I hadn’t forgotten my plan of going to the auction1.
There was three weeks to go. I’d had two more trips to the Continent,one to France and the other to Germany. It was when I was in Hamburgthat things came to a crisis. For one thing I took a violent dislike to theman and his wife I was driving. They represented everything I dislikedmost. They were rude, inconsiderate, unpleasant to look at, and I supposethey developed in me a feeling of being unable to stand this life of syco-phancy any longer. I was careful, mind you. I thought I couldn’t standthem another day but I didn’t tell them so. No good running yourself inbad with the firm that employs you. So I telephoned up their hotel, said Iwas ill and I wired London saying the same thing. I said I might be inquarantine and it would be advisable if they sent out a driver to replaceme. Nobody could blame me for that. They wouldn’t care enough aboutme to make further inquiries2 and they’d merely think that I was too fever-ish to send them any more news. Later, I’d turn up in London again, spin-ning them a yarn3 of how ill I’d been! But I didn’t think I should do that. Iwas fed up with the driving racket.
That rebellion of mine was an important turning-point in my life. Be-cause of that and of other things, I turned up at the auction rooms on theappointed date.
“Unless sold before by private treaty” had been pasted across the ori-ginal board. But it was still there, so it hadn’t been sold by private treaty. Iwas so excited I hardly knew what I was doing.
As I say, I had never been to a public auction of property before. I wasimbued with the idea that it would be exciting but it wasn’t exciting. Notin the least. It was one of the most moribund4 performances I have ever at-tended. It took place in a semi-gloomy atmosphere and there were onlyabout six or seven people there. The auctioneer was quite different fromthose auctioneers that I had seen presiding at furniture sales or things ofthat kind; men with facetious5 voices and very hearty6 and full of jokes. Thisone, in a dead and alive voice, praised the property and described theacreage and a few things like that and then he went halfheartedly into thebidding. Somebody made a bid of ?5,000. The auctioneer gave a tiredsmile rather as one who hears a joke that isn’t really funny. He made afew remarks and there were a few more bids. They were mostly countrytypes standing7 around. Someone who looked like a farmer, someone who Iguessed to be one of the competitive builders, a couple of lawyers, I think,one a man who looked as though he was a stranger from London, welldressed and professional-looking. I don’t know if he made an actual bid,he may have done. If so it was very quietly and done more by gesture.
Anyway the bidding petered to an end, the auctioneer announced in amelancholy voice that the reserve price had not been reached and thething broke up.
“That was a dull business,” I said to one of the country-looking fellowswhom I was next to as I went out.
“Much the same as usual,” he said. “Been to many of these?”
“No,” I said, “actually it’s the first.”
“Come out of curiosity, did you? I didn’t notice you doing any bidding.”
“No fear,” I said. “I just wanted to see how it would go.”
“Well, it’s the way it runs very often. They just want to see who’s interes-ted, you know.”
I looked at him inquiringly.
“Only three of ’em in it, I should say,” said my friend. “Whetherby fromHelminster. He’s the builder, you know. Then Dakham and Coombe, bid-ding on behalf of some Liverpool firm, I understand, and a dark horsefrom London, too, I should say a lawyer. Of course there may be more in itthan that, but those seemed the main ones to me. It’ll go cheap. That’swhat everyone says.”
“Because of the place’s reputation?” I asked.
“Oh, you’ve heard about Gipsy’s Acre, have you? That’s only what thecountry people say. Rural Council ought to have altered that road yearsago—it’s a death trap.”
“But the place has got a bad reputation?”
“I tell you that’s just superstition8. Anyway, as I say, the real business’llhappen now behind the scenes, you know. They’ll go and make offers. I’dsay the Liverpool people might get it. I don’t think Whetherby’ll go highenough. He likes buying cheap. Plenty of properties coming into the mar-ket nowadays for development. After all, it’s not many people who couldafford to buy the place, pull that ruined house down and put up anotherhouse there, could they?”
“Doesn’t seem to happen very often nowadays,” I said.
“Too difficult. What with taxation9 and one thing and another, and youcan’t get domestic help in the country. No, people would rather pay thou-sands for a luxury flat in a town nowadays up on the sixteenth floor of amodern building. Big unwieldy country houses are a drag on the market.”
“But you could build a modern house,” I argued. “Labour-saving.”
“You could, but it’s an expensive business and people aren’t so fond ofliving lonely.”
“Some people might be,” I said.
He laughed and we parted. I walked along, frowning, puzzling to myself.
My feet took me without my really noticing where I was going along theroad between the trees and up, up to the curving road that led betweenthe trees to the moorlands.
And so I came to the spot in the road where I first saw Ellie. As I said,she was standing just by a tall fir tree and she had the look, if I can explainit, of someone who hadn’t been there a moment before but had just mater-ialized, as it were, out of the tree. She was wearing a sort of dark greentweed and her hair was the soft brown colour of an autumn leaf and therewas something a bit unsubstantial about her. I saw her and I stopped. Shewas looking at me, her lips just parted, looking slightly startled. I suppose Ilooked startled too. I wanted to say something and I didn’t quite knowwhat to say. Then I said:
“Sorry. I—I didn’t mean to startle you. I didn’t know there was anyonehere.”
She said, and her voice was very soft and gentle, it might have been alittle girl’s voice but not quite. She said:
“It’s quite all right. I mean, I didn’t think anyone would be here either.”
She looked round her and said, “It—it’s a lonely spot.” And she shiveredjust a little.
There was rather a chilly10 wind that afternoon. But perhaps it wasn’t thewind. I don’t know. I came a step or two nearer.
“It is a sort of scary place rather, isn’t it?” I said. “I mean, the house be-ing a ruin the way it is.”
“The Towers,” she said thoughtfully. “That was the name of it, wasn’t it—only I mean, there don’t seem to have been any towers.”
“I expect that was just a name,” I said. “People call their houses nameslike The Towers to make them sound grander than they are.”
She laughed just a little. “I suppose that was it,” she said. “This—perhapsyou know, I’m not sure—this is the place that they’re selling today or put-ting up for auction?”
“Yes,” I said. “I’ve come from the auction now.”
“Oh.” She sounded startled. “Were you—are you—interested?”
“I’m not likely to buy a ruined house with a few hundred acres of wood-land land,” I said. “I’m not in that class.”
“Was it sold?” she asked.
“No, it didn’t come up to reserve.”
“Oh. I see.” She sounded relieved.
“You didn’t want to buy it either, did you?” I said.
“Oh no,” she said, “of course not.” She sounded nervous about it.
I hesitated and then I blurted11 out the words that came to my lips. “I’mpretending,” I said. “I can’t buy it, of course, because I haven’t got anymoney, but I’m interested. I’d like to buy it. I want to buy it. Open yourmouth and laugh at me if you like but that’s the way it is.”
“But isn’t it rather too decrepit12, too—”
“Oh yes,” I said. “I don’t mean I want it like it is now. I want to pull thisdown, cart it all away. It’s an ugly house and I think it must have been asad house. But this place isn’t sad or ugly. It’s beautiful. Look here. Come alittle this way, through the trees. Look out at the view that way where itgoes to the hills and the moors13. D’you see? Clear away a vista14 here—andthen you come this way—”
I took her by the arm and led her to a second point of the compass. If wewere behaving unconventionally she did not notice it. Anyway, it wasn’tthat kind of way I was holding her. I wanted to show her what I saw.
“Here,” I said, “here you see where it sweeps down to the sea and wherethe rocks show out there. There’s a town between us and that but we can’tsee it because of the hills bulging15 out farther down the slope. And thenyou can look a third way, to a vague foresty valley. Do you see now if youcut down trees and make big vistas16 and clear this space round the house,do you see what a beautiful house you could have here? You wouldn’t siteit where the old one is. You’d go about fifty—a hundred yards to the right,here. This is where you could have a house, a wonderful house. A housebuilt by an architect who’s a genius.”
“Do you know any architects who are geniuses?” She sounded doubtful.
“I know one,” I said.
Then I started telling her about Santonix. We sat down side by side on afallen tree and I talked. Yes, I talked to that slender woodland girl whomI’d never seen before and I put all I had into what I was telling her. I toldher the dream that one could build up.
“It won’t happen,” I said, “I know that. It couldn’t happen. But think.
Think into it just like I’m thinking into it. There we’d cut the trees andthere we’d open up, and we’d plant things, rhododendrons and azaleas,and my friend Santonix would come. He’d cough a good deal because Ithink he’s dying of consumption or something but he could do it. He coulddo it before he died. He could build the most wonderful house. You don’tknow what his houses are like. He builds them for very rich people andthey have to be people who want the right thing. I don’t mean the rightthing in the conventional sense. Things people who want a dream cometrue want. Something wonderful.”
“I’d want a house like that,” said Ellie. “You make me see it, feel it…Yes,this would be a lovely place to live. Everything one has dreamed of cometrue. One could live here and be free, not hampered17, not tied round bypeople pushing you into doing everything you don’t want, keeping youfrom doing anything you do want. Oh I am so sick of my life and thepeople who are round me and everything!”
That’s the way it began, Ellie and I together. Me with my dreams and shewith her revolt against her life. We stopped talking and looked at eachother.
“What’s your name?” she said.
“Mike Rogers,” I said. “Michael Rogers,” I amended18. “What’s yours?”
“Fenella.” She hesitated and then said, “Fenella Goodman,” looking atme with a rather troubled expression.
This didn’t seem to take us much further but we went on looking at eachother. We both wanted to see each other again—but just for the momentwe didn’t know how to set about it.

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1
auction
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n.拍卖;拍卖会;vt.拍卖 | |
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2
inquiries
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n.调查( inquiry的名词复数 );疑问;探究;打听 | |
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3
yarn
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n.纱,纱线,纺线;奇闻漫谈,旅行轶事 | |
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4
moribund
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adj.即将结束的,垂死的 | |
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5
facetious
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adj.轻浮的,好开玩笑的 | |
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6
hearty
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adj.热情友好的;衷心的;尽情的,纵情的 | |
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7
standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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8
superstition
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n.迷信,迷信行为 | |
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9
taxation
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n.征税,税收,税金 | |
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10
chilly
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adj.凉快的,寒冷的 | |
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11
blurted
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v.突然说出,脱口而出( blurt的过去式和过去分词 ) | |
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12
decrepit
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adj.衰老的,破旧的 | |
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13
moors
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v.停泊,系泊(船只)( moor的第三人称单数 ) | |
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14
vista
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n.远景,深景,展望,回想 | |
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15
bulging
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膨胀; 凸出(部); 打气; 折皱 | |
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16
vistas
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长条形景色( vista的名词复数 ); 回顾; 展望; (未来可能发生的)一系列情景 | |
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17
hampered
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妨碍,束缚,限制( hamper的过去式和过去分词 ) | |
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18
Amended
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adj. 修正的 动词amend的过去式和过去分词 | |
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