For a hundred francs a year, she cooked and did the housework, washed, ironed, mended, harnessed the horse, fattened1 the poultry2, made the butter and remained faithful to her mistress—although the latter was by no means an agreeable person.
Madame Aubain had married a comely3 youth without any money, who died in the beginning of 1809, leaving her with two young children and a number of debts. She sold all her property excepting the farm of Toucques and the farm of Geffosses, the income of which barely amounted to 5,000 francs; then she left her house in Saint-Melaine, and moved into a less pretentious4 one which had belonged to her ancestors and stood back of the market-place. This house, with its slate-covered roof, was built between a passage-way and a narrow street that led to the river. The interior was so unevenly5 graded that it caused people to stumble. A narrow hall separated the kitchen from the parlour, where Madame Aubain sat all day in a straw armchair near the window. Eight mahogany chairs stood in a row against the white wainscoting. An old piano, standing6 beneath a barometer7, was covered with a pyramid of old books and boxes. On either side of the yellow marble mantelpiece, in Louis XV. style, stood a tapestry8 armchair. The clock represented a temple of Vesta; and the whole room smelled musty, as it was on a lower level than the garden.
On the first floor was Madame’s bed-chamber, a large room papered in a flowered design and containing the portrait of Monsieur dressed in the costume of a dandy. It communicated with a smaller room, in which there were two little cribs, without any mattresses9. Next, came the parlour (always closed), filled with furniture covered with sheets. Then a hall, which led to the study, where books and papers were piled on the shelves of a book-case that enclosed three quarters of the big black desk. Two panels were entirely10 hidden under pen-and-ink sketches11, Gouache landscapes and Audran engravings, relics12 of better times and vanished luxury. On the second floor, a garret-window lighted Felicite’s room, which looked out upon the meadows.
She arose at daybreak, in order to attend mass, and she worked without interruption until night; then, when dinner was over, the dishes cleared away and the door securely locked, she would bury the log under the ashes and fall asleep in front of the hearth13 with a rosary in her hand. Nobody could bargain with greater obstinacy14, and as for cleanliness, the lustre15 on her brass16 sauce-pans was the envy and despair of other servants. She was most economical, and when she ate she would gather up crumbs17 with the tip of her finger, so that nothing should be wasted of the loaf of bread weighing twelve pounds which was baked especially for her and lasted three weeks.
Summer and winter she wore a dimity kerchief fastened in the back with a pin, a cap which concealed18 her hair, a red skirt, grey stockings, and an apron19 with a bib like those worn by hospital nurses.
Her face was thin and her voice shrill20. When she was twenty-five, she looked forty. After she had passed fifty, nobody could tell her age; erect21 and silent always, she resembled a wooden figure working automatically.
点击收听单词发音
1 fattened | |
v.喂肥( fatten的过去式和过去分词 );养肥(牲畜);使(钱)增多;使(公司)升值 | |
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2 poultry | |
n.家禽,禽肉 | |
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3 comely | |
adj.漂亮的,合宜的 | |
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4 pretentious | |
adj.自命不凡的,自负的,炫耀的 | |
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5 unevenly | |
adv.不均匀的 | |
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6 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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7 barometer | |
n.气压表,睛雨表,反应指标 | |
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8 tapestry | |
n.挂毯,丰富多采的画面 | |
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9 mattresses | |
褥垫,床垫( mattress的名词复数 ) | |
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10 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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11 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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12 relics | |
[pl.]n.遗物,遗迹,遗产;遗体,尸骸 | |
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13 hearth | |
n.壁炉炉床,壁炉地面 | |
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14 obstinacy | |
n.顽固;(病痛等)难治 | |
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15 lustre | |
n.光亮,光泽;荣誉 | |
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16 brass | |
n.黄铜;黄铜器,铜管乐器 | |
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17 crumbs | |
int. (表示惊讶)哎呀 n. 碎屑 名词crumb的复数形式 | |
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18 concealed | |
a.隐藏的,隐蔽的 | |
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19 apron | |
n.围裙;工作裙 | |
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20 shrill | |
adj.尖声的;刺耳的;v尖叫 | |
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21 erect | |
n./v.树立,建立,使竖立;adj.直立的,垂直的 | |
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