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CHAPTER IV
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After the evening of the storm we talked no more of marriage for a while, and about a week later I went over to Paris ostensibly to shop, and was joined there by Mr. Garrett on the way to Italy. I suppose that Italy must always lie like some lovely sunken island at the bottom of all passionate1 dreams, from which at the flood it may arise; the air of it is charged with subtle essences of romance. One supposes Italy must be organized for the need of lovers. Nothing occurred there to break the film of our enchanted2 bubble. For a month we kept to the hill towns and to Venice, where we could go about in the conspicuous3 privacy of a gondola4, and all that time we met nobody we had ever known.
It was all so easily managed—we had to think of the girls, of course—no one seeing our registered names side by side, Mrs. Thomas Bettersworth, New York, and Helmeth Garrett, Chilicojote, Mexico, would have thought of connecting them. Helmeth attended to all his business correspondence as though he were still in London, and nobody expected to hear from me in any case.
It is strange how little history there is to happiness. We had come together past incredible struggles, anxieties, triumphs, defeats; we had been buffeted5 and stricken, and now suddenly we were stilled. If at any time the ghosts of the uneasy past rose upon us, we kissed and they were laid. So long as we kept in touch, there ran a river of fire between our blessed isolation6 and the world. And for the first time we looked upon the world free of the obligations of our being in it. We looked, and exchanged our separate knowledges as precious treasure. My exploration of life had been from within—I knew what Raphael was thinking about when he painted that fine blue vein8 on his Madonna's wrist. But Helmeth had looked on the movement of history; what he saw in Italy was the path of armies, lines of aqueducts, old Roman roads to and from mines. Everything began or ended for him in a mine, in Gaul or Austria or Ophir; dynasties were marked for him by change in the ownership of mines. So he drew me the white roads out of Italy as one draws fibre from a palm, and strung on them the world's great adventures. There were hours also when we let all this great
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1
passionate
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adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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2
enchanted
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adj. 被施魔法的,陶醉的,入迷的 动词enchant的过去式和过去分词 | |
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3
conspicuous
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adj.明眼的,惹人注目的;炫耀的,摆阔气的 | |
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4
gondola
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n.威尼斯的平底轻舟;飞船的吊船 | |
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5
buffeted
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反复敲打( buffet的过去式和过去分词 ); 连续猛击; 打来打去; 推来搡去 | |
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isolation
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n.隔离,孤立,分解,分离 | |
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ledge
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n.壁架,架状突出物;岩架,岩礁 | |
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vein
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n.血管,静脉;叶脉,纹理;情绪;vt.使成脉络 | |
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fabric
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n.织物,织品,布;构造,结构,组织 | |
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qualms
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n.不安;内疚 | |
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penetrating
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adj.(声音)响亮的,尖锐的adj.(气味)刺激的adj.(思想)敏锐的,有洞察力的 | |
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12
tainted
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adj.腐坏的;污染的;沾污的;感染的v.使变质( taint的过去式和过去分词 );使污染;败坏;被污染,腐坏,败坏 | |
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13
subjugation
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n.镇压,平息,征服 | |
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concurs
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同意(concur的第三人称单数形式) | |
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relish
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n.滋味,享受,爱好,调味品;vt.加调味料,享受,品味;vi.有滋味 | |
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transmuted
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v.使变形,使变质,把…变成…( transmute的过去式和过去分词 ) | |
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fret
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v.(使)烦恼;(使)焦急;(使)腐蚀,(使)磨损 | |
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fretted
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焦躁的,附有弦马的,腐蚀的 | |
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caresses
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爱抚,抚摸( caress的名词复数 ) | |
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justification
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n.正当的理由;辩解的理由 | |
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consistency
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n.一贯性,前后一致,稳定性;(液体的)浓度 | |
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22
spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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mighty
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adj.强有力的;巨大的 | |
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flecks
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n.斑点,小点( fleck的名词复数 );癍 | |
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tilted
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v. 倾斜的 | |
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streak
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n.条理,斑纹,倾向,少许,痕迹;v.加条纹,变成条纹,奔驰,快速移动 | |
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irresistible
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adj.非常诱人的,无法拒绝的,无法抗拒的 | |
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plying
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v.使用(工具)( ply的现在分词 );经常供应(食物、饮料);固定往来;经营生意 | |
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quaint
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adj.古雅的,离奇有趣的,奇怪的 | |
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appreciations
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n.欣赏( appreciation的名词复数 );感激;评定;(尤指土地或财产的)增值 | |
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garbled
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adj.(指信息)混乱的,引起误解的v.对(事实)歪曲,对(文章等)断章取义,窜改( garble的过去式和过去分词 ) | |
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importunate
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adj.强求的;纠缠不休的 | |
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ripened
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v.成熟,使熟( ripen的过去式和过去分词 ) | |
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contrive
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vt.谋划,策划;设法做到;设计,想出 | |
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vivacity
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n.快活,活泼,精神充沛 | |
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explicitly
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ad.明确地,显然地 | |
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sketch
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n.草图;梗概;素描;v.素描;概述 | |
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mutual
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adj.相互的,彼此的;共同的,共有的 | |
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prick
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v.刺伤,刺痛,刺孔;n.刺伤,刺痛 | |
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promptly
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adv.及时地,敏捷地 | |
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mythical
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adj.神话的;虚构的;想像的 | |
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overdoing
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v.做得过分( overdo的现在分词 );太夸张;把…煮得太久;(工作等)过度 | |
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afterward
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adv.后来;以后 | |
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sobbed
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哭泣,啜泣( sob的过去式和过去分词 ); 哭诉,呜咽地说 | |
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stipulated
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vt.& vi.规定;约定adj.[法]合同规定的 | |
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CHAPTER III
下一章:
CHAPTER V
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