When o’er each deed, with sweet self-praise,
Narcissus-like I hung!
When great Rembrandt but little seemed,
And such Old Masters all were deemed
As nothing to the young!
Some scratchy strokes — abrupt1 and few,
So easily and swift I drew,
Sufficed for my design;
My sketchy2, superficial hand
Drew solids at a dash — and spanned
A surface with a line.
Not long my eye was thus content,
But grew more critical — my bent3
Essayed a higher walk;
I copied leaden eyes in lead —
Rheumatic hands in white and red,
And gouty feet — in chalk.
Anon my studious art for days
Kept making faces — happy phrase,
For faces such as mine!
Accomplished4 in the details then,
I left the minor5 parts of men,
And drew the form divine.
Old Gods and Heroes — Trojan — Greek,
Figures — long after the antique,
Great Ajax justly feared;
Hectors, of whom at night I dreamt,
And Nestor, fringed enough to tempt6
Bird-nesters to his beard.
A Bacchus, leering on a bowl,
A Pallas that out-stared her owl7,
A Vulcan — very lame9;
A Dian stuck about with stars,
With my right hand I murdered Mars —
(One Williams did the same).
But tired of this dry work at last,
Crayon and chalk aside I cast,
And gave my brush a drink!
Dipping —“as when a painter dips
In gloom of earthquake and eclipse,”—
That is — in Indian ink.
Oh then, what black Mont Blancs arose,
Crested10 with soot11, and not with snows:
What clouds of dingy12 hue13!
In spite of what the bard14 has penned,
I fear the distance did not “lend
Enchantment15 to the view.”
Not Radcliffe’s brush did e’er design
Black Forests half so black as mine,
Or lakes so like a pall8;
The Chinese cake dispersed16 a ray
Of darkness, like the light of Day
And Martin over all.
Yet urchin17 pride sustained me still,
I gazed on all with right good will,
And spread the dingy tint18;
“No holy Luke helped me to paint,
The devil surely, not a Saint,
Had any finger in’t!”
But colors came! — like morning light,
With gorgeous hues19, displacing night,
Or Spring’s enlivened scene:
At once the sable20 shades withdrew;
My skies got very, very blue;
My trees extremely green.
And washed by my cosmetic21 brush,
How Beauty’s cheek began to blush;
With lock of auburn stain —
(Not Goldsmith’s Auburn)— nut-brown hair,
That made her loveliest of the fair;
Not “loveliest of the plain!”
Her lips were of vermilion hue:
Love in her eyes, and Prussian blue,
Set all my heart in flame!
A young Pygmalion, I adored
The maids I made — but time was stored
With evil — and it came!
Perspective dawned — and soon I saw
My houses stand against its law;
And “keeping” all unkept!
My beauties were no longer things
For love and fond imaginings;
But horrors to be wept!
Ah! why did knowledge ope my eyes?
Why did I get more artist wise?
It only serves to hint,
What grave defects and wants are mine;
That I’m no Hilton in design —
In nature no De Wint!
Thrice happy time! — Art’s early days!
When o’er each deed, with sweet self-praise,
Narcissus-like I hung!
When great Rembrandt but little seemed,
And such Old Masters all were deemed
As nothing to the young!
点击收听单词发音
1 abrupt | |
adj.突然的,意外的;唐突的,鲁莽的 | |
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2 sketchy | |
adj.写生的,写生风格的,概略的 | |
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3 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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4 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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5 minor | |
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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6 tempt | |
vt.引诱,勾引,吸引,引起…的兴趣 | |
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7 owl | |
n.猫头鹰,枭 | |
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8 pall | |
v.覆盖,使平淡无味;n.柩衣,棺罩;棺材;帷幕 | |
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9 lame | |
adj.跛的,(辩解、论据等)无说服力的 | |
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10 crested | |
adj.有顶饰的,有纹章的,有冠毛的v.到达山顶(或浪峰)( crest的过去式和过去分词 );到达洪峰,达到顶点 | |
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11 soot | |
n.煤烟,烟尘;vt.熏以煤烟 | |
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12 dingy | |
adj.昏暗的,肮脏的 | |
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13 hue | |
n.色度;色调;样子 | |
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14 bard | |
n.吟游诗人 | |
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15 enchantment | |
n.迷惑,妖术,魅力 | |
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16 dispersed | |
adj. 被驱散的, 被分散的, 散布的 | |
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17 urchin | |
n.顽童;海胆 | |
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18 tint | |
n.淡色,浅色;染发剂;vt.着以淡淡的颜色 | |
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19 hues | |
色彩( hue的名词复数 ); 色调; 信仰; 观点 | |
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20 sable | |
n.黑貂;adj.黑色的 | |
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21 cosmetic | |
n.化妆品;adj.化妆用的;装门面的;装饰性的 | |
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