The death of the Prince Consort1 was the central turning-point in the history of Queen Victoria. She herself felt that her true life had ceased with her husband’s, and that the remainder of her days upon earth was of a twilight2 nature — an epilogue to a drama that was done. Nor is it possible that her biographer should escape a similar impression. For him, too, there is a darkness over the latter half of that long career. The first forty — two years of the Queen’s life are illuminated3 by a great and varied4 quantity of authentic5 information. With Albert’s death a veil descends6. Only occasionally, at fitful and disconnected intervals7, does it lift for a moment or two; a few main outlines, a few remarkable8 details may be discerned; the rest is all conjecture9 and ambiguity10. Thus, though the Queen survived her great bereavement11 for almost as many years as she had lived before it, the chronicle of those years can bear no proportion to the tale of her earlier life. We must be content in our ignorance with a brief and summary relation.
The sudden removal of the Prince was not merely a matter of overwhelming personal concern to Victoria; it was an event of national, of European importance. He was only forty-two, and in the ordinary course of nature he might have been expected to live at least thirty years longer. Had he done so it can hardly be doubted that the whole development of the English polity would have been changed. Already at the time of his death he filled a unique place in English public life; already among the inner circle of politicians he was accepted as a necessary and useful part of the mechanism13 of the State. Lord Clarendon, for instance, spoke14 of his death as “a national calamity15 of far greater importance than the public dream of,” and lamented16 the loss of his “sagacity and foresight,” which, he declared, would have been “more than ever valuable” in the event of an American war. And, as time went on, the Prince’s influence must have enormously increased. For, in addition to his intellectual and moral qualities, he enjoyed, by virtue17 of his position, one supreme18 advantage which every other holder19 of high office in the country was without: he was permanent. Politicians came and went, but the Prince was perpetually installed at the centre of affairs. Who can doubt that, towards the end of the century, such a man, grown grey in the service of the nation, virtuous20, intelligent, and with the unexampled experience of a whole life-time of government, would have acquired an extraordinary prestige? If, in his youth, he had been able to pit the Crown against the mighty21 Palmerston and to come off with equal honours from the contest, of what might he not have been capable in his old age? What Minister, however able, however popular, could have withstood the wisdom, the irreproachability22, the vast prescriptive authority, of the venerable Prince? It is easy to imagine how, under such a ruler, an attempt might have been made to convert England into a State as exactly organised, as elaborately trained, as efficiently23 equipped, and as autocratically controlled, as Prussia herself. Then perhaps, eventually, under some powerful leader — a Gladstone or a Bright — the democratic forces in the country might have rallied together, and a struggle might have followed in which the Monarchy24 would have been shaken to its foundations. Or, on the other hand, Disraeli’s hypothetical prophecy might have come true. “With Prince Albert,” he said, “we have buried our . . . sovereign. This German Prince has governed England for twenty-one years with a wisdom and energy such as none of our kings have ever shown. If he had outlived some of our ‘old stagers’ he would have given us the blessings25 of absolute government.”
The English Constitution — that indescribable entity26 — is a living thing, growing with the growth of men, and assuming ever-varying forms in accordance with the subtle and complex laws of human character. It is the child of wisdom and chance. The wise men of 1688 moulded it into the shape we know, but the chance that George I could not speak English gave it one of its essential peculiarities27 — the system of a Cabinet independent of the Crown and subordinate to the Prime Minister. The wisdom of Lord Grey saved it from petrifaction29 and destruction, and set it upon the path of Democracy. Then chance intervened once more; a female sovereign happened to marry an able and pertinacious30 man; and it seemed likely that an element which had been quiescent31 within it for years — the element of irresponsible administrative32 power — was about to become its predominant characteristic and to change completely the direction of its growth. But what chance gave chance took away. The Consort perished in his prime; and the English Constitution, dropping the dead limb with hardly a tremor33, continued its mysterious life as if he had never been.
One human being, and one alone, felt the full force of what had happened. The Baron34, by his fireside at Coburg, suddenly saw the tremendous fabric35 of his creation crash down into sheer and irremediable ruin. Albert was gone, and he had lived in vain. Even his blackest hypochondria had never envisioned quite so miserable36 a catastrophe37. Victoria wrote to him, visited him, tried to console him by declaring with passionate38 conviction that she would carry on her husband’s work. He smiled a sad smile and looked into the fire. Then he murmured that he was going where Albert was — that he would not be long. He shrank into himself. His children clustered round him and did their best to comfort him, but it was useless: the Baron’s heart was broken. He lingered for eighteen months, and then, with his pupil, explored the shadow and the dust.
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With appalling40 suddenness Victoria had exchanged the serene41 radiance of happiness for the utter darkness of woe42. In the first dreadful moments those about her had feared that she might lose her reason, but the iron strain within her held firm, and in the intervals between the intense paroxysms of grief it was observed that the Queen was calm. She remembered, too, that Albert had always disapproved44 of exaggerated manifestations45 of feeling, and her one remaining desire was to do nothing but what he would have wished. Yet there were moments when her royal anguish46 would brook47 no restraints. One day she sent for the Duchess of Sutherland, and, leading her to the Prince’s room, fell prostrate48 before his clothes in a flood of weeping, while she adjured49 the Duchess to tell her whether the beauty of Albert’s character had ever been surpassed. At other times a feeling akin50 to indignation swept over her. “The poor fatherless baby of eight months,” she wrote to the King of the Belgians, “is now the utterly51 heartbroken and crushed widow of forty-two! My LIFE as a HAPPY one is ENDED! The world is gone for ME! . . . Oh! to be cut off in the prime of life — to see our pure, happy, quiet, domestic life, which ALONE enabled me to bear my MUCH disliked position, CUT OFF at forty-two — when I HAD hoped with such instinctive52 certainty that God never WOULD part us, and would let us grow old together (though HE always talked of the shortness of life)— is TOO AWFUL, too cruel!” The tone of outraged53 Majesty54 seems to be discernible. Did she wonder in her heart of hearts how the Deity55 could have dared?
But all other emotions gave way before her overmastering determination to continue, absolutely unchanged, and for the rest of her life on earth, her reverence56, her obedience57, her idolatry. “I am anxious to repeat ONE thing,” she told her uncle, “and THAT ONE is my firm resolve, my IRREVOCABLE DECISION, viz., that HIS wishes — HIS plans — about everything, HIS views about EVERY thing are to be MY LAW! And NO HUMAN POWER will make me swerve58 from WHAT HE decided59 and wished.” She grew fierce, she grew furious, at the thought of any possible intrusion between her and her desire. Her uncle was coming to visit her, and it flashed upon her that HE might try to interfere60 with her and seek to “rule the roost” as of old. She would give him a hint. “I am ALSO DETERMINED,” she wrote, “that NO ONE person — may HE be ever so good, ever so devoted61 among my servants — is to lead or guide or dictate62 TO ME. I know HOW he would disapprove43 it . . . Though miserably63 weak and utterly shattered, my spirit rises when I think ANY wish or plan of his is to be touched or changed, or I am to be MADE TO DO anything.” She ended her letter in grief and affection. She was, she said, his “ever wretched but devoted child, Victoria R.” And then she looked at the date: it was the 24th of December. An agonising pang64 assailed65 her, and she dashed down a postcript —“What a Xmas! I won’t think of it.”
At first, in the tumult66 of her distresses67, she declared that she could not see her Ministers, and the Princess Alice, assisted by Sir Charles Phipps, the keeper of the Privy68 Purse, performed, to the best of her ability, the functions of an intermediary. After a few weeks, however, the Cabinet, through Lord John Russell, ventured to warn the Queen that this could not continue. She realised that they were right: Albert would have agreed with them; and so she sent for the Prime Minister. But when Lord Palmerston arrived at Osborne, in the pink of health, brisk, with his whiskers freshly dyed, and dressed in a brown overcoat, light grey trousers, green gloves, and blue studs, he did not create a very good impression.
Nevertheless, she had grown attached to her old enemy, and the thought of a political change filled her with agitated69 apprehensions70. The Government, she knew, might fall at any moment; she felt she could not face such an eventuality; and therefore, six months after the death of the Prince, she took the unprecedented71 step of sending a private message to Lord Derby, the leader of the Opposition72, to tell him that she was not in a fit state of mind or body to undergo the anxiety of a change of Government, and that if he turned the present Ministers out of office it would be at the risk of sacrificing her life — or her reason. When this message reached Lord Derby he was considerably73 surprised. “Dear me!” was his cynical74 comment. “I didn’t think she was so fond of them as THAT.”
Though the violence of her perturbations gradually subsided75, her cheerfulness did not return. For months, for years, she continued in settled gloom. Her life became one of almost complete seclusion76. Arrayed in thickest crepe, she passed dolefully from Windsor to Osborne, from Osborne to Balmoral. Rarely visiting the capital, refusing to take any part in the ceremonies of state, shutting herself off from the slightest intercourse77 with society, she became almost as unknown to her subjects as some potentate78 of the East. They might murmur39, but they did not understand. What had she to do with empty shows and vain enjoyments79? No! She was absorbed by very different preoccupations. She was the devoted guardian80 of a sacred trust. Her place was in the inmost shrine81 of the house of mourning — where she alone had the right to enter, where she could feel the effluence of a mysterious presence, and interpret, however faintly and feebly, the promptings of a still living soul. That, and that only was her glorious, her terrible duty. For terrible indeed it was. As the years passed her depression seemed to deepen and her loneliness to grow more intense. “I am on a dreary82 sad pinnacle83 of solitary84 grandeur,” she said. Again and again she felt that she could bear her situation no longer — that she would sink under the strain. And then, instantly, that Voice spoke: and she braced85 herself once more to perform, with minute conscientiousness86, her grim and holy task.
Above all else, what she had to do was to make her own the master-impulse of Albert’s life — she must work, as he had worked, in the service of the country. That vast burden of toil87 which he had taken upon his shoulders it was now for her to bear. She assumed the gigantic load; and naturally she staggered under it. While he had lived, she had worked, indeed, with regularity88 and conscientiousness; but it was work made easy, made delicious, by his care, his forethought, his advice, and his infallibility. The mere12 sound of his voice, asking her to sign a paper, had thrilled her; in such a presence she could have laboured gladly for ever. But now there was a hideous89 change. Now there were no neat piles and docketings under the green lamp; now there were no simple explanations of difficult matters; now there was nobody to tell her what was right and what was wrong. She had her secretaries, no doubt: there were Sir Charles Phipps, and General Grey, and Sir Thomas Biddulph; and they did their best. But they were mere subordinates: the whole weight of initiative and responsibility rested upon her alone. For so it had to be. “I am DETERMINED”— had she not declared it? —“that NO ONE person is to lead or guide or dictate to ME;” anything else would be a betrayal of her trust. She would follow the Prince in all things. He had refused to delegate authority; he had examined into every detail with his own eyes; he had made it a rule never to sign a paper without having first, not merely read it, but made notes on it too. She would do the same. She sat from morning till night surrounded by huge heaps of despatch90 — boxes, reading and writing at her desk — at her desk, alas91! which stood alone now in the room.
Within two years of Albert’s death a violent disturbance92 in foreign politics put Victoria’s faithfulness to a crucial test. The fearful Schleswig–Holstein dispute, which had been smouldering for more than a decade, showed signs of bursting out into conflagration93. The complexity94 of the questions at issue was indescribable. “Only three people,” said Palmerston, “have ever really understood the Schleswig–Holstein business — the Prince Consort, who is dead — a German professor, who has gone mad — and I, who have forgotten all about it.” But, though the Prince might be dead, had he not left a vicegerent behind him? Victoria threw herself into the seething95 embroilment96 with the vigour97 of inspiration. She devoted hours daily to the study of the affair in all its windings98; but she had a clue through the labyrinth99: whenever the question had been discussed, Albert, she recollected100 it perfectly101, had always taken the side of Prussia. Her course was clear. She became an ardent102 champion of the Prussian point of view. It was a legacy103 from the Prince, she said. She did not realise that the Prussia of the Prince’s day was dead, and that a new Prussia, the Prussia of Bismarck, was born. Perhaps Palmerston, with his queer prescience, instinctively104 apprehended105 the new danger; at any rate, he and Lord John were agreed upon the necessity of supporting Denmark against Prussia’s claims. But opinion was sharply divided, not only in the country but in the Cabinet. For eighteen months the controversy106 raged; while the Queen, with persistent107 vehemence108, opposed the Prime Minister and the Foreign Secretary. When at last the final crisis arose — when it seemed possible that England would join forces with Denmark in a war against Prussia — Victoria’s agitation109 grew febrile in its intensity110. Towards her German relatives she preserved a discreet111 appearance of impartiality112; but she poured out upon her Ministers a flood of appeals, protests, and expostulations. She invoked113 the sacred cause of Peace. “The only chance of preserving peace for Europe,” she wrote, “is by not assisting Denmark, who has brought this entirely114 upon herself. The Queen suffers much, and her nerves are more and more totally shattered . . . But though all this anxiety is wearing her out, it will not shake her firm purpose of resisting any attempt to involve this country in a mad and useless combat.” She was, she declared, “prepared to make a stand,” even if the resignation of the Foreign Secretary should follow. “The Queen,” she told Lord Granville, “is completely exhausted115 by the anxiety and suspense116, and misses her beloved husband’s help, advice, support, and love in an overwhelming manner.” She was so worn out by her efforts for peace that she could “hardly hold up her head or hold her pen.” England did not go to war, and Denmark was left to her fate; but how far the attitude of the Queen contributed to this result it is impossible, with our present knowledge, to say. On the whole, however, it seems probable that the determining factor in the situation was the powerful peace party in the Cabinet rather than the imperious and pathetic pressure of Victoria.
It is, at any rate, certain that the Queen’s enthusiasm for the sacred cause of peace was short-lived. Within a few months her mind had completely altered. Her eyes were opened to the true nature of Prussia, whose designs upon Austria were about to culminate117 in the Seven Weeks’ War. Veering118 precipitately119 from one extreme to the other, she now urged her Ministers to interfere by force of arms in support of Austria. But she urged in vain.
Her political activity, no more than her social seclusion, was approved by the public. As the years passed, and the royal mourning remained as unrelieved as ever, the animadversions grew more general and more severe. It was observed that the Queen’s protracted120 privacy not only cast a gloom over high society, not only deprived the populace of its pageantry, but also exercised a highly deleterious effect upon the dressmaking, millinery, and hosiery trades. This latter consideration carried great weight. At last, early in 1864, the rumour121 spread that Her Majesty was about to go out of mourning, and there was much rejoicing in the newspapers; but unfortunately it turned out that the rumour was quite without foundation. Victoria, with her own hand, wrote a letter to The Times to say so. “This idea,” she declared, “cannot be too explicitly122 contradicted. The Queen,” the letter continued, “heartily appreciates the desire of her subjects to see her, and whatever she CAN do to gratify them in this loyal and affectionate wish, she WILL do . . . But there are other and higher duties than those of mere representation which are now thrown upon the Queen, alone and unassisted — duties which she cannot neglect without injury to the public service, which weigh unceasingly upon her, overwhelming her with work and anxiety.” The justification123 might have been considered more cogent124 had it not been known that those “other and higher duties” emphasised by the Queen consisted for the most part of an attempt to counteract125 the foreign policy of Lord Palmerston and Lord John Russell. A large section — perhaps a majority — of the nation were violent partisans126 of Denmark in the Schleswig–Holstein quarrel; and Victoria’s support of Prussia was widely denounced. A wave of unpopularity, which reminded old observers of the period preceding the Queen’s marriage more than twenty-five years before, was beginning to rise. The press was rude; Lord Ellenborough attacked the Queen in the House of Lords; there were curious whispers in high quarters that she had had thoughts of abdicating127 — whispers followed by regrets that she had not done so. Victoria, outraged and injured, felt that she was misunderstood. She was profoundly unhappy. After Lord Ellenborough’s speech, General Grey declared that he “had never seen the Queen so completely upset.” “Oh, how fearful it is,” she herself wrote to Lord Granville, “to be suspected — uncheered — unguided and unadvised — and how alone the poor Queen feels!” Nevertheless, suffer as she might, she was as resolute128 as ever; she would not move by a hair’s breadth from the course that a supreme obligation marked out for her; she would be faithful to the end.
And so, when Schleswig–Holstein was forgotten, and even the image of the Prince had begun to grow dim in the fickle129 memories of men, the solitary watcher remained immutably130 concentrated at her peculiar28 task. The world’s hostility131, steadily132 increasing, was confronted and outfaced by the impenetrable weeds of Victoria. Would the world never understand? It was not mere sorrow that kept her so strangely sequestered133; it was devotion, it was self-immolation; it was the laborious134 legacy of love. Unceasingly the pen moved over the black-edged paper. The flesh might be weak, but that vast burden must be borne. And fortunately, if the world would not understand, there were faithful friends who did. There was Lord Granville, and there was kind Mr. Theodore Martin. Perhaps Mr. Martin, who was so clever, would find means to make people realise the facts. She would send him a letter, pointing out her arduous135 labours and the difficulties under which she struggled, and then he might write an article for one of the magazines. “It is not,” she told him in 1863, “the Queen’s SORROW that keeps her secluded136. It is her OVERWHELMING WORK and her health, which is greatly shaken by her sorrow, and the totally overwhelming amount of work and responsibility — work which she feels really wears her out. Alice Helps was wonderfully struck at the Queen’s room; and if Mrs. Martin will look at it, she can tell Mr. Martin what surrounds her. From the hour she gets out of bed till she gets into it again there is work, work, work — letter-boxes, questions, etc., which are dreadfully exhausting — and if she had not comparative rest and quiet in the evening she would most likely not be ALIVE. Her brain is constantly overtaxed.” It was too true.
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To carry on Albert’s work — that was her first duty; but there was another, second only to that, and yet nearer, if possible, to her heart — to impress the true nature of his genius and character upon the minds of her subjects. She realised that during his life he had not been properly appreciated; the full extent of his powers, the supreme quality of his goodness, had been necessarily concealed137; but death had removed the need of barriers, and now her husband, in his magnificent entirety, should stand revealed to all. She set to work methodically. She directed Sir Arthur Helps to bring out a collection of the Prince’s speeches and addresses, and the weighty tome appeared in 1862. Then she commanded General Grey to write an account of the Prince’s early years — from his birth to his marriage; she herself laid down the design of the book, contributed a number of confidential138 documents, and added numerous notes; General Grey obeyed, and the work was completed in 1866. But the principal part of the story was still untold139, and Mr. Martin was forthwith instructed to write a complete biography of the Prince Consort. Mr. Martin laboured for fourteen years. The mass of material with which he had to deal was almost incredible, but he was extremely industrious140, and he enjoyed throughout the gracious assistance of Her Majesty. The first bulky volume was published in 1874; four others slowly followed; so that it was not until 1880 that the monumental work was finished.
Mr. Martin was rewarded by a knighthood; and yet it was sadly evident that neither Sir Theodore nor his predecessors141 had achieved the purpose which the Queen had in view. Perhaps she was unfortunate in her coadjutors, but, in reality, the responsibility for the failure must lie with Victoria herself. Sir Theodore and the others faithfully carried out the task which she had set them — faithfully put before the public the very image of Albert that filled her own mind. The fatal drawback was that the public did not find that image attractive. Victoria’s emotional nature, far more remarkable for vigour than for subtlety142, rejecting utterly the qualifications which perspicuity143, or humour, might suggest, could be satisfied with nothing but the absolute and the categorical. When she disliked she did so with an unequivocal emphasis which swept the object of her repugnance144 at once and finally outside the pale of consideration; and her feelings of affection were equally unmitigated. In the case of Albert her passion for superlatives reached its height. To have conceived of him as anything short of perfect — perfect in virtue, in wisdom, in beauty, in all the glories and graces of man — would have been an unthinkable blasphemy145: perfect he was, and perfect he must be shown to have been. And so, Sir Arthur, Sir Theodore, and the General painted him. In the circumstances, and under such supervision146, to have done anything else would have required talents considerably more distinguished147 than any that those gentlemen possessed148. But that was not all. By a curious mischance Victoria was also able to press into her service another writer, the distinction of whose talents was this time beyond a doubt. The Poet Laureate, adopting, either from complaisance149 or conviction, the tone of his sovereign, joined in the chorus, and endowed the royal formula with the magical resonance150 of verse. This settled the matter. Henceforward it was impossible to forget that Albert had worn the white flower of a blameless life.
The result was doubly unfortunate. Victoria, disappointed and chagrined151, bore a grudge152 against her people for their refusal, in spite of all her efforts, to rate her husband at his true worth. She did not understand that the picture of an embodied153 perfection is distasteful to the majority of mankind. The cause of this is not so much an envy of the perfect being as a suspicion that he must be inhuman154; and thus it happened that the public, when it saw displayed for its admiration155 a figure resembling the sugary hero of a moral story-book rather than a fellow man of flesh and blood, turned away with a shrug156, a smile, and a flippant ejaculation. But in this the public was the loser as well as Victoria. For in truth Albert was a far more interesting personage than the public dreamed. By a curious irony157 an impeccable waxwork158 had been fixed159 by the Queen’s love in the popular imagination, while the creature whom it represented — the real creature, so full of energy and stress and torment160, so mysterious and so unhappy, and so fallible and so very human — had altogether disappeared.
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Words and books may be ambiguous memorials; but who can misinterpret the visible solidity of bronze and stone? At Frogmore, near Windsor, where her mother was buried, Victoria constructed, at the cost of L200,000, a vast and elaborate mausoleum for herself and her husband. But that was a private and domestic monument, and the Queen desired that wherever her subjects might be gathered together they should be reminded of the Prince. Her desire was gratified; all over the country — at Aberdeen, at Perth, and at Wolverhampton — statues of the Prince were erected162; and the Queen, making an exception to her rule of retirement163, unveiled them herself. Nor did the capital lag behind. A month after the Prince’s death a meeting was called together at the Mansion164 House to discuss schemes for honouring his memory. Opinions, however, were divided upon the subject. Was a statue or an institution to be preferred? Meanwhile a subscription165 was opened; an influential166 committee was appointed, and the Queen was consulted as to her wishes in the matter. Her Majesty replied that she would prefer a granite167 obelisk168, with sculptures at the base, to an institution. But the committee hesitated: an obelisk, to be worthy169 of the name, must clearly be a monolith; and where was the quarry170 in England capable of furnishing a granite block of the required size? It was true that there was granite in Russian Finland; but the committee were advised that it was not adapted to resist exposure to the open air. On the whole, therefore, they suggested that a Memorial Hall should be erected, together with a statue of the Prince. Her Majesty assented171; but then another difficulty arose. It was found that not more than L60,000 had been subscribed172 — a sum insufficient173 to defray the double expense. The Hall, therefore, was abandoned; a statue alone was to be erected; and certain eminent174 architects were asked to prepare designs. Eventually the committee had at their disposal a total sum of L120,000, since the public subscribed another L10,000, while L50,000 was voted by Parliament. Some years later a joint175 stock company was formed and built, as a private speculation176, the Albert Hall.
The architect whose design was selected, both by the committee and by the Queen, was Mr. Gilbert Scott, whose industry, conscientiousness, and genuine piety177 had brought him to the head of his profession. His lifelong zeal178 for the Gothic style having given him a special prominence179, his handiwork was strikingly visible, not only in a multitude of original buildings, but in most of the cathedrals of England. Protests, indeed, were occasionally raised against his renovations; but Mr. Scott replied with such vigour and unction in articles and pamphlets that not a Dean was unconvinced, and he was permitted to continue his labours without interruption. On one occasion, however, his devotion to Gothic had placed him in an unpleasant situation. The Government offices in Whitehall were to be rebuilt; Mr. Scott competed, and his designs were successful. Naturally, they were in the Gothic style, combining “a certain squareness and horizontality of outline” with pillar-mullions, gables, high-pitched roofs, and dormers; and the drawings, as Mr. Scott himself observed, “were, perhaps, the best ever sent in to a competition, or nearly so.” After the usual difficulties and delays the work was at last to be put in hand, when there was a change of Government and Lord Palmerston became Prime Minister. Lord Palmerston at once sent for Mr. Scott. “Well, Mr. Scott,” he said, in his jaunty180 way, “I can’t have anything to do with this Gothic style. I must insist on your making a design in the Italian manner, which I am sure you can do very cleverly.” Mr. Scott was appalled181; the style of the Italian renaissance182 was not only unsightly, it was positively183 immoral184, and he sternly refused to have anything to do with it. Thereupon Lord Palmerston assumed a fatherly tone. “Quite true; a Gothic architect can’t be expected to put up a Classical building; I must find someone else.” This was intolerable, and Mr. Scott, on his return home, addressed to the Prime Minister a strongly-worded letter, in which he dwelt upon his position as an architect, upon his having won two European competitions, his being an A.R.A., a gold medallist of the Institute, and a lecturer on architecture at the Royal Academy; but it was useless — Lord Palmerston did not even reply. It then occurred to Mr. Scott that, by a judicious185 mixture, he might, while preserving the essential character of the Gothic, produce a design which would give a superficial impression of the Classical style. He did so, but no effect was produced upon Lord Palmerston. The new design, he said, was “neither one thing nor ‘tother — a regular mongrel affair — and he would have nothing to do with it either.” After that Mr. Scott found it necessary to recruit for two months at Scarborough, “with a course of quinine.” He recovered his tone at last, but only at the cost of his convictions. For the sake of his family he felt that it was his unfortunate duty to obey the Prime Minister; and, shuddering186 with horror, he constructed the Government offices in a strictly187 Renaissance style.
Shortly afterwards Mr. Scott found some consolation188 in building the St. Pancras Hotel in a style of his own.
And now another and yet more satisfactory task was his. “My idea in designing the Memorial,” he wrote, “was to erect161 a kind of ciborium to protect a statue of the Prince; and its special characteristic was that the ciborium was designed in some degree on the principles of the ancient shrines189. These shrines were models of imaginary buildings, such as had never in reality been erected; and my idea was to realise one of these imaginary structures with its precious materials, its inlaying, its enamels190, etc. etc.” His idea was particularly appropriate since it chanced that a similar conception, though in the reverse order of magnitude, had occurred to the Prince himself, who had designed and executed several silver cruet-stands upon the same model. At the Queen’s request a site was chosen in Kensington Gardens as near as possible to that of the Great Exhibition; and in May, 1864, the first sod was turned. The work was long, complicated, and difficult; a great number of workmen were employed, besides several subsidiary sculptors191 and metal — workers under Mr. Scott’s direction, while at every stage sketches192 and models were submitted to Her Majesty, who criticised all the details with minute care, and constantly suggested improvements. The frieze193, which encircled the base of the monument, was in itself a very serious piece of work. “This,” said Mr. Scott, “taken as a whole, is perhaps one of the most laborious works of sculpture ever undertaken, consisting, as it does, of a continuous range of figure-sculpture of the most elaborate description, in the highest alto-relievo of life-size, of more than 200 feet in length, containing about 170 figures, and executed in the hardest marble which could be procured194.” After three years of toil the memorial was still far from completion, and Mr. Scott thought it advisable to give a dinner to the workmen, “as a substantial recognition of his appreciation195 of their skill and energy.” “Two long tables,” we are told, “constructed of scaffold planks196, were arranged in the workshops, and covered with newspapers, for want of table-cloths. Upwards197 of eighty men sat down. Beef and mutton, plum pudding and cheese were supplied in abundance, and each man who desired it had three pints198 of beer, gingerbeer and lemonade being provided for the teetotalers, who formed a very considerable proportion . . . Several toasts were given and many of the workmen spoke, almost all of them commencing by ‘Thanking God that they enjoyed good health;’ some alluded199 to the temperance that prevailed amongst them, others observed how little swearing was ever heard, whilst all said how pleased and proud they were to be engaged on so great a work.”
Gradually the edifice200 approached completion. The one hundred and seventieth life-size figure in the frieze was chiselled201, the granite pillars arose, the mosaics202 were inserted in the allegorical pediments, the four colossal203 statues representing the greater Christian204 virtues205, the four other colossal statues representing the greater moral virtues, were hoisted206 into their positions, the eight bronzes representing the greater sciences — Astronomy, Chemistry, Geology, Geometry, Rhetoric207, Medicine, Philosophy, and Physiology208 — were fixed on their glittering pinnacles209, high in air. The statue of Physiology was particularly admired. “On her left arm,” the official description informs us, “she bears a new-born infant, as a representation of the development of the highest and most perfect of physiological210 forms; her hand points towards a microscope, the instrument which lends its assistance for the investigation211 of the minuter forms of animal and vegetable organisms.” At last the gilded212 cross crowned the dwindling213 galaxies214 of superimposed angels, the four continents in white marble stood at the four corners of the base, and, seven years after its inception215, in July, 1872, the monument was thrown open to the public.
But four more years were to elapse before the central figure was ready to be placed under its starry216 canopy217. It was designed by Mr. Foley, though in one particular the sculptor’s freedom was restricted by Mr. Scott. “I have chosen the sitting posture,” Mr. Scott said, “as best conveying the idea of dignity befitting a royal personage.” Mr. Foley ably carried out the conception of his principal. “In the attitude and expression,” he said, “the aim has been, with the individuality of portraiture218, to embody219 rank, character, and enlightenment, and to convey a sense of that responsive intelligence indicating an active, rather than a passive, interest in those pursuits of civilisation220 illustrated221 in the surrounding figures, groups, and relievos . . . To identify the figure with one of the most memorable222 undertakings223 of the public life of the Prince — the International Exhibition of 1851 — a catalogue of the works collected in that first gathering224 of the industry of all nations, is placed in the right hand.” The statue was of bronze gilt225 and weighed nearly ten tons. It was rightly supposed that the simple word “Albert,” cast on the base, would be a sufficient means of identification.
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1
consort
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| v.相伴；结交 | |
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2
twilight
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| n.暮光，黄昏；暮年，晚期，衰落时期 | |
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illuminated
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| adj.被照明的；受启迪的 | |
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varied
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| adj.多样的，多变化的 | |
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authentic
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| a.真的，真正的；可靠的，可信的，有根据的 | |
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descends
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| v.下来( descend的第三人称单数 )；下去；下降；下斜 | |
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7
intervals
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| n.[军事]间隔( interval的名词复数 )；间隔时间；[数学]区间；（戏剧、电影或音乐会的）幕间休息 | |
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8
remarkable
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| adj.显著的，异常的，非凡的，值得注意的 | |
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conjecture
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| n./v.推测，猜测 | |
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10
ambiguity
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| n.模棱两可；意义不明确 | |
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11
bereavement
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| n.亲人丧亡，丧失亲人，丧亲之痛 | |
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12
mere
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| adj.纯粹的；仅仅，只不过 | |
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13
mechanism
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| n.机械装置；机构，结构 | |
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14
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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15
calamity
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| n.灾害，祸患，不幸事件 | |
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16
lamented
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| adj.被哀悼的，令人遗憾的v.（为…）哀悼，痛哭，悲伤( lament的过去式和过去分词 ) | |
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17
virtue
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| n.德行，美德；贞操；优点；功效，效力 | |
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18
supreme
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| adj.极度的，最重要的；至高的，最高的 | |
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19
holder
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| n.持有者，占有者；(台，架等)支持物 | |
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20
virtuous
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| adj.有品德的，善良的，贞洁的，有效力的 | |
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21
mighty
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| adj.强有力的；巨大的 | |
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22
irreproachability
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| n.无可责备，无懈可击 | |
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23
efficiently
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| adv.高效率地，有能力地 | |
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24
monarchy
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| n.君主，最高统治者；君主政体，君主国 | |
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25
blessings
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| n.（上帝的）祝福( blessing的名词复数 )；好事；福分；因祸得福 | |
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26
entity
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| n.实体，独立存在体，实际存在物 | |
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27
peculiarities
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| n. 特质, 特性, 怪癖, 古怪 | |
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28
peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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29
petrifaction
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| n.石化，化石；吓呆；惊呆 | |
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30
pertinacious
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| adj.顽固的 | |
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31
quiescent
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| adj.静止的，不活动的，寂静的 | |
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32
administrative
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| adj.行政的，管理的 | |
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33
tremor
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| n.震动，颤动，战栗，兴奋，地震 | |
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34
baron
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| n.男爵；(商业界等)巨头，大王 | |
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35
fabric
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| n.织物，织品，布；构造，结构，组织 | |
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36
miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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37
catastrophe
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| n.大灾难，大祸 | |
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38
passionate
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| adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的 | |
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39
murmur
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| n.低语，低声的怨言；v.低语，低声而言 | |
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40
appalling
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| adj.骇人听闻的，令人震惊的，可怕的 | |
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41
serene
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| adj. 安详的，宁静的，平静的 | |
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42
woe
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| n.悲哀，苦痛，不幸，困难；int.用来表达悲伤或惊慌 | |
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43
disapprove
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| v.不赞成，不同意，不批准 | |
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44
disapproved
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| v.不赞成( disapprove的过去式和过去分词 ) | |
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45
manifestations
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| n.表示，显示（manifestation的复数形式） | |
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46
anguish
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| n.(尤指心灵上的)极度痛苦，烦恼 | |
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47
brook
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| n.小河，溪；v.忍受，容让 | |
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48
prostrate
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| v.拜倒，平卧，衰竭；adj.拜倒的，平卧的，衰竭的 | |
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49
adjured
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| v.（以起誓或诅咒等形式）命令要求( adjure的过去式和过去分词 )；祈求；恳求 | |
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50
akin
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| adj.同族的，类似的 | |
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51
utterly
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| adv.完全地，绝对地 | |
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52
instinctive
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| adj.(出于)本能的；直觉的；(出于)天性的 | |
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53
outraged
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| a.震惊的，义愤填膺的 | |
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54
majesty
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| n.雄伟，壮丽，庄严，威严；最高权威，王权 | |
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55
deity
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| n.神，神性；被奉若神明的人(或物) | |
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56
reverence
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| n.敬畏，尊敬，尊严；Reverence:对某些基督教神职人员的尊称；v.尊敬，敬畏，崇敬 | |
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57
obedience
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| n.服从，顺从 | |
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58
swerve
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| v.突然转向，背离；n．转向，弯曲，背离 | |
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59
decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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60
interfere
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| v.(in)干涉，干预；(with)妨碍，打扰 | |
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61
devoted
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| adj.忠诚的，忠实的，热心的，献身于...的 | |
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62
dictate
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| v.口授；(使)听写；指令，指示，命令 | |
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63
miserably
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| adv.痛苦地；悲惨地；糟糕地；极度地 | |
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64
pang
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| n.剧痛，悲痛，苦闷 | |
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65
assailed
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| v.攻击( assail的过去式和过去分词 )；困扰；质问；毅然应对 | |
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66
tumult
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| n.喧哗；激动，混乱；吵闹 | |
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67
distresses
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| n.悲痛( distress的名词复数 )；痛苦；贫困；危险 | |
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68
privy
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| adj.私用的；隐密的 | |
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69
agitated
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| adj.被鼓动的，不安的 | |
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70
apprehensions
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| 疑惧 | |
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71
unprecedented
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| adj.无前例的，新奇的 | |
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72
opposition
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| n.反对，敌对 | |
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73
considerably
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| adv.极大地；相当大地；在很大程度上 | |
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74
cynical
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| adj.(对人性或动机)怀疑的，不信世道向善的 | |
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75
subsided
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| v.（土地）下陷（因在地下采矿）( subside的过去式和过去分词 )；减弱；下降至较低或正常水平；一下子坐在椅子等上 | |
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76
seclusion
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| n.隐遁，隔离 | |
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intercourse
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| n.性交；交流，交往，交际 | |
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potentate
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| n.统治者；君主 | |
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79
enjoyments
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| 愉快( enjoyment的名词复数 )； 令人愉快的事物； 享有； 享受 | |
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80
guardian
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| n.监护人；守卫者，保护者 | |
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81
shrine
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| n.圣地，神龛，庙；v.将...置于神龛内，把...奉为神圣 | |
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82
dreary
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| adj.令人沮丧的，沉闷的，单调乏味的 | |
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83
pinnacle
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| n.尖塔，尖顶，山峰；(喻)顶峰 | |
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84
solitary
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| adj.孤独的，独立的，荒凉的；n.隐士 | |
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85
braced
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| adj.拉牢的v.支住( brace的过去式和过去分词 )；撑牢；使自己站稳；振作起来 | |
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86
conscientiousness
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| 责任心 | |
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87
toil
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| vi.辛劳工作，艰难地行动；n.苦工，难事 | |
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88
regularity
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| n.规律性，规则性；匀称，整齐 | |
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89
hideous
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| adj.丑陋的，可憎的，可怕的，恐怖的 | |
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90
despatch
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| n./v.(dispatch)派遣；发送；n.急件；新闻报道 | |
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91
alas
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| int.唉(表示悲伤、忧愁、恐惧等) | |
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92
disturbance
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| n.动乱，骚动；打扰，干扰；(身心)失调 | |
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93
conflagration
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| n.建筑物或森林大火 | |
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94
complexity
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| n.复杂(性)，复杂的事物 | |
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95
seething
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| 沸腾的，火热的 | |
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embroilment
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| n.搅乱，纠纷 | |
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vigour
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| （=vigor）n.智力，体力，精力 | |
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98
windings
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| （道路、河流等）蜿蜒的，弯曲的( winding的名词复数 )； 缠绕( wind的现在分词 )； 卷绕； 转动（把手） | |
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99
labyrinth
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| n.迷宫；难解的事物；迷路 | |
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100
recollected
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| adj.冷静的；镇定的；被回忆起的；沉思默想的v.记起，想起( recollect的过去式和过去分词 ) | |
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101
perfectly
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| adv.完美地，无可非议地，彻底地 | |
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102
ardent
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| adj.热情的，热烈的，强烈的，烈性的 | |
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103
legacy
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| n.遗产，遗赠；先人(或过去)留下的东西 | |
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104
instinctively
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| adv.本能地 | |
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105
apprehended
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| 逮捕，拘押( apprehend的过去式和过去分词 )； 理解 | |
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106
controversy
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| n.争论，辩论，争吵 | |
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107
persistent
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| adj.坚持不懈的，执意的；持续的 | |
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108
vehemence
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| n.热切；激烈；愤怒 | |
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109
agitation
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| n.搅动；搅拌；鼓动，煽动 | |
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110
intensity
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| n.强烈，剧烈；强度；烈度 | |
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111
discreet
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| adj.(言行)谨慎的；慎重的；有判断力的 | |
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112
impartiality
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| n. 公平, 无私, 不偏 | |
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113
invoked
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| v.援引( invoke的过去式和过去分词 )；行使（权利等）；祈求救助；恳求 | |
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114
entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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115
exhausted
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| adj.极其疲惫的，精疲力尽的 | |
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116
suspense
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| n.（对可能发生的事）紧张感，担心，挂虑 | |
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117
culminate
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| v.到绝顶，达于极点，达到高潮 | |
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118
veering
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| n.改变的；犹豫的；顺时针方向转向；特指使船尾转向上风来改变航向v.（尤指交通工具）改变方向或路线( veer的现在分词 )；（指谈话内容、人的行为或观点）突然改变；（指风） （在北半球按顺时针方向、在南半球按逆时针方向）逐渐转向；风向顺时针转 | |
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119
precipitately
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| adv.猛进地 | |
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120
protracted
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| adj.拖延的；延长的v.拖延“protract”的过去式和过去分词 | |
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121
rumour
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| n.谣言，谣传，传闻 | |
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122
explicitly
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| ad.明确地，显然地 | |
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123
justification
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| n.正当的理由；辩解的理由 | |
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124
cogent
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| adj.强有力的，有说服力的 | |
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125
counteract
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| vt.对…起反作用，对抗，抵消 | |
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126
partisans
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| 游击队员( partisan的名词复数 )； 党人； 党羽； 帮伙 | |
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127
abdicating
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| 放弃（职责、权力等）( abdicate的现在分词 )； 退位，逊位 | |
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128
resolute
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| adj.坚决的，果敢的 | |
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129
fickle
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| adj.(爱情或友谊上)易变的，不坚定的 | |
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130
immutably
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| adv.不变地，永恒地 | |
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131
hostility
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| n.敌对，敌意；抵制［pl.］交战，战争 | |
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132
steadily
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| adv.稳定地；不变地；持续地 | |
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133
sequestered
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| adj.扣押的；隐退的；幽静的；偏僻的v.使隔绝，使隔离( sequester的过去式和过去分词 )；扣押 | |
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134
laborious
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| adj.吃力的，努力的，不流畅 | |
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135
arduous
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| adj.艰苦的，费力的，陡峭的 | |
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136
secluded
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| adj.与世隔绝的；隐退的；偏僻的v.使隔开，使隐退( seclude的过去式和过去分词) | |
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137
concealed
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| a.隐藏的，隐蔽的 | |
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138
confidential
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| adj.秘（机）密的，表示信任的，担任机密工作的 | |
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139
untold
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| adj.数不清的，无数的 | |
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140
industrious
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| adj.勤劳的，刻苦的，奋发的 | |
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141
predecessors
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| n.前任( predecessor的名词复数 )；前辈；（被取代的）原有事物；前身 | |
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142
subtlety
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| n.微妙，敏锐，精巧；微妙之处，细微的区别 | |
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143
perspicuity
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| n.（文体的）明晰 | |
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144
repugnance
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| n.嫌恶 | |
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145
blasphemy
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| n.亵渎，渎神 | |
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146
supervision
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| n.监督，管理 | |
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147
distinguished
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| adj.卓越的，杰出的，著名的 | |
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148
possessed
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| adj.疯狂的；拥有的，占有的 | |
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149
complaisance
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| n.彬彬有礼，殷勤，柔顺 | |
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150
resonance
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| n.洪亮；共鸣；共振 | |
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151
chagrined
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| adj.懊恼的，苦恼的v.使懊恼，使懊丧，使悔恨( chagrin的过去式和过去分词 ) | |
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152
grudge
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| n.不满，怨恨，妒嫉；vt.勉强给，不情愿做 | |
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153
embodied
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| v.表现( embody的过去式和过去分词 )；象征；包括；包含 | |
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154
inhuman
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| adj.残忍的，不人道的，无人性的 | |
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155
admiration
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| n.钦佩，赞美，羡慕 | |
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156
shrug
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| v.耸肩(表示怀疑、冷漠、不知等) | |
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157
irony
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| n.反语，冷嘲；具有讽刺意味的事，嘲弄 | |
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158
waxwork
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| n.蜡像 | |
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159
fixed
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| adj.固定的，不变的，准备好的；(计算机)固定的 | |
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160
torment
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| n.折磨；令人痛苦的东西(人)；vt.折磨；纠缠 | |
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161
erect
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| n./v.树立，建立，使竖立；adj.直立的，垂直的 | |
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162
ERECTED
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| adj. 直立的，竖立的，笔直的 vt. 使 ... 直立，建立 | |
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163
retirement
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| n.退休，退职 | |
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164
mansion
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| n.大厦，大楼；宅第 | |
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165
subscription
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| n.预订，预订费，亲笔签名，调配法，下标（处方） | |
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166
influential
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| adj.有影响的，有权势的 | |
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167
granite
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| adj.花岗岩，花岗石 | |
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168
obelisk
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| n.方尖塔 | |
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169
worthy
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| adj.(of)值得的，配得上的；有价值的 | |
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170
quarry
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| n.采石场；v.采石；费力地找 | |
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171
assented
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| 同意，赞成( assent的过去式和过去分词 ) | |
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172
subscribed
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| v.捐助( subscribe的过去式和过去分词 )；签署，题词；订阅；同意 | |
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173
insufficient
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| adj.(for，of)不足的，不够的 | |
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174
eminent
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| adj.显赫的，杰出的，有名的，优良的 | |
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175
joint
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| adj.联合的，共同的；n.关节，接合处；v.连接，贴合 | |
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176
speculation
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| n.思索，沉思；猜测；投机 | |
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177
piety
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| n.虔诚，虔敬 | |
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178
zeal
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| n.热心，热情，热忱 | |
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179
prominence
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| n.突出；显著；杰出；重要 | |
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180
jaunty
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| adj．愉快的，满足的；adv.心满意足地，洋洋得意地；n.心满意足；洋洋得意 | |
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181
appalled
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| v.使惊骇，使充满恐惧( appall的过去式和过去分词)adj.惊骇的；丧胆的 | |
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182
renaissance
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| n.复活，复兴，文艺复兴 | |
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183
positively
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| adv.明确地，断然，坚决地；实在，确实 | |
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184
immoral
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| adj.不道德的，淫荡的，荒淫的，有伤风化的 | |
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185
judicious
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| adj.明智的，明断的，能作出明智决定的 | |
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186
shuddering
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| v.战栗( shudder的现在分词 )；发抖；（机器、车辆等）突然震动；颤动 | |
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187
strictly
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| adv.严厉地，严格地；严密地 | |
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188
consolation
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| n.安慰，慰问 | |
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189
shrines
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| 圣地，圣坛，神圣场所( shrine的名词复数 ) | |
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190
enamels
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| 搪瓷( enamel的名词复数 )； 珐琅； 釉药； 瓷漆 | |
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191
sculptors
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| 雕刻家，雕塑家( sculptor的名词复数 )； [天]玉夫座 | |
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192
sketches
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| n.草图( sketch的名词复数 )；素描；速写；梗概 | |
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193
frieze
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| n.(墙上的)横饰带，雕带 | |
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194
procured
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| v.（努力）取得， （设法）获得( procure的过去式和过去分词 )；拉皮条 | |
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195
appreciation
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| n.评价；欣赏；感谢；领会，理解；价格上涨 | |
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196
planks
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| （厚）木板( plank的名词复数 )； 政纲条目，政策要点 | |
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197
upwards
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| adv.向上，在更高处...以上 | |
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198
pints
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| n.品脱( pint的名词复数 )；一品脱啤酒 | |
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199
alluded
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| 提及，暗指( allude的过去式和过去分词 ) | |
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200
edifice
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| n.宏伟的建筑物(如宫殿，教室) | |
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201
chiselled
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| adj.凿过的，凿光的； （文章等）精心雕琢的v.凿，雕，镌( chisel的过去式 ) | |
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202
mosaics
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| n.马赛克( mosaic的名词复数 )；镶嵌；镶嵌工艺；镶嵌图案 | |
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203
colossal
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| adj.异常的，庞大的 | |
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204
Christian
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| adj.基督教徒的；n.基督教徒 | |
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205
virtues
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| 美德( virtue的名词复数 )； 德行； 优点； 长处 | |
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206
hoisted
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| 把…吊起，升起( hoist的过去式和过去分词 ) | |
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207
rhetoric
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| n.修辞学，浮夸之言语 | |
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208
physiology
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| n.生理学，生理机能 | |
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209
pinnacles
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| 顶峰( pinnacle的名词复数 )； 顶点； 尖顶； 小尖塔 | |
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210
physiological
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| adj.生理学的，生理学上的 | |
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211
investigation
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| n.调查，调查研究 | |
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212
gilded
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| a.镀金的，富有的 | |
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213
dwindling
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| adj.逐渐减少的v.逐渐变少或变小( dwindle的现在分词 ) | |
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214
galaxies
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| 星系( galaxy的名词复数 )； 银河系； 一群（杰出或著名的人物） | |
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215
inception
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| n.开端，开始，取得学位 | |
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216
starry
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| adj.星光照耀的, 闪亮的 | |
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217
canopy
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| n.天篷，遮篷 | |
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218
portraiture
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| n.肖像画法 | |
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219
embody
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| vt.具体表达，使具体化；包含，收录 | |
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220
civilisation
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| n.文明，文化，开化，教化 | |
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221
illustrated
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| adj. 有插图的，列举的 动词illustrate的过去式和过去分词 | |
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222
memorable
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| adj.值得回忆的，难忘的，特别的，显著的 | |
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223
undertakings
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| 企业( undertaking的名词复数 )； 保证； 殡仪业； 任务 | |
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224
gathering
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| n.集会，聚会，聚集 | |
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225
gilt
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| adj.镀金的；n.金边证券 | |
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