Chapter 10 The Woman In The Schloss
I
They came out of the Festival Youth Theatre to the refreshing1 night air. Be-low them in a sweep of the ground, was a lighted restaurant. On the sideof the hill was another, smaller one. The restaurants varied2 slightly inprice though neither of them was inexpensive. Renata was in eveningdress of black velvet3, Sir Stafford Nye was in white tie and full eveningdress.
‘A very distinguished4 audience,’ murmured Stafford Nye to his compan-ion. ‘Plenty of money there. A young audience on the whole. You wouldn’tthink they could afford it.’
‘Oh! that can be seen to–it is seen to.’
‘A subsidy5 for the élite of youth? That kind of thing?’ ‘Yes.’
They walked towards the restaurant on the high side of the hill.
‘They give you an hour for the meal. Is that right?’
‘Technically an hour. Actually an hour and a quarter.’
‘That audience,’ said Sir Stafford Nye, ‘most of them, nearly all of them, Ishould say, are real lovers of music.’
‘Most of them, yes. It’s important, you know.’
‘What do you mean–important?’
‘That the enthusiasm should be genuine. At both ends of the scale,’ sheadded.
‘What did you mean, exactly, by that?’
‘Those who practise and organize violence must love violence, mustwant it, must yearn6 for it. The seal of ecstasy7 in every movement, of slash-ing, hurting, destroying. And the same thing with the music. The ears mustappreciate every moment of the harmonies and beauties. There can be nopretending in this game.’
‘Can you double the r?les–do you mean you can combine violence and alove of music or a love of art?’
‘It is not always easy, I think, but yes. There are many who can. It issafer really, if they don’t have to combine r?les.’
‘It’s better to keep it simple, as our fat friend Mr Robinson would say?
Let the lovers of music love music, let the violent practitioners8 love viol-ence. Is that what you mean?’
‘I think so.’
‘I am enjoying this very much. The two days that we have stayed here,the two nights of music that we have enjoyed. I have not enjoyed all themusic because I am not perhaps sufficiently9 modern in my taste. I find theclothes very interesting.’
‘Are you talking of the stage production?’
‘No, no, I was talking of the audience, really. You and I, the squares, theold-fashioned. You, Countess, in your society gown, I in my white tie andtails. Not a comfortable get-up, it never has been. And then the others, thesilks and the velvets, the ruffled10 shirts of the men, real lace, I noticed, sev-eral times–and the plush and the hair and the luxury of avant garde, theluxury of the eighteen- hundreds or you might almost say of the Eliza-bethan age or of Van Dyck pictures.’
‘Yes, you are right.’
‘I’m no nearer, though, to what it all means. I haven’t learnt anything. Ihaven’t found out anything.’
‘You mustn’t be impatient. This is a rich show, supported, asked for, de-manded perhaps by youth and provided by–’
‘By whom?’
‘We don’t know yet. We shall know.’
‘I’m so glad you are sure of it.’
They went into the restaurant and sat down. The food was good thoughnot in any way ornate or luxurious11. Once or twice they were spoken to byan acquaintance or a friend. Two people who recognized Sir Stafford Nyeexpressed pleasure and surprise at seeing him. Renata had a bigger circleof acquaintances since she knew more foreigners–well-dressed women, aman or two, mostly German or Austrian, Stafford Nye thought, one or twoAmericans. Just a few desultory12 words. Where people had come from orwere going to, criticism or appreciation13 of the musical fare. Nobodywasted much time since the interval14 for eating had not been very long.
They returned to their seats for the two final musical offerings. A Sym-phonic Poem, ‘Disintegration in Joy’, by a new young composer,Solukonov, and then the solemn grandeur15 of the March of the Meistersing-ers.
They came out again into the night. The car which was at their disposalevery day was waiting there to take them back to the small but exclusivehotel in the village street. Stafford Nye said good- night to Renata. Shespoke to him in a lowered voice.
‘Four a.m.,’ she said. ‘Be ready.’
She went straight into her room and shut the door and he went to his.
The faint scrape of fingers on his door came precisely16 at three minutesto four the next morning. He opened the door and stood ready.
‘The car is waiting,’ she said. ‘Come.’

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1
refreshing
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adj.使精神振作的,使人清爽的,使人喜欢的 | |
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2
varied
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adj.多样的,多变化的 | |
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3
velvet
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n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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4
distinguished
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adj.卓越的,杰出的,著名的 | |
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5
subsidy
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n.补助金,津贴 | |
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6
yearn
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v.想念;怀念;渴望 | |
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7
ecstasy
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n.狂喜,心醉神怡,入迷 | |
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8
practitioners
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n.习艺者,实习者( practitioner的名词复数 );从业者(尤指医师) | |
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9
sufficiently
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adv.足够地,充分地 | |
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10
ruffled
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adj. 有褶饰边的, 起皱的 动词ruffle的过去式和过去分词 | |
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11
luxurious
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adj.精美而昂贵的;豪华的 | |
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12
desultory
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adj.散漫的,无方法的 | |
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13
appreciation
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n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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14
interval
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n.间隔,间距;幕间休息,中场休息 | |
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15
grandeur
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n.伟大,崇高,宏伟,庄严,豪华 | |
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16
precisely
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adv.恰好,正好,精确地,细致地 | |
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