard of the existence of her mother, and the safety of her sister. She departed with Ferdinand for Palermo, where her friends awaited her, and where the joy of the meeting was considerably40 heightened by the appearance of Madame de Menon, for whom the marchioness had dispatched a messenger to St Augustin's. Madame had quitted the abbey for another convent, to which, however, the messenger was directed. This happy party now embarked41 for Naples.
From this period the castle of Mazzini, which had been the theatre of a dreadful catastrophe42; and whose scenes would have revived in the minds of the chief personages connected with it, painful and shocking reflections—was abandoned.
On their arrival at Naples, Ferdinand presented to the king a clear and satisfactory account of the late events at the castle, in consequence of which the marchioness was confirmed in her rank, and Ferdinand was received as the sixth Marquis de Mazzini.
The marchioness, thus restored to the world, and to happiness, resided with her children in the palace at Naples, where, after time had somewhat mellowed43 the remembrance of the late calamity44, the nuptials45 of Hippolitus and Julia were celebrated46. The recollection of the difficulties they had encountered, and of the distress they had endured for each other, now served only to heighten by contrast the happiness of the present period.
Ferdinand soon after accepted a command in the Neapolitan army; and amidst the many heroes of that warlike and turbulent age, distinguished47 himself for his valour and ability. The occupations of war engaged his mind, while his heart was solicitous48 in promoting the happiness of his family.
Madame de Menon, whose generous attachment49 to the marchioness had been fully19 proved, found in the restoration of her friend a living witness of her marriage, and thus recovered those estates which had been unjustly withheld50 from her. But the marchioness and her family, grateful to her friendship, and attached to her virtues52, prevailed upon her to spend the remainder of her life at the palace of Mazzini.
Emilia, wholly attached to her family, continued to reside with the marchioness, who saw her race renewed in the children of Hippolitus and Julia. Thus surrounded by her children and friends, and engaged in forming the minds of the infant generation, she seemed to forget that she had ever been otherwise than happy.
Here the manuscript annals conclude. In reviewing this story, we perceive a singular and striking instance of moral retribution. We learn, also, that those who do only THAT WHICH IS RIGHT, endure nothing in misfortune but a trial of their virtue51, and from trials well endured derive53 the surest claim to the protection of heaven.
点击收听单词发音
1 dungeon | |
n.地牢,土牢 | |
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2 groans | |
n.呻吟,叹息( groan的名词复数 );呻吟般的声音v.呻吟( groan的第三人称单数 );发牢骚;抱怨;受苦 | |
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3 formerly | |
adv.从前,以前 | |
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4 concealing | |
v.隐藏,隐瞒,遮住( conceal的现在分词 ) | |
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5 imprisonment | |
n.关押,监禁,坐牢 | |
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6 recess | |
n.短期休息,壁凹(墙上装架子,柜子等凹处) | |
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7 recesses | |
n.壁凹( recess的名词复数 );(工作或业务活动的)中止或暂停期间;学校的课间休息;某物内部的凹形空间v.把某物放在墙壁的凹处( recess的第三人称单数 );将(墙)做成凹形,在(墙)上做壁龛;休息,休会,休庭 | |
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8 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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9 confinement | |
n.幽禁,拘留,监禁;分娩;限制,局限 | |
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10 vestige | |
n.痕迹,遗迹,残余 | |
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11 abode | |
n.住处,住所 | |
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12 monastery | |
n.修道院,僧院,寺院 | |
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13 situated | |
adj.坐落在...的,处于某种境地的 | |
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14 distress | |
n.苦恼,痛苦,不舒适;不幸;vt.使悲痛 | |
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15 conjecture | |
n./v.推测,猜测 | |
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16 interrogate | |
vt.讯问,审问,盘问 | |
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17 imprisoned | |
下狱,监禁( imprison的过去式和过去分词 ) | |
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18 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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19 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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20 varied | |
adj.多样的,多变化的 | |
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21 gallop | |
v./n.(马或骑马等)飞奔;飞速发展 | |
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22 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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23 caresses | |
爱抚,抚摸( caress的名词复数 ) | |
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24 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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25 expressive | |
adj.表现的,表达…的,富于表情的 | |
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26 enquired | |
打听( enquire的过去式和过去分词 ); 询问; 问问题; 查问 | |
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27 narration | |
n.讲述,叙述;故事;记叙体 | |
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28 cavern | |
n.洞穴,大山洞 | |
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29 penetrated | |
adj. 击穿的,鞭辟入里的 动词penetrate的过去式和过去分词形式 | |
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30 defer | |
vt.推迟,拖延;vi.(to)遵从,听从,服从 | |
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31 elude | |
v.躲避,困惑 | |
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32 secreted | |
v.(尤指动物或植物器官)分泌( secrete的过去式和过去分词 );隐匿,隐藏 | |
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33 procured | |
v.(努力)取得, (设法)获得( procure的过去式和过去分词 );拉皮条 | |
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34 embarking | |
乘船( embark的现在分词 ); 装载; 从事 | |
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35 apprehensive | |
adj.担心的,恐惧的,善于领会的 | |
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36 vessel | |
n.船舶;容器,器皿;管,导管,血管 | |
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37 determined | |
adj.坚定的;有决心的 | |
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38 repent | |
v.悔悟,悔改,忏悔,后悔 | |
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39 temerity | |
n.鲁莽,冒失 | |
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40 considerably | |
adv.极大地;相当大地;在很大程度上 | |
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41 embarked | |
乘船( embark的过去式和过去分词 ); 装载; 从事 | |
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42 catastrophe | |
n.大灾难,大祸 | |
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43 mellowed | |
(使)成熟( mellow的过去式和过去分词 ); 使色彩更加柔和,使酒更加醇香 | |
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44 calamity | |
n.灾害,祸患,不幸事件 | |
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45 nuptials | |
n.婚礼;婚礼( nuptial的名词复数 ) | |
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46 celebrated | |
adj.有名的,声誉卓著的 | |
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47 distinguished | |
adj.卓越的,杰出的,著名的 | |
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48 solicitous | |
adj.热切的,挂念的 | |
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49 attachment | |
n.附属物,附件;依恋;依附 | |
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50 withheld | |
withhold过去式及过去分词 | |
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51 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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52 virtues | |
美德( virtue的名词复数 ); 德行; 优点; 长处 | |
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53 derive | |
v.取得;导出;引申;来自;源自;出自 | |
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