After a few weeks of experimenting, however, I had no need of confirmation11 from any source. An assignment or two having developed well under my handling, and I having reported my success to the city editor, I was allowed to begin to write it, then given another assignment and told to turn my story over to the large gentleman with the gold-headed cane12. This infuriated and discouraged me, but I said nothing. I thought it might be due to the city editor’s conviction, so far not disturbed by any opportunity I had had, that I could not write.
But one night, a small item about a fight in a tenement13 house having been given me to investigate, I went to the place in question and found that it was a cheap beer-drinking brawl14 on the upper East Side which had its origin in the objection of one neighbor to the noise made by another. I constructed a ridiculous story of my own to the effect that the first irritated neighbor was a musician who had been attempting at midnight to construct a waltz, into which the snores, gurgles, moans and gasps15 of his slumberous16 next-door neighbor would not fit. Becoming irritated and unable by calls and knocking to arouse his friend and so bring him to silence, he finally resorted to piano banging and glass-breaking of such a terrible character as to arouse the entire neighborhood and cause the sending in of a riot call by a policeman, who thought that a tenement war had broken out. Result: broken heads and an interesting parade to the nearest police station. Somewhere in the text I used the phrase “sawing somnolent17 wood.”
Finding no one in charge of the city editor’s desk when I returned, I handed my account to the night city editor. The next morning, lo and behold18, there it was on the first page consuming at least a fourth of a column! To my further surprise and gratification, once the city editor appeared I noticed a change of attitude in him. While waiting for an assignment, I caught his eye on me, and finally he came over, paper in hand, and pointing to the item said: “You wrote this, didn’t you?” I began to think that I might have made a mistake in creating this bit of news and that it had been investigated and found to be a fiction. “Yes,” I replied. Instead of berating19 me he smiled and said: “Well, it’s rather well done. I may be able to make a place for you after a while. I’ll see if I can’t find an interesting story for you somewhere.”
And true to his word, he gave me another story on this order. In the Hoffman House bar, one of the show-places of the city, there had been a brawl the day before, a fight between a well-known society youth of great wealth who owed the hotel money and would not pay as speedily as it wished, and a manager or assistant manager who had sent him some form of disturbing letter. All the details, as I discovered on reading the item (which had been clipped from the Herald), had been fully20 covered by that paper, and all that remained for me twenty-four hours later was to visit the principals and extract some comments or additions to the tale, which plainly I was expected to revamp in a humorous fashion.
As I have said, humor had never been wholly in my line, and in addition I had by no means overcome my awe21 of the city and its imposing22 and much-advertised “Four Hundred.” Now to be called upon to invade one of its main hostelries and beard the irate23 and lofty manager in his den24, to say nothing of this young Vanderbilt or Goelet—well——I told myself that when I reached this hotel the manager would doubtless take a very lofty tone and refuse to discuss the matter—which was exactly what happened. He was infuriated to think that he had been reported as fighting. Similarly, should I succeed in finding this society youth’s apartment, I should probably be snubbed or shunted off in some cavalier fashion—which was exactly what happened. I was told that my Mr. X. was not there. Then, as a conscientious25 newspaper man, I knew I should return to the hotel and by cajolery or bribery26 see if I could not induce some barkeeper or waiter who had witnessed the fight to describe some phase of it that I might use.
But I was in no mood for this, and besides, I was afraid of these New York waiters and managers and society people. Suppose they complained of my tale and denounced me as a faker? I returned to the hotel, but its onyx lobby and bar and its heavy rococo27 decorations and furniture took my courage away. I lingered about but could not begin my inquiries28, and finally walked out. Then I went back to the apartment house in which my youth lived, but still he was not in and I could extract no news from the noble footman who kept the door. I did not see how I was to conjure29 up humor from the facts in hand. Finally I dropped it as unworthy of me and returned to the office. In doing so I had the feeling that I was turning aside an item by which, had I chosen to fake, I could have furthered myself. I knew now that what my city editor wanted was not merely “accuracy, accuracy, accuracy,” but a kind of flair30 for the ridiculous or the remarkable31 even though it had to be invented, so that the pages of the paper, and life itself, might not seem so dull. Also I realized that a more experienced man, one used to the ways of the city and acquainted with its interesting and eccentric personalities32, might make something out of this and not come to grief; but not I. And so I let it go, realizing that I was losing an excellent opportunity.
And I think that my city editor thought so too. When I returned and told him that I could not find anything interestingly new in connection with this he looked at me as much as to say, “Well, I’ll be damned!” and threw the clipping on his desk. I am satisfied that if any reporter had succeeded in uncovering any aspect of this case not previously33 used I should have been dropped forthwith. As it turned out, however, nothing more developed, and for a little time anyhow I was permitted to drag on as before, but with no further favors.
One day, being given a part of a “badger” case to unravel34, a man and woman working together to divest35 a hotel man of a check for five thousand dollars, and I having cajoled the lady in the case (then under arrest) into making some interesting remarks as to her part in the affair and badgering in general, I was not allowed to write it but had to content myself with seeing my very good yarn36 incorporated in another man’s story while I took “time.” Another day, having developed another excellent tale of a runaway37 marriage, the girl being of a family of some standing7, I was not allowed to write it. I was beginning to see that I was a hopeless failure as a reporter here.
点击收听单词发音
1 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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2 contemplate | |
vt.盘算,计议;周密考虑;注视,凝视 | |
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3 formerly | |
adv.从前,以前 | |
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4 playwright | |
n.剧作家,编写剧本的人 | |
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5 disillusioned | |
a.不再抱幻想的,大失所望的,幻想破灭的 | |
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6 strata | |
n.地层(复数);社会阶层 | |
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7 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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8 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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9 rampant | |
adj.(植物)蔓生的;狂暴的,无约束的 | |
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10 brutal | |
adj.残忍的,野蛮的,不讲理的 | |
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11 confirmation | |
n.证实,确认,批准 | |
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12 cane | |
n.手杖,细长的茎,藤条;v.以杖击,以藤编制的 | |
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13 tenement | |
n.公寓;房屋 | |
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14 brawl | |
n.大声争吵,喧嚷;v.吵架,对骂 | |
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15 gasps | |
v.喘气( gasp的第三人称单数 );喘息;倒抽气;很想要 | |
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16 slumberous | |
a.昏昏欲睡的 | |
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17 somnolent | |
adj.想睡的,催眠的;adv.瞌睡地;昏昏欲睡地;使人瞌睡地 | |
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18 behold | |
v.看,注视,看到 | |
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19 berating | |
v.严厉责备,痛斥( berate的现在分词 ) | |
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20 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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21 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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22 imposing | |
adj.使人难忘的,壮丽的,堂皇的,雄伟的 | |
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23 irate | |
adj.发怒的,生气 | |
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24 den | |
n.兽穴;秘密地方;安静的小房间,私室 | |
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25 conscientious | |
adj.审慎正直的,认真的,本着良心的 | |
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26 bribery | |
n.贿络行为,行贿,受贿 | |
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27 rococo | |
n.洛可可;adj.过分修饰的 | |
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28 inquiries | |
n.调查( inquiry的名词复数 );疑问;探究;打听 | |
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29 conjure | |
v.恳求,祈求;变魔术,变戏法 | |
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30 flair | |
n.天赋,本领,才华;洞察力 | |
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31 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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32 personalities | |
n. 诽谤,(对某人容貌、性格等所进行的)人身攻击; 人身攻击;人格, 个性, 名人( personality的名词复数 ) | |
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33 previously | |
adv.以前,先前(地) | |
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34 unravel | |
v.弄清楚(秘密);拆开,解开,松开 | |
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35 divest | |
v.脱去,剥除 | |
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36 yarn | |
n.纱,纱线,纺线;奇闻漫谈,旅行轶事 | |
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37 runaway | |
n.逃走的人,逃亡,亡命者;adj.逃亡的,逃走的 | |
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