HE salon which the Cardinal-Archbishop used as a reception room had been fitted, in the time of Louis XV., with panellings of carved wood painted a light grey. Seated figures of women surrounded...

 HE salon which the Cardinal-Archbishop used as a reception room had been fitted, in the time of Louis XV., with panellings of carved wood painted a light grey. Seated figures of women surrounded by trophies filled the angles of the cornices. The mirror on the chimney-piece being in two divisions, was covered, as to its lower half, with a drapery of crimson velvet which threw into relief a pure white statue of Our Lady of Lourdes with her pretty blue scarf. Along the walls, in the middle of the panels, hung enamel plates framed in reddish plush, portraits of Popes Pius IX. and Leo XIII. printed in colours, and pieces of embroidery, either souvenirs of Rome or gifts from the pious ladies of the diocese. The gilded side-tables were loaded with plaster models of Gothic or Romanesque churches: the Cardinal-Archbishop was2 fond of buildings. From the plaster rose hung a Merovingian chandelier executed from the designs of M. Quatrebarbe, diocesan architect and Knight of the Order of Saint Gregory.