The Censor of Plays — An Appreciation — 1907

A couple of years ago I was moved to write a one-act play — and I lived long enough to accomplish the task. We live and learn. When the play was finished I was informed that it had to be licensed¹ for performance. Thus I learned of the existence of the Censor² of Plays. I may say without vanity that I am intelligent enough to have been astonished by that piece of information: for facts must stand in some relation to time and space, and I was aware of being in England — in the twentieth-century England. The fact did not fit the date and the place. That was my first thought. It was, in short, an improper³ fact. I beg you to believe that I am writing in all seriousness and am weighing my words scrupulously⁴.

Therefore I don’t say inappropriate. I say improper — that is: something to be ashamed of. And at first this impression was confirmed by the obscurity in which the figure embodying⁵ this after all considerable fact had its being. The Censor of Plays! His name was not in the mouths of all men. Far from it. He seemed stealthy and remote. There was about that figure the scent⁶ of the far East, like the peculiar⁷ atmosphere of a Mandarin⁸’s back yard, and the mustiness of the Middle Ages, that epoch⁹ when mankind tried to stand still in a monstrous¹⁰ illusion of final certitude attained¹¹ in morals, intellect and conscience.

It was a disagreeable impression. But I reflected that probably the censorship of plays was an inactive monstrosity; not exactly a survival, since it seemed obviously at variance¹² with the genius of the people, but an heirloom of past ages, a bizarre and imported curiosity preserved because of that weakness one has for one’s old possessions apart from any intrinsic value; one more object of exotic virtu, an Oriental potiche, a Magot Chinois conceived by a childish and extravagant¹³ imagination, but allowed to stand in stolid¹⁴ impotence in the twilight¹⁵ of the upper shelf.

Thus I quieted my uneasy mind. Its uneasiness had nothing to do with the fate of my one-act play. The play was duly produced, and an exceptionally intelligent audience stared it coldly off the boards. It ceased to exist. It was a fair and open execution. But having survived the freezing atmosphere of that auditorium¹⁶ I continued to exist, labouring under no sense of wrong. I was not pleased, but I was content. I was content to accept the verdict of a free and independent public, judging after its conscience the work of its free, independent and conscientious¹⁷ servant — the artist.

Only thus can the dignity of artistic¹⁸ servitude be preserved — not to speak of the bare existence of the artist and the self-respect of the man. I shall say nothing of the self-respect of the public. To the self-respect of the public the present appeal against the censorship is being made and I join in it with all my heart.

For I have lived long enough to learn that the monstrous and outlandish figure, the Magot Chinois whom I believed to be but a memorial of our forefathers’ mental aberration¹⁹, that grotesque²⁰ potiche, works! The absurd and hollow creature of clay seems to be alive with a sort of (surely) unconscious life worthy²¹ of its traditions. It heaves its stomach, it rolls its eyes, it brandishes²² a monstrous arm: and with the censorship, like a Bravo of old Venice with a more carnal weapon, stabs its victim from behind in the twilight of its upper shelf. Less picturesque²³ than the Venetian in cloak and mask, less estimable, too, in this, that the assassin plied²⁴ his moral trade at his own risk deriving²⁵ no countenance²⁶ from the powers of the Republic, it stands more malevolent²⁷, inasmuch that the Bravo striking in the dusk killed but the body, whereas the grotesque thing nodding its mandarin head may in its absurd unconsciousness strike down at any time the spirit of an honest, of an artistic, perhaps of a sublime²⁸ creation.

This Chinese monstrosity, disguised in the trousers of the Western Barbarian²⁹ and provided by the State with the immortal³⁰ Mr. Stiggins’s plug hat and umbrella, is with us. It is an office. An office of trust. And from time to time there is found an official to fill it. He is a public man. The least prominent of public men, the most unobtrusive, the most obscure if not the most modest.

But however obscure, a public man may be told the truth if only once in his life. His office flourishes in the shade; not in the rustic³¹ shade beloved of the violet but in the muddled³² twilight of mind, where tyranny of every sort flourishes. Its holder³³ need not have either brain or heart, no sight, no taste, no imagination, not even bowels³⁴ of compassion³⁵. He needs not these things. He has power. He can kill thought, and incidentally truth, and incidentally beauty, providing they seek to live in a dramatic form. He can do it, without seeing, without understanding, without feeling anything; out of mere³⁶ stupid suspicion, as an irresponsible Roman Caesar could kill a senator. He can do that and there is no one to say him nay³⁷. He may call his cook (Moliere used to do that) from below and give her five acts to judge every morning as a matter of constant practice and still remain the unquestioned destroyer of men’s honest work. He may have a glass too much. This accident has happened to persons of unimpeachable³⁸ morality — to gentlemen. He may suffer from spells of imbecility like Clodius. He may. .. what might he not do! I tell you he is the Caesar of the dramatic world. There has been since the Roman Principate nothing in the way of irresponsible power to compare with the office of the Censor of Plays.

Looked at in this way it has some grandeur³⁹, something colossal⁴⁰ in the odious⁴¹ and the absurd. This figure in whose power it is to suppress an intellectual conception — to kill thought (a dream for a mad brain, my masters!)— seems designed in a spirit of bitter comedy to bring out the greatness of a Philistine’s conceit⁴² and his moral cowardice⁴³.

But this is England in the twentieth century, and one wonders that there can be found a man courageous⁴⁴ enough to occupy the post. It is a matter for meditation⁴⁵. Having given it a few minutes I come to the conclusion in the serenity⁴⁶ of my heart and the peace of my conscience that he must be either an extreme megalomaniac or an utterly⁴⁷ unconscious being.

He must be unconscious. It is one of the qualifications for his magistracy. Other qualifications are equally easy. He must have done nothing, expressed nothing, imagined nothing. He must be obscure, insignificant⁴⁸ and mediocre⁴⁹ — in thought, act, speech and sympathy. He must know nothing of art, of life — and of himself. For if he did he would not dare to be what he is. Like that much questioned and mysterious bird, the phoenix⁵⁰, he sits amongst the cold ashes of his predecessor⁵¹ upon the altar of morality, alone of his kind in the sight of wondering generations.

And I will end with a quotation⁵² reproducing not perhaps the exact words but the true spirit of a lofty conscience.

“Often when sitting down to write the notice of a play, especially when I felt it antagonistic⁵³ to my canons of art, to my tastes or my convictions, I hesitated in the fear lest my conscientious blame might check the development of a great talent, my sincere judgment⁵⁴ condemn⁵⁵ a worthy mind. With the pen poised⁵⁶ in my hand I hesitated, whispering to myself ‘What if I were perchance doing my part in killing⁵⁷ a masterpiece.’”

Such were the lofty scruples⁵⁸ of M. Jules Lemaitre — dramatist and dramatic critic, a great citizen and a high magistrate⁵⁹ in the Republic of Letters; a Censor of Plays exercising his august office openly in the light of day, with the authority of a European reputation. But then M. Jules Lemaitre is a man possessed⁶⁰ of wisdom, of great fame, of a fine conscience — not an obscure hollow Chinese monstrosity ornamented⁶¹ with Mr. Stiggins’s plug hat and cotton umbrella by its anxious grandmother — the State.

Frankly⁶², is it not time to knock the improper object off its shelf? It has stood too long there. Hatched in Pekin (I should say) by some Board of Respectable Rites⁶³, the little caravan⁶⁴ monster has come to us by way of Moscow — I suppose. It is outlandish. It is not venerable. It does not belong here. Is it not time to knock it off its dark shelf with some implement⁶⁵ appropriate to its worth and status? With an old broom handle for instance.

1 licensed   

adj.得到许可的v.许可，颁发执照(license的过去式和过去分词)

参考例句：

• The new drug has not yet been licensed in the US. 这种新药尚未在美国获得许可。
• Is that gun licensed? 那支枪有持枪执照吗？

2 censor   

n./vt.审查，审查员；删改

参考例句：

• The film has not been viewed by the censor.这部影片还未经审查人员审查。
• The play was banned by the censor.该剧本被查禁了。

3 improper   

adj.不适当的，不合适的，不正确的，不合礼仪的

参考例句：

• Short trousers are improper at a dance.舞会上穿短裤不成体统。
• Laughing and joking are improper at a funeral.葬礼时大笑和开玩笑是不合适的。

4 scrupulously   

adv.一丝不苟地；小心翼翼地，多顾虑地

参考例句：

• She toed scrupulously into the room. 她小心翼翼地踮着脚走进房间。 来自辞典例句
• To others he would be scrupulously fair. 对待别人，他力求公正。 来自英汉非文学 - 文明史

5 embodying   

v.表现( embody的现在分词 )；象征；包括；包含

参考例句：

• Every instrument constitutes an independent contract embodying a payment obligation. 每张票据都构成一份独立的体现支付义务的合同。 来自口语例句
• Fowth, The aesthetical transcendency and the beauty embodying the man's liberty. \" 第四部分：审美的超越和作为人类自由最终体现的“美”。 来自互联网

6 scent   

n.气味，香味，香水，线索，嗅觉；v.嗅，发觉

参考例句：

• The air was filled with the scent of lilac.空气中弥漫着丁香花的芬芳。
• The flowers give off a heady scent at night.这些花晚上散发出醉人的芳香。

7 peculiar   

adj.古怪的，异常的；特殊的，特有的

参考例句：

• He walks in a peculiar fashion.他走路的样子很奇特。
• He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。

8 Mandarin   

n.中国官话，国语，满清官吏；adj.华丽辞藻的

参考例句：

• Just over one billion people speak Mandarin as their native tongue.大约有十亿以上的人口以华语为母语。
• Mandarin will be the new official language of the European Union.普通话会变成欧盟新的官方语言。

9 epoch   

n.(新)时代；历元

参考例句：

• The epoch of revolution creates great figures.革命时代造就伟大的人物。
• We're at the end of the historical epoch,and at the dawn of another.我们正处在一个历史时代的末期，另一个历史时代的开端。

10 monstrous   

adj.巨大的；恐怖的；可耻的，丢脸的

参考例句：

• The smoke began to whirl and grew into a monstrous column.浓烟开始盘旋上升，形成了一个巨大的烟柱。
• Your behaviour in class is monstrous!你在课堂上的行为真是丢人！

11 attained   

（通常经过努力）实现( attain的过去式和过去分词 )； 达到； 获得； 达到（某年龄、水平、状况）

参考例句：

• She has attained the degree of Master of Arts. 她已获得文学硕士学位。
• Lu Hsun attained a high position in the republic of letters. 鲁迅在文坛上获得崇高的地位。

12 variance   

n.矛盾，不同

参考例句：

• The question of woman suffrage sets them at variance. 妇女参政的问题使他们发生争执。
• It is unnatural for brothers to be at variance. 兄弟之间不睦是不近人情的。

13 extravagant   

adj.奢侈的；过分的；(言行等)放肆的

参考例句：

• They tried to please him with fulsome compliments and extravagant gifts.他们想用溢美之词和奢华的礼品来取悦他。
• He is extravagant in behaviour.他行为放肆。

14 stolid   

adj.无动于衷的，感情麻木的

参考例句：

• Her face showed nothing but stolid indifference.她的脸上毫无表情，只有麻木的无动于衷。
• He conceals his feelings behind a rather stolid manner.他装作无动于衷的样子以掩盖自己的感情。

15 twilight   

n.暮光，黄昏；暮年，晚期，衰落时期

参考例句：

• Twilight merged into darkness.夕阳的光辉融于黑暗中。
• Twilight was sweet with the smell of lilac and freshly turned earth.薄暮充满紫丁香和新翻耕的泥土的香味。

16 auditorium   

n.观众席，听众席；会堂，礼堂

参考例句：

• The teacher gathered all the pupils in the auditorium.老师把全体同学集合在礼堂内。
• The stage is thrust forward into the auditorium.舞台向前突出，伸入观众席。

17 conscientious   

adj.审慎正直的，认真的，本着良心的

参考例句：

• He is a conscientious man and knows his job.他很认真负责，也很懂行。
• He is very conscientious in the performance of his duties.他非常认真地履行职责。

18 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

19 aberration   

n.离开正路，脱离常规，色差

参考例句：

• The removal of the chromatic aberration is then of primary importance.这时消除色差具有头等重要性。
• Owing to a strange mental aberration he forgot his own name.由于一种莫名的精神错乱，他把自己的名字忘了。

20 grotesque   

adj.怪诞的，丑陋的；n.怪诞的图案，怪人（物）

参考例句：

• His face has a grotesque appearance.他的面部表情十分怪。
• Her account of the incident was a grotesque distortion of the truth.她对这件事的陈述是荒诞地歪曲了事实。

21 worthy   

adj.(of)值得的，配得上的；有价值的

参考例句：

• I did not esteem him to be worthy of trust.我认为他不值得信赖。
• There occurred nothing that was worthy to be mentioned.没有值得一提的事发生。

22 brandishes   

v.挥舞( brandish的第三人称单数 )；炫耀

参考例句：

• He never brandishes his intellect. 他从不炫耀自己有多聪明。 来自《简明英汉词典》
• She brandishes twin blaster pistols in a pair of hip holsters. 她喜欢在头上戴一朵大红花。 来自互联网

23 picturesque   

adj.美丽如画的，（语言）生动的，绘声绘色的

参考例句：

• You can see the picturesque shores beside the river.在河边你可以看到景色如画的两岸。
• That was a picturesque phrase.那是一个形象化的说法。

24 plied   

v.使用（工具）( ply的过去式和过去分词 )；经常供应（食物、饮料）；固定往来；经营生意

参考例句：

• They plied me with questions about my visit to England. 他们不断地询问我的英国之行。 来自《简明英汉词典》
• They plied us with tea and cakes. 他们一个劲儿地让我们喝茶、吃糕饼。 来自《简明英汉词典》

25 deriving   

v.得到( derive的现在分词 )；（从…中）得到获得；源于；（从…中）提取

参考例句：

• I anticipate deriving much instruction from the lecture. 我期望从这演讲中获得很多教益。 来自《简明英汉词典》
• He anticipated his deriving much instruction from the lecture. 他期望从这次演讲中得到很多教益。 来自辞典例句

26 countenance   

n.脸色，面容；面部表情；vt.支持，赞同

参考例句：

• At the sight of this photograph he changed his countenance.他一看见这张照片脸色就变了。
• I made a fierce countenance as if I would eat him alive.我脸色恶狠狠地，仿佛要把他活生生地吞下去。

27 malevolent   

adj.有恶意的，恶毒的

参考例句：

• Why are they so malevolent to me?他们为什么对我如此恶毒？
• We must thwart his malevolent schemes.我们决不能让他的恶毒阴谋得逞。

28 sublime   

adj.崇高的，伟大的；极度的，不顾后果的

参考例句：

• We should take some time to enjoy the sublime beauty of nature.我们应该花些时间去欣赏大自然的壮丽景象。
• Olympic games play as an important arena to exhibit the sublime idea.奥运会，就是展示此崇高理念的重要舞台。

29 barbarian   

n.野蛮人；adj.野蛮(人)的；未开化的

参考例句：

• There is a barbarian tribe living in this forest.有一个原始部落居住在这个林区。
• The walled city was attacked by barbarian hordes.那座有城墙的城市遭到野蛮部落的袭击。

30 immortal   

adj.不朽的；永生的，不死的；神的

参考例句：

• The wild cocoa tree is effectively immortal.野生可可树实际上是不会死的。
• The heroes of the people are immortal!人民英雄永垂不朽！

31 rustic   

adj.乡村的，有乡村特色的；n.乡下人，乡巴佬

参考例句：

• It was nearly seven months of leisurely rustic living before Michael felt real boredom.这种悠闲的乡村生活过了差不多七个月之后,迈克尔开始感到烦闷。
• We hoped the fresh air and rustic atmosphere would help him adjust.我们希望新鲜的空气和乡村的氛围能帮他调整自己。

32 muddled   

adj.混乱的；糊涂的；头脑昏昏然的v.弄乱，弄糟( muddle的过去式)；使糊涂；对付，混日子

参考例句：

• He gets muddled when the teacher starts shouting. 老师一喊叫他就心烦意乱。
• I got muddled up and took the wrong turning. 我稀里糊涂地拐错了弯。 来自《简明英汉词典》

33 holder   

n.持有者，占有者；(台，架等)支持物

参考例句：

• The holder of the office of chairman is reponsible for arranging meetings.担任主席职位的人负责安排会议。
• That runner is the holder of the world record for the hundred-yard dash.那位运动员是一百码赛跑世界纪录的保持者。

34 bowels   

n.肠，内脏，内部；肠( bowel的名词复数 )；内部，最深处

参考例句：

• Salts is a medicine that causes movements of the bowels. 泻盐是一种促使肠子运动的药物。 来自《简明英汉词典》
• The cabins are in the bowels of the ship. 舱房设在船腹内。 来自《简明英汉词典》

35 compassion   

n.同情，怜悯

参考例句：

• He could not help having compassion for the poor creature.他情不自禁地怜悯起那个可怜的人来。
• Her heart was filled with compassion for the motherless children.她对于没有母亲的孩子们充满了怜悯心。

36 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

37 nay   

adv.不；n.反对票，投反对票者

参考例句：

• He was grateful for and proud of his son's remarkable,nay,unique performance.他为儿子出色的，不，应该是独一无二的表演心怀感激和骄傲。
• Long essays,nay,whole books have been written on this.许多长篇大论的文章，不，应该说是整部整部的书都是关于这件事的。

38 unimpeachable   

adj.无可指责的；adv.无可怀疑地

参考例句：

• He said all five were men of unimpeachable character.他说这五个都是品格完美无缺的人。
• It is the revenge that nature takes on persons of unimpeachable character.这是自然对人品无瑕的人的报复。

39 grandeur   

n.伟大，崇高，宏伟，庄严，豪华

参考例句：

• The grandeur of the Great Wall is unmatched.长城的壮观是独一无二的。
• These ruins sufficiently attest the former grandeur of the place.这些遗迹充分证明此处昔日的宏伟。

40 colossal   

adj.异常的，庞大的

参考例句：

• There has been a colossal waste of public money.一直存在巨大的公款浪费。
• Some of the tall buildings in that city are colossal.那座城市里的一些高层建筑很庞大。

41 odious   

adj.可憎的，讨厌的

参考例句：

• The judge described the crime as odious.法官称这一罪行令人发指。
• His character could best be described as odious.他的人格用可憎来形容最贴切。

42 conceit   

n.自负，自高自大

参考例句：

• As conceit makes one lag behind,so modesty helps one make progress.骄傲使人落后，谦虚使人进步。
• She seems to be eaten up with her own conceit.她仿佛已经被骄傲冲昏了头脑。

43 cowardice   

n.胆小，怯懦

参考例句：

• His cowardice reflects on his character.他的胆怯对他的性格带来不良影响。
• His refusal to help simply pinpointed his cowardice.他拒绝帮助正显示他的胆小。

44 courageous   

adj.勇敢的，有胆量的

参考例句：

• We all honour courageous people.我们都尊重勇敢的人。
• He was roused to action by courageous words.豪言壮语促使他奋起行动。

45 meditation   

n.熟虑，（尤指宗教的）默想，沉思，（pl.）冥想录

参考例句：

• This peaceful garden lends itself to meditation.这个恬静的花园适于冥想。
• I'm sorry to interrupt your meditation.很抱歉，我打断了你的沉思。

46 serenity   

n.宁静，沉着，晴朗

参考例句：

• Her face,though sad,still evoked a feeling of serenity.她的脸色虽然悲伤，但仍使人感觉安详。
• She escaped to the comparative serenity of the kitchen.她逃到相对安静的厨房里。

47 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

48 insignificant   

adj.无关紧要的，可忽略的，无意义的

参考例句：

• In winter the effect was found to be insignificant.在冬季，这种作用是不明显的。
• This problem was insignificant compared to others she faced.这一问题与她面临的其他问题比较起来算不得什么。

49 mediocre   

adj.平常的，普通的

参考例句：

• The student tried hard,but his work is mediocre. 该生学习刻苦，但学业平庸。
• Only lazybones and mediocre persons could hanker after the days of messing together.只有懒汉庸才才会留恋那大锅饭的年代。

50 phoenix   

n.凤凰，长生(不死)鸟；引申为重生

参考例句：

• The airline rose like a phoenix from the ashes.这家航空公司又起死回生了。
• The phoenix worship of China is fetish worship not totem adoration.中国凤崇拜是灵物崇拜而非图腾崇拜。

51 predecessor   

n.前辈，前任

参考例句：

• It will share the fate of its predecessor.它将遭受与前者同样的命运。
• The new ambassador is more mature than his predecessor.新大使比他的前任更成熟一些。

52 quotation   

n.引文，引语，语录；报价，牌价，行情

参考例句：

• He finished his speech with a quotation from Shakespeare.他讲话结束时引用了莎士比亚的语录。
• The quotation is omitted here.此处引文从略。

53 antagonistic   

adj.敌对的

参考例句：

• He is always antagonistic towards new ideas.他对新思想总是持反对态度。
• They merely stirred in a nervous and wholly antagonistic way.他们只是神经质地，带着完全敌对情绪地骚动了一下。

54 judgment   

n.审判；判断力，识别力，看法，意见

参考例句：

• The chairman flatters himself on his judgment of people.主席自认为他审视人比别人高明。
• He's a man of excellent judgment.他眼力过人。

55 condemn   

vt.谴责，指责；宣判(罪犯)，判刑

参考例句：

• Some praise him,whereas others condemn him.有些人赞扬他，而有些人谴责他。
• We mustn't condemn him on mere suppositions.我们不可全凭臆测来指责他。

56 poised   

a.摆好姿势不动的

参考例句：

• The hawk poised in mid-air ready to swoop. 老鹰在半空中盘旋，准备俯冲。
• Tina was tense, her hand poised over the telephone. 蒂娜心情紧张，手悬在电话机上。

57 killing   

n.巨额利润；突然赚大钱，发大财

参考例句：

• Investors are set to make a killing from the sell-off.投资者准备清仓以便大赚一笔。
• Last week my brother made a killing on Wall Street.上个周我兄弟在华尔街赚了一大笔。

58 scruples   

n.良心上的不安( scruple的名词复数 )；顾虑，顾忌v.感到于心不安，有顾忌( scruple的第三人称单数 )

参考例句：

• I overcame my moral scruples. 我抛开了道德方面的顾虑。
• I'm not ashamed of my scruples about your family. They were natural. 我并未因为对你家人的顾虑而感到羞耻。这种感觉是自然而然的。 来自疯狂英语突破英语语调

59 magistrate   

n.地方行政官，地方法官，治安官

参考例句：

• The magistrate committed him to prison for a month.法官判处他一个月监禁。
• John was fined 1000 dollars by the magistrate.约翰被地方法官罚款1000美元。

60 possessed   

adj.疯狂的；拥有的，占有的

参考例句：

• He flew out of the room like a man possessed.他像着了魔似地猛然冲出房门。
• He behaved like someone possessed.他行为举止像是魔怔了。

61 ornamented   

adj.花式字体的v.装饰，点缀，美化( ornament的过去式和过去分词 )

参考例句：

• The desk was ornamented with many carvings. 这桌子装饰有很多雕刻物。 来自《简明英汉词典》
• She ornamented her dress with lace. 她用花边装饰衣服。 来自《简明英汉词典》

62 frankly   

adv.坦白地，直率地；坦率地说

参考例句：

• To speak frankly, I don't like the idea at all.老实说，我一点也不赞成这个主意。
• Frankly speaking, I'm not opposed to reform.坦率地说，我不反对改革。

63 rites   

仪式，典礼( rite的名词复数 )

参考例句：

• to administer the last rites to sb 给某人举行临终圣事
• He is interested in mystic rites and ceremonies. 他对神秘的仪式感兴趣。

64 caravan   

n.大蓬车；活动房屋

参考例句：

• The community adviser gave us a caravan to live in.社区顾问给了我们一间活动住房栖身。
• Geoff connected the caravan to the car.杰弗把旅行用的住屋拖车挂在汽车上。

65 implement   

n.(pl.)工具，器具；vt.实行，实施，执行

参考例句：

• Don't undertake a project unless you can implement it.不要承担一项计划，除非你能完成这项计划。
• The best implement for digging a garden is a spade.在花园里挖土的最好工具是铁锹。