U SES OF A S HOE
C anon Prescott came back from the water’s edge slightly short of breath (playing with children is always exhausting).
Presently he and his sister went back to the hotel, finding the beach a little too hot.
“But,” said Se?ora de Caspearo scornfully as they walked away—“how can a beach be too hot? It is nonsense that—And look what she wears—her arms and her neck are all covered up. Perhaps it is as well, that. Her skin it ishideous, like a plucked chicken!”
Miss Marple drew a deep breath. Now or never was the time for conversation with Se?ora de Caspearo.
Unfortunately she did not know what to say. There seemed to be no common ground on which they could meet.
“You have children, Se?ora?” she inquired.
“I have three angels,” said Se?ora de Caspearo, kissing her fingertips.
Miss Marple was rather uncertain as to whether this meant that Se?ora de Caspearo’s offspring were in Heaven orwhether it merely referred to their characters.
One of the gentlemen in attendance made a remark in Spanish and Se?ora de Caspearo flung back her headappreciatively and laughed loudly and melodiously1.
“You understand what he said?” she inquired of Miss Marple.
“I’m afraid not,” said Miss Marple apologetically.
“It is just as well. He is a wicked man.”
A rapid and spirited interchange of Spanish badinage2 followed.
“It is infamous—infamous,” said Se?ora de Caspearo, reverting3 to English with sudden gravity, “that the police donot let us go from this island. I storm, I scream, I stamp my foot—but all they say is No—No. You know how it willend—we shall all be killed.”
Her bodyguard4 attempted to reassure5 her.
“But yes—I tell you it is unlucky here. I knew it from the first—That old Major, the ugly one—he had the Evil Eye—you remember? His eyes they crossed—It is bad, that! I make the Sign of the Horns every time when he looks myway.” She made it in illustration. “Though since he is cross-eyed I am not always sure when he does look my way—”
“He had a glass eye,” said Miss Marple in an explanatory voice. “An accident, I understand, when he was quiteyoung. It was not his fault.”
“I tell you he brought bad luck—I say it is the Evil Eye he had.”
Her hand shot out again in the well-known Latin gesture—the first finger and the little finger sticking out, the twomiddle ones doubled in. “Anyway,” she said cheerfully, “he is dead—I do not have to look at him any more. I do notlike to look at things that are ugly.”
It was, Miss Marple thought, a somewhat cruel epitaph on Major Palgrave.
Farther down the beach Gregory Dyson had come out of the sea. Lucky had turned herself over on the sand. EvelynHillingdon was looking at Lucky, and her expression, for some reason, made Miss Marple shiver.
“Surely I can’t be cold—in this hot sun,” she thought.
What was the old phrase—“A goose walking over your grave—”
She got up and went slowly back to her bungalow6.
On the way she passed Mr. Rafiel and Esther Walters coming down the beach. Mr. Rafiel winked8 at her. MissMarple did not wink7 back. She looked disapproving9.
She went into her bungalow and lay down on her bed. She felt old and tired and worried.
She was quite certain that there was no time to be lost—no time—to—be lost … It was getting late … The sun wasgoing to set—the sun—one must always look at the sun through smoked glass—Where was that piece of smoked glassthat someone had given her?…
No, she wouldn’t need it after all. A shadow had come over the sun blotting10 it out. A shadow. Evelyn Hillingdon’sshadow—No, not Evelyn Hillingdon—The Shadow (what were the words?) the Shadow of the Valley of Death. Thatwas it. She must—what was it? Make the Sign of the Horns—to avert11 the Evil Eye—Major Palgrave’s Evil Eye.
Her eyelids12 flickered13 open—she had been asleep. But there was a shadow—someone peering in at her window.
The shadow moved away—and Miss Marple saw who it was—It was Jackson.
“Impertinence—peering in like that,” she thought—and added parenthetically, “Just like Jonas Parry.”
The comparison reflected no credit on Jackson.
Then she wondered why Jackson had been peering into her bedroom. To see if she was there? Or to note that shewas there, but was asleep.
She got up, went into the bathroom and peered cautiously through the window.
Arthur Jackson was standing14 by the door of the bungalow next door. Mr. Rafiel’s bungalow. She saw him give arapid glance round and then slip quickly inside. Interesting, thought Miss Marple. Why did he have to look round inthat furtive15 manner? Nothing in the world could have been more natural than his going into Mr. Rafiel’s bungalowsince he himself had a room at the back of it. He was always going in and out of it on some errand or other. So whythat quick, guilty glance round? “Only one reason,” said Miss Marple answering her own question, “he wanted to besure that nobody was observing him enter at this particular moment because of something he was going to do inthere.”
Everybody, of course, was on the beach at this moment except those who had gone for expeditions. In about twentyminutes or so, Jackson himself would arrive on the beach in the course of his duties to aid Mr. Rafiel to take his seadip. If he wanted to do anything in the bungalow unobserved, now was a very good time. He had satisfied himself thatMiss Marple was asleep on her bed, he had satisfied himself that there was nobody near at hand to observe hismovements. Well, she must do her best to do exactly that.
Sitting down on her bed, Miss Marple removed her neat sandal shoes and replaced them with a pair of plimsolls.
Then she shook her head, removed the plimsolls, burrowed16 in her suitcase and took out a pair of shoes the heel of oneof which she had recently caught on a hook by the door. It was now in a slightly precarious17 state and Miss Marpleadroitly rendered it even more precarious by attention with a nail file. Then she emerged with due precaution from herdoor walking in stockinged feet. With all the care of a Big Game Hunter approaching up-wind of a herd18 of antelope,Miss Marple gently circumnavigated Mr. Rafiel’s bungalow. Cautiously she manoeuvred her way around the corner ofthe house. She put on one of the shoes she was carrying, gave a final wrench19 to the heel of the other, sank gently to herknees and lay prone20 under the window. If Jackson heard anything, if he came to the window to look out, an old ladywould have had a fall owing to the heel coming off her shoe. But evidently Jackson had heard nothing.
Very, very gently Miss Marple raised her head. The windows of the bungalow were low. Shielding herself slightlywith a festoon of creeper she peered inside….
Jackson was on his knees before a suitcase. The lid of the suitcase was up and Miss Marple could see that it was aspecially fitted affair containing compartments21 filled with various kinds of papers. Jackson was looking through thepapers, occasionally drawing documents out of long envelopes. Miss Marple did not remain at her observation post forlong. All she wanted was to know what Jackson was doing. She knew now. Jackson was snooping. Whether he waslooking for something in particular, or whether he was just indulging his natural instincts, she had no means ofjudging. But it confirmed her in her belief that Arthur Jackson and Jonas Parry had strong affinities22 in other things thanfacial resemblance.
Her problem was now to withdraw. Very carefully she dropped down again and crept along the flowerbed until shewas clear of the window. She returned to her bungalow and carefully put away the shoe and the heel that she haddetached from it. She looked at them with affection. A good device which she could use on another day if necessary.
She resumed her own sandal shoes, and went thoughtfully down to the beach again.
Choosing a moment when Esther Walters was in the water, Miss Marple moved into the chair Esther had vacated.
Greg and Lucky were laughing and talking with Se?ora de Caspearo and making a good deal of noise.
Miss Marple spoke23 very quietly, almost under her breath, without looking at Mr. Rafiel.
“Do you know that Jackson snoops?”
“Doesn’t surprise me,” said Mr. Rafiel. “Caught him at it, did you?”
“I managed to observe him through a window. He had one of your suitcases open and was looking through yourpapers.”
“Must have managed to get hold of a key to it. Resourceful fellow. He’ll be disappointed though. Nothing he getshold of in that way will do him a mite24 of good.”
“He’s coming down now,” said Miss Marple, glancing up towards the hotel.
“Time for that idiotic25 sea dip of mine.”
He spoke again—very quietly.
“As for you—don’t be too enterprising. We don’t want to be attending your funeral next. Remember your age, andbe careful. There’s somebody about who isn’t too scrupulous26, remember.”

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1
melodiously
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2
badinage
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n.开玩笑,打趣 | |
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3
reverting
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恢复( revert的现在分词 ); 重提; 回到…上; 归还 | |
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4
bodyguard
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n.护卫,保镖 | |
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5
reassure
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v.使放心,使消除疑虑 | |
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bungalow
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n.平房,周围有阳台的木造小平房 | |
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7
wink
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n.眨眼,使眼色,瞬间;v.眨眼,使眼色,闪烁 | |
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8
winked
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v.使眼色( wink的过去式和过去分词 );递眼色(表示友好或高兴等);(指光)闪烁;闪亮 | |
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9
disapproving
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adj.不满的,反对的v.不赞成( disapprove的现在分词 ) | |
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10
blotting
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吸墨水纸 | |
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11
avert
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v.防止,避免;转移(目光、注意力等) | |
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12
eyelids
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n.眼睑( eyelid的名词复数 );眼睛也不眨一下;不露声色;面不改色 | |
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13
flickered
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(通常指灯光)闪烁,摇曳( flicker的过去式和过去分词 ) | |
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14
standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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15
furtive
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adj.鬼鬼崇崇的,偷偷摸摸的 | |
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16
burrowed
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v.挖掘(洞穴),挖洞( burrow的过去式和过去分词 );翻寻 | |
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17
precarious
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adj.不安定的,靠不住的;根据不足的 | |
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18
herd
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n.兽群,牧群;vt.使集中,把…赶在一起 | |
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19
wrench
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v.猛拧;挣脱;使扭伤;n.扳手;痛苦,难受 | |
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20
prone
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adj.(to)易于…的,很可能…的;俯卧的 | |
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21
compartments
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n.间隔( compartment的名词复数 );(列车车厢的)隔间;(家具或设备等的)分隔间;隔层 | |
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22
affinities
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n.密切关系( affinity的名词复数 );亲近;(生性)喜爱;类同 | |
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23
spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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24
mite
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n.极小的东西;小铜币 | |
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25
idiotic
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adj.白痴的 | |
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26
scrupulous
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adj.审慎的,小心翼翼的,完全的,纯粹的 | |
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